#MAGFAB: Michaela Coel for Vogue UK - September 2025!
I MAY DESTROY YOU and CHEWING GUM Star Michaela Coel Covers the September Issue of British Vogue Magazine Photographed
On getting her maker gene from the mom: “Everything I know is from my mum,” she had told me over dinner. “My work ethic is from my mum.” I ask her what she thinks Kuukua wants for her. “I think my mum wants me to be in love, which I am. And I think she wants me to rest in a way that she’s never been able to her whole life.”
On meeting her partner Spencer Hewett on the dating app Raya: “Social dating apps hate Black women. I think that, historically, media hates Black women. And that’s not just here, you know? I think there’s a recognition bias and if you’re used to seeing white faces more, you favour them, and we know this. And across the globe, we are more accustomed to seeing white faces.”
On wanting a family: She immediately says no and asks me the question back, to which I share my theory that being a creative woman is an inherently selfish act. “It’s not selfish,” she retorts. “They never call men selfish for being writers.” The world wants women to stop and tend to everybody else’s needs, I insist. “The world needs to correct themselves,” she replies. Michaela has undergone the process of freezing her eggs, both in London and New York. “That’s the only way I’m going to do it. I would love to have a family. I’m also not going to go crazy if I don’t, because I believe the world is such a mystery, bro. If I don’t have a family, it’s not the end of the world. I’m still going to be here breathing.” At 37, she’s mindful of the age gap between her and Spencer. “I certainly was not thinking about kids at 33. And I love that because I’m enjoying my life a lot. I’m chilling. I got a while. I’ve got a couple jobs.
On getting her maker gene from the mom: “Everything I know is from my mum,” she had told me over dinner. “My work ethic is from my mum.” I ask her what she thinks Kuukua wants for her. “I think my mum wants me to be in love, which I am. And I think she wants me to rest in a way that she’s never been able to her whole life.”
On wanting a family: She immediately says no and asks me the question back, to which I share my theory that being a creative woman is an inherently selfish act. “It’s not selfish,” she retorts. “They never call men selfish for being writers.” The world wants women to stop and tend to everybody else’s needs, I insist. “The world needs to correct themselves,” she replies. Michaela has undergone the process of freezing her eggs, both in London and New York. “That’s the only way I’m going to do it. I would love to have a family. I’m also not going to go crazy if I don’t, because I believe the world is such a mystery, bro. If I don’t have a family, it’s not the end of the world. I’m still going to be here breathing.” At 37, she’s mindful of the age gap between her and Spencer. “I certainly was not thinking about kids at 33. And I love that because I’m enjoying my life a lot. I’m chilling. I got a while. I’ve got a couple jobs.
Go get your copy!
#RHOA: Tamar Braxton And Cynthia Bailey Open Up About Their Battle With Uterine Fibroids
This year, many celebrities have come out to share their struggle with uterine fibroids, noncancerous tumors that grow in or on the muscular wall of the uterus. Tamar Braxton and Cynthia Bailey are two of the latest to share their journeys with the health condition. The celebs joined ABC news anchor Linsey Davis who revealed for the first time that she’d been battling uterine fibroids.
During the interview, Braxton explained that she assumed her menstrual cycle was just “a heavy, ridiculous, normal period” that comprised “insane cramps” and nausea. However, she later learned it was more serious and she had uterine fibroids.
“I didn’t know that it was fibroids, I thought that it was a normal period,” Tamar said when recounting her symptoms, which started when she was younger. “A heavy, ridiculous normal period where you miss school, you have insane cramps. It would be to the point where I would feel nauseous. Couldn’t get out of bed and I would be exhausted and the exhaustion came from having extreme anemia.”
During the chat, the singer revealed that hysterectomies have been common in her family, sharing that Tracy, Toni, and her mother Evelyn all had the surgery. A hysterectomy involves the removal of the uterus, and sometimes other related organs like the ovaries and fallopian tubes.
Davis also shared that she got a hysterectomy to try to resolve her challenges with fibroids.
“I guess I just want to be final. You just want to be finished,” Davis said. “It causes me enough angst and grief, and planning my day differently, accordingly, that I really feel like I’m ready to be finished with this journey.”
Severe bloating is one of many symptoms of fibroids, which all three ladies said they have experienced. Bailey, 58, said fans have speculated that she’s pregnant many times over due to said bloating.
“I stayed on the celebrity baby bump alert. Like I was always giving ‘(I’m) pregnant with imaginary children’ because of my fibroids,” Bailey said. “And I was shutting down on rumors, I was like, ‘I’m not pregnant, I have fibroids.'”
Earlier this year, celebrities like actress Lupita Nyong’o and tennis icon Venus Williams also shared their stories to spread awareness about the health condition.
This year, many celebrities have come out to share their struggle with uterine fibroids, noncancerous tumors that grow in or on the muscular wall of the uterus. Tamar Braxton and Cynthia Bailey are two of the latest to share their journeys with the health condition. The celebs joined ABC news anchor Linsey Davis who revealed for the first time that she’d been battling uterine fibroids.
During the interview, Braxton explained that she assumed her menstrual cycle was just “a heavy, ridiculous, normal period” that comprised “insane cramps” and nausea. However, she later learned it was more serious and she had uterine fibroids.
“I didn’t know that it was fibroids, I thought that it was a normal period,” Tamar said when recounting her symptoms, which started when she was younger. “A heavy, ridiculous normal period where you miss school, you have insane cramps. It would be to the point where I would feel nauseous. Couldn’t get out of bed and I would be exhausted and the exhaustion came from having extreme anemia.”
During the chat, the singer revealed that hysterectomies have been common in her family, sharing that Tracy, Toni, and her mother Evelyn all had the surgery. A hysterectomy involves the removal of the uterus, and sometimes other related organs like the ovaries and fallopian tubes.
Davis also shared that she got a hysterectomy to try to resolve her challenges with fibroids.
“I guess I just want to be final. You just want to be finished,” Davis said. “It causes me enough angst and grief, and planning my day differently, accordingly, that I really feel like I’m ready to be finished with this journey.”
Severe bloating is one of many symptoms of fibroids, which all three ladies said they have experienced. Bailey, 58, said fans have speculated that she’s pregnant many times over due to said bloating.
“I stayed on the celebrity baby bump alert. Like I was always giving ‘(I’m) pregnant with imaginary children’ because of my fibroids,” Bailey said. “And I was shutting down on rumors, I was like, ‘I’m not pregnant, I have fibroids.'”
Earlier this year, celebrities like actress Lupita Nyong’o and tennis icon Venus Williams also shared their stories to spread awareness about the health condition.
#NewMusic from Keri Hilson Shares Video For Latest Single “Searchin” Featuring Method Man
Keri Hilson has just shared the visual for her latest single “Searchin” featuring legendary rapper Method Man.
The song was originally included on her anticipated return project “We Need To Talk” which released earlier this year.
The video shot in the heart of Manhattan and exudes the NYC energy needed to pair with the infectious rhythm and upbeat tempo. Keri and Method provides a nostalgic perspective with a fresh modern twist.
Keri Hilson has just shared the visual for her latest single “Searchin” featuring legendary rapper Method Man.
The song was originally included on her anticipated return project “We Need To Talk” which released earlier this year.
The video shot in the heart of Manhattan and exudes the NYC energy needed to pair with the infectious rhythm and upbeat tempo. Keri and Method provides a nostalgic perspective with a fresh modern twist.
WATCH HERE:
“Searchin” provides a segue as Keri prepares for the next chapter of her story, the next chapters of her three part album
“Searchin” provides a segue as Keri prepares for the next chapter of her story, the next chapters of her three part album
#HipHopNews: will.i.am calls out ICE raids on new single ‘East L.A.’
will.i.am has called out the ICE raids that have been taking place across California on his new single “East L.A.”
Accompanied by his longtime Black Eyed Peas cohort Taboo, the rapper and producer looks to celebrate Los Angeles culture.
On the track, Will raps: “I love Mexicanas from the Border / Make her my wife so ICE won’t deport her.”
Also in the video for the song, he says: “Black people, my ancestors, know exactly some version of what’s happening right now. We’ve been through what you guys are going through right now. And that’s why I stand in solidarity with Latinos.”
