#MAGFAB: Tyra Banks for Essence Magazine May 2025 Her Return
The first lady of fashion and beauty talks America’s Next Top Model, menopause and her plans to return to the runway
Tyra Banks feels at home on set. It’s hard to imagine feeling centered when there’s a stylist swirling around you, your hair is whipping to and fro, and you also happen to be suffering from food poisoning. But Banks, 51, is comforted by the chaos surrounding her. In a studio in Sydney, Australia, she’s shooting her fourth ESSENCE cover, and she finds that slipping into supermodel mode is much simpler than being the boss. “Being an entrepreneur is extremely stressful,” says the Inglewood, California, native. “I don’t sleep. I’m hot-flashing now, so I wake up in the middle of the night many times—and I just work, because I’m jolted awake. It’s entrepreneurship: boom, boom, boom, constantly. But when I’m on a set, it’s almost Zen, because I’m not in charge.
These days, Banks particularly welcomes the respite, as her recent stressors go well beyond the demands of entrepreneurship. In the weeks before she spoke to me, she lost her Los Angeles home to the devastating fires that ravaged more than 15,000 structures and left 29 people dead. She had been spending some time in Australia for business, along with her 9-year-old son York and her boyfriend, Louis Bélanger-Martin, a French Canadian business exec—but she’d maintained her residence in California. She hasn’t been back to see her former home since the fire. I understand. My own home was lost in a fire two years ago, and I’ve only revisited the site once since then. Seeing it makes it real.
“I have these moments of thinking my house is still there, because my memory is the house,” Banks admits over Zoom from Sydney. “I haven’t been able to connect reality with my memory. They’re separate right now. Of course, I’ve seen pictures of the devastation, and I’ve seen pictures of our home site—but because I haven’t seen it in person, it is a strange psychological thing.”
One of the hardest parts was breaking the news to York, her son from a previous relationship with Norwegian photographer Erik Asla. “I wasn’t sure how to tell my son that the house was gone, his school was gone, everywhere we used to go, the yogurt shop, just gone,” she says. She took a few days to deliberate, then channeled her own mother’s truth telling. As expected, York “took it hard,” but he rebounded faster than Banks thought he would.
I remember how quickly my own daughter moved through the day when I told her about our home being destroyed by fire. It’s impossible for it to not matter, but the merciful resilience of youth kicks in.
Banks has exhibited her own measure of resilience. Over 20 years ago, she branched out from modeling—working as an actress in The Fresh Prince of Bel-Air, Higher Learning and Love & Basketball. But perhaps her best-known role wasn’t a character of someone else’s imagining. From 2003 until 2015, and for one season in 2018, she was the personality-driven host of the TV megahit America’s Next Top Model, which she cocreated; it was the CW network’s longest-running reality show. And her long list of receipts continues to unfurl: Banks was the first Black woman to appear solo on the cover of Sports Illustrated’s coveted swimsuit issue, the first Black woman to cover GQ and the first Black woman to grace the cover of the Victoria’s Secret catalog. Also, starting in 2020, she served three years as executive producer and host of Dancing with the Stars.
The tide does turn, however, and the fashion industry has a history of pushing women over a certain age to the side. The youth-obsessed nature of modeling means that it’s always on to the next; only the savvy survive. In a 2008 Ebony profile, Banks posed with Iman, Alek Wek and Kimora Lee Simmons—women who were all toggling between fabulous modeling careers, as the faces of high fashion, and new options, in case the world of struts ever turned a cold shoulder.
“Tyra was always very smart, in the sense that she really understood the business,” says pioneer and supermodel Beverly Johnson. Banks and Johnson have a loving relationship that started when Banks was so young that she traveled with her mother, Carolyn London, a former medical photographer, who was her manager. Johnson—who now has her own wig collection, fittingly called Legendary—was the first Black woman on the cover of American Vogue. She herself had been received with open arms by her predecessor Naomi Sims, and she decided to pay it forward. She would give Banks advice, not wanting to encourage any cattiness on the catwalk.
Tyra Banks feels at home on set. It’s hard to imagine feeling centered when there’s a stylist swirling around you, your hair is whipping to and fro, and you also happen to be suffering from food poisoning. But Banks, 51, is comforted by the chaos surrounding her. In a studio in Sydney, Australia, she’s shooting her fourth ESSENCE cover, and she finds that slipping into supermodel mode is much simpler than being the boss. “Being an entrepreneur is extremely stressful,” says the Inglewood, California, native. “I don’t sleep. I’m hot-flashing now, so I wake up in the middle of the night many times—and I just work, because I’m jolted awake. It’s entrepreneurship: boom, boom, boom, constantly. But when I’m on a set, it’s almost Zen, because I’m not in charge.
“I have these moments of thinking my house is still there, because my memory is the house,” Banks admits over Zoom from Sydney. “I haven’t been able to connect reality with my memory. They’re separate right now. Of course, I’ve seen pictures of the devastation, and I’ve seen pictures of our home site—but because I haven’t seen it in person, it is a strange psychological thing.”
One of the hardest parts was breaking the news to York, her son from a previous relationship with Norwegian photographer Erik Asla. “I wasn’t sure how to tell my son that the house was gone, his school was gone, everywhere we used to go, the yogurt shop, just gone,” she says. She took a few days to deliberate, then channeled her own mother’s truth telling. As expected, York “took it hard,” but he rebounded faster than Banks thought he would.
Banks has exhibited her own measure of resilience. Over 20 years ago, she branched out from modeling—working as an actress in The Fresh Prince of Bel-Air, Higher Learning and Love & Basketball. But perhaps her best-known role wasn’t a character of someone else’s imagining. From 2003 until 2015, and for one season in 2018, she was the personality-driven host of the TV megahit America’s Next Top Model, which she cocreated; it was the CW network’s longest-running reality show. And her long list of receipts continues to unfurl: Banks was the first Black woman to appear solo on the cover of Sports Illustrated’s coveted swimsuit issue, the first Black woman to cover GQ and the first Black woman to grace the cover of the Victoria’s Secret catalog. Also, starting in 2020, she served three years as executive producer and host of Dancing with the Stars.
The tide does turn, however, and the fashion industry has a history of pushing women over a certain age to the side. The youth-obsessed nature of modeling means that it’s always on to the next; only the savvy survive. In a 2008 Ebony profile, Banks posed with Iman, Alek Wek and Kimora Lee Simmons—women who were all toggling between fabulous modeling careers, as the faces of high fashion, and new options, in case the world of struts ever turned a cold shoulder.
It’s no secret that people think women can’t get along. Feuds kick off, regardless of the field, because of a limiting belief that there’s not enough room for more than one person to shine. When it comes to multigenerational interactions, given fashion’s preoccupation with teens—Banks started her career at 15, Johnson at 19, Naomi Campbell at 15 and Simmons at only 13—there can be a culture of hating on whoever comes next. But Banks says that’s not her style. “I know sometimes people my age, they look at a younger generation and they get jealous of their youth, their vitality, and that they have so much ahead of them,” she reflects. “But I don’t look at the younger generation and get jealous of that, because I was once that. I experienced that. I don’t have that inside of me.”
Banks has privately mentored up-and-comers who’ve gone on to achieve stardom—she’s classy, so she won’t say who. Publicly, she ushered in dozens of would-be models on America’s Next Top Model— and gave the watching world the down-low on what it’s like when you “wanna be on top.” For the past several years, clips from the show have circulated on TikTok and X—with certain viewers admonishing Banks for some of her views about the modeling industry. She’s been criticized for urging one model to close a gap in her teeth and for body-shaming other contestants. Banks says these critics are looking at the show from a modern perspective. “Sometimes history can be a little bit revised, and people don’t understand that there’s a timeline when it comes to change,” she explains.
Top Model did make a flurry of Black women household names. Eva Marcille, Yaya DaCosta and Tocarra Jones all appeared on season three of the show, in 2005. Marcille and DaCosta went on to lead high-profile brand campaigns and have successful acting careers; Jones was featured in the Black Issue of Vogue Italia, which was so popular that Conde Nast had to hurriedly print 40,000 more copies to meet the demand. Isis King, the first trans contestant, and Winnie Harlow, who has vitiligo, also got their start on the show. It’s arguable that without it, they may not have gotten the visibility they were afforded.
Banks herself rose through the ranks in the early 1990s, when Black high-fashion models on the runway and in magazines were still a rarity. Her goal was to deepen the talent pool’s diversity—whether in regard to race, ability (she mentions that the show’s 2015 winner, Nyle DiMarco, had a hearing impairment), body type or socioeconomic status. Behind the scenes, her efforts were not always well-received. “The industry did not like me having diversity in the way that I did on the show,” she says. “I would hear, ‘Oh, you got these girls from the ’hood on your show.’ Like, all of that. You have no idea.”
Johnson credits the show with unveiling the raw interior of the business. “I think when Tyra started to get into television, America’s Next Top Model was everything,” she says. “I mean, that was how the modeling industry was really exposed. Other than that, it was a closed culture.”
It’s tough to be humble and proud and not have one outweigh the other, but Banks strikes the perfect balance when she’s talking about the show that assured her permanence. She knows she didn’t always get it right. “There’s so many things that we would change,” she says. “But at the time, you’re operating with the information that you have, on a show that is hugely popular. So we’re all experiencing this together.” Banks has had unique media opportunities to address mistakes. “There are so many things in my whole career that I would do differently,” she says. “Lots of things. But the crazy thing is, I had a talk show for five years. There were things on Top Model that we did, and I’m like, ‘I shouldn’t have done that.’ Y’all let me know that was whack. I would mention it on the talk show, and apologize. Or I wrote a book, and in it, I talked about it: ‘Oh, I said this on Top Model,’ and ‘I shouldn’t have done this, even though it would have hurt their career.’”
The fires in Los Angeles came on the heels of Banks’s big comeback: the Victoria’s Secret Fashion Show, held in October 2024. It was a reintroduction in more ways than one—the brand’s first show in the six years since the revelation of its controversial casting methods, visible in a conspicuous scarcity of models of color and plus-size models. The lingerie business has fresh players since Banks retired two decades ago. Celebrity-backed brands—like Rihanna’s Savage X Fenty and Skims, cofounded by Kim Kardashian (who personally dialed up Banks and convinced her to appear in a 2022 campaign)— are the new heavyweights.
