#FASHIONFAB: Neiman Marcus Elevates Spring with a “Café Society.” Theme
Neiman Marcus unveils its spring 2025 campaign “Café Society.” Photo: Bobby Doherty / Neiman Marcus
Neiman Marcus sets the table for spring with its latest campaign, “Café Society,” a lavish tribute to the intersection of fashion and culinary culture. Photographed by Bobby Doherty at the iconic Mr. Chow Beverly Hills, the campaign captures a vibrant cast of personalities
The advertisement unfolds with Pat Cleveland draped in crimson elegance, Michael Chow (Mr. Chow) in a pink double-breasted suit, and Kathy Hilton commanding attention in a powder-blue dress with sculptural sleeves. Ivy Getty, Lucky Blue Smith, Nara Smith, and others add layers of style and charisma.
Part of Neiman Marcus’s immersive “retail-tainment” strategy, the campaign goes beyond aesthetics. Upcoming exclusive dinners curated by renowned chefs like Thomas Keller, Kwame Onwuachi, and Jessica Oost will be complemented by collaborations with culinary icons such as Mr. Chow and Caviar Kaspia.
Meanwhile, luxurious tasting tables, set with Versace’s decadent tableware, Ginori 1735’s refined porcelain, and Baccarat’s crystal glassware, promise a feast for the senses.
Neiman Marcus unveils its spring 2025 campaign “Café Society.” Photo: Bobby Doherty / Neiman Marcus
Neiman Marcus sets the table for spring with its latest campaign, “Café Society,” a lavish tribute to the intersection of fashion and culinary culture. Photographed by Bobby Doherty at the iconic Mr. Chow Beverly Hills, the campaign captures a vibrant cast of personalities
Part of Neiman Marcus’s immersive “retail-tainment” strategy, the campaign goes beyond aesthetics. Upcoming exclusive dinners curated by renowned chefs like Thomas Keller, Kwame Onwuachi, and Jessica Oost will be complemented by collaborations with culinary icons such as Mr. Chow and Caviar Kaspia.
Meanwhile, luxurious tasting tables, set with Versace’s decadent tableware, Ginori 1735’s refined porcelain, and Baccarat’s crystal glassware, promise a feast for the senses.
Later this season, Neiman Marcus will unveil “A Pocket Guide to Great Taste,” a digital culinary compendium curated by Christine Muhlke. The guide promises a curated mix of restaurant recommendations and personal food memories from fashion luminaries such as Christian Louboutin, Manolo Blahnik, and Simone Rocha.
#RHOA: "People Are Going to See Me Being Fierce": Kelli Ferrell on What to Expect in 'RHOA' Season 16
If The Real Housewives of Atlanta newbie Kelli Ferrell could be summed up in three words, they would be fierce, fashion and food! The mother and Atlanta-based restaurateur is one of three new baddies joining the infamous reality show cast. Kelli, self-proclaimed Barbie Brit Eady and Angela Oakley, wife of former NBA star Charles Oakley will join Porsha Williams, Shamea Morton Mwangi, Drew Sidora and friends of the show, Kenya Moore and Cynthia Bailey, on Season 16 of the popular franchise. After back-to-back disappointing seasons, RHOA executives gave in to fans' demands for a reboot and new blood. Kelli believes the newbie cast, along with the couple of OGs, is prepared to deliver big time on March 9th and says she looks forward to the fans seeing an all-new RHOA.
Kelli grew up in Baltimore, MD, the oldest of three girls. She recalls watching her mother and grandmother in the kitchen and enjoying being their sous' chef while she was a little girl. It wasn't long before Kelli was cooking for her sisters while her mother was at work. "My go-to dish when cooking was fried chicken and rice," she laughs. "It wasn't until years later that I started getting good with some of the heavier sides, like macaroni and cheese. I would make tuna casserole, spaghetti and pretty soon I started experimenting and getting better and better. In our home, growing up, we had Sunday dinner together every week, so food represented family and love for me. It became my passion early on." Now, she's ready to put it all on display on the Bravo series.
Kelli grew up in Baltimore, MD, the oldest of three girls. She recalls watching her mother and grandmother in the kitchen and enjoying being their sous' chef while she was a little girl. It wasn't long before Kelli was cooking for her sisters while her mother was at work. "My go-to dish when cooking was fried chicken and rice," she laughs. "It wasn't until years later that I started getting good with some of the heavier sides, like macaroni and cheese. I would make tuna casserole, spaghetti and pretty soon I started experimenting and getting better and better. In our home, growing up, we had Sunday dinner together every week, so food represented family and love for me. It became my passion early on." Now, she's ready to put it all on display on the Bravo series.
#MusicNews: Muni Long Releases New Single “Slow Grind”
R&B sensation Muni Long shares a brand new single for Valentine’s Day called “Slow Grind”.
The sultry and seductive song contains a synth-laden throwback beat, while Muni Long comfortably leans into the groove.
Muni Long warns, “This song may lead to unforgettable nights. Listen accordingly.”
R&B sensation Muni Long shares a brand new single for Valentine’s Day called “Slow Grind”.
The sultry and seductive song contains a synth-laden throwback beat, while Muni Long comfortably leans into the groove.
Muni Long warns, “This song may lead to unforgettable nights. Listen accordingly.”
LISTEN HERE: https://youtu.be/4nowSIcZGh8
This is her first offering since she released her album “Revenge” last Summer.
This is her first offering since she released her album “Revenge” last Summer.
#HipHopNews: Megan Thee Stallion’s Defamation Suit Against YouTuber Could End Up Involving Tory Lanez
Tory Lanez could be called to testify under oath in Megan Thee Stallion’s defamation and cyberstalking lawsuit against YouTuber Milagro Cooper. On Monday (Feb. 24), the Grammy Award-winning rapper’s legal team filed a motion requesting an oral deposition of the Canadian singer.
According to court documents obtained by legal affairs journalist Meghann Cuniff, “Mr. Peterson's (Lanez’s) deposition is necessary for Ms. Pete (Megan) to fully investigate the extent and bases of Defendant's conduct and Defendant's relationship with Mr. Peterson in support of her claims.” The filing further cited three cases in which courts allowed depositions of incarcerated individuals when their testimony was considered relevant.
Interestingly, Cooper isn’t against the deposition moving forward. If a judge approves, Lanez would be questioned by Megan’s lawyer via video conference or another method “arranged upon agreement” with California Correctional Institution, where the “Say It” artist is currently being held.
What We Know About Megan Thee Stallion’s Lawsuit Against Milagro Cooper
For context, Megan is accusing Cooper of acting as a “mouthpiece and puppet” for Lanez, who is currently serving a 10-year sentence for shooting the Houston rapper in 2020. Per the lawsuit, the blogger orchestrated a campaign to “denigrate, belittle, insult and spread false statements” about the musician, in addition to engaging in cyberstalking, intentional infliction of emotional distress and invasion of privacy.
One of the more disturbing allegations is that Cooper “willfully and maliciously promoted” a deepfake pornographic video of Megan. “I’ve endured countless attacks on my character based on false narratives from social media bloggers misrepresenting themselves as journalists,” she told Billboard in a statement. “It’s unacceptable behavior and these individuals need to understand there will be repercussions for recklessly posting lies and defamatory falsehoods.”
As for Lanez, Los Angeles Superior Court Judge Richard Bloom granted Megan a five-year restraining order against him in January. The order will remain in effect until Jan. 9, 2030, just months after the DAYSTAR artist becomes eligible for parole.
According to court documents obtained by legal affairs journalist Meghann Cuniff, “Mr. Peterson's (Lanez’s) deposition is necessary for Ms. Pete (Megan) to fully investigate the extent and bases of Defendant's conduct and Defendant's relationship with Mr. Peterson in support of her claims.” The filing further cited three cases in which courts allowed depositions of incarcerated individuals when their testimony was considered relevant.
Interestingly, Cooper isn’t against the deposition moving forward. If a judge approves, Lanez would be questioned by Megan’s lawyer via video conference or another method “arranged upon agreement” with California Correctional Institution, where the “Say It” artist is currently being held.
What We Know About Megan Thee Stallion’s Lawsuit Against Milagro Cooper
For context, Megan is accusing Cooper of acting as a “mouthpiece and puppet” for Lanez, who is currently serving a 10-year sentence for shooting the Houston rapper in 2020. Per the lawsuit, the blogger orchestrated a campaign to “denigrate, belittle, insult and spread false statements” about the musician, in addition to engaging in cyberstalking, intentional infliction of emotional distress and invasion of privacy.