Accompanied by his longtime Black Eyed Peas cohort Taboo, the rapper and producer looks to celebrate Los Angeles culture.
On the track, Will raps: “I love Mexicanas from the Border / Make her my wife so ICE won’t deport her.”
Also in the video for the song, he says: “Black people, my ancestors, know exactly some version of what’s happening right now. We’ve been through what you guys are going through right now. And that’s why I stand in solidarity with Latinos.”
LISTEN HERE:
will.i.am also posted a statement which accompanied the song’s release which reads: “We are Los Angeles. We are Angelenos. We are Americans. Some of us born here, some of us migrated here. We are a great country and our borders should be protected. You would think that the idea of border control would make residents feel safe – but it’s pumped fear into our communities.”
will.i.am also posted a statement which accompanied the song’s release which reads: “We are Los Angeles. We are Angelenos. We are Americans. Some of us born here, some of us migrated here. We are a great country and our borders should be protected. You would think that the idea of border control would make residents feel safe – but it’s pumped fear into our communities.”
#BoxOfficeNews: WEAPONS Still Scaring folks to the Theater as it stays at No. 1
WB’s Weapons continued to own the late-summer box office with a stellar $25M sophomore frame, while Nobody 2 did the nothing business we all expected ($9.25M). Due to a lack of major tentpoles this month we are once again far under year-over-year this time in 2024 when Alien: Romulus reignited the flame for that long-running franchise. This is also the first time in 13 weeks we’ve had a sub-$100M weekend, although it came in higher than our own expectations at $92M.
WB’s original horror thriller Weapons continued its box office assault with a $25M sophomore frame on 3,450 screens (+248) for a $7,246 Per Screen Average. That’s a -43% tumble from Frame 1, which is a larger drop than some handicappers were thinking, but still below -50% which is great for any movie. Having a few hundred extra screens helped, as did the positive word-of-mouth avalanche from last week. That hold, along with no competition going into next weekend, will likely result in a third stay at #1.
Universal Pictures tried to create a franchise out of 2021 box office underachiever Nobody and came away with a #3 opening under $10M. In other words, they fought the law of the box office and the law won. Nobody 2 generated $9.25M in its debut frame on 3,260 screens for a $2,837 PSA. That fell towards the top of our prediction range, although we stated on Wednesday that we thought it would be a single-digit opening. Audiences skewed male at 68%, with 59% of ticket buyers in the age 35+ column, which makes sense considering the cast leaned Gen-X/Y with Odenkirk, RZA, Sharon Stone, et al. Here’s how demographics looked…
Reactions across the board were merely okay, with 78% critical on RT alongside an 89% audience score and “B+” CinemaScore.
Overseas Nobody 2 managed not to distinguish itself during an international into 47 markets including UK & Ireland, Australia and Saudi Arabia where it earned an estimated $4.91M for a global opening total of $14.16M.
Marvel Studios’ The Fantastic Four: First Steps fell to the (appropriate) #4 slot this week with $8.8M (-44%) for a domestic total of $247M, placing it ahead of Doctor Strange ($232.6M) and likely to surpass Captain America: The Winter Soldier ($259.7M) in the coming weeks. The global haul now stands at $468.7M, still not having passed underperformer Ant-Man and The Wasp: Quantumania ($476M). Meanwhile, WB’s Superman only dropped -34% to land at #6 with $5.28M despite launching early on Digital this weekend. It is now the fifth highest grossing DC-based movie ever domestically at $340.9M. In comparison to the DCEU, Superman has $594.5M globally which places it below Justice League ($661.3M) and Man of Steel ($667.99M).
Crunchyroll and Sony’s anime Demon Slayer: Kimetsu no Yaiba Infinity Castle opened to $17.5M in 8 Southeast Asian markets on 2,100+ screens, surpassing the entire lifetime gross in these regions for Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train as well as Frozen II. This stands as the biggest all-time animated opening for the market group. Exhibitors are reporting strong US pre-sales and we expect the title to become a solid contributor to the domestic box office in September.
WB’s original horror thriller Weapons continued its box office assault with a $25M sophomore frame on 3,450 screens (+248) for a $7,246 Per Screen Average. That’s a -43% tumble from Frame 1, which is a larger drop than some handicappers were thinking, but still below -50% which is great for any movie. Having a few hundred extra screens helped, as did the positive word-of-mouth avalanche from last week. That hold, along with no competition going into next weekend, will likely result in a third stay at #1.
Universal Pictures tried to create a franchise out of 2021 box office underachiever Nobody and came away with a #3 opening under $10M. In other words, they fought the law of the box office and the law won. Nobody 2 generated $9.25M in its debut frame on 3,260 screens for a $2,837 PSA. That fell towards the top of our prediction range, although we stated on Wednesday that we thought it would be a single-digit opening. Audiences skewed male at 68%, with 59% of ticket buyers in the age 35+ column, which makes sense considering the cast leaned Gen-X/Y with Odenkirk, RZA, Sharon Stone, et al. Here’s how demographics looked…
Reactions across the board were merely okay, with 78% critical on RT alongside an 89% audience score and “B+” CinemaScore.
Overseas Nobody 2 managed not to distinguish itself during an international into 47 markets including UK & Ireland, Australia and Saudi Arabia where it earned an estimated $4.91M for a global opening total of $14.16M.
Marvel Studios’ The Fantastic Four: First Steps fell to the (appropriate) #4 slot this week with $8.8M (-44%) for a domestic total of $247M, placing it ahead of Doctor Strange ($232.6M) and likely to surpass Captain America: The Winter Soldier ($259.7M) in the coming weeks. The global haul now stands at $468.7M, still not having passed underperformer Ant-Man and The Wasp: Quantumania ($476M). Meanwhile, WB’s Superman only dropped -34% to land at #6 with $5.28M despite launching early on Digital this weekend. It is now the fifth highest grossing DC-based movie ever domestically at $340.9M. In comparison to the DCEU, Superman has $594.5M globally which places it below Justice League ($661.3M) and Man of Steel ($667.99M).
Crunchyroll and Sony’s anime Demon Slayer: Kimetsu no Yaiba Infinity Castle opened to $17.5M in 8 Southeast Asian markets on 2,100+ screens, surpassing the entire lifetime gross in these regions for Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train as well as Frozen II. This stands as the biggest all-time animated opening for the market group. Exhibitors are reporting strong US pre-sales and we expect the title to become a solid contributor to the domestic box office in September.
Bishop Hezekiah Walker Honored with Key to New York City
Hezekiah Walker receives the key to NYC, a Center for Gospel Music in his name, a Gospel Walk of Fame honor and finished construction on a 10-story/236-unit affordable housing complex in Brooklyn.
*“He said he wanted to give me a key to the city,” said two-time Grammy winning Gospel legend Hezekiah Walker when I asked how he learned that he was going to be honored with a key to the city of New York. “I was actually at home when I got a call from the Mayor’s Office. I thought it was about a show, they put on shows around the city, so I thought he wanted me to do a show.”
When blessings rain on you, sometimes it pours.
“I think this has only happened to Elvis Presley and Barbra Streisand,” he said excitedly. “All these major people. I am like, ‘are you serious?’ He (Mayor Eric Adams) said, Yes!’ and I became the only Gospel artist to get a key to New York City.”
As we talked about his many accolades Bishop Hezekiah Walker said sincerely, “When it comes to your honor coming from your home folks… (it means more).”
That is not the only recent honor God rained down on Hezekiah for his contribution not only to the Word of God, but the genre of Gospel music. Virginia Union University built the Hezekiah Walker Center for Gospel Music.
The Virginia university, an historically black university (HBCU), also made him the first inductee into the Virginia Union University’s Gospel Music Hall of Fame.
“Virginia Union reached out to me six years ago…about the Hezekiah Walker Center for Gospel Music,” Walker informed me. “It’s a HBCU and we started talking about Gospel music and doing something for Gospel artists. Gospel (music) came from black people, that’s our culture. They reached out to the Thomas Dorsey Foundation to do a Gospel Hall of Fame, and they said they wanted the first one to be Hezekiah Walker.”
But that is not all the blessings this Billboard Chart-topping honoree (Gospel Song of the Decade for single “Every Praise”) has going on, he just finished construction on a 10-story/236-unit housing complex in the community of East New York in Brooklyn, his hometown.