When Banks got word that Victoria’s Secret wanted her trademark strut, she did what she so often does when she has to make a tough decision: She called her mama. “My mama said, ‘You’re not just walking for you this time,’ ” Banks recalls. “ ‘You’re 50. You’re walking for so many people. You’re walking for Black women. You’re walking for older women.’ ” Feeling a sense of purpose, Banks agreed.
Her closing walk was the highlight of the event. If you watch the show, which has been viewed upward of 27 million times on YouTube (Banks’s standalone portion brought over 7 million views on her personal Instagram), you’ll see Queen Latifah in the front row, camera out, smiling wide, unable to believe what she’s witnessing. Heidi Klum and some of Banks’s protégés—Marcille, Jones and King—later sang Banks’s praises in her comment section.
“I had no idea it was gonna blow up in the way that it did,” Banks says. “So now I am going to model again, officially.” I ask if we’ll see her walking again as soon as this year. “Probably,” she says. She wants to work globally: “I’m gonna sign with an agency in Sydney. I’m gonna have agencies in Paris. I’m going to be in New York. Like, I’m just gonna do this.”
In addition, Banks has a movie idea up her sleeve. She reveals that her favorite role was Eve from Life-Size and its sequel, Life-Size 2, the continuing story of a doll that comes to life. Though technically perfect, the doll-turned-woman still has quite a bit to learn about being human. It was like Barbie, before Barbie. Now Banks wants to bring the film back for a third installment. “I want another Black girl for the third one,” she says. “I was talking to somebody very famous recently, about her starring in it.” Her lips are sealed when it comes to who that “very famous” somebody is, but she will say that “a couple of other girls are calling now, too.”
There are offers to bring back Top Model, as well, but it’s complicated. The show ended earlier than she’d wanted, effectively casing it in amber. “We’re getting a lot of interest,” she confirms, but there are business considerations. “I don’t control 100 percent of that show.”
I show Banks a photo of herself from the October 1991 Yves Saint Laurent show. It was her first Paris Fashion Week. In the pic, her hands are on her hips, her hair is pulled back by a thick pink headband, and there’s a smile on her face that can’t be mistaken for anything other than a teen in wonder and disbelief that she’s walking into her dream.
I ask Banks what she’d say to that girl. “I would say, ‘It’s going to be okay,” she replies thoughtfully. “I would say, you have tunnel vision, you’re super focused, and it’s going to pay off.” Did it ever.
The confetti falling to the floor, and the army of smizing models walking behind her during the Victoria’s Secret show, was a long-awaited homecoming. It was the manifestation of the door she broke down—and of how hard she tried to keep it open for anyone walking behind her. If we let her, she’ll keep ushering us in.
#RHOA: Angela Oakley Says Porsha Sleeps With People’s Husbands for Sport?
After they discussed Porsha’s suggestion that she should “f*ck [Charles Oakley],” which was made on the prior episode, Angela, 43, admitted to losing it after hearing Porsha, 43, utter those words as Porsha defended her “tipsy” antics and other cast members weighed in.
“I left the dinner remorseful. I prayed about it and I went to sleep, and I think it was just God himself who was just like, ‘Wake up, baby, this is what you’re dealing with,'” Angela recalled on the May 4 episode of the RHOA: After Show.
But Brittany “Brit” Eady, 37, suggested she “should not have been peeking through the window” since she wasn’t invited to the moment, and Kelli Ferrell, 40, admitted to suspecting Angela had her “ear to the window.”
“That’s how y’all gonna spin it? Eavesdropping? They called my name,” Angela noted as Drew Sidora, 40, claimed the ladies simply “didn’t know [Angela’s] room was there.”
“They didn’t use their brain cells. The brain cells took a vacation,” Angela stated. “I heard my name and I heard them saying, ‘and why she talk like that?’ My Chi-town swag, my slow talk. ‘And why she use words like that?’ I’m like, ‘Are we elementary? What are we doing? Is this Dumb & Dumber?’”
Looking back at Porsha’s controversial comment about Charles, Angela said her co-star was “smiling” when she said, “I should f*ck Charles.”
“I’m like, ‘That’s my calling card because now b*tch I know you f*ck people’s husbands. I know you do it as a sport, and now you’re gonna bring my husband in it? I gotta check you on that,'” Angela explained. “I heard her say it and five seconds later, my a** was down them stairs. They thought they saw a ghost when I came down them stairs … I just lost it.”
“It wasn’t even about Charles. It was about your disrespecting me,” she continued. “Even if she wouldn’t f*ck Charles, you said it … and what further pissed me off is that none of them women checked her. This is a sport for her. And if you see your friend saying something vile, and you’re married, [and] you can look at her and laugh and kiki with her, I lost respect for all of them right there. I’ve never seen a woman control other women like that.”
As Drew admitted that Porsha had crossed a line that “you don’t cross,” Porsha reasoned, “I was tipsy.”
“We were having a kiki about her because she gave me such a hard time the whole trip. So everybody was like, ‘Yeah, what’s up her a**?’ And then we just started talking sh*t,” she shared. “[And] when I go to bed I go to bed I don’t then stand at the window.“
Also looking back on their kiki, Shamea Morton, 42, said they were having a “good time” before everybody “started talking trash,” like “how you do when you think ain’t nobody watching.”
“We did laugh when P talked her trash,” she admitted.
Then, Kelli went in on Porsha, saying, point blank, “P needs to learn to stop trying to f*ck everybody’s husband.”
The Real Housewives of Atlanta season 16 airs Sundays at 8/7c on Bravo.
#MusicNews: Keke Palmer Releases New Single “My Confession”
Check out the brand new single “My Confession” from superstar Keke Palmer. The anticipated single is out via the Big Bosses Entertainment partnership with the SRG-ILS Group (Virgin Music Group/UMG).
The song is the second single from Keke’s forthcoming album, “JUST KEKE.” The album will be released on Friday, June 20th, 2025. She adds about the song:
“My Confession, I mean…yea. I don’t like to say much, but music for me is a way to express myself and the things I need to get out, but don’t always want to say, but will sing.”
Originally written and produced by Bryan-Michael Cox, Jermaine Dupri and Usher Raymond. The new interpretation of the classic is written by Tayla Parx, Kameron Glasper and Keke Palmer and produced by Jeia, Albin Tengblad and Tayla Parx.
Check out the brand new single “My Confession” from superstar Keke Palmer. The anticipated single is out via the Big Bosses Entertainment partnership with the SRG-ILS Group (Virgin Music Group/UMG).
The song is the second single from Keke’s forthcoming album, “JUST KEKE.” The album will be released on Friday, June 20th, 2025. She adds about the song:
“My Confession, I mean…yea. I don’t like to say much, but music for me is a way to express myself and the things I need to get out, but don’t always want to say, but will sing.”
Originally written and produced by Bryan-Michael Cox, Jermaine Dupri and Usher Raymond. The new interpretation of the classic is written by Tayla Parx, Kameron Glasper and Keke Palmer and produced by Jeia, Albin Tengblad and Tayla Parx.
LISTEN HERE:
Keke also shares about the upcoming album “Just Keke” is the mark of a new era for me. An evolution of everything I had to be and become to survive and grow as a person and artist. It’s all about fragmentation and the path to integration. I created it with my best friend of 22 years, Tayla Parx—someone who knows me inside and out. This project is a raw, emotional journey of me facing myself, my love, my vulnerability, my relationships, and my truth. My hope is that it takes you to a place of remembrance.”
Keke also shares about the upcoming album “Just Keke” is the mark of a new era for me. An evolution of everything I had to be and become to survive and grow as a person and artist. It’s all about fragmentation and the path to integration. I created it with my best friend of 22 years, Tayla Parx—someone who knows me inside and out. This project is a raw, emotional journey of me facing myself, my love, my vulnerability, my relationships, and my truth. My hope is that it takes you to a place of remembrance.”
#HipHopNews: Jury Convicts Eminem Stalker After Second Home Invasion
A jury has convicted Matthew David Hughes, 32, of stalking Eminem after a second incident at the rapper’s Clinton Township home. Hughes was arrested in August following his reappearance on Eminem’s property, three days after police reported a previous sighting.
According to The Detroit Free Press, Eminem testified Wednesday morning in the trial, which began Tuesday before Macomb County Circuit Judge Diane Druzinski. Hughes was apprehended at a Walmart. Court documents listed his address as a motel on Gratiot Avenue in Clinton Township.
Following a brief half-hour deliberation on Wednesday afternoon, the jury delivered guilty verdicts on both counts against Hughes. His sentencing is scheduled for June 17. Online jail records indicate Hughes was booked into the Macomb County Jail on August 30.
During a preliminary examination on December 19, the court ordered Hughes to have no contact with Eminem, whose legal name is Marshall Bruce Mathers. Hughes remained in custody throughout the trial, having not posted the $500,000 bond set by the judge.
According to The Detroit Free Press, Eminem testified Wednesday morning in the trial, which began Tuesday before Macomb County Circuit Judge Diane Druzinski. Hughes was apprehended at a Walmart. Court documents listed his address as a motel on Gratiot Avenue in Clinton Township.
Following a brief half-hour deliberation on Wednesday afternoon, the jury delivered guilty verdicts on both counts against Hughes. His sentencing is scheduled for June 17. Online jail records indicate Hughes was booked into the Macomb County Jail on August 30.
During a preliminary examination on December 19, the court ordered Hughes to have no contact with Eminem, whose legal name is Marshall Bruce Mathers. Hughes remained in custody throughout the trial, having not posted the $500,000 bond set by the judge.
Trump Abruptly Fires Carla Hayden, First Black Female Librarian of Congress
*In a stunning move, President Donald Trump fired Carla Hayden, the nation’s first Black and first female Librarian of Congress, on Thursday (05-08-25). The White House’s Presidential Personnel Office notified Hayden via email, ending her 10-year term a year early. Hayden, confirmed by the Senate in 2016, had faced conservative criticism for promoting children’s books labeled “radical” by the American Accountability Foundation (AAF).