One of the more disturbing allegations is that Cooper “willfully and maliciously promoted” a deepfake pornographic video of Megan. “I’ve endured countless attacks on my character based on false narratives from social media bloggers misrepresenting themselves as journalists,” she told Billboard in a statement. “It’s unacceptable behavior and these individuals need to understand there will be repercussions for recklessly posting lies and defamatory falsehoods.”
As for Lanez, Los Angeles Superior Court Judge Richard Bloom granted Megan a five-year restraining order against him in January. The order will remain in effect until Jan. 9, 2030, just months after the DAYSTAR artist becomes eligible for parole.
Don Lemon Slams Megyn Kelly For Unhinged Joy Reid Remarks
Don Lemon is riding for her fellow television host Joy Reid following Megyn Kelly‘s unhinged remarks. After news broke that MSNBC would be axing Reid’s show, The ReidOut, on Monday (Feb. 24), Kelly took to X/Twitter, where she mocked the Brooklynite for being terminated from the company.
“Remember when Joy Reid laughingly mocked ‘white women tears’ as pathetic and offensive to her? Who’s crying now, Joy?” Kelly typed. “Good riddance to the absolute worst person on television, and shame on NBC for letting it go on this long.”
Lemon caught wind of the commentary and uploaded a video response to Kelly onto his YouTube channel. The former CNN news host made it his latest HOT TAKES! episode and entitled it, “Bless Your Heart, Megyn Kelly.” The video’s description box details it as a “no-holds-barred roast” with Lemon “[dissecting] some of the cringe-worthy and offensive rhetoric that has made Kelly a lightning rod for criticism.” And Don did just that. For 22 minutes, the acclaimed journalist picked apart Kelly’s character and history of attacking minorities and other women in the business in order to make herself appear “dignified.”
The 58-year-old played a clip of the former Fox News anchor using profanities and bringing up her blackface incident before making a strong declaration: “So let me just say to Megyn Kelly, in my 30-some years as a journalist and my 50-some years as a person of color: Go f**k yourself. Okay?”
The Baton Rouge native then brought up a moment, with video evidence, when Kelly attacked his former CNN colleague Kaitlan Collins, demanding that she “smile more” and be less of a “cold-hearted bi**h.”
“CNN is trying to make [Kaitlan Collins] into a star…I will submit for the record that her biggest sin is not that she is biased, though she is, it’s that she is boring. She’s extremely boring with no personality. I have a pro tip for her: Try smiling every once in a while. Try not to be like, in your delivery, such a cold-hearted bi**h all the time because it gives people nothing to bond to,” Kelly said in the video.
Lemon responded in kind, stating, “Was that really necessary? And how is that supportive of women? Now, she could’ve given some advice and said, ‘Hey, you need to somehow establish a bond or connection with your audience.’ She doesn’t have to call the woman a ‘B.’”
Don Lemon is riding for her fellow television host Joy Reid following Megyn Kelly‘s unhinged remarks. After news broke that MSNBC would be axing Reid’s show, The ReidOut, on Monday (Feb. 24), Kelly took to X/Twitter, where she mocked the Brooklynite for being terminated from the company.
“Remember when Joy Reid laughingly mocked ‘white women tears’ as pathetic and offensive to her? Who’s crying now, Joy?” Kelly typed. “Good riddance to the absolute worst person on television, and shame on NBC for letting it go on this long.”
Lemon caught wind of the commentary and uploaded a video response to Kelly onto his YouTube channel. The former CNN news host made it his latest HOT TAKES! episode and entitled it, “Bless Your Heart, Megyn Kelly.” The video’s description box details it as a “no-holds-barred roast” with Lemon “[dissecting] some of the cringe-worthy and offensive rhetoric that has made Kelly a lightning rod for criticism.” And Don did just that. For 22 minutes, the acclaimed journalist picked apart Kelly’s character and history of attacking minorities and other women in the business in order to make herself appear “dignified.”
The 58-year-old played a clip of the former Fox News anchor using profanities and bringing up her blackface incident before making a strong declaration: “So let me just say to Megyn Kelly, in my 30-some years as a journalist and my 50-some years as a person of color: Go f**k yourself. Okay?”
The Baton Rouge native then brought up a moment, with video evidence, when Kelly attacked his former CNN colleague Kaitlan Collins, demanding that she “smile more” and be less of a “cold-hearted bi**h.”
“CNN is trying to make [Kaitlan Collins] into a star…I will submit for the record that her biggest sin is not that she is biased, though she is, it’s that she is boring. She’s extremely boring with no personality. I have a pro tip for her: Try smiling every once in a while. Try not to be like, in your delivery, such a cold-hearted bi**h all the time because it gives people nothing to bond to,” Kelly said in the video.
Lemon responded in kind, stating, “Was that really necessary? And how is that supportive of women? Now, she could’ve given some advice and said, ‘Hey, you need to somehow establish a bond or connection with your audience.’ She doesn’t have to call the woman a ‘B.’”
Chris Jasper, Pivotal Member Of The Isley Brothers, Dead At 73
Chris Jasper, a singer-composer known for his key role in shaping The Isley Brothers‘ sound, died at age 73 on Sunday (Feb. 23). His family confirmed the tragic news on Facebook, revealing that Jasper’s death comes just two months after being diagnosed with cancer. Their statement reads, “He will be deeply missed and his legacy will live on as an inspiration for generations.”
Jasper was born on December 30, 1951, in Cincinnati, Ohio, and studied classical piano by age 7. He studied music composition at the Juilliard School of Music in New York City. He lived in the same housing complex as the Isleys and later became family when his older sister, Elaine, married the late Rudolph Isley. He joined The Isley Brothers in 1973 alongside Ernie and Marvin Isley.
Jasper helped transform the then trio—of Ronald, O’Kelly, and Rudolph—”into a self-contained six-member R&B/Funk group.” The group’s signature sound was cultivated through “his songwriting talent and expertise on keyboards and synthesizers.” Jasper was instrumental in writing, arranging, and producing several hits, including “For the Love of You,” “Between the Sheets,” and “Fight the Power.”
In 1984, Jasper, Ernie, and Marvin formed Isley-Jasper-Isley and released the hit record “Caravan of Love.” Two years later, Jasper went solo and launched Gold City Records, where he released 17 albums, including four gospel LPs. His breakout hit, “Superbad,” promoted education and literacy, “a theme he was passionate about throughout his career,” according to his family.
Jasper was inducted into the Rock & Roll Hall of Fame with The Isley Brothers in 1992. The group was honored with the Lifetime Achievement Award in 2014, and he was inducted into the Songwriters Hall of Fame in 2022.
Bryan-Michael Cox, Donnie Simpson, and Alex Isley were among those who paid tribute to Jasper on social media. Cox wrote, “His contribution to the culture is infinite. Job well done, sir.” Isley expressed that he’s “family forever.” Simpson, who described Jasper as a “very cool and talented brother,” shared footage from his Video Soul episode.
The Rock & Roll Hall of Fame also honored him, tweeting that Jasper “played a key role in defining the sound of soul and funk in the 1970s and 1980s. A classically trained musician and composer, he led the Isleys’ transition into a self-contained band.” The organization also credited him for “writing and producing most of the group’s music between 1973 and 1983.”
Jasper is survived by Margie, his wife of 42 years, and their sons, Michael, Nicholas, and Christoper.
Jasper was born on December 30, 1951, in Cincinnati, Ohio, and studied classical piano by age 7. He studied music composition at the Juilliard School of Music in New York City. He lived in the same housing complex as the Isleys and later became family when his older sister, Elaine, married the late Rudolph Isley. He joined The Isley Brothers in 1973 alongside Ernie and Marvin Isley.
Jasper helped transform the then trio—of Ronald, O’Kelly, and Rudolph—”into a self-contained six-member R&B/Funk group.” The group’s signature sound was cultivated through “his songwriting talent and expertise on keyboards and synthesizers.” Jasper was instrumental in writing, arranging, and producing several hits, including “For the Love of You,” “Between the Sheets,” and “Fight the Power.”
In 1984, Jasper, Ernie, and Marvin formed Isley-Jasper-Isley and released the hit record “Caravan of Love.” Two years later, Jasper went solo and launched Gold City Records, where he released 17 albums, including four gospel LPs. His breakout hit, “Superbad,” promoted education and literacy, “a theme he was passionate about throughout his career,” according to his family.
Jasper was inducted into the Rock & Roll Hall of Fame with The Isley Brothers in 1992. The group was honored with the Lifetime Achievement Award in 2014, and he was inducted into the Songwriters Hall of Fame in 2022.
Bryan-Michael Cox, Donnie Simpson, and Alex Isley were among those who paid tribute to Jasper on social media. Cox wrote, “His contribution to the culture is infinite. Job well done, sir.” Isley expressed that he’s “family forever.” Simpson, who described Jasper as a “very cool and talented brother,” shared footage from his Video Soul episode.