“It’s up, 10 floors. Applications are being accepted in November…making decision in January 2026,” Hezekiah explained when I asked about the progress of the housing complex. “I had this property for 15 years and I wanted to build something on it…maybe a bigger church and at the last minute the Lord said, ‘You need to build something for the community.’ That was during Covid when the Lord came and spoke to me. That same week the Mayor’s Office called and said they had a program to build affordable housing (and wanted him to partner with them).”
As they say, “the rest is history.” Hezekiah Walker, with the help of New York City, just completed construction on a 10-story/236-unit affordable housing complex for the community where he lives. Per the command of God.
Hezekiah Walker in 1993 launched the Love Fellowship Tabernacle Churches in Brooklyn, New York and Bensalem, Philadelphia. Initially he had eight members, and by 1996 his eight members had grown to 1000. He had so many members he had to relocate to a bigger building.
Hezekiah was ordained by Bishop Kenneth H. Moales, Sr in 2008 at the Church of Our Lord Jesus Christ of the Apostolic Faith. In 2010 he became Presiding Bishop at the Church of Our Lord Jesus Christ in the U.S. and Africa when Bishop Moales passed away. In 2021 with Pastor Frank Santora the Faith Church in Connecticut was launched along with Every Tribe Church in Times Square, New York.
Hezekiah Walker is best known for his Hezekiah Walker & The Love Fellowship Crusade Choir of which Aaron Hall (R&B group Guy) was a member. Walker and his choirs released projects on Verity Records, RCA Inspiration and Entertainment One Music. In 2001 his Hezekiah Walker LFT Church Choir, a more youthful Hip-Hop group of vocalists than the Love Fellowship Crusade Choir, was nominated for an NAACP Image Award. Hezekiah won two Grammy Awards – in 1994 (“Live in Atlanta at Morehouse” with the Love Fellowship Crusade Choir) and in 2001 (“Love is Live!” with the LFT Church Choir).
Hezekiah Walker has released 15 albums of which his greatest hit “Every Praise” was amongst. That single spent 102 weeks on top of the Billboard Hot Gospel Songs Chart and topped the Gospel Airplay Chart for 29 consecutive weeks. In 2019 the single “Every Praise” was named by Billboard as the Gospel Song of the Decade. In 2013 Walker formed his Hezekiah Walker Community Development Corporation to create resources to empower the community in East New York and its biggest project, the 10-story/236-unit affordable housing complex, is an example of his commitment to the community where he lives. www.LoveFellowship.com
*“He said he wanted to give me a key to the city,” said two-time Grammy winning Gospel legend Hezekiah Walker when I asked how he learned that he was going to be honored with a key to the city of New York. “I was actually at home when I got a call from the Mayor’s Office. I thought it was about a show, they put on shows around the city, so I thought he wanted me to do a show.”
When blessings rain on you, sometimes it pours.
“I think this has only happened to Elvis Presley and Barbra Streisand,” he said excitedly. “All these major people. I am like, ‘are you serious?’ He (Mayor Eric Adams) said, Yes!’ and I became the only Gospel artist to get a key to New York City.”
As we talked about his many accolades Bishop Hezekiah Walker said sincerely, “When it comes to your honor coming from your home folks… (it means more).”
That is not the only recent honor God rained down on Hezekiah for his contribution not only to the Word of God, but the genre of Gospel music. Virginia Union University built the Hezekiah Walker Center for Gospel Music.
The Virginia university, an historically black university (HBCU), also made him the first inductee into the Virginia Union University’s Gospel Music Hall of Fame.
“Virginia Union reached out to me six years ago…about the Hezekiah Walker Center for Gospel Music,” Walker informed me. “It’s a HBCU and we started talking about Gospel music and doing something for Gospel artists. Gospel (music) came from black people, that’s our culture. They reached out to the Thomas Dorsey Foundation to do a Gospel Hall of Fame, and they said they wanted the first one to be Hezekiah Walker.”
But that is not all the blessings this Billboard Chart-topping honoree (Gospel Song of the Decade for single “Every Praise”) has going on, he just finished construction on a 10-story/236-unit housing complex in the community of East New York in Brooklyn, his hometown.
“It’s up, 10 floors. Applications are being accepted in November…making decision in January 2026,” Hezekiah explained when I asked about the progress of the housing complex. “I had this property for 15 years and I wanted to build something on it…maybe a bigger church and at the last minute the Lord said, ‘You need to build something for the community.’ That was during Covid when the Lord came and spoke to me. That same week the Mayor’s Office called and said they had a program to build affordable housing (and wanted him to partner with them).”
As they say, “the rest is history.” Hezekiah Walker, with the help of New York City, just completed construction on a 10-story/236-unit affordable housing complex for the community where he lives. Per the command of God.
Hezekiah Walker in 1993 launched the Love Fellowship Tabernacle Churches in Brooklyn, New York and Bensalem, Philadelphia. Initially he had eight members, and by 1996 his eight members had grown to 1000. He had so many members he had to relocate to a bigger building.
Hezekiah was ordained by Bishop Kenneth H. Moales, Sr in 2008 at the Church of Our Lord Jesus Christ of the Apostolic Faith. In 2010 he became Presiding Bishop at the Church of Our Lord Jesus Christ in the U.S. and Africa when Bishop Moales passed away. In 2021 with Pastor Frank Santora the Faith Church in Connecticut was launched along with Every Tribe Church in Times Square, New York.
Hezekiah Walker is best known for his Hezekiah Walker & The Love Fellowship Crusade Choir of which Aaron Hall (R&B group Guy) was a member. Walker and his choirs released projects on Verity Records, RCA Inspiration and Entertainment One Music. In 2001 his Hezekiah Walker LFT Church Choir, a more youthful Hip-Hop group of vocalists than the Love Fellowship Crusade Choir, was nominated for an NAACP Image Award. Hezekiah won two Grammy Awards – in 1994 (“Live in Atlanta at Morehouse” with the Love Fellowship Crusade Choir) and in 2001 (“Love is Live!” with the LFT Church Choir).
Hezekiah Walker has released 15 albums of which his greatest hit “Every Praise” was amongst. That single spent 102 weeks on top of the Billboard Hot Gospel Songs Chart and topped the Gospel Airplay Chart for 29 consecutive weeks. In 2019 the single “Every Praise” was named by Billboard as the Gospel Song of the Decade. In 2013 Walker formed his Hezekiah Walker Community Development Corporation to create resources to empower the community in East New York and its biggest project, the 10-story/236-unit affordable housing complex, is an example of his commitment to the community where he lives. www.LoveFellowship.com
Wendy Williams Defiant After Latest Report Confirms Dementia
Wendy Williams stepped out in New York City over the weekend, just days after updated medical records reaffirmed her diagnosis of frontotemporal dementia and aphasia, while her ongoing legal battle over guardianship shows no signs of slowing down.
The former daytime television host was seen dining at Tucci’s restaurant with friends, including Baruch Shemtov, Alex Finnie and Rosanna Scotto, according to Page Six.
Despite her diagnosis, Williams appeared in good spirits, smiling and engaging with her companions during the public outing.
“I will get out of guardianship,” Williams said, standing firm in her opposition to the court-appointed control over her affairs.
Williams underwent a fresh round of medical and neuropsychological evaluations. Last week, results confirmed the same diagnoses she first received in 2023.
Her legal team continues to challenge the necessity of her guardianship, which was originally put in place in May 2022 after Wells Fargo raised concerns about her mental fitness and financial management.
The court appointed attorney Sabrina Morrissey as Williams’ guardian, granting her authority over the former host’s health care and finances.
The arrangement has drawn criticism from Williams’ family, her ex-husband Kevin Hunter and her legal counsel, who have all questioned Morrissey’s oversight.
Williams currently lives in an assisted living facility in New York City on a memory care floor. Her guardianship was recently extended for another three months, with the following court review scheduled for November 5, 2025.
Meanwhile, Kevin Hunter has filed a lawsuit alleging abuse and mismanagement within the guardianship system. The suit seeks $250 million in damages and a new guardian to replace Morrissey.
Her lawyer Joe Tacopina has argued that Williams is mentally competent and sober, and should be allowed to regain control of her life.