Just hours before the firing, AAF posted on X, “The current #LibrarianOfCongress Carla Hayden is woke, anti-Trump, and promotes trans-ing kids… It’s time to get her OUT!” The move is part of a wider federal shake-up, with Trump removing officials across the Justice Department, Pentagon, and FEMA. Hayden’s sudden dismissal has intensified concerns over political interference in historically independent institutions.
Democrats Slam Dismissal as Assault on Libraries and History: Democratic leaders erupted in protest following the firing. Senate Majority Leader Chuck Schumer called Hayden a “trailblazer, a scholar, and a public servant of the highest order.” House Minority Leader Hakeem Jeffries said Trump’s decision was “a disgrace and the latest in his ongoing effort to ban books, whitewash American history, and turn back the clock.”
New Mexico Senator Martin Heinrich denounced the firing as “taking his assault on America’s libraries to a new level.” Many praised Hayden’s efforts to modernize the Library of Congress, expanding its reach into rural communities and strengthening online access. As the former head of Baltimore’s library system, Hayden earned respect for promoting inclusivity and safeguarding America’s cultural treasures.
Public responses have poured in across platforms like Yahoo News. One commenter, Tammy, wrote, “Everything about his presidency thus far has been about getting revenge. People are afraid to speak out or challenge him out of fear for their own jobs.” Another commenter, Michael, added, “While this termination is blatantly unfair and likely illegal, she should be happy to move on and get away from this toxic administration.”
Hayden’s departure raises urgent questions about the future of the Library of Congress and the independence of federal cultural institutions. With Principal Deputy Librarian Robert Newlen stepping in as acting librarian, the path forward remains uncertain. Yet Hayden’s contributions — from championing children’s literacy to protecting historic collections — have cemented her legacy as a transformative leader.
The Library of Congress, home to rare books, presidential papers, and historic artifacts like President James Madison’s flute, has long been a symbol of national heritage. Under Hayden, the library became more accessible and engaged, even making headlines in 2022 when Lizzo performed with Madison’s historic flute.
Critics warn that Trump’s decision threatens the library’s nonpartisan mission, turning it into another battleground in America’s cultural and political wars. As the story unfolds, lawmakers and the public alike are demanding accountability — and watching closely to see what comes next for the People’s Library.
Before her abrupt firing, Carla Hayden had built a powerful legacy as the Librarian of Congress. As the first African American and first woman in the role, she prioritized making the Library’s vast collections accessible to all Americans, not just scholars and lawmakers. Under her leadership, the library launched major digital initiatives, expanded online access to rare materials, and reached underserved rural communities through outreach programs.
Hayden also championed diversity and inclusion, ensuring that the Library’s exhibitions and acquisitions reflected the stories of all Americans, including marginalized voices often overlooked in historical archives. Her efforts were widely praised across political lines, with even past Republican lawmakers commending her for bringing the institution into the 21st century while safeguarding its rich history.
*In a stunning move, President Donald Trump fired Carla Hayden, the nation’s first Black and first female Librarian of Congress, on Thursday (05-08-25). The White House’s Presidential Personnel Office notified Hayden via email, ending her 10-year term a year early. Hayden, confirmed by the Senate in 2016, had faced conservative criticism for promoting children’s books labeled “radical” by the American Accountability Foundation (AAF).
Just hours before the firing, AAF posted on X, “The current #LibrarianOfCongress Carla Hayden is woke, anti-Trump, and promotes trans-ing kids… It’s time to get her OUT!” The move is part of a wider federal shake-up, with Trump removing officials across the Justice Department, Pentagon, and FEMA. Hayden’s sudden dismissal has intensified concerns over political interference in historically independent institutions.
Democrats Slam Dismissal as Assault on Libraries and History: Democratic leaders erupted in protest following the firing. Senate Majority Leader Chuck Schumer called Hayden a “trailblazer, a scholar, and a public servant of the highest order.” House Minority Leader Hakeem Jeffries said Trump’s decision was “a disgrace and the latest in his ongoing effort to ban books, whitewash American history, and turn back the clock.”
New Mexico Senator Martin Heinrich denounced the firing as “taking his assault on America’s libraries to a new level.” Many praised Hayden’s efforts to modernize the Library of Congress, expanding its reach into rural communities and strengthening online access. As the former head of Baltimore’s library system, Hayden earned respect for promoting inclusivity and safeguarding America’s cultural treasures.
Public responses have poured in across platforms like Yahoo News. One commenter, Tammy, wrote, “Everything about his presidency thus far has been about getting revenge. People are afraid to speak out or challenge him out of fear for their own jobs.” Another commenter, Michael, added, “While this termination is blatantly unfair and likely illegal, she should be happy to move on and get away from this toxic administration.”
Hayden’s departure raises urgent questions about the future of the Library of Congress and the independence of federal cultural institutions. With Principal Deputy Librarian Robert Newlen stepping in as acting librarian, the path forward remains uncertain. Yet Hayden’s contributions — from championing children’s literacy to protecting historic collections — have cemented her legacy as a transformative leader.
The Library of Congress, home to rare books, presidential papers, and historic artifacts like President James Madison’s flute, has long been a symbol of national heritage. Under Hayden, the library became more accessible and engaged, even making headlines in 2022 when Lizzo performed with Madison’s historic flute.
Critics warn that Trump’s decision threatens the library’s nonpartisan mission, turning it into another battleground in America’s cultural and political wars. As the story unfolds, lawmakers and the public alike are demanding accountability — and watching closely to see what comes next for the People’s Library.
Before her abrupt firing, Carla Hayden had built a powerful legacy as the Librarian of Congress. As the first African American and first woman in the role, she prioritized making the Library’s vast collections accessible to all Americans, not just scholars and lawmakers. Under her leadership, the library launched major digital initiatives, expanded online access to rare materials, and reached underserved rural communities through outreach programs.
Hayden also championed diversity and inclusion, ensuring that the Library’s exhibitions and acquisitions reflected the stories of all Americans, including marginalized voices often overlooked in historical archives. Her efforts were widely praised across political lines, with even past Republican lawmakers commending her for bringing the institution into the 21st century while safeguarding its rich history.
Kendrick Lamar Leads The #BETAwards2025 Nominees With Ten Nominations
To apply for “BET Awards” 2025 Media Credentials, visit: "BET Awards" 2025 Media Application
New York, NY (May 8, 2025) BET announces “BET Awards” 2025 nominees, with Kendrick Lamar leading the nominations with ten, Doechii, Drake, Future and GloRilla tying with six nominations, Metro Boomin earning five nominations, and SZA and The Weeknd tying with four nominations each.
This year’s “BET Awards” 2025 nominees reflect multifaceted creative expression and Black excellence across music, television, film, and sports. Nominations were selected by the BET Voting Academy, which is comprised of an esteemed group of entertainment professionals and influencers in the fields of music, media, digital marketing, sports journalism, public relations, and creative arts.
Kendrick Lamar holds the top spot with ten “BET Awards” 2025 nominations. Lamar’s nominations include ‘Album of the Year’ for GNX, ‘Video of the Year’ for “Not Like Us,” three ‘Viewer’s Choice Award’ nods for “Not Like Us,” “Luther,” featuring SZA, and “Like That” with Future & Metro Boomin, three ‘Best Collaboration’ nods for “Like That,” “30 for 30,” and “Luther,” featuring SZA, ‘Video Director of the Year’ with Dave Free, and ‘Best Male Hip Hop Artist.’
Doechii’s six nominations include 'Album of the Year' for Alligator Bites Never Heal, 'Video of the Year' and 'Viewer's Choice Award' for "Denial is a River," 'BET Her' for "Bloom," 'Best Collaboration' for "Alter Ego" featuring JT, and 'Best Female Hip Hop Artist.'
Drake’s six nominations include 'Album of the Year' for $ome $exy $ongs 4 U, 'Video of the Year' for "Family Matters," 'Viewer's Choice Award' for "Nokia," 'Best Group' with "Drake & PartyNextDoor," 'Best Male R&B/Pop Artist' and 'Best Male Hip Hop Artist.'
Future’s six nominations include 'Album of the Year' for We Don't Trust You with Metro Boomin, 'Video of the Year' for "Type Shit" with Metro Boomin, Travis Scott & Playboi Carti, 'Best Collaboration' and 'Viewer's Choice Award' for "Like That" with Metro Boomin featuring Kendrick Lamar, 'Best Group' with "Future & Metro Boomin," and Best Male Hip Hop Artist.
GloRilla six nominations include 'Album of the Year' for Glorious, 'Viewer's Choice Award' for “TGIF”, 'Best Collaboration' for "Sticky" with Tyler, The Creator, Sexyy Red and Lil Wayne, the 'Dr. Bobby Jones Best Gospel/Inspirational Award' for "Rain Down On Me," 'Best Female Hip Hop Artist', and ‘BET Her’ for “In My Bag” with FLO.
SZA and The Weeknd tie with four nominations each, while Arya Starr, Chris Brown, Lil Wayne, Maverick City Music, Playboi Carti, Teddy Swims, and Tyler, The Creator each earn three nominations.
Voting for “BET Awards” 2025 Viewer’s Choice Award will open soon.
BET.com/bet-awards is the official site for “BET Awards” 2025 and will have all the latest news and updates about this year's show. Follow us @BET and @BETAWARDS.
Connie Orlando, EVP, Specials, Music Programming & Music Strategy, will oversee and Executive Produce the annual show, with Jamal Noisette, SVP, Tentpoles & Music Community Engagement for BET. Jesse Collins Entertainment is the production company for the show, with Jesse Collins, Dionne Harmon, and Jeannae Rouzan-Clay also serving as Executive Producers.
New York, NY (May 8, 2025) BET announces “BET Awards” 2025 nominees, with Kendrick Lamar leading the nominations with ten, Doechii, Drake, Future and GloRilla tying with six nominations, Metro Boomin earning five nominations, and SZA and The Weeknd tying with four nominations each.
This year’s “BET Awards” 2025 nominees reflect multifaceted creative expression and Black excellence across music, television, film, and sports. Nominations were selected by the BET Voting Academy, which is comprised of an esteemed group of entertainment professionals and influencers in the fields of music, media, digital marketing, sports journalism, public relations, and creative arts.