The Rock & Roll Hall of Fame also honored him, tweeting that Jasper “played a key role in defining the sound of soul and funk in the 1970s and 1980s. A classically trained musician and composer, he led the Isleys’ transition into a self-contained band.” The organization also credited him for “writing and producing most of the group’s music between 1973 and 1983.”
Jasper is survived by Margie, his wife of 42 years, and their sons, Michael, Nicholas, and Christoper.
Ashanti brings depth to Black motherhood in ‘No Address’
In her latest cinematic venture No Address, Grammy-winning artist Ashanti demonstrates her evolution from music icon to compelling dramatic actress. The film delves into contemporary themes of identity, belonging, and the intricate journey of Black motherhood in modern America. Her portrayal resonates with authenticity, drawing from personal experiences and observations of societal dynamics that shape Black women’s narratives today. The role marks a significant milestone in Ashanti’s acting career, showcasing her versatility as an artist while addressing crucial social themes that resonate with audiences across demographics.
The transition from music to acting represents more than just a career shift for Ashanti. It embodies the multifaceted nature of Black women’s experiences in the entertainment industry. Her role in No Address showcases the complexity of balancing professional ambitions with personal growth, particularly in spaces where representation has historically been limited. This duality reflects the experiences of many Black women who navigate multiple professional spheres while maintaining their authentic selves. The film explores these intersections with nuance and depth, highlighting the challenges and triumphs that come with pursuing excellence across different domains.
Through her character’s lens, Ashanti illuminates the nuanced experiences of Black motherhood. The film explores the delicate balance of raising children while pursuing career aspirations, addressing the unique pressures and expectations placed on Black mothers in contemporary society. The narrative delves deep into the psychological and emotional aspects of motherhood, examining how societal expectations, cultural traditions, and personal ambitions intersect in the modern world. This portrayal brings to light the often-overlooked complexities of Black maternal experiences, from workplace dynamics to community relationships.
The discussion of mental health within the Black community takes center stage in No Address. Ashanti‘s character emphasizes the importance of emotional well-being and self-care practices, challenging traditional stigmas and encouraging open dialogue about mental health resources and support. The film addresses how cultural barriers often prevent meaningful conversations about mental health, particularly within communities where such discussions have historically been taboo. Through thoughtful storytelling, the narrative creates space for important conversations about emotional wellness, therapy, and the impact of generational trauma.
The impact of diverse storytelling extends beyond entertainment value. No Address contributes to a growing body of work that authentically portrays Black women’s experiences, inspiring future generations to envision broader possibilities for themselves in various professional and personal spheres. The film’s approach to representation goes beyond surface-level diversity, delving into the authentic experiences and challenges faced by Black women in America. This dedication to authentic storytelling helps create a more inclusive entertainment landscape while providing powerful role models for young viewers.
Ashanti’s involvement in No Address marks a significant contribution to the evolving narrative of Black women in media. The project represents a commitment to storytelling that honors complexity, celebrates resilience, and acknowledges the ongoing journey toward fuller representation in the entertainment industry. Through this role, Ashanti continues to build upon her legacy as an artist who consistently pushes boundaries and creates meaningful content. The film serves as a testament to the power of authentic storytelling and its ability to inspire social change through media representation.
The significance of No Address extends beyond its immediate entertainment value, serving as a cultural touchstone that addresses contemporary issues while maintaining artistic integrity. The film’s exploration of identity, motherhood, and personal growth resonates with audiences seeking authentic representations of modern Black experiences. As the entertainment industry continues to evolve, projects like No Address pave the way for more nuanced and comprehensive storytelling that reflects the true diversity of human experience.
In her latest cinematic venture No Address, Grammy-winning artist Ashanti demonstrates her evolution from music icon to compelling dramatic actress. The film delves into contemporary themes of identity, belonging, and the intricate journey of Black motherhood in modern America. Her portrayal resonates with authenticity, drawing from personal experiences and observations of societal dynamics that shape Black women’s narratives today. The role marks a significant milestone in Ashanti’s acting career, showcasing her versatility as an artist while addressing crucial social themes that resonate with audiences across demographics.
The transition from music to acting represents more than just a career shift for Ashanti. It embodies the multifaceted nature of Black women’s experiences in the entertainment industry. Her role in No Address showcases the complexity of balancing professional ambitions with personal growth, particularly in spaces where representation has historically been limited. This duality reflects the experiences of many Black women who navigate multiple professional spheres while maintaining their authentic selves. The film explores these intersections with nuance and depth, highlighting the challenges and triumphs that come with pursuing excellence across different domains.
Through her character’s lens, Ashanti illuminates the nuanced experiences of Black motherhood. The film explores the delicate balance of raising children while pursuing career aspirations, addressing the unique pressures and expectations placed on Black mothers in contemporary society. The narrative delves deep into the psychological and emotional aspects of motherhood, examining how societal expectations, cultural traditions, and personal ambitions intersect in the modern world. This portrayal brings to light the often-overlooked complexities of Black maternal experiences, from workplace dynamics to community relationships.
The discussion of mental health within the Black community takes center stage in No Address. Ashanti‘s character emphasizes the importance of emotional well-being and self-care practices, challenging traditional stigmas and encouraging open dialogue about mental health resources and support. The film addresses how cultural barriers often prevent meaningful conversations about mental health, particularly within communities where such discussions have historically been taboo. Through thoughtful storytelling, the narrative creates space for important conversations about emotional wellness, therapy, and the impact of generational trauma.
The impact of diverse storytelling extends beyond entertainment value. No Address contributes to a growing body of work that authentically portrays Black women’s experiences, inspiring future generations to envision broader possibilities for themselves in various professional and personal spheres. The film’s approach to representation goes beyond surface-level diversity, delving into the authentic experiences and challenges faced by Black women in America. This dedication to authentic storytelling helps create a more inclusive entertainment landscape while providing powerful role models for young viewers.
Ashanti’s involvement in No Address marks a significant contribution to the evolving narrative of Black women in media. The project represents a commitment to storytelling that honors complexity, celebrates resilience, and acknowledges the ongoing journey toward fuller representation in the entertainment industry. Through this role, Ashanti continues to build upon her legacy as an artist who consistently pushes boundaries and creates meaningful content. The film serves as a testament to the power of authentic storytelling and its ability to inspire social change through media representation.
The significance of No Address extends beyond its immediate entertainment value, serving as a cultural touchstone that addresses contemporary issues while maintaining artistic integrity. The film’s exploration of identity, motherhood, and personal growth resonates with audiences seeking authentic representations of modern Black experiences. As the entertainment industry continues to evolve, projects like No Address pave the way for more nuanced and comprehensive storytelling that reflects the true diversity of human experience.
Family of DC plane crash victim files $250M claims against FAA, Army
The family of a man who was killed on Jan. 29 when a U.S. military helicopter and an American Airlines flight collided near Washington, D.C., has filed legal claims against the Federal Aviation Administration (FAA) and the U.S. Army.
The claims were filed Tuesday on behalf of the widow and children of Casey Crafton, 40, of Salem, Connecticut. Crafton, who left behind his wife Rachel and three young sons, was a passenger on the American Airlines flight. He was returning from Wichita, Kansas, after a business trip for Guardian Jet, a Connecticut-based aviation consulting firm.
“They are all so traumatized by this,” Robert A. Clifford, the attorney handling the pending litigation, said of the victim’s loved ones.
Families visit DC crash site days after the deadliest US air disaster in a generation
The crash took place on the night of Jan. 29, when a U.S. Army Black Hawk helicopter and American Airlines Flight 5342 collided near Ronald Reagan National Airport, plunging both the plane and the helicopter into the Potomac River and killing everyone on board both aircraft.
Clifford argues that the crash, which killed 67 people, was preventable.
“The $250 million claims are directed against multiple governmental agencies that may be responsible,” reads a press release issued by Clifford Law Offices on Tuesday. “The National Transportation Safety Board (NTSB) has reported that staffing in the tower of air traffic controllers (ATC) was ‘not normal’ at the time of the nighttime collision and that there were communication lapses between the ATC and the aircraft. The helicopter in the collision was operated by the Army and was manufactured by Sikorsky Aircraft.”
The two claims were filed by Clifford Law Offices under the Federal Tort Claims Act (FTCA), which enables people to file claims for damage or injury caused by a federal employee. (At a news conference last week, NTSB Chair Jennifer Homendy said the final moments of the Black Hawk helicopter and passenger plane flights were marked by altitude discrepancies and incomplete air traffic control transmissions.)
Clifford told Nexstar’s WTNH that, for now, he is taking a cautionary approach to filing lawsuits against other entities, such as American Airlines and Sikorsky, while awaiting the release of information to be disclosed in NTSB’s preliminary report. That report is expected within 30 days of the crash.