The former daytime television host was seen dining at Tucci’s restaurant with friends, including Baruch Shemtov, Alex Finnie and Rosanna Scotto, according to Page Six.
Despite her diagnosis, Williams appeared in good spirits, smiling and engaging with her companions during the public outing.
“I will get out of guardianship,” Williams said, standing firm in her opposition to the court-appointed control over her affairs.
Williams underwent a fresh round of medical and neuropsychological evaluations. Last week, results confirmed the same diagnoses she first received in 2023.
Her legal team continues to challenge the necessity of her guardianship, which was originally put in place in May 2022 after Wells Fargo raised concerns about her mental fitness and financial management.
The court appointed attorney Sabrina Morrissey as Williams’ guardian, granting her authority over the former host’s health care and finances.
The arrangement has drawn criticism from Williams’ family, her ex-husband Kevin Hunter and her legal counsel, who have all questioned Morrissey’s oversight.
Williams currently lives in an assisted living facility in New York City on a memory care floor. Her guardianship was recently extended for another three months, with the following court review scheduled for November 5, 2025.
Meanwhile, Kevin Hunter has filed a lawsuit alleging abuse and mismanagement within the guardianship system. The suit seeks $250 million in damages and a new guardian to replace Morrissey.
Her lawyer Joe Tacopina has argued that Williams is mentally competent and sober, and should be allowed to regain control of her life.
ESPN Won’t Air Spike Lee’s Colin Kaepernick Docuseries Due to ‘Creative Differences’
ESPN has dropped Spike Lee’s forthcoming multi-part documentary series about former NFL quarterback Colin Kaepernick. The sports network confirmed to Reuters that they will not to broadcast the series, which Lee is directing.
“ESPN, Colin Kaepernick, and Spike Lee have collectively decided to no longer proceed with this project as a result of certain creative differences,” ESPN said in a statement to Reuters. “Despite not reaching finality, we appreciate all the hard work and collaboration that went into this film.”
Lee told Reuters a day earlier that the series was “not coming out.” He confirmed that he is not at liberty to discuss the details, telling the news service on Friday, “I signed a nondisclosure. I can’t talk about it.”
ESPN Films announced a docuseries centered on Kaepernick, who played for the San Francisco 49ers from 2011 to 2016, in 2022. The network said that Lee would weave never-before-seen footage from Kaepernick’s archive to provide “a full, first-person account of his journey.” At the time, Kaepernick tweeted, “I’m grateful to be able to work with the legend Spike Lee on my docu-series.” He added, “It’s time for the narrative to be corrected.”
Kaepernick ignited a national debate in 2016 when he knelt during the U.S. national anthem to protest systemic racism and police brutality. He drew significant criticism from Donald Trump, and hasn’t played for an NFL team since that season. In 2019, Kaepernick settled a collusion grievance with the league he had filed in 2017. The details of the agreement were not disclosed.
In September, Puck News reported the series faced delays due disagreements between Kaepernick and Lee over the direction of the film. They added that ESPN Chairman Jimmy Pitaro was open to allowing Lee and producer Jemele Hill in to shop it elsewhere.
ESPN has dropped Spike Lee’s forthcoming multi-part documentary series about former NFL quarterback Colin Kaepernick. The sports network confirmed to Reuters that they will not to broadcast the series, which Lee is directing.
“ESPN, Colin Kaepernick, and Spike Lee have collectively decided to no longer proceed with this project as a result of certain creative differences,” ESPN said in a statement to Reuters. “Despite not reaching finality, we appreciate all the hard work and collaboration that went into this film.”
Lee told Reuters a day earlier that the series was “not coming out.” He confirmed that he is not at liberty to discuss the details, telling the news service on Friday, “I signed a nondisclosure. I can’t talk about it.”
ESPN Films announced a docuseries centered on Kaepernick, who played for the San Francisco 49ers from 2011 to 2016, in 2022. The network said that Lee would weave never-before-seen footage from Kaepernick’s archive to provide “a full, first-person account of his journey.” At the time, Kaepernick tweeted, “I’m grateful to be able to work with the legend Spike Lee on my docu-series.” He added, “It’s time for the narrative to be corrected.”
Kaepernick ignited a national debate in 2016 when he knelt during the U.S. national anthem to protest systemic racism and police brutality. He drew significant criticism from Donald Trump, and hasn’t played for an NFL team since that season. In 2019, Kaepernick settled a collusion grievance with the league he had filed in 2017. The details of the agreement were not disclosed.
In September, Puck News reported the series faced delays due disagreements between Kaepernick and Lee over the direction of the film. They added that ESPN Chairman Jimmy Pitaro was open to allowing Lee and producer Jemele Hill in to shop it elsewhere.
Terence Stamp, '60s British film legend and star of 'Superman,' as General Zod dies at 87
Terence Stamp, the British heartthrob whose performance as the arch-villain in early Superman films and as the title role in Billy Budd won critical praise, died on Sunday. He was 87.
A representative for Stamp confirmed his death to NPR, but did not specify the cause.
"He leaves behind an extraordinary body of work, both as an actor and as a writer that will continue to touch and inspire people for years to come," Stamp's family wrote in a statement.
Often associated with the Swinging '60s, Stamp became a sought-after actor for both his distinctive good looks and the versatility of his performances, portraying everything from a humble sailor to shadow-haunted super-villains. The Guardian dubbed him the "master of the brooding silence," yet he resisted ever being typecast by taking creative risks and leaning into his range.
He played a road-tripping transgender woman in The Adventures of Priscilla, Queen of the Desert. Writing in 1994, when the film was released, critic Roger Ebert said: "At the beginning of the film we're distracted by the unexpected sight of Terence Stamp in drag, but Stamp is able to bring a convincing humanity to the character."
Stamp once said about playing the drag queen: "I was incredibly frightened about it — it's not anything I have ever done, but I happened to be having an afternoon tea with a fellow actress who was a very wise woman and she was flicking through my script and told me to do it."
It grossed $16 million in the Australian box office, notched the Oscar for best costume design and became one of the generation's most iconic Australian films.
Born in East London, the son of a tugboat worker and a homemaker, Stamp has said his working-class background set him apart from other actors, who at the time mostly came from more affluent upbringings.
He dabbled in other fields, including advertising, and a stint working in a hospital, before he began doing theater in England — against the advice of his father and counselors at schools.
"When I asked for career guidance at school, they recommended bricklaying as a good, regular job," he told the Sunday Business Post in 2011.
Stamp has said after his father came back from World War II, he was a "very emotionally closed down guy," but credits his mother with supporting his drive to become an actor, noting in his memoir that she was an "inveterate moviegoer."
At 24, Stamp landed his breakout role with Billy Budd, adapted from a Herman Melville novel, where critics noted that his "sinewy, boyish frame and the face of a Botticelli angel" made him the perfect lead-role sailor. The film earned him an Oscar nomination and a Golden Globe for most promising male newcomer.
Though he had a stretch of success in the 1960s, he moved to an ashram in India in 1969 and became a swami after a romantic breakup. Stamp, however, said the real reason he moved was that he was having trouble landing work as an actor.
"I was 32, in my prime, but producers were looking for a young Terence Stamp. It was deeply humiliating," he said in the Irish publication The Business Post.
That all changed, he later wrote in his memoir, when he received a telegram to a hotel in India that asked him to return to London to be in the Superman movies. "YOU HAVE SCENES WITH MARLON BRANDO," the telegram read.
His career spanned more than 60 films, both blockbusters and arthouse, but perhaps his most widely known performance was portraying General Zod, the alien villain, in early Superman films.
In his memoir, The Ocean Fell into the Drop, Stamp describes being mesmerized at an early age by Cary Grant in The Bishop's Wife, the 1947 classic Christmas comedy.
"When I discovered he'd been born Archie Leech and was a working-class lad from Bristol, I was impressed in ways it's hard to explain," Stamp wrote. "I didn't stop watching television."
A representative for Stamp confirmed his death to NPR, but did not specify the cause.
"He leaves behind an extraordinary body of work, both as an actor and as a writer that will continue to touch and inspire people for years to come," Stamp's family wrote in a statement.
Often associated with the Swinging '60s, Stamp became a sought-after actor for both his distinctive good looks and the versatility of his performances, portraying everything from a humble sailor to shadow-haunted super-villains. The Guardian dubbed him the "master of the brooding silence," yet he resisted ever being typecast by taking creative risks and leaning into his range.