Kendrick Lamar holds the top spot with ten “BET Awards” 2025 nominations. Lamar’s nominations include ‘Album of the Year’ for GNX, ‘Video of the Year’ for “Not Like Us,” three ‘Viewer’s Choice Award’ nods for “Not Like Us,” “Luther,” featuring SZA, and “Like That” with Future & Metro Boomin, three ‘Best Collaboration’ nods for “Like That,” “30 for 30,” and “Luther,” featuring SZA, ‘Video Director of the Year’ with Dave Free, and ‘Best Male Hip Hop Artist.’
Doechii’s six nominations include 'Album of the Year' for Alligator Bites Never Heal, 'Video of the Year' and 'Viewer's Choice Award' for "Denial is a River," 'BET Her' for "Bloom," 'Best Collaboration' for "Alter Ego" featuring JT, and 'Best Female Hip Hop Artist.'
Drake’s six nominations include 'Album of the Year' for $ome $exy $ongs 4 U, 'Video of the Year' for "Family Matters," 'Viewer's Choice Award' for "Nokia," 'Best Group' with "Drake & PartyNextDoor," 'Best Male R&B/Pop Artist' and 'Best Male Hip Hop Artist.'
Future’s six nominations include 'Album of the Year' for We Don't Trust You with Metro Boomin, 'Video of the Year' for "Type Shit" with Metro Boomin, Travis Scott & Playboi Carti, 'Best Collaboration' and 'Viewer's Choice Award' for "Like That" with Metro Boomin featuring Kendrick Lamar, 'Best Group' with "Future & Metro Boomin," and Best Male Hip Hop Artist.
GloRilla six nominations include 'Album of the Year' for Glorious, 'Viewer's Choice Award' for “TGIF”, 'Best Collaboration' for "Sticky" with Tyler, The Creator, Sexyy Red and Lil Wayne, the 'Dr. Bobby Jones Best Gospel/Inspirational Award' for "Rain Down On Me," 'Best Female Hip Hop Artist', and ‘BET Her’ for “In My Bag” with FLO.
SZA and The Weeknd tie with four nominations each, while Arya Starr, Chris Brown, Lil Wayne, Maverick City Music, Playboi Carti, Teddy Swims, and Tyler, The Creator each earn three nominations.
Voting for “BET Awards” 2025 Viewer’s Choice Award will open soon.
BET.com/bet-awards is the official site for “BET Awards” 2025 and will have all the latest news and updates about this year's show. Follow us @BET and @BETAWARDS.
Connie Orlando, EVP, Specials, Music Programming & Music Strategy, will oversee and Executive Produce the annual show, with Jamal Noisette, SVP, Tentpoles & Music Community Engagement for BET. Jesse Collins Entertainment is the production company for the show, with Jesse Collins, Dionne Harmon, and Jeannae Rouzan-Clay also serving as Executive Producers.
The 25th Anniversary of “BET Awards” - Culture’s Biggest Night - will air LIVE on BET from the Peacock Theater in Los Angeles on Monday, June 9, 2025, at 8 pm ET/PT. This milestone event will honor 25 years of cultural excellence, spotlighting the most influential names in music, film, television, and sports.
To see nominees GO HERE
To register for the free, 2-day BETX Fan Fest, visit BETExperience.com. “BET Experience” 2025 is co-produced by Live Nation Urban.
To register for the free, 2-day BETX Fan Fest, visit BETExperience.com. “BET Experience” 2025 is co-produced by Live Nation Urban.
Megan Thee Stallion Announces Inaugural Pete & Thomas Foundation Gala
Megan Thee Stallion has revealed big plans for her nonprofit organization. The Houston rapper announced the inaugural Pete & Thomas Foundation Gala, set to take place in New York City’s Gotham Hall on July 16.
According to Billboard, the event will be hosted by Taraji P. Henson and feature DJ D-NICE at the DJ booth. Additionally, a special musical guest will be announced as a performer closer to the event. As described by the outlet, influential figures in various industries such as business, sports, philanthropy, and entertainment will be invited to the elegant affair.
The Pete & Thomas Foundation was founded by the Grammy-winning musician in 2022, in honor of her late parents, Holly Thomas and Joseph Pete Jr. According to its official website, the organization exists to provide resources to effect meaningful and positive change in the lives of women and children, senior citizens, and underserved communities in Houston and worldwide.
The foundation’s programs are focused on the areas of education, housing, health & wellness, and community goodwill.
In 2024, the Pete and Thomas Foundation served over 8,600 students, mothers, fathers, and senior citizens with various events such as the Hottie Walk in Los Angeles, the Emergency Power Program, and the annual Megan Thee Stallion Day of national community service and giving back.
“Launching the Pete and Thomas Foundation is easily one of the most significant endeavors that I’ll ever be part of in my career,” explained the 30-year-old.
“My family raised me to help others and give back, so I’m incredibly proud to be in a position to accomplish that goal. I have a responsibility to use my platform to make a meaningful impact in the lives of those who may not have access to resources and support services.”
Megan Thee Stallion has revealed big plans for her nonprofit organization. The Houston rapper announced the inaugural Pete & Thomas Foundation Gala, set to take place in New York City’s Gotham Hall on July 16.
According to Billboard, the event will be hosted by Taraji P. Henson and feature DJ D-NICE at the DJ booth. Additionally, a special musical guest will be announced as a performer closer to the event. As described by the outlet, influential figures in various industries such as business, sports, philanthropy, and entertainment will be invited to the elegant affair.
The Pete & Thomas Foundation was founded by the Grammy-winning musician in 2022, in honor of her late parents, Holly Thomas and Joseph Pete Jr. According to its official website, the organization exists to provide resources to effect meaningful and positive change in the lives of women and children, senior citizens, and underserved communities in Houston and worldwide.
The foundation’s programs are focused on the areas of education, housing, health & wellness, and community goodwill.
In 2024, the Pete and Thomas Foundation served over 8,600 students, mothers, fathers, and senior citizens with various events such as the Hottie Walk in Los Angeles, the Emergency Power Program, and the annual Megan Thee Stallion Day of national community service and giving back.
“Launching the Pete and Thomas Foundation is easily one of the most significant endeavors that I’ll ever be part of in my career,” explained the 30-year-old.
“My family raised me to help others and give back, so I’m incredibly proud to be in a position to accomplish that goal. I have a responsibility to use my platform to make a meaningful impact in the lives of those who may not have access to resources and support services.”
Nelly and Ashanti star in newlywed reality show
Nelly and Ashanti’s new reality TV show will follow their life as newlyweds. The show marks their first joint venture into reality television since rekindling their relationship.
The 50-year-old rapper and the 44-year-old singer – who welcomed son Kareem Kenkaide Haynes, in July 2024 – will share the ups and downs of married life in upcoming show ‘Nelly Ashanti: We Belong Together’. Their journey represents one of music’s most celebrated reunions in recent years.
“‘Nelly Ashanti: We Belong Together’, follows the electrifying journey of this beloved couple as they reignite their love, navigate the ups and downs of newlywed life and the challenges of parenthood while juggling their thriving careers. Can this unstoppable duo prove that their love truly can conquer all? A fun-filled exploration of love’s second chances,” a press release from Peacock stated. The streaming platform has been expanding its reality programming with several high-profile celebrity-focused shows.
Nelly and Ashanti will executive produce the upcoming series, which will premiere in June. Their involvement as executive producers gives them creative control over how their story is presented to viewers.
The series will include eight 30 minute episodes. This format allows for an intimate look at their daily lives while maintaining a focused narrative structure.
Nelly and Ashanti first started dating in 2003, after meeting at a Grammy Awards press conference. Both were at the height of their musical careers at the time, with Nelly known for his chart-topping hits and Ashanti dominating the R&B scene.
They dated for a decade before splitting in 2013. Their breakup was widely covered in entertainment media, though both maintained relative privacy about the details.
However, they unexpectedly reunited onstage in 2021 during Ja Rule and Fat Joe’s Verzuz battle and revealed in 2023 that they were back together. Their onstage chemistry during the Verzuz battle sparked immediate speculation among fans about a potential reconciliation.
They secretly tied the knot in December 2023, before welcoming their son the following year. Their private wedding ceremony reflected their desire to keep significant life moments intimate despite their public profiles.
“I think it surprised both of us. It wasn’t anything that was planned,” speaking previously about their romantic reconciliation, Nelly told the ‘Boss Moves with Rasheeda’ show. “We both were pretty much doing what we do. But sometimes being separate, you understand one another more. You could be like, ‘Well yo, let me exactly see maybe what they see.’ We all can be defensive sometimes in our own relationships. We know we wrong but we going to stand on it, you know what I mean? But we all a victim to that.” His candid reflection on their journey has resonated with fans who appreciate their authenticity.
The reality show comes at a time when both artists continue to maintain active music careers while embracing their new chapter as parents. Ashanti has been working on new musical projects while Nelly continues to perform across various venues nationally.
Industry experts note that the couple’s story of reconnection after nearly a decade apart has significant appeal to viewers who appreciate stories of authentic love and second chances. Their journey represents a rare example of celebrities finding their way back to each other after substantial time apart.
The series will also provide glimpses into their blended family life, as Nelly has children from previous relationships. This aspect adds another layer to their story as they navigate creating new family dynamics together.
Fans have expressed enthusiasm about seeing the couple’s chemistry and authentic relationship on screen, particularly after following their reunion journey through social media glimpses. Their relationship has garnered support from fellow musicians and fans alike who celebrate their rekindled romance.
The show joins a growing trend of celebrity-led reality programming that offers more intimate and controlled glimpses into stars’ lives compared to traditional media coverage. By taking executive producer roles, the couple ensures their narrative is presented on their own terms.
Production for the series reportedly began shortly after the birth of their son, capturing the couple’s early days as parents together. The timing allows the show to document a particularly significant chapter in their relationship as they embrace parenthood together for the first time.
The 50-year-old rapper and the 44-year-old singer – who welcomed son Kareem Kenkaide Haynes, in July 2024 – will share the ups and downs of married life in upcoming show ‘Nelly Ashanti: We Belong Together’. Their journey represents one of music’s most celebrated reunions in recent years.