Clifford has, however, said that he has asked several companies associated with the crash to preserve evidence.
Clifford believes the filings will likely be rejected, or go unanswered. In any case, Clifford said his law firm will develop a damages presentation to report to a judge, and after six months, they could file a federal court lawsuit.
When reached for comment, a spokesperson for the FAA only told Nexstar that the agency could not comment on “pending litigation matters.” U.S. Army spokesperson Maj. Montrell Russell, in a statement to ABC News, also said it would be “inappropriate” for the Army to comment.
“Our primary focus is on supporting the families and ensuring the safety of our Soldiers and the public,” Russell said, in part.
In the meantime, Clifford said he’s eager to find out more about the circumstances surrounding the crash that killed Crafton and 66 others, claiming his law firm is already looking into “what we understand to be — and what I’m calling a willful ignorance of — the problems associated with the congestion [at that airport].”
The claims were filed Tuesday on behalf of the widow and children of Casey Crafton, 40, of Salem, Connecticut. Crafton, who left behind his wife Rachel and three young sons, was a passenger on the American Airlines flight. He was returning from Wichita, Kansas, after a business trip for Guardian Jet, a Connecticut-based aviation consulting firm.
“They are all so traumatized by this,” Robert A. Clifford, the attorney handling the pending litigation, said of the victim’s loved ones.
Families visit DC crash site days after the deadliest US air disaster in a generation
The crash took place on the night of Jan. 29, when a U.S. Army Black Hawk helicopter and American Airlines Flight 5342 collided near Ronald Reagan National Airport, plunging both the plane and the helicopter into the Potomac River and killing everyone on board both aircraft.
Clifford argues that the crash, which killed 67 people, was preventable.
“The $250 million claims are directed against multiple governmental agencies that may be responsible,” reads a press release issued by Clifford Law Offices on Tuesday. “The National Transportation Safety Board (NTSB) has reported that staffing in the tower of air traffic controllers (ATC) was ‘not normal’ at the time of the nighttime collision and that there were communication lapses between the ATC and the aircraft. The helicopter in the collision was operated by the Army and was manufactured by Sikorsky Aircraft.”
The two claims were filed by Clifford Law Offices under the Federal Tort Claims Act (FTCA), which enables people to file claims for damage or injury caused by a federal employee. (At a news conference last week, NTSB Chair Jennifer Homendy said the final moments of the Black Hawk helicopter and passenger plane flights were marked by altitude discrepancies and incomplete air traffic control transmissions.)
Clifford told Nexstar’s WTNH that, for now, he is taking a cautionary approach to filing lawsuits against other entities, such as American Airlines and Sikorsky, while awaiting the release of information to be disclosed in NTSB’s preliminary report. That report is expected within 30 days of the crash.
Clifford has, however, said that he has asked several companies associated with the crash to preserve evidence.
Clifford believes the filings will likely be rejected, or go unanswered. In any case, Clifford said his law firm will develop a damages presentation to report to a judge, and after six months, they could file a federal court lawsuit.
When reached for comment, a spokesperson for the FAA only told Nexstar that the agency could not comment on “pending litigation matters.” U.S. Army spokesperson Maj. Montrell Russell, in a statement to ABC News, also said it would be “inappropriate” for the Army to comment.
“Our primary focus is on supporting the families and ensuring the safety of our Soldiers and the public,” Russell said, in part.
In the meantime, Clifford said he’s eager to find out more about the circumstances surrounding the crash that killed Crafton and 66 others, claiming his law firm is already looking into “what we understand to be — and what I’m calling a willful ignorance of — the problems associated with the congestion [at that airport].”
The Game Flirts With Beyoncé’s Mom In Kanye West’s New “Tina” Collab
Kanye West is turning heads after teasing a new collaboration with The Game, inspired by Beyoncé’s mother, Tina Knowles. In the early hours of Tuesday (February 25), West shared a snippet of The Game recording the track titled “TINA.” Produced by West, the song opens with a sample of Knowles’ “Spirit Tunnel” walk from “The […]
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Kanye West is turning heads after teasing a new collaboration with The Game, inspired by Beyoncé’s mother, Tina Knowles.
In the early hours of Tuesday (February 25), West shared a snippet of The Game recording the track titled “TINA.” Produced by West, the song opens with a sample of Knowles’ “Spirit Tunnel” walk from “The Jennifer Hudson Show,” which aired on Monday.
“I see my Destiny’s Child,” The Game raps. “DMing was stressing me out / Nervous, my stomach in knots / So I took a couple of shots.”
West then jumps in, trading bars with Game, who asks “Miss, is you tricking or not,” before the track transitions into a sample of Tina Turner’s iconic hit “What’s Love Got to Do with It.”
Before dropping the preview, Kanye West sparked confusion with a series of cryptic posts tagging The Game and Tina Knowles, leaving fans scratching their heads.
The first post featured a banana emoji with the caption, “Tear that monkey up.”
He followed up with what appeared to be a screenshot of The Game sending a banana emoji to Tina Knowles on Instagram.
West then shared a clip featured on the song of the 71-year-old businesswoman walking through the tunnel on Hudson’s show.
“Game finna slide for the guys,” West wrote alongside the video.
The bizarre posts puzzled fans, with many questioning, “Is that Beyoncé’s mom?” Others expressed frustration, calling for the return of the “old Kanye,” urging him to “stop acting like a child” and seek help.
The Game Credits Kanye West With Motivating Him To Complete Album
Both The Game and Kanye West are actively working on their respective albums, leaving it unclear which project the track will ultimately appear on.
However, The Game—who has been frequently spotted with West since his return to L.A.—recently credited the rap mogul for reigniting his motivation to complete his album.
Kanye West is turning heads after teasing a new collaboration with The Game, inspired by Beyoncé’s mother, Tina Knowles. In the early hours of Tuesday (February 25), West shared a snippet of The Game recording the track titled “TINA.” Produced by West, the song opens with a sample of Knowles’ “Spirit Tunnel” walk from “The […]
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Kanye West is turning heads after teasing a new collaboration with The Game, inspired by Beyoncé’s mother, Tina Knowles.
In the early hours of Tuesday (February 25), West shared a snippet of The Game recording the track titled “TINA.” Produced by West, the song opens with a sample of Knowles’ “Spirit Tunnel” walk from “The Jennifer Hudson Show,” which aired on Monday.
“I see my Destiny’s Child,” The Game raps. “DMing was stressing me out / Nervous, my stomach in knots / So I took a couple of shots.”
West then jumps in, trading bars with Game, who asks “Miss, is you tricking or not,” before the track transitions into a sample of Tina Turner’s iconic hit “What’s Love Got to Do with It.”
Before dropping the preview, Kanye West sparked confusion with a series of cryptic posts tagging The Game and Tina Knowles, leaving fans scratching their heads.
The first post featured a banana emoji with the caption, “Tear that monkey up.”
He followed up with what appeared to be a screenshot of The Game sending a banana emoji to Tina Knowles on Instagram.
West then shared a clip featured on the song of the 71-year-old businesswoman walking through the tunnel on Hudson’s show.
“Game finna slide for the guys,” West wrote alongside the video.
The bizarre posts puzzled fans, with many questioning, “Is that Beyoncé’s mom?” Others expressed frustration, calling for the return of the “old Kanye,” urging him to “stop acting like a child” and seek help.
The Game Credits Kanye West With Motivating Him To Complete Album
Both The Game and Kanye West are actively working on their respective albums, leaving it unclear which project the track will ultimately appear on.
However, The Game—who has been frequently spotted with West since his return to L.A.—recently credited the rap mogul for reigniting his motivation to complete his album.
Drake has dropped “key allegations” from ‘Not Like Us’ lawsuit
Universal Music Group’s attorney says that Drake has made changes to his defamation lawsuit against them over their handling of Kendrick Lamar‘s diss track ‘Not Like Us‘.
Last spring, Drake and Kendrick Lamar went back and forth in a historic rap feud. Across various diss tracks, the duo sent scathing shots at one another. The most successful song from the battle was Lamar’s fourth Number One single ‘Not Like Us’, where he called Drake a “certified paedophile”.
On January 15, the Canadian rap superstar filed an 81-page lawsuit against UMG for releasing and promoting ‘Not Like Us’, despite its lyrics containing “false and defamatory accusations of paedophilia.” Lamar was not included in the lawsuit, despite writing the song.
Now, it appears Drake has dropped some “key allegations” from the lawsuit, according to UMG’s attorney.
In a letter to the court filed on Friday (February 21), UMG lawyer Rollin A. Ransom requested that a pretrial conference currently scheduled for April 2 be delayed so that the court would have time to consider Universal’s motion to dismiss the case entirely, per HipHopdx. The company must file the motion on or before March 17.