He played a road-tripping transgender woman in The Adventures of Priscilla, Queen of the Desert. Writing in 1994, when the film was released, critic Roger Ebert said: "At the beginning of the film we're distracted by the unexpected sight of Terence Stamp in drag, but Stamp is able to bring a convincing humanity to the character."
Stamp once said about playing the drag queen: "I was incredibly frightened about it — it's not anything I have ever done, but I happened to be having an afternoon tea with a fellow actress who was a very wise woman and she was flicking through my script and told me to do it."
It grossed $16 million in the Australian box office, notched the Oscar for best costume design and became one of the generation's most iconic Australian films.
Born in East London, the son of a tugboat worker and a homemaker, Stamp has said his working-class background set him apart from other actors, who at the time mostly came from more affluent upbringings.
He dabbled in other fields, including advertising, and a stint working in a hospital, before he began doing theater in England — against the advice of his father and counselors at schools.
"When I asked for career guidance at school, they recommended bricklaying as a good, regular job," he told the Sunday Business Post in 2011.
Stamp has said after his father came back from World War II, he was a "very emotionally closed down guy," but credits his mother with supporting his drive to become an actor, noting in his memoir that she was an "inveterate moviegoer."
At 24, Stamp landed his breakout role with Billy Budd, adapted from a Herman Melville novel, where critics noted that his "sinewy, boyish frame and the face of a Botticelli angel" made him the perfect lead-role sailor. The film earned him an Oscar nomination and a Golden Globe for most promising male newcomer.
Though he had a stretch of success in the 1960s, he moved to an ashram in India in 1969 and became a swami after a romantic breakup. Stamp, however, said the real reason he moved was that he was having trouble landing work as an actor.
"I was 32, in my prime, but producers were looking for a young Terence Stamp. It was deeply humiliating," he said in the Irish publication The Business Post.
That all changed, he later wrote in his memoir, when he received a telegram to a hotel in India that asked him to return to London to be in the Superman movies. "YOU HAVE SCENES WITH MARLON BRANDO," the telegram read.
His career spanned more than 60 films, both blockbusters and arthouse, but perhaps his most widely known performance was portraying General Zod, the alien villain, in early Superman films.
In his memoir, The Ocean Fell into the Drop, Stamp describes being mesmerized at an early age by Cary Grant in The Bishop's Wife, the 1947 classic Christmas comedy.
"When I discovered he'd been born Archie Leech and was a working-class lad from Bristol, I was impressed in ways it's hard to explain," Stamp wrote. "I didn't stop watching television."
Regina King Launches Orange Wine Label MianU
Actress, producer and director Regina King has launched a new orange wine label MianU, pronounced "Me and You." A tribute to her late son Ian — who first introduced King to orange wine — the label celebrates the spirit of connection and togetherness and the beauty of shared experiences.
“I’m elated to share MianU with the world to celebrate the special 'me and you' moments with those who are near and dear to us,” said King. “MianU is inspired by my son Ian’s passion for art, flavor and connection. It embodies the love he holds for those around him.”
The Oscar-winning If Beale Street Could Talk actress, who starred as congresswoman Shirley Chisholm in Netflix's 2024 film Shirley, can next be seen in Darren Aronofsky's crime thriller Caught Stealing. Coming to theaters Aug. 29, the Sony Pictures Releasing film follows a former baseball player who falls into the criminal underbelly of 1990s New York. But developing MianU has been an equally important focus for King.
The bright, amber-hued wine has a richly textured body and pleasantly surprising depth — the perfect companion to fresh seafood, seasoned vegetables, hard cheeses and bolder, spiced dishes. It’s aromatic and vibrant, adding character and celebration to any occasion.
MianU wine is crafted with Gewürztraminer grapes from McFadden Farm and Chardonnay grapes from Hawkeye Ranch in Mendocino County — a balanced and structured blend lifted by hints of stone fruit. To preserve its fresh, bright character, the wine is whole-bunch pressed and fermented in stainless steel, then aged in neutral oak for six months. When bottled, the wine is left unfined and unfiltered with minimum use of sulfites.
Sustainability is at the core of the MianU philosophy. Both McFadden Farm and Hawkeye Ranch use methods that enhance soil health, encourage biodiversity and promote long-term environmental stewardship. In a similar spirit, MianU practices a low-intervention approach to winemaking, striking harmony between a thoughtful approach and environmental responsibility.
“@mianuwines isn’t just about wine. It’s about crafting experiences that remind us of the importance of connection, creativity, and joy,” King wrote in a social media post. “Whether through sharing a bottle of wine, connecting over art or simply celebrating the special moments with those we car
Actress, producer and director Regina King has launched a new orange wine label MianU, pronounced "Me and You." A tribute to her late son Ian — who first introduced King to orange wine — the label celebrates the spirit of connection and togetherness and the beauty of shared experiences.
“I’m elated to share MianU with the world to celebrate the special 'me and you' moments with those who are near and dear to us,” said King. “MianU is inspired by my son Ian’s passion for art, flavor and connection. It embodies the love he holds for those around him.”
The Oscar-winning If Beale Street Could Talk actress, who starred as congresswoman Shirley Chisholm in Netflix's 2024 film Shirley, can next be seen in Darren Aronofsky's crime thriller Caught Stealing. Coming to theaters Aug. 29, the Sony Pictures Releasing film follows a former baseball player who falls into the criminal underbelly of 1990s New York. But developing MianU has been an equally important focus for King.
The bright, amber-hued wine has a richly textured body and pleasantly surprising depth — the perfect companion to fresh seafood, seasoned vegetables, hard cheeses and bolder, spiced dishes. It’s aromatic and vibrant, adding character and celebration to any occasion.
MianU wine is crafted with Gewürztraminer grapes from McFadden Farm and Chardonnay grapes from Hawkeye Ranch in Mendocino County — a balanced and structured blend lifted by hints of stone fruit. To preserve its fresh, bright character, the wine is whole-bunch pressed and fermented in stainless steel, then aged in neutral oak for six months. When bottled, the wine is left unfined and unfiltered with minimum use of sulfites.
Sustainability is at the core of the MianU philosophy. Both McFadden Farm and Hawkeye Ranch use methods that enhance soil health, encourage biodiversity and promote long-term environmental stewardship. In a similar spirit, MianU practices a low-intervention approach to winemaking, striking harmony between a thoughtful approach and environmental responsibility.
“@mianuwines isn’t just about wine. It’s about crafting experiences that remind us of the importance of connection, creativity, and joy,” King wrote in a social media post. “Whether through sharing a bottle of wine, connecting over art or simply celebrating the special moments with those we car
Beyoncé Gifts Louis Vuitton Bags to Cowboy Carter Tour Dancers in Heartfelt End-of-Tour Surprise.
Beyoncé has once again shown that her success is built not just on talent but on the people she works with. As the Cowboy Carter tour came to a close on 26 July 2025, the global superstar personally thanked her dancers with luxury Louis Vuitton bags and a handwritten note expressing appreciation for their dedication over the past few months. The gesture reflected her awareness of the effort behind the seamless, high-energy shows that have defined this tour.
The Cowboy Carter era has been one of Beyoncé's most ambitious projects, blending Western influences with her signature R&B and pop artistry. Beyond its music and staging, the tour has also been a masterclass in teamwork and unity. By recognising her dancers with a gift of such significance, Beyoncé underscored her belief in rewarding loyalty and celebrating the people who help bring her vision to life.
In moments like these, it's easy to see why Beyoncé's influence stretches far beyond the charts. Her choice to part ways with her team not just with applause, but with a lasting token of gratitude, speaks volumes. It's a reminder that leadership in entertainment isn't only about commanding the spotlight—it's also about sharing it.
The Cowboy Carter era has been one of Beyoncé's most ambitious projects, blending Western influences with her signature R&B and pop artistry. Beyond its music and staging, the tour has also been a masterclass in teamwork and unity. By recognising her dancers with a gift of such significance, Beyoncé underscored her belief in rewarding loyalty and celebrating the people who help bring her vision to life.