“‘Nelly Ashanti: We Belong Together’, follows the electrifying journey of this beloved couple as they reignite their love, navigate the ups and downs of newlywed life and the challenges of parenthood while juggling their thriving careers. Can this unstoppable duo prove that their love truly can conquer all? A fun-filled exploration of love’s second chances,” a press release from Peacock stated. The streaming platform has been expanding its reality programming with several high-profile celebrity-focused shows.
Nelly and Ashanti will executive produce the upcoming series, which will premiere in June. Their involvement as executive producers gives them creative control over how their story is presented to viewers.
The series will include eight 30 minute episodes. This format allows for an intimate look at their daily lives while maintaining a focused narrative structure.
Nelly and Ashanti first started dating in 2003, after meeting at a Grammy Awards press conference. Both were at the height of their musical careers at the time, with Nelly known for his chart-topping hits and Ashanti dominating the R&B scene.
They dated for a decade before splitting in 2013. Their breakup was widely covered in entertainment media, though both maintained relative privacy about the details.
However, they unexpectedly reunited onstage in 2021 during Ja Rule and Fat Joe’s Verzuz battle and revealed in 2023 that they were back together. Their onstage chemistry during the Verzuz battle sparked immediate speculation among fans about a potential reconciliation.
They secretly tied the knot in December 2023, before welcoming their son the following year. Their private wedding ceremony reflected their desire to keep significant life moments intimate despite their public profiles.
“I think it surprised both of us. It wasn’t anything that was planned,” speaking previously about their romantic reconciliation, Nelly told the ‘Boss Moves with Rasheeda’ show. “We both were pretty much doing what we do. But sometimes being separate, you understand one another more. You could be like, ‘Well yo, let me exactly see maybe what they see.’ We all can be defensive sometimes in our own relationships. We know we wrong but we going to stand on it, you know what I mean? But we all a victim to that.” His candid reflection on their journey has resonated with fans who appreciate their authenticity.
The reality show comes at a time when both artists continue to maintain active music careers while embracing their new chapter as parents. Ashanti has been working on new musical projects while Nelly continues to perform across various venues nationally.
Industry experts note that the couple’s story of reconnection after nearly a decade apart has significant appeal to viewers who appreciate stories of authentic love and second chances. Their journey represents a rare example of celebrities finding their way back to each other after substantial time apart.
The series will also provide glimpses into their blended family life, as Nelly has children from previous relationships. This aspect adds another layer to their story as they navigate creating new family dynamics together.
Fans have expressed enthusiasm about seeing the couple’s chemistry and authentic relationship on screen, particularly after following their reunion journey through social media glimpses. Their relationship has garnered support from fellow musicians and fans alike who celebrate their rekindled romance.
The show joins a growing trend of celebrity-led reality programming that offers more intimate and controlled glimpses into stars’ lives compared to traditional media coverage. By taking executive producer roles, the couple ensures their narrative is presented on their own terms.
Production for the series reportedly began shortly after the birth of their son, capturing the couple’s early days as parents together. The timing allows the show to document a particularly significant chapter in their relationship as they embrace parenthood together for the first time.
Newark Mayor Ras Baraka arrested and Later released at ICE protest
Newark Mayor Ras Baraka’s arrest during a protest against the Delaney Hall ICE detention center has ignited a firestorm of controversy across New Jersey political circles. The dramatic Friday confrontation occurred as Baraka demonstrated against the newly opened facility, resulting in his detention for allegedly trespassing on federal property despite his position as the city’s highest elected official.
The incident unfolded when Baraka attempted to join a scheduled tour of the detention center alongside New Jersey Representatives Robert Menendez, LaMonica McIver, and Bonnie Watson Coleman. According to witnesses, federal agents blocked his entry, leading to a tense standoff that escalated when Baraka reportedly tried accessing the center through a side gate. The confrontation culminated with law enforcement officers physically removing protest organizers and placing the mayor in handcuffs.
Alina Habba, acting U.S. Attorney for the District of New Jersey, defended the arrest by asserting that Baraka had willfully disregarded the law after ignoring multiple warnings from Homeland Security Investigations to vacate the premises. Her statement emphasized that no individual stands above legal compliance, regardless of their public office. Following his arrest, authorities transported Baraka to an ICE office in Newark, raising significant questions about the treatment of elected officials engaged in political protests.
The tensions surrounding Delaney Hall have been building for months, with Baraka emerging as one of the facility’s most vocal opponents. Since before its May 1 opening, the mayor has consistently challenged the detention center’s legitimacy, raising concerns about permit issues and questioning whether the 1,000-bed facility could legally operate within Newark’s jurisdiction.
In February, Baraka’s office released a definitive statement declaring that Delaney Hall cannot lawfully open in Newark at this time, highlighting potential violations of city regulations. His persistent opposition stems from deeply held concerns about immigrant rights and the broader implications of expanding private immigration detention infrastructure within his community.
Congressional witnesses allege excessive force
The confrontation has drawn intense scrutiny, particularly after Representatives McIver and Watson Coleman, who witnessed the incident, alleged they were physically assaulted by ICE agents during the altercation. Rep. McIver stated that federal agents not only arrested the mayor of Newark, but put their hands on two members of Congress, amplifying concerns about the tactics employed by law enforcement during the protest.
These allegations have transformed what might have remained a local incident into a matter of national significance, raising questions about the boundaries of protest rights and the appropriate use of force against elected officials engaged in political demonstrations. The physical confrontation between federal agents and members of Congress represents an unusual escalation in the ongoing immigration policy debate.
State leadership responds with outrage
New Jersey Governor Phil Murphy swiftly condemned Baraka’s arrest as unjust, emphasizing that the mayor’s actions represented a continuation of months-long protests against the private immigration detention center. His statement highlighted that Baraka’s opposition has been shared by advocates, faith leaders, and congressional representatives, positioning the mayor’s arrest as an affront to legitimate political expression.
Senator Cory Booker echoed these sentiments while framing Baraka’s presence at the facility within his mayoral duties. Booker suggested the mayor was fulfilling his responsibility to ensure facilities operating within Newark comply with laws protecting occupant and resident safety. The senator characterized the incident as disturbing and unnecessary, further arguing that law enforcement should have prioritized de-escalation rather than arrest.
Facility at the center of controversy
The Delaney Hall detention center, which began operations on May 1, has become a flashpoint in the ongoing national debate over immigration enforcement practices. As a 1,000-bed facility designated for immigrant detention, it represents exactly the type of infrastructure that immigration advocates and progressive politicians have increasingly opposed across the country.
For Baraka and his supporters, the facility symbolizes broader concerns about the privatization of detention centers and the treatment of immigrants within the U.S. immigration system. The mayor’s willingness to risk arrest underscores the depth of these concerns and his commitment to preventing such operations within his jurisdiction.
Broader implications for political activism
Baraka’s arrest represents a significant moment in the evolving relationship between local governance and federal immigration enforcement. As mayors increasingly position themselves as defenders of immigrant communities against federal policies they view as unjust, confrontations like the one at Delaney Hall may become more common.
The incident raises fundamental questions about the limits of protest for elected officials and the appropriate response from federal authorities when facing opposition from local leadership. It also highlights the growing polarization surrounding immigration policy and the increasingly assertive stance taken by municipal leaders in challenging federal detention practices.
As legal proceedings against Mayor Baraka unfold, his case will likely become a rallying point for immigration advocates while simultaneously intensifying debates about the proper boundaries between federal authority and local governance. Regardless of the legal outcome, the Newark mayor’s arrest has already cemented his position as a prominent voice in the national conversation on immigration enforcement and detention practices.
Newark Mayor Ras Baraka’s arrest during a protest against the Delaney Hall ICE detention center has ignited a firestorm of controversy across New Jersey political circles. The dramatic Friday confrontation occurred as Baraka demonstrated against the newly opened facility, resulting in his detention for allegedly trespassing on federal property despite his position as the city’s highest elected official.
The incident unfolded when Baraka attempted to join a scheduled tour of the detention center alongside New Jersey Representatives Robert Menendez, LaMonica McIver, and Bonnie Watson Coleman. According to witnesses, federal agents blocked his entry, leading to a tense standoff that escalated when Baraka reportedly tried accessing the center through a side gate. The confrontation culminated with law enforcement officers physically removing protest organizers and placing the mayor in handcuffs.
Alina Habba, acting U.S. Attorney for the District of New Jersey, defended the arrest by asserting that Baraka had willfully disregarded the law after ignoring multiple warnings from Homeland Security Investigations to vacate the premises. Her statement emphasized that no individual stands above legal compliance, regardless of their public office. Following his arrest, authorities transported Baraka to an ICE office in Newark, raising significant questions about the treatment of elected officials engaged in political protests.
The tensions surrounding Delaney Hall have been building for months, with Baraka emerging as one of the facility’s most vocal opponents. Since before its May 1 opening, the mayor has consistently challenged the detention center’s legitimacy, raising concerns about permit issues and questioning whether the 1,000-bed facility could legally operate within Newark’s jurisdiction.
In February, Baraka’s office released a definitive statement declaring that Delaney Hall cannot lawfully open in Newark at this time, highlighting potential violations of city regulations. His persistent opposition stems from deeply held concerns about immigrant rights and the broader implications of expanding private immigration detention infrastructure within his community.
Congressional witnesses allege excessive force
The confrontation has drawn intense scrutiny, particularly after Representatives McIver and Watson Coleman, who witnessed the incident, alleged they were physically assaulted by ICE agents during the altercation. Rep. McIver stated that federal agents not only arrested the mayor of Newark, but put their hands on two members of Congress, amplifying concerns about the tactics employed by law enforcement during the protest.
These allegations have transformed what might have remained a local incident into a matter of national significance, raising questions about the boundaries of protest rights and the appropriate use of force against elected officials engaged in political demonstrations. The physical confrontation between federal agents and members of Congress represents an unusual escalation in the ongoing immigration policy debate.
State leadership responds with outrage
New Jersey Governor Phil Murphy swiftly condemned Baraka’s arrest as unjust, emphasizing that the mayor’s actions represented a continuation of months-long protests against the private immigration detention center. His statement highlighted that Baraka’s opposition has been shared by advocates, faith leaders, and congressional representatives, positioning the mayor’s arrest as an affront to legitimate political expression.