Ransom also added that the specifics of the case had changed, writing: “[P]ursuant to separate correspondence, Plaintiff has agreed to withdraw certain key allegations in his complaint.” The letter didn’t give details about what those specific allegations were.
In the filing, Drake accused UMG of “whitelisting” reaction videos by high-profile content creators like Twitch streamer Kai Cenat, allowing them to monetise their responses to the diss track without enforcing copyright claims.
According to the lawsuit, this strategy enabled the track’s damaging claims to gain traction online, driving both its virality and UMG’s profits. The rapper also claimed the music conglomerate directly paid influencers to amplify the song’s reach on social media platforms such as Instagram and X/Twitter.
It came shortly after Drake dropped an earlier lawsuit filed against UMG last November, which claimed they “artificially-inflated” the streams for ‘Not Like Us’.
Drake also alleged he “fears for the safety and security of himself, his family, and his friends,” citing the shooting of his security guard outside his home and the multiple trespassing attempts that followed after ‘Not Like Us’ was released.
In addition, he repeated claims that the music giant artificially boosted the popularity of ‘Not Like Us’ through streaming bots and payola, in the hopes of “devaluing Drake’s music and brand in order to gain leverage” in renegotiating his contract.
A UMG spokesperson shared a statement, stating that Drake’s claims “untrue” and “illogical”, adding that he “has intentionally and successfully used UMG” before to engage in “rap battles” and now “seeks to weaponise the legal process”.
Lamar hasn’t commented on any of the lawsuits Drake has filed surrounding the release and success of ‘Not Like Us’.
‘Not Like Us’, smashed numerous streaming records and went on to win five Grammys for Record of the Year, Song of the Year, Best Rap Performance, Best Rap Song, and Best Music Video.
Last spring, Drake and Kendrick Lamar went back and forth in a historic rap feud. Across various diss tracks, the duo sent scathing shots at one another. The most successful song from the battle was Lamar’s fourth Number One single ‘Not Like Us’, where he called Drake a “certified paedophile”.
On January 15, the Canadian rap superstar filed an 81-page lawsuit against UMG for releasing and promoting ‘Not Like Us’, despite its lyrics containing “false and defamatory accusations of paedophilia.” Lamar was not included in the lawsuit, despite writing the song.
Now, it appears Drake has dropped some “key allegations” from the lawsuit, according to UMG’s attorney.
In a letter to the court filed on Friday (February 21), UMG lawyer Rollin A. Ransom requested that a pretrial conference currently scheduled for April 2 be delayed so that the court would have time to consider Universal’s motion to dismiss the case entirely, per HipHopdx. The company must file the motion on or before March 17.
Ransom also added that the specifics of the case had changed, writing: “[P]ursuant to separate correspondence, Plaintiff has agreed to withdraw certain key allegations in his complaint.” The letter didn’t give details about what those specific allegations were.
In the filing, Drake accused UMG of “whitelisting” reaction videos by high-profile content creators like Twitch streamer Kai Cenat, allowing them to monetise their responses to the diss track without enforcing copyright claims.
According to the lawsuit, this strategy enabled the track’s damaging claims to gain traction online, driving both its virality and UMG’s profits. The rapper also claimed the music conglomerate directly paid influencers to amplify the song’s reach on social media platforms such as Instagram and X/Twitter.
It came shortly after Drake dropped an earlier lawsuit filed against UMG last November, which claimed they “artificially-inflated” the streams for ‘Not Like Us’.
Drake also alleged he “fears for the safety and security of himself, his family, and his friends,” citing the shooting of his security guard outside his home and the multiple trespassing attempts that followed after ‘Not Like Us’ was released.
In addition, he repeated claims that the music giant artificially boosted the popularity of ‘Not Like Us’ through streaming bots and payola, in the hopes of “devaluing Drake’s music and brand in order to gain leverage” in renegotiating his contract.
A UMG spokesperson shared a statement, stating that Drake’s claims “untrue” and “illogical”, adding that he “has intentionally and successfully used UMG” before to engage in “rap battles” and now “seeks to weaponise the legal process”.
Lamar hasn’t commented on any of the lawsuits Drake has filed surrounding the release and success of ‘Not Like Us’.
‘Not Like Us’, smashed numerous streaming records and went on to win five Grammys for Record of the Year, Song of the Year, Best Rap Performance, Best Rap Song, and Best Music Video.
Ariana Grande, Cynthia Erivo, Blackpink's Lisa, Doja Cat, Raye Set To Perform At Oscars 2025
Fans of "Wicked" have another reason to tune into this year's Oscars telecast. Set to air this Sunday at 7/6c on ABC, the ceremony promises breathtaking performances from lead stars Ariana Grande and Cynthia Erivo.
While both Grande and Erivo are nominees at this year's awards for their roles in the Jon M. Chu-directed musical film - Erivo for Best Actress and Grande for Best Supporting Actress - they are not expected to perform songs from their movie.
Instead, according to an official press release, Grande and Erivo "will participate in showstopping performances celebrating the filmmaking community and some of its legends."
Joining the musical extravaganza, K-Pop star BLACKPINK's Lisa is set to light up the stage with Doja Cat and Raye after the trio released their joint song "Born Again".
Completing the contemporary line-up is none other than hip-hop icon Queen Latifah. The organizers didn't specify the song she would deliver at the event but they confidently declared, "Expect the unexpected!"
Apart from the musical highlights, the ceremony, hosted by Conan O'Brien, will shine a spotlight on some of this year's most celebrated films. "Wicked" is among the top contenders with 10 nominations, including one for Best Picture.
Meanwhile, "Emilia Perez" leads the pack with the most nominations at 13. Its lead star Karla Sofia Gascon has just confirmed her attendance at the Oscars despite her previous scathing remarks about the diversity at the event.
Nevertheless, this year's Oscars promises to be a night full of magic, music, and memorable moments. Whether you're a fan of Broadway hits, K-pop, or just love the glitz, glamour, and drama of Hollywood's biggest night, there's something for everyone.
While both Grande and Erivo are nominees at this year's awards for their roles in the Jon M. Chu-directed musical film - Erivo for Best Actress and Grande for Best Supporting Actress - they are not expected to perform songs from their movie.
Instead, according to an official press release, Grande and Erivo "will participate in showstopping performances celebrating the filmmaking community and some of its legends."
Joining the musical extravaganza, K-Pop star BLACKPINK's Lisa is set to light up the stage with Doja Cat and Raye after the trio released their joint song "Born Again".
Completing the contemporary line-up is none other than hip-hop icon Queen Latifah. The organizers didn't specify the song she would deliver at the event but they confidently declared, "Expect the unexpected!"
Apart from the musical highlights, the ceremony, hosted by Conan O'Brien, will shine a spotlight on some of this year's most celebrated films. "Wicked" is among the top contenders with 10 nominations, including one for Best Picture.
Meanwhile, "Emilia Perez" leads the pack with the most nominations at 13. Its lead star Karla Sofia Gascon has just confirmed her attendance at the Oscars despite her previous scathing remarks about the diversity at the event.
Nevertheless, this year's Oscars promises to be a night full of magic, music, and memorable moments. Whether you're a fan of Broadway hits, K-pop, or just love the glitz, glamour, and drama of Hollywood's biggest night, there's something for everyone.
Ralph Yarl’s Family Releases Statement After Andrew Lester Dies Days After Guilty Plea–‘It Does Not Bring Justice’
Ralph Yarl was physically and mentally traumatized after being shot in the head for making a simple mistake while trying to pick up his younger brother from a friend’s house. BOSSIP has reported extensively on the case where Yarl accidentally knocked on the wrong door and was shot in the head by then 85-year-old Andrew Lester.
Fortunately, Yarl did not die from his gunshot wounds but dying isn’t always the worst thing that can happen as a result of an injury. Following the shooting, Lester’s own grandson came out publicly to reveal that he’s heard his grandfather use racist language and wasn’t surprised that the shooting happened. Ultimately, Lester was arrested and charged with first-degree assault and armed criminal action. For a moment, it appeared that justice was forthcoming, however…
According to KCTV5, the now 86-year-old Lester died from unnamed medical issues just days after he pleaded guilty and was convicted of second-degree assault against Ralph.
His attorney told The Kansas City Star that he died of “medical issues” and specifically noted that Lester did not die by suicide.
“I can not divulge any specific information related to Mr. Lester’s health,” Lester’s attorney, Steven Salmon, wrote in an email to The Star. “However, I believe the questions surrounding his death are really inquiries as to whether he committed suicide. Mr. Lester had been in seriously ill health for a significant time. His death was due to medical issues, not suicide,” Salmon said in the email.