In moments like these, it's easy to see why Beyoncé's influence stretches far beyond the charts. Her choice to part ways with her team not just with applause, but with a lasting token of gratitude, speaks volumes. It's a reminder that leadership in entertainment isn't only about commanding the spotlight—it's also about sharing it.
Iowa pharmacy fined $25k in shocking counterfeit Ozempic
An Iowa pharmacy company already embroiled in multimillion-dollar lawsuits now faces additional sanctions for distributing counterfeit versions of the popular weight loss medication Ozempic. The Iowa Board of Pharmacy announced disciplinary action against SmartScripts while allowing the Washington-based company to retain its operating license under strict probationary terms.
The regulatory decision comes as SmartScripts confronts mounting legal challenges that have resulted in judgments and settlements exceeding $6 million over the past two years. The company’s troubles highlight growing concerns about pharmaceutical supply chain security and oversight in the rapidly expanding telehealth industry.
The counterfeit Ozempic incident began in November 2023 when SmartScripts placed an order with wholesale supplier Pharma Pac for a single case containing 1,260 Ozempic delivery pens. Each pen was designed to administer 4 milligrams of the diabetes and weight loss medication that has become increasingly popular among consumers seeking effective weight management solutions.
However, complications arose when SmartScripts received 15 cases of the medication instead of the single case originally ordered. Company owner Todd Thompson proceeded to ship the excess inventory to Central Pharmacy Management in Lansing, Michigan, which subsequently distributed the products to additional pharmacy locations across the region.
The situation escalated when Pharma Pac contacted Thompson requesting payment for all 15 cases rather than the single case initially ordered. Thompson’s response included quarantining remaining Ozempic supplies and advising recipient pharmacies to halt sales of the product, though regulatory documents do not explain his reasoning for these precautionary measures.
Timeline disputes emerge over counterfeit discovery
State regulators allege that Thompson became aware of the counterfeit nature of the Ozempic supplies on December 21, 2023, but failed to notify the Iowa Board of Pharmacy until July 2024. This delayed reporting became a key component of the disciplinary charges filed against SmartScripts in January 2025.
Thompson disputes the board’s timeline, maintaining that he learned about the counterfeit drugs only after receiving notification from the Food and Drug Administration shortly after selling the products to Central Pharmacy Management. He claims immediate action was taken to contact the purchasing pharmacy and prevent any counterfeit medications from reaching patients.
The pharmacy owner estimates that more than 100 pharmacies nationwide fell victim to similar counterfeit drug schemes, describing his company as one of many victims rather than a willing participant in fraudulent activities.
Legal battles multiply across multiple states
Central Pharmacy Management has initiated legal action against SmartScripts, seeking $132,249 in damages while alleging that Thompson and his company either knowingly sold counterfeit medications or acted negligently in their distribution practices. The Michigan-based pharmacy claims that FDA agents informed them about the counterfeit nature of their SmartScripts purchase on December 27, 2023.
SmartScripts faces additional legal challenges stemming from various business relationships and regulatory compliance issues. The company recently agreed to pay Tiero, a Maryland-based COVID-19 testing company, over $3 million to resolve allegations of misappropriated insurance reimbursements.
The Tiero lawsuit alleged that SmartScripts retained insurance payments that should have been forwarded to the testing company, using approximately $3 million in funds to support its own operations rather than fulfilling contractual obligations.
SmartScripts, which launched in 2017 as Iowa’s first telepharmacy operation, provides pharmaceutical services to consumers across all 50 states through direct delivery systems. The company’s business model relies heavily on automated telemarketing and robocall systems that utilize telephone numbers purchased from data brokers.
This marketing approach has generated additional legal complications, including class-action lawsuits alleging violations of Do Not Call Registry regulations. SmartScripts settled these telecommunications-related cases out of court in both 2022 and 2023 while denying intentional wrongdoing.
The Iowa Board of Pharmacy’s disciplinary action results in a five-year probationary period for SmartScripts along with a $25,000 civil penalty. The company faces charges including misleading representations, gross negligence, fraudulent fee collection, inadequate record-keeping, and unauthorized drug possession.
Despite the serious nature of these allegations, regulators opted to maintain SmartScripts’ operating license rather than pursuing revocation or suspension. This decision allows the telepharmacy to continue serving customers while operating under enhanced oversight and compliance requirements.
The settlement reflects regulatory authorities’ balancing act between protecting public safety and maintaining pharmaceutical access, particularly in rural areas where telepharmacy services provide essential healthcare support.
The regulatory decision comes as SmartScripts confronts mounting legal challenges that have resulted in judgments and settlements exceeding $6 million over the past two years. The company’s troubles highlight growing concerns about pharmaceutical supply chain security and oversight in the rapidly expanding telehealth industry.
The counterfeit Ozempic incident began in November 2023 when SmartScripts placed an order with wholesale supplier Pharma Pac for a single case containing 1,260 Ozempic delivery pens. Each pen was designed to administer 4 milligrams of the diabetes and weight loss medication that has become increasingly popular among consumers seeking effective weight management solutions.
However, complications arose when SmartScripts received 15 cases of the medication instead of the single case originally ordered. Company owner Todd Thompson proceeded to ship the excess inventory to Central Pharmacy Management in Lansing, Michigan, which subsequently distributed the products to additional pharmacy locations across the region.
The situation escalated when Pharma Pac contacted Thompson requesting payment for all 15 cases rather than the single case initially ordered. Thompson’s response included quarantining remaining Ozempic supplies and advising recipient pharmacies to halt sales of the product, though regulatory documents do not explain his reasoning for these precautionary measures.
Timeline disputes emerge over counterfeit discovery
State regulators allege that Thompson became aware of the counterfeit nature of the Ozempic supplies on December 21, 2023, but failed to notify the Iowa Board of Pharmacy until July 2024. This delayed reporting became a key component of the disciplinary charges filed against SmartScripts in January 2025.
Thompson disputes the board’s timeline, maintaining that he learned about the counterfeit drugs only after receiving notification from the Food and Drug Administration shortly after selling the products to Central Pharmacy Management. He claims immediate action was taken to contact the purchasing pharmacy and prevent any counterfeit medications from reaching patients.
The pharmacy owner estimates that more than 100 pharmacies nationwide fell victim to similar counterfeit drug schemes, describing his company as one of many victims rather than a willing participant in fraudulent activities.
Legal battles multiply across multiple states
Central Pharmacy Management has initiated legal action against SmartScripts, seeking $132,249 in damages while alleging that Thompson and his company either knowingly sold counterfeit medications or acted negligently in their distribution practices. The Michigan-based pharmacy claims that FDA agents informed them about the counterfeit nature of their SmartScripts purchase on December 27, 2023.
SmartScripts faces additional legal challenges stemming from various business relationships and regulatory compliance issues. The company recently agreed to pay Tiero, a Maryland-based COVID-19 testing company, over $3 million to resolve allegations of misappropriated insurance reimbursements.
The Tiero lawsuit alleged that SmartScripts retained insurance payments that should have been forwarded to the testing company, using approximately $3 million in funds to support its own operations rather than fulfilling contractual obligations.
SmartScripts, which launched in 2017 as Iowa’s first telepharmacy operation, provides pharmaceutical services to consumers across all 50 states through direct delivery systems. The company’s business model relies heavily on automated telemarketing and robocall systems that utilize telephone numbers purchased from data brokers.
This marketing approach has generated additional legal complications, including class-action lawsuits alleging violations of Do Not Call Registry regulations. SmartScripts settled these telecommunications-related cases out of court in both 2022 and 2023 while denying intentional wrongdoing.
The Iowa Board of Pharmacy’s disciplinary action results in a five-year probationary period for SmartScripts along with a $25,000 civil penalty. The company faces charges including misleading representations, gross negligence, fraudulent fee collection, inadequate record-keeping, and unauthorized drug possession.
Despite the serious nature of these allegations, regulators opted to maintain SmartScripts’ operating license rather than pursuing revocation or suspension. This decision allows the telepharmacy to continue serving customers while operating under enhanced oversight and compliance requirements.
The settlement reflects regulatory authorities’ balancing act between protecting public safety and maintaining pharmaceutical access, particularly in rural areas where telepharmacy services provide essential healthcare support.