Senator Cory Booker echoed these sentiments while framing Baraka’s presence at the facility within his mayoral duties. Booker suggested the mayor was fulfilling his responsibility to ensure facilities operating within Newark comply with laws protecting occupant and resident safety. The senator characterized the incident as disturbing and unnecessary, further arguing that law enforcement should have prioritized de-escalation rather than arrest.
Facility at the center of controversy
The Delaney Hall detention center, which began operations on May 1, has become a flashpoint in the ongoing national debate over immigration enforcement practices. As a 1,000-bed facility designated for immigrant detention, it represents exactly the type of infrastructure that immigration advocates and progressive politicians have increasingly opposed across the country.
For Baraka and his supporters, the facility symbolizes broader concerns about the privatization of detention centers and the treatment of immigrants within the U.S. immigration system. The mayor’s willingness to risk arrest underscores the depth of these concerns and his commitment to preventing such operations within his jurisdiction.
Broader implications for political activism
Baraka’s arrest represents a significant moment in the evolving relationship between local governance and federal immigration enforcement. As mayors increasingly position themselves as defenders of immigrant communities against federal policies they view as unjust, confrontations like the one at Delaney Hall may become more common.
The incident raises fundamental questions about the limits of protest for elected officials and the appropriate response from federal authorities when facing opposition from local leadership. It also highlights the growing polarization surrounding immigration policy and the increasingly assertive stance taken by municipal leaders in challenging federal detention practices.
As legal proceedings against Mayor Baraka unfold, his case will likely become a rallying point for immigration advocates while simultaneously intensifying debates about the proper boundaries between federal authority and local governance. Regardless of the legal outcome, the Newark mayor’s arrest has already cemented his position as a prominent voice in the national conversation on immigration enforcement and detention practices.
Morris Chestnut Returns For Season 3 Of Hulu’s ‘Reasonable Doubt’
Reasonable Doubt‘s third season is taking shape at Hulu as the Onyx Collective hit prepares to cover Jax’s (Emayatzy Corinealdi) latest chapter.
Along with unveiling several guest stars, Hulu has also shared some exciting updates about production progress and other need-to-know details. Scroll down for a closer look at what’s to come in Reasonable Doubt Season 3, and stay tuned for further updates.
Who stars in Reasonable Doubt Season 3?
Series regulars for Reasonable Doubt include returning stars Corinealdi as Jax, McKinley Freeman as Lewis, Tim Jo as Daniel, and Angela Grovey as Krystal, with Joseph Sikora joining the mix as Bill Sterling for Season 3. Meanwhile, Morris Chestnut will reprise his role as Corey Cash in a recurring capacity alongside new additions Kyle Bary as Ozzie, Rumer Willis as Wendy, Brandee Evans as Monica, Richard Brooks as Eddie, April Parker Jones as Rosie, and Keith Arthur Bolden as Sal.
When will Reasonable Doubt Season 3 premiere?
There is no premiere date for Reasonable Doubt‘s third season, but the show is currently in production in Atlanta. As filming continues to unfold, stay tuned for updates on Reasonable Doubt‘s Season 3 progress.
What will Reasonable Doubt Season 3 be about?
Reasonable Doubt‘s Season 3 logline teases that after fighting to save her best friend from a life sentence while healing from her own deadly affair, Jax Stewart has finally earned some peace, even if she sees it as a little boring. But that peace is quickly disrupted when a former child star, Ozzie, finds himself in a heap of trouble, and Jax jumps at the opportunity to spice up her daily routine.
But it turns out her client’s personal life has all of the drama and danger of a Hollywood movie, and Jax’s own professional future comes under threat from a charismatic associate at her firm. Will Jax be able to clear her client’s name without losing the personal and professional success she’s worked so hard for? Only time will tell.
Reasonable Doubt is written, created, and executive produced for television by Raamla Mohamed. Meanwhile, fellow executive producers include Kerry Washington, Pilar Savone, Larry Wilmore, Anton Cropper, and Lena Cordina. Additionally, Shawn Holley, Jon Leshay, Tamara Gregory, Erika Harrison, and Zahir McGhee serve as co-executive producers on the show, hailing from Onyx Collective and producer 20th Television, a part of Disney Television Studios.Morris Chestnut is back in his bag. He returns as Corey Cash in Season 3 of Reasonable Doubt, the Hulu drama executive produced by Kerry Washington and led by Emayatzy Corinealdi.
This season comes with some serious reinforcements, including Joseph Sikora, Rumer Willis, Brandee Evans, Richard Brooks, April Parker Jones, and Keith Arthur Bolden.
Along with unveiling several guest stars, Hulu has also shared some exciting updates about production progress and other need-to-know details. Scroll down for a closer look at what’s to come in Reasonable Doubt Season 3, and stay tuned for further updates.
Who stars in Reasonable Doubt Season 3?
Series regulars for Reasonable Doubt include returning stars Corinealdi as Jax, McKinley Freeman as Lewis, Tim Jo as Daniel, and Angela Grovey as Krystal, with Joseph Sikora joining the mix as Bill Sterling for Season 3. Meanwhile, Morris Chestnut will reprise his role as Corey Cash in a recurring capacity alongside new additions Kyle Bary as Ozzie, Rumer Willis as Wendy, Brandee Evans as Monica, Richard Brooks as Eddie, April Parker Jones as Rosie, and Keith Arthur Bolden as Sal.
When will Reasonable Doubt Season 3 premiere?
There is no premiere date for Reasonable Doubt‘s third season, but the show is currently in production in Atlanta. As filming continues to unfold, stay tuned for updates on Reasonable Doubt‘s Season 3 progress.
What will Reasonable Doubt Season 3 be about?
Reasonable Doubt‘s Season 3 logline teases that after fighting to save her best friend from a life sentence while healing from her own deadly affair, Jax Stewart has finally earned some peace, even if she sees it as a little boring. But that peace is quickly disrupted when a former child star, Ozzie, finds himself in a heap of trouble, and Jax jumps at the opportunity to spice up her daily routine.
But it turns out her client’s personal life has all of the drama and danger of a Hollywood movie, and Jax’s own professional future comes under threat from a charismatic associate at her firm. Will Jax be able to clear her client’s name without losing the personal and professional success she’s worked so hard for? Only time will tell.
Reasonable Doubt is written, created, and executive produced for television by Raamla Mohamed. Meanwhile, fellow executive producers include Kerry Washington, Pilar Savone, Larry Wilmore, Anton Cropper, and Lena Cordina. Additionally, Shawn Holley, Jon Leshay, Tamara Gregory, Erika Harrison, and Zahir McGhee serve as co-executive producers on the show, hailing from Onyx Collective and producer 20th Television, a part of Disney Television Studios.Morris Chestnut is back in his bag. He returns as Corey Cash in Season 3 of Reasonable Doubt, the Hulu drama executive produced by Kerry Washington and led by Emayatzy Corinealdi.
This season comes with some serious reinforcements, including Joseph Sikora, Rumer Willis, Brandee Evans, Richard Brooks, April Parker Jones, and Keith Arthur Bolden.
Liev Schreiber shows his support for his trans daughter Kai He says she's is such a fighter’
Liev Schreiber is opening up about his 16-year-old daughter, Kai, who is transgender.
The “Ray Donovan” star talked to Variety about the teen joining him and his wife, Taylor, for the Ali Forney Center’s A Place at the Table Gala being held Friday night in New York City. The center provides housing and support for homeless LGBTQ youth. The goal of the event is to “make a lasting impact and continue our mission to uplift and empower young people in need,” according to the center’s social media.
Schreiber revealed that his daughter never actually came out to him and her mother, actress Naomi Watts, as trans.
“Kai was always who Kai is. But I suppose the most profound moment was her asking us to change her pronouns,” he said. “To be honest with you, it didn’t feel like that big of a deal to me only because Kai had been so feminine for so long.”
He had words of praise for his daughter, who has modeled for Valentino.
“Kai is such a fighter,” he said. “It’s important that she goes, ‘Hey, I am trans,’ and, ‘Look at me.’”
When asked if he had any advice for other parents with trans children, Schreiber said, “I don’t know the answer for your kid.”
“I don’t know what it’s like for you to be a trans dad. I don’t know how you were brought up,” he said. “I don’t know what religion you encountered or what your spirituality is. And for me to tell you what I think about my kid feels like an overstep.”
He then added, “I guess if I would say anything to someone who’s having trouble with their trans teen or their adolescent trans kid it’s ‘Teenagers are a headache. They’re hard.’”
“It doesn’t matter whether they’re trans or not because you’ll come out of this,” he said. “But a trans teen is going to be a teen. They’re such a pain so much of the time, and Kai is as feisty and outspoken as they come.”
Schreiber said he tries not to “dwell” on the current political climate, which includes the Supreme Court recently ruling that the Trump administration can enforce a ban on transgender service members in the military.
“To some degree, I feel like I don’t want to overcook that fear or that anxiety,” the actor said. “There’s enough in the world to be anxious and afraid about.”
Liev Schreiber is opening up about his 16-year-old daughter, Kai, who is transgender.
The “Ray Donovan” star talked to Variety about the teen joining him and his wife, Taylor, for the Ali Forney Center’s A Place at the Table Gala being held Friday night in New York City. The center provides housing and support for homeless LGBTQ youth. The goal of the event is to “make a lasting impact and continue our mission to uplift and empower young people in need,” according to the center’s social media.
Schreiber revealed that his daughter never actually came out to him and her mother, actress Naomi Watts, as trans.
“Kai was always who Kai is. But I suppose the most profound moment was her asking us to change her pronouns,” he said. “To be honest with you, it didn’t feel like that big of a deal to me only because Kai had been so feminine for so long.”
He had words of praise for his daughter, who has modeled for Valentino.
“Kai is such a fighter,” he said. “It’s important that she goes, ‘Hey, I am trans,’ and, ‘Look at me.’”
When asked if he had any advice for other parents with trans children, Schreiber said, “I don’t know the answer for your kid.”
“I don’t know what it’s like for you to be a trans dad. I don’t know how you were brought up,” he said. “I don’t know what religion you encountered or what your spirituality is. And for me to tell you what I think about my kid feels like an overstep.”