Yarl’s family released a powerful statement to KCTV5 in reaction to the news of Lester’s passing:
“The news of Andrew Lester’s passing brings a mix of emotions, but it does not bring justice. One of the reasons we pushed for a speedy trial was to ensure the public would see that our society does not condone shooting an unarmed, innocent child simply for ringing the wrong doorbell—especially when that child was targeted because of the color of his skin. For nearly two years, Andrew Lester never apologized. Instead, he and his attorney used every legal maneuver possible to delay accountability. Now, another Black child harmed by prejudice will never see the man who shot him face the full weight of the justice system. While Lester finally admitted guilt, it came at the very last moment—after two years of stalling. That delay leaves our family reeling.
Some may see Lester’s passing as a form of consequence for his actions, but the reality remains: Ralph Yarl survived, yet justice was never truly served. He has a lifetime ahead to carry the trauma of that night while the man responsible escaped sentencing. We remain committed to seeking a world where no child fears for their life because of their race and no family has to endure what we have. Ralph’s story is far from over, and neither is our fight for justice.”
We can only pray that Ralph Yarl and his family find healing and that Andrew Lester is confined to the hottest part of hell.
Fortunately, Yarl did not die from his gunshot wounds but dying isn’t always the worst thing that can happen as a result of an injury. Following the shooting, Lester’s own grandson came out publicly to reveal that he’s heard his grandfather use racist language and wasn’t surprised that the shooting happened. Ultimately, Lester was arrested and charged with first-degree assault and armed criminal action. For a moment, it appeared that justice was forthcoming, however…
According to KCTV5, the now 86-year-old Lester died from unnamed medical issues just days after he pleaded guilty and was convicted of second-degree assault against Ralph.
His attorney told The Kansas City Star that he died of “medical issues” and specifically noted that Lester did not die by suicide.
“I can not divulge any specific information related to Mr. Lester’s health,” Lester’s attorney, Steven Salmon, wrote in an email to The Star. “However, I believe the questions surrounding his death are really inquiries as to whether he committed suicide. Mr. Lester had been in seriously ill health for a significant time. His death was due to medical issues, not suicide,” Salmon said in the email.
Yarl’s family released a powerful statement to KCTV5 in reaction to the news of Lester’s passing:
“The news of Andrew Lester’s passing brings a mix of emotions, but it does not bring justice. One of the reasons we pushed for a speedy trial was to ensure the public would see that our society does not condone shooting an unarmed, innocent child simply for ringing the wrong doorbell—especially when that child was targeted because of the color of his skin. For nearly two years, Andrew Lester never apologized. Instead, he and his attorney used every legal maneuver possible to delay accountability. Now, another Black child harmed by prejudice will never see the man who shot him face the full weight of the justice system. While Lester finally admitted guilt, it came at the very last moment—after two years of stalling. That delay leaves our family reeling.
Some may see Lester’s passing as a form of consequence for his actions, but the reality remains: Ralph Yarl survived, yet justice was never truly served. He has a lifetime ahead to carry the trauma of that night while the man responsible escaped sentencing. We remain committed to seeking a world where no child fears for their life because of their race and no family has to endure what we have. Ralph’s story is far from over, and neither is our fight for justice.”
We can only pray that Ralph Yarl and his family find healing and that Andrew Lester is confined to the hottest part of hell.
What Ne-Yo Tells His Kids About His Polyamorous Relationship: 'I'm Not Lying to Nobody'
The "Because of You" singer said that his seven children are well aware of the fact that he's in polyamorous relationships with four women.
More love, no problems. Amid reports that Ne-Yo added a fourth woman to his polyamorous circle, the "Closer" singer appeared on the Rickey Smiley Morning Show and up about his relationships, revealing what he's told his seven children about this unconventional dynamic.
"I answer them," Ne-Yo said of the questions his kids ask him. "Honesty. I'm not lying to nobody, not even my children."
Ne-Yo also shared that he introduces his new partners to his children, telling Smiley, "It's like, 'Hey, this is daddy's girlfriend. And so is that, and so is that, and so is that. She gonna make you some cereal, she gonna cook lunch and she gonna wash your clothes.' And it's all good."
The R&B star, who shares two children with ex Monyetta Shaw-Carter, three kids with ex-wife Crystal Renay and two children with ex Sade Jenea, said he carries the same honesty into the relationships he has with multiple women.
"I ain't manipulating nobody, I ain't brainwash nobody, I ain't lying to nobody," he insisted. "I set it out there. 'Here's what it is. I like you, but I also like her, and her, and her. If you cool with that, come on, we gonna have a great time.'"
And while Ne-Yo admits this lifestyle choice isn't for everyone, it's working for him.
"Everybody's honest," Ne-Yo said. "Everybody's telling the truth. Everybody is consenting. I feel like I wasted a lot of time just being dishonest about things, to the point where had I taken this approach initially, I could've saved myself a lot of headache and heartache."
As for some Ne-Yo's exes, the set-up wasn't for them, with Shaw-Carter telling Haus of Aaron podcast host, Aaron Keenan, that things got rocky when the couple attempted to add a third into their relationship.
"We cheated together, if that makes sense," she said. "We did things together. It's not cheating if you're involved with it and then it just wasn't enough [for him]."
Shaw-Carter continued, "I was like, 'Well, no, I didn't sign up to do this every day.' It became a problem when he wanted that a lot."
Though she was admittedly OK with involving another person in their sex life "twice a year," it proved to be not enough for Ne-Yo, who wanted more.
"I was like, 'If you want that, then you don't want me,'" she recalled telling her ex. "I tried to keep it cute and spicy, but it wasn't enough. But it is what it is."
More love, no problems. Amid reports that Ne-Yo added a fourth woman to his polyamorous circle, the "Closer" singer appeared on the Rickey Smiley Morning Show and up about his relationships, revealing what he's told his seven children about this unconventional dynamic.
"I answer them," Ne-Yo said of the questions his kids ask him. "Honesty. I'm not lying to nobody, not even my children."
Ne-Yo also shared that he introduces his new partners to his children, telling Smiley, "It's like, 'Hey, this is daddy's girlfriend. And so is that, and so is that, and so is that. She gonna make you some cereal, she gonna cook lunch and she gonna wash your clothes.' And it's all good."
The R&B star, who shares two children with ex Monyetta Shaw-Carter, three kids with ex-wife Crystal Renay and two children with ex Sade Jenea, said he carries the same honesty into the relationships he has with multiple women.
"I ain't manipulating nobody, I ain't brainwash nobody, I ain't lying to nobody," he insisted. "I set it out there. 'Here's what it is. I like you, but I also like her, and her, and her. If you cool with that, come on, we gonna have a great time.'"
And while Ne-Yo admits this lifestyle choice isn't for everyone, it's working for him.
"Everybody's honest," Ne-Yo said. "Everybody's telling the truth. Everybody is consenting. I feel like I wasted a lot of time just being dishonest about things, to the point where had I taken this approach initially, I could've saved myself a lot of headache and heartache."
As for some Ne-Yo's exes, the set-up wasn't for them, with Shaw-Carter telling Haus of Aaron podcast host, Aaron Keenan, that things got rocky when the couple attempted to add a third into their relationship.
"We cheated together, if that makes sense," she said. "We did things together. It's not cheating if you're involved with it and then it just wasn't enough [for him]."
Shaw-Carter continued, "I was like, 'Well, no, I didn't sign up to do this every day.' It became a problem when he wanted that a lot."
Though she was admittedly OK with involving another person in their sex life "twice a year," it proved to be not enough for Ne-Yo, who wanted more.
"I was like, 'If you want that, then you don't want me,'" she recalled telling her ex. "I tried to keep it cute and spicy, but it wasn't enough. But it is what it is."
'RuPaul's Drag Race' Alum Shangela Faces New Sexual Assault Allegations
Chantaize Darius Jeremy Pierce, better known as Shangela, is facing sexual assault allegations after a previous sexual assault lawsuit was dismissed. Court documents were filed Monday (February 24) in New York by adult film actor Dakota Payne, under his real name Eric Poff, alleging that the 43-year-old RuPaul’s Drag Race alum and another unnamed male participated in a sexual assault in 2017 in New York City, via EW.
The complaint asks for a jury trial and compensatory damages.
In the legal docs, Dakota alleges that the assault happened while Shangela was on a break from filming Bianca Del Rio‘s Hurricane Bianca movie in October 2017 in New York City.
While at a Manhattan bar, Dakota alleges he consumed “one or two drinks,” but that “upon information and belief,” now believes he “had his drink ‘spiked’ with a drug while at the bar.” He alleges that he “has no memory of events between consuming the drink and becoming semi-conscious in a hotel room” afterward.