Gervonta Davis' Father's Day Arrest was allegedly because he was upset about the possible sexuality of his one year old son
Last month boxer Gervonta Davis was arrested on Father's Day on domestic violence charges
The charges have been dropped but apparently Gervonta was upset about the possible sexuality of his one year old son...
From ESPN: The domestic violence case against WBA lightweight champion Gervonta Davis has been dropped.
According to the Miami-Dade County Clerk's Office website, Davis' misdemeanor battery charge stemming from an alleged domestic dispute with his ex-girlfriend on Father's Day was formally discharged Tuesday morning after the woman declined to prosecute the boxer.
According to the police report obtained by ESPN, Davis' ex-girlfriend told police she was involved in a verbal dispute with the boxer over "personal matters and Gervonta having insecurities about the sexuality of their son."
Davis had arrived at her residence at 5:04 p.m. ET on June 15 to pick up his children when the situation escalated. After putting both children in Davis' car, she alleged Davis punched her "on the rear of her head with a closed fist" and slapped her in the face.
After regaining custody of her children during the incident, the woman went to a local hospital for medical treatment. A note on the police report also suggested that there had been "approximately 10" undocumented physical altercations between Davis and his ex-girlfriend.
Davis' original court hearing was set for July 29 but was pushed to Tuesday, with the case being terminated and closed by Judge Elisabeth Maria Espinosa Marin.
Last month boxer Gervonta Davis was arrested on Father's Day on domestic violence charges
The charges have been dropped but apparently Gervonta was upset about the possible sexuality of his one year old son...
From ESPN: The domestic violence case against WBA lightweight champion Gervonta Davis has been dropped.
According to the Miami-Dade County Clerk's Office website, Davis' misdemeanor battery charge stemming from an alleged domestic dispute with his ex-girlfriend on Father's Day was formally discharged Tuesday morning after the woman declined to prosecute the boxer.
According to the police report obtained by ESPN, Davis' ex-girlfriend told police she was involved in a verbal dispute with the boxer over "personal matters and Gervonta having insecurities about the sexuality of their son."
Davis had arrived at her residence at 5:04 p.m. ET on June 15 to pick up his children when the situation escalated. After putting both children in Davis' car, she alleged Davis punched her "on the rear of her head with a closed fist" and slapped her in the face.
After regaining custody of her children during the incident, the woman went to a local hospital for medical treatment. A note on the police report also suggested that there had been "approximately 10" undocumented physical altercations between Davis and his ex-girlfriend.
Davis' original court hearing was set for July 29 but was pushed to Tuesday, with the case being terminated and closed by Judge Elisabeth Maria Espinosa Marin.
Davis was loosely connected to a rematch with Lamont Roach Jr. in August after the two battled to a controversial majority draw in March. However, the fight was never formally announced, and it is not known when Davis will return to the ring.
David Geffen Denies Estranged Husband's Contract Claims
Last month media mogul David Geffen's estranged, much younger husband, Donovan Michaels, accused Geffen of abuse and filing for divorce after he sought to renegotiate the terms of their agreement
Geffen claims there was no such agreement, written, oral or implied...
From The Daily Mail
David Geffen has doubled down on insisting his estranged boytoy husband's claims he's a six and drug-crazed abuser are 'a work of fiction'.
Donovan Michaels, 32, alleges his billionaire ex-beau Geffen, 82, forced him to take drugs, subjected him to abusive six and controlled his every move.
Among the salacious claims in his lawsuit were that Geffen forced him to have all his body hair lasered off and once flew into a rage at the sight of an ingrown hair.
Last month media mogul David Geffen's estranged, much younger husband, Donovan Michaels, accused Geffen of abuse and filing for divorce after he sought to renegotiate the terms of their agreement
Geffen claims there was no such agreement, written, oral or implied...
From The Daily Mail
David Geffen has doubled down on insisting his estranged boytoy husband's claims he's a six and drug-crazed abuser are 'a work of fiction'.
Donovan Michaels, 32, alleges his billionaire ex-beau Geffen, 82, forced him to take drugs, subjected him to abusive six and controlled his every move.
Among the salacious claims in his lawsuit were that Geffen forced him to have all his body hair lasered off and once flew into a rage at the sight of an ingrown hair.
The pair met in 2016 on SeekingArrangements.com, a dating website often used by rich people looking for much younger partners.
Geffen, a movie and music producer worth about $9 billion, allegedly paid Michaels $10,000 for sex on the night they met, according to the lawsuit filed in Los Angeles County Superior Court as part of their messy divorce.
The pair began a relationship and married in 2023 without a prenup, according to the complaint that accuses Geffen of breach of contract.
Geffen promised the Daily Mail the claims were false and he would defend them, insisting there was never any agreement he would look after Michaels.
'There was no contract - express, written, oral, or implied - that has ever existed. We will be vigorously and righteously defending against this false, pathetic lawsuit,' his lawyer Patty Glaser said hours after the lawsuit was filed.
Geffen on Saturday made good on his promise with a written response to the court calling the claims 'ludicrous and contrived'.
'Plaintiff cannot embarrass Geffen and extort a settlement with petty gossip and salacious lies,' the document read.
Geffen's lawyers denied Michaels' claim that the billionaire promised to give him a life of luxury until his death, along with shared ownership of assets.
The response declared there were no agreements of this nature in Geffen's estate planning documents or financial records.
He detailed how Michaels burned through massive amounts of cash during their relationship, using assistants to charge luxury purchases to Geffen's accounts.
This included fine clothing, plastic surgery, extravagant gifts for friends, and as the marriage began to break down he spent big on OnlyFans and male escorts.
'Geffen loved Plaintiff and treated him with nothing but kindness, respect, and generosity throughout their relationship,' the filing claimed.
The response cited the billionaire's friends and staff describing Michaels as 'living like a king' off Geffen's money during the marriage.
All the while, it claimed, Michaels was hiding affairs and cocaine and ketamine addictions that persisted even after Geffen paid for rehab.
Geffen's filing also rubbished claims he left Michaels destitute and homeless after cutting him off when he filed for divorce in May.
He noted the younger man was living rent-free in one of his New York apartments and received a voluntary monthly allowance.
Kanye West is Quietly Unloading Real Estate Property
Last year Kanye West took a $36 million loss in a real estate deal, after gutting an architecturally important Malibu beach house and never following through with the renovation. Now Ye is getting rid of more property from his dilapidated real estate portfolio...
From The Sun: KANYE West seems eager to make a quick buck as he's offloading two more of his properties in Los Angeles after his career took a nose-dive due to his wild behavior.
The U.S. Sun can confirm Kanye, 48, is selling both his burned-down church building in the San Fernando Valley and his derelict ranch in Calabasas.
Last year Kanye West took a $36 million loss in a real estate deal, after gutting an architecturally important Malibu beach house and never following through with the renovation. Now Ye is getting rid of more property from his dilapidated real estate portfolio...
From The Sun: KANYE West seems eager to make a quick buck as he's offloading two more of his properties in Los Angeles after his career took a nose-dive due to his wild behavior.
The U.S. Sun can confirm Kanye, 48, is selling both his burned-down church building in the San Fernando Valley and his derelict ranch in Calabasas.
It seems Kanye, known as Ye, may be desperate for cash, as sources say his spending is out of control, and his Yeezy business has ground to a halt.
Despite claims he's a billionaire, insiders alleged this is far from the truth, and he has pending lawsuits and tax debt piling up, as previously reported by The U.S. Sun.
Last month, he put his upscale Calabasas condo on the market for $2.95 million as he faces over $60,000 in unpaid property taxes tied to the home.
He was given the property in his divorce from Kim Kardashian, which was finalized in November 2022.
Now, listings show he is trying to offload two more of his Los Angeles properties.
The rapper's rundown church building in Northridge, north of the city, went up in flames in October 2024 after it was left to rot, and officials suspected arson.
Neighbors previously warned of squatters at the building and were worried about Kanye not looking after it.
The fire burned the residence to the ground, and all that remains is torched grass after the site was cleared and cordoned off with tape.
Kanye has now put the land up for sale for $1.5 million, the same price it was bought for in 2023.
It is described online as a "rare opportunity to purchase a 29,364 square foot flat lot" in a prime area of the valley.
Sydney Sweeney Genes isn't so great as Latest Movie Flops Following American Eagle Backlash
Sydney Sweeney is facing another professional setback. The 27-year-old actress’s latest project, "Americana," opened in theaters this weekend, but early numbers suggest the film is flopping hard.