He then added, “I guess if I would say anything to someone who’s having trouble with their trans teen or their adolescent trans kid it’s ‘Teenagers are a headache. They’re hard.’”
“It doesn’t matter whether they’re trans or not because you’ll come out of this,” he said. “But a trans teen is going to be a teen. They’re such a pain so much of the time, and Kai is as feisty and outspoken as they come.”
Schreiber said he tries not to “dwell” on the current political climate, which includes the Supreme Court recently ruling that the Trump administration can enforce a ban on transgender service members in the military.
“To some degree, I feel like I don’t want to overcook that fear or that anxiety,” the actor said. “There’s enough in the world to be anxious and afraid about.”
Divorce war? Iman Shumpert wants Teyana Taylor jailed
Iman Shumpert has dramatically intensified his legal dispute with ex-wife Teyana Taylor, filing a motion that seeks jail time for alleged violations of their divorce agreement. The former NBA player’s recent court action has thrust their private matters back into the public spotlight, underscoring the profound challenges celebrity couples face when navigating high-stakes separations under media scrutiny.
The May 5, 2025, filing represents a significant escalation in their increasingly contentious post-marriage relationship, with implications extending beyond their personal conflict to potentially affect their children and respective careers. This latest development follows months of reciprocal accusations and counterclaims that have characterized their divorce proceedings since Taylor initially filed in January 2023.
Shumpert’s motion for contempt centers on claims that Taylor deliberately breached confidentiality provisions within their divorce settlement. Court documents indicate Shumpert alleges that on March 12, Taylor willfully and contemptuously exposed and broadcast specific provisions of the final judgment decree of divorce, an action he maintains violates their legally binding agreement.
Beyond the confidentiality concerns, Shumpert contends that Taylor’s public disclosures have created potential security risks for their family. His filing emphasizes particular concern regarding their children’s safety, suggesting that Taylor’s alleged breaches extend beyond mere contractual violations to potentially endangering their shared parental responsibilities and family security arrangements.
The former basketball player further alleges that Taylor has interfered with his parenting time, specifically referencing an April 17 incident when he claims he was prevented from exercising his custodial rights to pick up their children. This accusation adds another dimension to the legal dispute, potentially implicating custody and visitation arrangements previously established through their divorce proceedings.
In his court filing, Shumpert asserts that Taylor’s alleged violations have resulted in substantial financial consequences and reputational damage. He has requested the court conduct a thorough assessment to determine the precise monetary impact of her alleged actions on his professional prospects and earnings.
The motion reflects Shumpert’s position that Taylor‘s public comments have negatively affected his commercial opportunities and public image, suggesting that her statements may have compromised existing professional relationships or potential business ventures. This economic dimension adds complexity to a case already fraught with personal and familial considerations.
Shumpert’s request for both civil and criminal contempt findings represents one of the more severe legal remedies available in such disputes. His specific demands include a $1,000 fine against Taylor and, more significantly, a jail sentence of up to 20 days—penalties that would mark a substantial judicial intervention in their ongoing conflict.
The pursuit of incarceration as a consequence for alleged divorce agreement violations demonstrates the exceptional acrimony that has developed between the former couple. Legal experts note that while such penalties exist within the court’s authority, their application in celebrity divorce cases remains relatively uncommon, typically reserved for the most egregious violations of court orders.
Shumpert‘s latest legal action mirrors similar claims previously made by Taylor, who months earlier accused him of leaking confidential divorce details to media outlets. Those earlier allegations emerged shortly after Taylor was photographed with actor Aaron Pierre, timing that some observers speculated might indicate retaliatory motivations behind Shumpert’s alleged disclosures.
Taylor’s previous court filings sought comparable penalties against Shumpert, including similar financial sanctions and potential confinement. This pattern of reciprocal accusations has characterized their post-divorce relationship, with each party claiming the other has failed to honor their legal obligations and privacy commitments established through their separation agreement.
The couple’s legal separation began formally when Taylor filed for divorce in January 2023, concluding a seven-year marriage that had produced two children. Although the divorce filing occurred early in 2023, the couple waited until September of that year to publicly acknowledge their separation, creating a period of private legal proceedings before their marital dissolution became widely known.
Taylor’s initial divorce filing contained serious allegations regarding Shumpert’s conduct during their marriage, including claims of narcissistic behavior and cruelty. These assertions established a confrontational tone that has persisted throughout their subsequent legal interactions, with accusations and counteraccusations characterizing their post-marriage relationship.
The May 5, 2025, filing represents a significant escalation in their increasingly contentious post-marriage relationship, with implications extending beyond their personal conflict to potentially affect their children and respective careers. This latest development follows months of reciprocal accusations and counterclaims that have characterized their divorce proceedings since Taylor initially filed in January 2023.
Shumpert’s motion for contempt centers on claims that Taylor deliberately breached confidentiality provisions within their divorce settlement. Court documents indicate Shumpert alleges that on March 12, Taylor willfully and contemptuously exposed and broadcast specific provisions of the final judgment decree of divorce, an action he maintains violates their legally binding agreement.
Beyond the confidentiality concerns, Shumpert contends that Taylor’s public disclosures have created potential security risks for their family. His filing emphasizes particular concern regarding their children’s safety, suggesting that Taylor’s alleged breaches extend beyond mere contractual violations to potentially endangering their shared parental responsibilities and family security arrangements.
The former basketball player further alleges that Taylor has interfered with his parenting time, specifically referencing an April 17 incident when he claims he was prevented from exercising his custodial rights to pick up their children. This accusation adds another dimension to the legal dispute, potentially implicating custody and visitation arrangements previously established through their divorce proceedings.
In his court filing, Shumpert asserts that Taylor’s alleged violations have resulted in substantial financial consequences and reputational damage. He has requested the court conduct a thorough assessment to determine the precise monetary impact of her alleged actions on his professional prospects and earnings.
The motion reflects Shumpert’s position that Taylor‘s public comments have negatively affected his commercial opportunities and public image, suggesting that her statements may have compromised existing professional relationships or potential business ventures. This economic dimension adds complexity to a case already fraught with personal and familial considerations.
Shumpert’s request for both civil and criminal contempt findings represents one of the more severe legal remedies available in such disputes. His specific demands include a $1,000 fine against Taylor and, more significantly, a jail sentence of up to 20 days—penalties that would mark a substantial judicial intervention in their ongoing conflict.
The pursuit of incarceration as a consequence for alleged divorce agreement violations demonstrates the exceptional acrimony that has developed between the former couple. Legal experts note that while such penalties exist within the court’s authority, their application in celebrity divorce cases remains relatively uncommon, typically reserved for the most egregious violations of court orders.
Shumpert‘s latest legal action mirrors similar claims previously made by Taylor, who months earlier accused him of leaking confidential divorce details to media outlets. Those earlier allegations emerged shortly after Taylor was photographed with actor Aaron Pierre, timing that some observers speculated might indicate retaliatory motivations behind Shumpert’s alleged disclosures.
Taylor’s previous court filings sought comparable penalties against Shumpert, including similar financial sanctions and potential confinement. This pattern of reciprocal accusations has characterized their post-divorce relationship, with each party claiming the other has failed to honor their legal obligations and privacy commitments established through their separation agreement.
The couple’s legal separation began formally when Taylor filed for divorce in January 2023, concluding a seven-year marriage that had produced two children. Although the divorce filing occurred early in 2023, the couple waited until September of that year to publicly acknowledge their separation, creating a period of private legal proceedings before their marital dissolution became widely known.
Taylor’s initial divorce filing contained serious allegations regarding Shumpert’s conduct during their marriage, including claims of narcissistic behavior and cruelty. These assertions established a confrontational tone that has persisted throughout their subsequent legal interactions, with accusations and counteraccusations characterizing their post-marriage relationship.
Diddy tells judge that he and Cassie were violent together
Diddy’s legal team has informed the judge that he plans to tell the jury that he and former girlfriend Cassie were violent with each other during their decade-long relationship.
The country saw the infamous beatdown of Cassie video. The world saw the video evidence, courtesy of CNN, that showed irrefutably that Sean “Diddy” Combs was violent with Casandra “Cassie” Ventura. In the video from the now-defunct InterContinental Hotel in the Century City section of Los Angeles, Americans saw Cassie racing towards a bank of elevators to escape. And then the country saw Diddy run after and snatch Cassie, throw her to the floor, kick her multiple times, then drag her back to their hotel room that she’d just fled.
However, Diddy’s defense attorneys plan to show evidence that Cassie committed acts of violence against him as well.
According to TMZ, there was a terse exchange between the prosecutor Emily Anne Johnson and defense attorney Marc Agnifilo on day 4 of the Diddy trial inside the federal courtroom in New York.
Agnifilo told the judge, “is going to take the position there was mutual violence in their relationship,” noting, “hitting, on both sides: DV (domestic violence).”
The defense attorney continued, saying, “We are absolutely going to admit to domestic violence. But at what point does it become coercive?”
Judge Arun Subramanian asked Agnifilo, “You’re arguing that they are just violent?”
Agnifilo responded, “Right. We’re saying it’s relevant.”
Diddy’s defense team will introduce evidence of ‘mutual violence’
TMZ reports that Agnifilo will submit a brief to explain that they will submit two cellphone videos that will corroborate mutual violence between Diddy and Cassie. They also will show the jury the unedited version of that infamous video showing Diddy beatdown of Cassie in 2016.
Diddy’s legal team has informed the judge that he plans to tell the jury that he and former girlfriend Cassie were violent with each other during their decade-long relationship.
The country saw the infamous beatdown of Cassie video. The world saw the video evidence, courtesy of CNN, that showed irrefutably that Sean “Diddy” Combs was violent with Casandra “Cassie” Ventura. In the video from the now-defunct InterContinental Hotel in the Century City section of Los Angeles, Americans saw Cassie racing towards a bank of elevators to escape. And then the country saw Diddy run after and snatch Cassie, throw her to the floor, kick her multiple times, then drag her back to their hotel room that she’d just fled.
However, Diddy’s defense attorneys plan to show evidence that Cassie committed acts of violence against him as well.