“After Plaintiff started to fade into consciousness, he was bent over a bed being anally penetrated without consent by John Doe with Pierce watching from the corner of the room,” the complaint reads. “Pierce then anally penetrated Plaintiff without his consent. Defendants could not obtain Plaintiff’s consent given his semi-conscious state. After the sexual assault, Pierce sent Plaintiff money via PayPal.”
The complaint alleges that the act violated New York’s Victims of Gender-Motivated Violence Protection Law, which was passed in 2000 and amended in 2022 to include an extension of the statute of limitations.
In March of last year, Rolling Stone published a bombshell article which detailed allegations from five people claiming to either be sexually assaulted by Shangela, or that he had attempted to rape them at different periods between 2012 and 2018.
At the time, Shangela denied the allegations and said in a letter to the publication that the claims were “false and unsupported by any evidence or reliable witness testimony,” noting there were “significant problems with purported accusers’ accounts” and that he “adamantly denies ever engaging in nonconsensual sex.”
In 2023, a production assistant named Daniel McGarrigle, who worked on Shangela‘s We’re Here show, also filed a suit alleging rape and gender violence. The parties reached a settlement in February 2024.
Chantaize Darius Jeremy Pierce, better known as Shangela, is facing sexual assault allegations after a previous sexual assault lawsuit was dismissed. Court documents were filed Monday (February 24) in New York by adult film actor Dakota Payne, under his real name Eric Poff, alleging that the 43-year-old RuPaul’s Drag Race alum and another unnamed male participated in a sexual assault in 2017 in New York City, via EW.
The complaint asks for a jury trial and compensatory damages.
In the legal docs, Dakota alleges that the assault happened while Shangela was on a break from filming Bianca Del Rio‘s Hurricane Bianca movie in October 2017 in New York City.
While at a Manhattan bar, Dakota alleges he consumed “one or two drinks,” but that “upon information and belief,” now believes he “had his drink ‘spiked’ with a drug while at the bar.” He alleges that he “has no memory of events between consuming the drink and becoming semi-conscious in a hotel room” afterward.
“After Plaintiff started to fade into consciousness, he was bent over a bed being anally penetrated without consent by John Doe with Pierce watching from the corner of the room,” the complaint reads. “Pierce then anally penetrated Plaintiff without his consent. Defendants could not obtain Plaintiff’s consent given his semi-conscious state. After the sexual assault, Pierce sent Plaintiff money via PayPal.”
The complaint alleges that the act violated New York’s Victims of Gender-Motivated Violence Protection Law, which was passed in 2000 and amended in 2022 to include an extension of the statute of limitations.
In March of last year, Rolling Stone published a bombshell article which detailed allegations from five people claiming to either be sexually assaulted by Shangela, or that he had attempted to rape them at different periods between 2012 and 2018.
At the time, Shangela denied the allegations and said in a letter to the publication that the claims were “false and unsupported by any evidence or reliable witness testimony,” noting there were “significant problems with purported accusers’ accounts” and that he “adamantly denies ever engaging in nonconsensual sex.”
In 2023, a production assistant named Daniel McGarrigle, who worked on Shangela‘s We’re Here show, also filed a suit alleging rape and gender violence. The parties reached a settlement in February 2024.
Huge Update on Travis Kelce Retirement Rumors
The General Manager of the Kansas City Chiefs, Brett Veach, has provided a brief update on Travis Kelce‘s future as the team’s star tight end.The NFL Combine is taking place this week in Indianapolis, Indiana, which is where teams scout up-and-coming college players who have declared for the NFL draft.
At the Combine, Brett shared that Travis is apparently “fired up.”
“He has one more year on his contract. We left it at he’d be back, and we’re excited to have him back,” he shared.
It was a big question mark about whether Travis would be returning for another season as retirement rumors loomed. It looks like he’s possibly leaning towards coming back, and this is significant news for the team as they prepare for the 2025-2026 NFL season.
It was a big question mark about whether Travis would be returning for another season as retirement rumors loomed. It looks like he’s possibly leaning towards coming back, and this is significant news for the team as they prepare for the 2025-2026 NFL season.
Inside Hairstylist Jesus Guerrero's Final Days Before His Death
More details about Jesus Guerrero’s final days are coming to light.
Prior to his sudden death at age 34, the celebrity hairstylist seemed to have been working with Jennifer Lopez as she traveled to the United Arab Emirates, according to a post on Lopez’s social media.
In the Feb. 19 Instagram post, the “Let’s Get Loud” singer shared photos from the overseas excursion and tagged her glam squad, including Guerrero. J.Lo—who performed at Dubai's Coca-Cola Arena Feb. 18 before hitting the stage in Abu Dhabi Feb. 20—captioned the post writing, “Business trip.”
Earlier that month, Guerrero, in what would be his final post on Instagram, shared photos from his time prepping Kali Uchis for the 2025 Grammys on Feb. 2.
Guerrero’s sister Gris announced that the hairstylist had died in GoFundMe post Feb. 22.
“It is with a heavy heart that we let the world know that Jesus Guerrero has gone to heaven,” she wrote on the fundraising platform. “Unfortunately, his passing came very suddenly and unexpectedly. Currently, his family is taking care of his personal belongings and accommodations to bring him home to Houston.”
Guerrero, who worked closely with the Kardashian family, was later honored by Kim Kardashian in a heartfelt message on social media.
“Our great respect for the art of hair and make up has led us to meeting some of the kindest souls and made some of our bestest friends,” Kim wrote in an Instagram Stories post Feb. 24. “So when one of our glam family members passes away all of our souls are crushed.”
The SKIMS founder also singled out her youngest sister Kylie Jenner, who was particularly close with the late beautician.
“My heart breaks for Kylie and everyone who loved Jesus the way we all did,” Kim went on. “I’m praying for his family, his loved ones and the world beauty community who feels this deep loss of one of the most talented and kindest to ever do it.”
Khloe Kardashian later reposted her sister’s message, noting that the tribute was “exactly how we all feel.”
“We become family with our glam teams, and we share so much of our lives with them,” the Good American founder added. “We are also intertwined and in love with one another. This is such an incredible deep loss.”
At the Combine, Brett shared that Travis is apparently “fired up.”
“He has one more year on his contract. We left it at he’d be back, and we’re excited to have him back,” he shared.
It was a big question mark about whether Travis would be returning for another season as retirement rumors loomed. It looks like he’s possibly leaning towards coming back, and this is significant news for the team as they prepare for the 2025-2026 NFL season.
It was a big question mark about whether Travis would be returning for another season as retirement rumors loomed. It looks like he’s possibly leaning towards coming back, and this is significant news for the team as they prepare for the 2025-2026 NFL season.
Inside Hairstylist Jesus Guerrero's Final Days Before His Death
More details about Jesus Guerrero’s final days are coming to light.
Prior to his sudden death at age 34, the celebrity hairstylist seemed to have been working with Jennifer Lopez as she traveled to the United Arab Emirates, according to a post on Lopez’s social media.
In the Feb. 19 Instagram post, the “Let’s Get Loud” singer shared photos from the overseas excursion and tagged her glam squad, including Guerrero. J.Lo—who performed at Dubai's Coca-Cola Arena Feb. 18 before hitting the stage in Abu Dhabi Feb. 20—captioned the post writing, “Business trip.”
Earlier that month, Guerrero, in what would be his final post on Instagram, shared photos from his time prepping Kali Uchis for the 2025 Grammys on Feb. 2.
Guerrero’s sister Gris announced that the hairstylist had died in GoFundMe post Feb. 22.
“It is with a heavy heart that we let the world know that Jesus Guerrero has gone to heaven,” she wrote on the fundraising platform. “Unfortunately, his passing came very suddenly and unexpectedly. Currently, his family is taking care of his personal belongings and accommodations to bring him home to Houston.”
Guerrero, who worked closely with the Kardashian family, was later honored by Kim Kardashian in a heartfelt message on social media.
“Our great respect for the art of hair and make up has led us to meeting some of the kindest souls and made some of our bestest friends,” Kim wrote in an Instagram Stories post Feb. 24. “So when one of our glam family members passes away all of our souls are crushed.”
The SKIMS founder also singled out her youngest sister Kylie Jenner, who was particularly close with the late beautician.
“My heart breaks for Kylie and everyone who loved Jesus the way we all did,” Kim went on. “I’m praying for his family, his loved ones and the world beauty community who feels this deep loss of one of the most talented and kindest to ever do it.”
Khloe Kardashian later reposted her sister’s message, noting that the tribute was “exactly how we all feel.”
“We become family with our glam teams, and we share so much of our lives with them,” the Good American founder added. “We are also intertwined and in love with one another. This is such an incredible deep loss.”