According to TMZ, there was a terse exchange between the prosecutor Emily Anne Johnson and defense attorney Marc Agnifilo on day 4 of the Diddy trial inside the federal courtroom in New York.
Agnifilo told the judge, “is going to take the position there was mutual violence in their relationship,” noting, “hitting, on both sides: DV (domestic violence).”
The defense attorney continued, saying, “We are absolutely going to admit to domestic violence. But at what point does it become coercive?”
Judge Arun Subramanian asked Agnifilo, “You’re arguing that they are just violent?”
Agnifilo responded, “Right. We’re saying it’s relevant.”
Diddy’s defense team will introduce evidence of ‘mutual violence’
TMZ reports that Agnifilo will submit a brief to explain that they will submit two cellphone videos that will corroborate mutual violence between Diddy and Cassie. They also will show the jury the unedited version of that infamous video showing Diddy beatdown of Cassie in 2016.
Ramona Singer Slammed by 'Real Housewives' Fans for Supporting Daniel Penny in New Instagram Post
Former Real Housewives of New York City star Ramona Singer is being slammed for showing her public support for Daniel Penny, the man who was acquitted of criminally negligent homicide in the death of Jordan Neely.
For those who don’t know, Penny was accused of manslaughter after putting Neely, a 30-year-old homeless Black man, into a chokehold on a New York City subway after the man began acting erratically around other train passengers. He was found not guilty back in December 2024.
Ramona took to her Instagram account on Friday (May 9) to share a photo of herself with Daniel, in which they were both dressed up for a cocktail attire event.
“So proud Daniel Penny !! #apennysaved #hero,” Ramona captioned the photo.
The most liked comment on the post read, “He murdered someone. And his hair is also unforgivable.” Another commenter said, “Thank you for reminding us why RHONY was rebooted and ultimately cancelled. It was you.”
On Twitter, the photo received lots of backlash.
“I genuinely just gasped out loud alone in my apartment. This is too far, and I never want to hear a single person argue that Ramona should return to Bravo ever again. Disgusting, vile behavior,” @svershbow wrote.
@DukeEllington91 wrote, “I had to unfollow Ramona Singer on Instagram. She literally is proudly posting pictures with that guy that killed that black man out on the subway calling him a f–king hero. F–king c-nt.”
Ramona was trolled across social media last month when she posted a heavily edited photo that made her appear to be decades younger.
For those who don’t know, Penny was accused of manslaughter after putting Neely, a 30-year-old homeless Black man, into a chokehold on a New York City subway after the man began acting erratically around other train passengers. He was found not guilty back in December 2024.
Ramona took to her Instagram account on Friday (May 9) to share a photo of herself with Daniel, in which they were both dressed up for a cocktail attire event.
“So proud Daniel Penny !! #apennysaved #hero,” Ramona captioned the photo.
The most liked comment on the post read, “He murdered someone. And his hair is also unforgivable.” Another commenter said, “Thank you for reminding us why RHONY was rebooted and ultimately cancelled. It was you.”
On Twitter, the photo received lots of backlash.
“I genuinely just gasped out loud alone in my apartment. This is too far, and I never want to hear a single person argue that Ramona should return to Bravo ever again. Disgusting, vile behavior,” @svershbow wrote.
@DukeEllington91 wrote, “I had to unfollow Ramona Singer on Instagram. She literally is proudly posting pictures with that guy that killed that black man out on the subway calling him a f–king hero. F–king c-nt.”
Ramona was trolled across social media last month when she posted a heavily edited photo that made her appear to be decades younger.
John Legend Addresses Former Friend Kanye West's 'Decline,' Says It's 'Shocking to See Where He Is Now'
John Legend is looking back at his friendship with Kanye West while addressing the rapper’s “decline.”
If you didn’t know, John, 46, and Kanye, 47, became very good friends starting in 2004 when John signed a record deal with Kanye‘s GOOD Music record label.
However, the two had a major falling out several years due in part to Kanye supporting Donald Trump.
In recent years, Kanye has found himself in many controversies, including calling himself a Nazi.
While speaking with The Times, John said that he believes Kanye first started spiraling out of control following the death of his mother Donda.
“I don’t think we’re qualified to psychoanalyse him, but after his mother passed in 2007 there was definitely a difference,” John said. “His descent started then and seems to have accelerated recently.”
John went on to say that back in the day, Kanye “had so much optimism, so much creativity,” adding, “It does feel sad, sometimes shocking, to see where he is now.”
While addressing Kanye‘s anti-Semitism views, John said, “I didn’t see a hint of what we’re seeing now, his obsessions with antisemitism, anti-blackness, and it is sad to see his devolution.”
John Legend is looking back at his friendship with Kanye West while addressing the rapper’s “decline.”
If you didn’t know, John, 46, and Kanye, 47, became very good friends starting in 2004 when John signed a record deal with Kanye‘s GOOD Music record label.
However, the two had a major falling out several years due in part to Kanye supporting Donald Trump.
In recent years, Kanye has found himself in many controversies, including calling himself a Nazi.
While speaking with The Times, John said that he believes Kanye first started spiraling out of control following the death of his mother Donda.
“I don’t think we’re qualified to psychoanalyse him, but after his mother passed in 2007 there was definitely a difference,” John said. “His descent started then and seems to have accelerated recently.”
John went on to say that back in the day, Kanye “had so much optimism, so much creativity,” adding, “It does feel sad, sometimes shocking, to see where he is now.”
While addressing Kanye‘s anti-Semitism views, John said, “I didn’t see a hint of what we’re seeing now, his obsessions with antisemitism, anti-blackness, and it is sad to see his devolution.”
Denise Alexander, General Hospital and Days of Our Lives Vet, Dead at 85
Soap veteran Denise Alexander, who played Laura’s mother Lesley on General Hospital along with a lengthy stint on Days of Our Lives, has passed away at the age of 85, according to Soap Opera Digest.
Alexander first gained fame when she joined the cast of NBC’s Days of Our Lives in 1966 as Susan Martin. (She also married her Days co-star Richard Colla, with the two remaining together until Colla’s death in 2021.) Alexander stayed on Days until 1973, when she shocked the soap world by hopping over to ABC’s General Hospital.
There, she played Lesley Webber, mother to Genie Francis’ Laura. Alexander’s Lesley was the driving force behind many of GH’s major plotlines in the 1970s, and Alexander earned a Daytime Emmy nomination for best actress in a daytime drama in 1976. Lesley was killed off in a car crash in 1984, and Alexander took a role on the NBC soap Another World, but she returned to GH as Lesley in 1996, mysteriously resurrected.
She continued on General Hospital off and on until 2009, popping back in for special episodes every few years after that. Her last appearance on the show was in 2021.
Francis credits Alexander with helping her develop as an actor, she tells TV Insider: “I loved her. She loved me. I stole her good stuff. When I look at myself sometimes on television… I have been kind of taken aback because I realized I just did Denise… I was so young, she imprinted on me. And some of my style of acting was directly imprinted on me by Denise Alexander. And she was very, very good to me as I was growing up.”
Soap veteran Denise Alexander, who played Laura’s mother Lesley on General Hospital along with a lengthy stint on Days of Our Lives, has passed away at the age of 85, according to Soap Opera Digest.
Alexander first gained fame when she joined the cast of NBC’s Days of Our Lives in 1966 as Susan Martin. (She also married her Days co-star Richard Colla, with the two remaining together until Colla’s death in 2021.) Alexander stayed on Days until 1973, when she shocked the soap world by hopping over to ABC’s General Hospital.
There, she played Lesley Webber, mother to Genie Francis’ Laura. Alexander’s Lesley was the driving force behind many of GH’s major plotlines in the 1970s, and Alexander earned a Daytime Emmy nomination for best actress in a daytime drama in 1976. Lesley was killed off in a car crash in 1984, and Alexander took a role on the NBC soap Another World, but she returned to GH as Lesley in 1996, mysteriously resurrected.
She continued on General Hospital off and on until 2009, popping back in for special episodes every few years after that. Her last appearance on the show was in 2021.
Francis credits Alexander with helping her develop as an actor, she tells TV Insider: “I loved her. She loved me. I stole her good stuff. When I look at myself sometimes on television… I have been kind of taken aback because I realized I just did Denise… I was so young, she imprinted on me. And some of my style of acting was directly imprinted on me by Denise Alexander. And she was very, very good to me as I was growing up.”
New Times Square Statue of Black Woman Sparks Praise and Controversy
A towering 12-foot bronze statue of a Black woman, titled Grounded in the Stars, has recently been installed in New York City’s Times Square, sparking a wide range of reactions. Created by British sculptor Thomas J. Price, the artwork is part of a series aimed at deconstructing preconceived notions of identity and emphasizing the presence of Black individuals in public spaces.
The statue portrays a young Black woman standing confidently with her hands on her hips, dressed in a T-shirt and pants, gazing out into the open space of Duffy Square. Price describes the figure as a “composite fictional character, unfixed and boundless,” intended to allow viewers to imagine inhabiting space without preconceived ideas and misrepresentation.
While some praise the statue for its representation and the conversation it initiates, others have criticized it for perpetuating stereotypes. Critics argue that the depiction reinforces negative images of Black women, with some online comments expressing offense at the statue’s appearance and attire. Supporters, however, view the artwork as a powerful statement on diversity and inclusion in public art.
Grounded in the Stars is scheduled to remain on display in Times Square until mid-June, offering passersby an opportunity to engage with the piece and the discussions it has generated.
The statue portrays a young Black woman standing confidently with her hands on her hips, dressed in a T-shirt and pants, gazing out into the open space of Duffy Square. Price describes the figure as a “composite fictional character, unfixed and boundless,” intended to allow viewers to imagine inhabiting space without preconceived ideas and misrepresentation.
While some praise the statue for its representation and the conversation it initiates, others have criticized it for perpetuating stereotypes. Critics argue that the depiction reinforces negative images of Black women, with some online comments expressing offense at the statue’s appearance and attire. Supporters, however, view the artwork as a powerful statement on diversity and inclusion in public art.
Grounded in the Stars is scheduled to remain on display in Times Square until mid-June, offering passersby an opportunity to engage with the piece and the discussions it has generated.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
HAVE A GREAT WEEK AHEAD ALL!!!
EFREM
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