Jeezy Sues Former Management Team Over Financial Misappropriation, Claims He’s Owed Millions
Jeezy is taking legal action against his longtime management team, accusing them of financial misconduct and mismanagement of his earnings.
According to legal documents obtained by TMZ Hip Hop, the rapper filed a lawsuit on Monday against his former manager Solomon Fornie and his business partner Eddie Bridgeman, alleging they enriched themselves at his expense.
Jeezy’s professional relationship with Fornie dates back over a decade before they co-founded Agency 99, a company designed to manage his financial affairs as a recording artist. Bridgeman’s firm, The SaiSai Group, was later brought in to oversee Agency 99’s financial operations. However, Jeezy claims he eventually discovered that Bridgeman was not a licensed CPA, raising serious concerns about the handling of his finances.
By late 2024, Jeezy had grown frustrated with the situation and began taking steps to sever ties with Fornie and Bridgeman. However, he alleges that they have obstructed his efforts by refusing to turn over key financial records and company books.
Without access to these records, Jeezy says he is unable to comply with Georgia law regarding the reinstatement or dissolution of Agency 99, leaving him in a legal and financial bind. As a result, he is now suing to force them to release the necessary documents—and is also seeking damages for the alleged mismanagement of his funds.
With this lawsuit, Jeezy aims to regain control over his finances and hold his former team accountable for their alleged misconduct.
According to legal documents obtained by TMZ Hip Hop, the rapper filed a lawsuit on Monday against his former manager Solomon Fornie and his business partner Eddie Bridgeman, alleging they enriched themselves at his expense.
Jeezy’s professional relationship with Fornie dates back over a decade before they co-founded Agency 99, a company designed to manage his financial affairs as a recording artist. Bridgeman’s firm, The SaiSai Group, was later brought in to oversee Agency 99’s financial operations. However, Jeezy claims he eventually discovered that Bridgeman was not a licensed CPA, raising serious concerns about the handling of his finances.
By late 2024, Jeezy had grown frustrated with the situation and began taking steps to sever ties with Fornie and Bridgeman. However, he alleges that they have obstructed his efforts by refusing to turn over key financial records and company books.
Without access to these records, Jeezy says he is unable to comply with Georgia law regarding the reinstatement or dissolution of Agency 99, leaving him in a legal and financial bind. As a result, he is now suing to force them to release the necessary documents—and is also seeking damages for the alleged mismanagement of his funds.
With this lawsuit, Jeezy aims to regain control over his finances and hold his former team accountable for their alleged misconduct.
Dionne Warwick Remembers Roberta Flack: ‘I’ll Miss Our Conversation’
Music icon Dionne Warwick is remembering the late legend Roberta Flack.
Losing friends, especially ones that feel more like family as I’m experiencing, hearing of my dear friend – Professor Roberta Flack.
We now say Rest In Peace and receive the loving award the Heavenly Father has for her.
I’ll miss our conversation about the journey through music we would have, as well as the love of the music we have been able to share.
You will be missed, dear friend.
– Dionne Warwick
Roberta Flack, the iconic pop and R&B vocalist known for timeless hits like “The First Time Ever I Saw Your Face” and “Killing Me Softly With His Song,” has passed away at 88, according to her representative. No cause of death was cited.
“We are heartbroken that the glorious Roberta Flack passed away this morning, February 24, 2025,” the statement reads, according to Variety. “She died peacefully surrounded by her family. Roberta broke boundaries and records. She was also a proud educator.”
Flack rose to prominence in the early 1970s when Clint Eastwood featured The First Time Ever I Saw Your Face in his 1971 film Play Misty for Me. The song became a No. 1 hit, followed by Killing Me Softly, which earned her consecutive Grammy Awards for Record of the Year.
Born in Black Mountain, N.C., Flack was a child prodigy who entered Howard University at 15 on a full scholarship. Throughout her career, she amassed 13 Grammy nominations, with her soulful, piano-driven style leaving a lasting impact on music.
She is survived by her son, musician Bernard Wright.
#RIP:Gwen McCrae, legendary disco and soul vocalist, dies aged 81
The Florida artist known for hits such as 'Keep The Fire Burning' and 'Rockin' Chair' passed away last Friday (21st February)
Disco and soul vocalist Gwen McCrae has died, aged 81.
News of the singer's passing emerged on social media late last week. It was later confirmed that the celebrated vocalist – known for her highly-sampled catalogue and songs such as 'Rockin' Chair', 'Keep The Fire Burning' and 'All This Love That I'm Giving' – had died early on Friday, 21st February after a long illness.
Born in Pensacola, Florida, McCrae first sang in local clubs as a teenager, and performed alongside famous groups like The Lafayettes and The Independents. Together with her husband George, she signed to TK Records and had some success on the US R&B charts with 1970 single 'Lead Me On'.
The single 'Always On My Mind' was released two years later, and went on to be covered by Elvis Presley and Pet Shop Boys, while her first big hit arrived in the form of 1975's 'Rockin' Chair', which peaked in the US Top 10.
Though that was her only significant charting single, further McCrae cuts made a large impact on the British rare groove scene, including 1982's 'Keep The Fire Burning'. Her tracks enjoyed extensive plays among that scene through the '80s and '90s and she released two singles through London label Rhythm King Records in 1987.
McCrae released 14 albums in all across her career, with the final two of those, 'Live In Paris At New Morning' and 'Gwen McCrae Sings TK', coming out in 2006.
The late artist's tracks have been sampled by numerous other musicians over the years, with Avicii, Cassius and Lady Gaga all incorporating snippets of 'All This Love That I'm Givin'' in tracks, while Disclosure made use of 'Funky Sensation'.
Music icon Dionne Warwick is remembering the late legend Roberta Flack.
Losing friends, especially ones that feel more like family as I’m experiencing, hearing of my dear friend – Professor Roberta Flack.
We now say Rest In Peace and receive the loving award the Heavenly Father has for her.
I’ll miss our conversation about the journey through music we would have, as well as the love of the music we have been able to share.
You will be missed, dear friend.
– Dionne Warwick
Roberta Flack, the iconic pop and R&B vocalist known for timeless hits like “The First Time Ever I Saw Your Face” and “Killing Me Softly With His Song,” has passed away at 88, according to her representative. No cause of death was cited.
“We are heartbroken that the glorious Roberta Flack passed away this morning, February 24, 2025,” the statement reads, according to Variety. “She died peacefully surrounded by her family. Roberta broke boundaries and records. She was also a proud educator.”
Flack rose to prominence in the early 1970s when Clint Eastwood featured The First Time Ever I Saw Your Face in his 1971 film Play Misty for Me. The song became a No. 1 hit, followed by Killing Me Softly, which earned her consecutive Grammy Awards for Record of the Year.
Born in Black Mountain, N.C., Flack was a child prodigy who entered Howard University at 15 on a full scholarship. Throughout her career, she amassed 13 Grammy nominations, with her soulful, piano-driven style leaving a lasting impact on music.
She is survived by her son, musician Bernard Wright.
#RIP:Gwen McCrae, legendary disco and soul vocalist, dies aged 81
Disco and soul vocalist Gwen McCrae has died, aged 81.
News of the singer's passing emerged on social media late last week. It was later confirmed that the celebrated vocalist – known for her highly-sampled catalogue and songs such as 'Rockin' Chair', 'Keep The Fire Burning' and 'All This Love That I'm Giving' – had died early on Friday, 21st February after a long illness.
Born in Pensacola, Florida, McCrae first sang in local clubs as a teenager, and performed alongside famous groups like The Lafayettes and The Independents. Together with her husband George, she signed to TK Records and had some success on the US R&B charts with 1970 single 'Lead Me On'.
The single 'Always On My Mind' was released two years later, and went on to be covered by Elvis Presley and Pet Shop Boys, while her first big hit arrived in the form of 1975's 'Rockin' Chair', which peaked in the US Top 10.
Though that was her only significant charting single, further McCrae cuts made a large impact on the British rare groove scene, including 1982's 'Keep The Fire Burning'. Her tracks enjoyed extensive plays among that scene through the '80s and '90s and she released two singles through London label Rhythm King Records in 1987.
McCrae released 14 albums in all across her career, with the final two of those, 'Live In Paris At New Morning' and 'Gwen McCrae Sings TK', coming out in 2006.
The late artist's tracks have been sampled by numerous other musicians over the years, with Avicii, Cassius and Lady Gaga all incorporating snippets of 'All This Love That I'm Givin'' in tracks, while Disclosure made use of 'Funky Sensation'.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
Big Face Mask
This takes soakin' in the summer to a whole different level. Looks like that thing is gonna absorb…
HAVE A GREAT DAY ALL!!!
EFREM
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