The indie crime drama, which also stars Halsey and Paul Walter Hauser, premiered at South by Southwest back in 2023 but only hit U.S. theaters nationwide on Friday. Written and directed by Tony Tost, "Americana" centers on a group of outsiders in a small South Dakota town whose lives violently collide after a rare Lakota Ghost Shirt surfaces on the black market.
Sydney Sweeney plays Penny Jo, a wannabe country singer caught in the chaos.
Despite its buzzy festival premiere, the film hasn’t managed to connect with mainstream audiences.
According to The Hollywood Reporter, "Americana" is projected to earn just $850,000 from 1,100 theaters in its opening weekend, landing it at a disappointing 16th place at the box office. As of Saturday, the movie hadn’t even cracked the top 20 on tracking sites Box Office Mojo or The Numbers.
Critics have also been mixed, with the movie currently holding a 68% approval rating on Rotten Tomatoes.
Set against the backdrop of rural South Dakota, "Americana" follows a rogues’ gallery of characters.
Among the ensemble are colorfully drawn figures like “Lefty” Ledbetter, played by Paul Walter Hauser, aspiring singer Mandy Starr, portrayed by Halsey, Dillon MacIntosh (Eric Dane), the enigmatic Ghost Eye (Zahn McClarnon), and Roy Lee Dean (Simon Rex). Each brings their own agenda to the high-stakes hunt, creating a gritty collision of greed, desperation, and survival.
The underwhelming debut comes on the heels of Sweeney’s American Eagle controversy earlier this year.
The actress starred in a denim campaign that featured the tagline “Sydney Sweeney Has Great Jeans/Genes,” a play on words that some critics slammed as “Nazi propaganda.” While the brand defended the campaign as cheeky wordplay, the backlash placed Sweeney at the center of an uncomfortable cultural debate that continues to follow her.
Reaction to the ad was swift, and it quickly became clear that Sweeney’s politics could shape how she’s received in Hollywood. Having registered as a Republican in Florida prior to the 2024 Presidential election, the actress suddenly found herself at the center of a heated cultural debate.
“Sydney Sweeney, a registered Republican, has the HOTTEST ad out there,” he wrote, before encouraging her to “go get ’em.” Trump later re-posted the message after initially misspelling her first name as “Sidney,” doubling down by adding, “Being WOKE is for losers, being Republican is what you want to be.”
Still, the actress has been doing her part to hype the project.
Sydney Sweeney Hypes 'Americana' Role On Instagram As Ad Backlash Lingers
Just days before "Americana" hit theaters, Sweeney tried to drum up excitement on Instagram, sharing a heartfelt post with her followers.
“A few years ago, I filmed this little movie with some friends, and now you get to meet Penny Jo,” she wrote, referring to her character in the film.
But instead of rallying support, the comments section quickly filled with backlash.
Many users bypassed the movie entirely to bring up the lingering controversy over her American Eagle campaign and her political ties. “Perfect, won’t be watching it,” one person wrote.
Another added, “So you voted for Trump? The man in the Epstein files?”
Others were even more blunt, posting remarks like, “I lost you at registered Republican” and “Bruh nobody watching this.”
Sydney Sweeney’s Star Power Faces Next Test With 'Christy' And 'The Housemaid'
With "Americana" struggling to gain traction, all eyes are now on how Sweeney’s upcoming projects will fare.
"Christy," where she takes on the challenging role of legendary boxer Christy Martin, could offer a critical reset if it connects at the Toronto International Film Festival. But with no distributor yet in place, the film’s future hinges on whether buyers believe audiences will rally behind Sweeney in such a gritty, transformative role.
Then comes "The Housemaid," a psychological thriller set for a December 25 release, which will put Sweeney’s box office pull to the test once again.
Sydney Sweeney is facing another professional setback. The 27-year-old actress’s latest project, "Americana," opened in theaters this weekend, but early numbers suggest the film is flopping hard.
The indie crime drama, which also stars Halsey and Paul Walter Hauser, premiered at South by Southwest back in 2023 but only hit U.S. theaters nationwide on Friday. Written and directed by Tony Tost, "Americana" centers on a group of outsiders in a small South Dakota town whose lives violently collide after a rare Lakota Ghost Shirt surfaces on the black market.
Sydney Sweeney plays Penny Jo, a wannabe country singer caught in the chaos.
Despite its buzzy festival premiere, the film hasn’t managed to connect with mainstream audiences.
According to The Hollywood Reporter, "Americana" is projected to earn just $850,000 from 1,100 theaters in its opening weekend, landing it at a disappointing 16th place at the box office. As of Saturday, the movie hadn’t even cracked the top 20 on tracking sites Box Office Mojo or The Numbers.
Critics have also been mixed, with the movie currently holding a 68% approval rating on Rotten Tomatoes.
Set against the backdrop of rural South Dakota, "Americana" follows a rogues’ gallery of characters.
Among the ensemble are colorfully drawn figures like “Lefty” Ledbetter, played by Paul Walter Hauser, aspiring singer Mandy Starr, portrayed by Halsey, Dillon MacIntosh (Eric Dane), the enigmatic Ghost Eye (Zahn McClarnon), and Roy Lee Dean (Simon Rex). Each brings their own agenda to the high-stakes hunt, creating a gritty collision of greed, desperation, and survival.
The underwhelming debut comes on the heels of Sweeney’s American Eagle controversy earlier this year.
The actress starred in a denim campaign that featured the tagline “Sydney Sweeney Has Great Jeans/Genes,” a play on words that some critics slammed as “Nazi propaganda.” While the brand defended the campaign as cheeky wordplay, the backlash placed Sweeney at the center of an uncomfortable cultural debate that continues to follow her.
Reaction to the ad was swift, and it quickly became clear that Sweeney’s politics could shape how she’s received in Hollywood. Having registered as a Republican in Florida prior to the 2024 Presidential election, the actress suddenly found herself at the center of a heated cultural debate.
“Sydney Sweeney, a registered Republican, has the HOTTEST ad out there,” he wrote, before encouraging her to “go get ’em.” Trump later re-posted the message after initially misspelling her first name as “Sidney,” doubling down by adding, “Being WOKE is for losers, being Republican is what you want to be.”
Still, the actress has been doing her part to hype the project.
Sydney Sweeney Hypes 'Americana' Role On Instagram As Ad Backlash Lingers
Just days before "Americana" hit theaters, Sweeney tried to drum up excitement on Instagram, sharing a heartfelt post with her followers.
“A few years ago, I filmed this little movie with some friends, and now you get to meet Penny Jo,” she wrote, referring to her character in the film.
But instead of rallying support, the comments section quickly filled with backlash.
Many users bypassed the movie entirely to bring up the lingering controversy over her American Eagle campaign and her political ties. “Perfect, won’t be watching it,” one person wrote.
Another added, “So you voted for Trump? The man in the Epstein files?”
Others were even more blunt, posting remarks like, “I lost you at registered Republican” and “Bruh nobody watching this.”
Sydney Sweeney’s Star Power Faces Next Test With 'Christy' And 'The Housemaid'
With "Americana" struggling to gain traction, all eyes are now on how Sweeney’s upcoming projects will fare.
"Christy," where she takes on the challenging role of legendary boxer Christy Martin, could offer a critical reset if it connects at the Toronto International Film Festival. But with no distributor yet in place, the film’s future hinges on whether buyers believe audiences will rally behind Sweeney in such a gritty, transformative role.
Then comes "The Housemaid," a psychological thriller set for a December 25 release, which will put Sweeney’s box office pull to the test once again.
Sterling K. Brown Recalls the Way His Teen Son Handled Being Called the N-Word: ‘He’s a More Evolved Person Than Me’
Sterling K. Brown recalled a time when his eldest son, Andrew, was called the N-word during a soccer game
The actor said that his son chose not to escalate the situation and instead navigated the tense moment in an “evolved” way
The father of two also said that being a dad is “the most important job that I have in my life right now”
Sterling K. Brown is opening up about when his son was called the N-word and how the teen navigated the tense situation.
Brown, 49, recalled the incident while recently speaking at a roundtable for the second season of his Hulu show Paradise.
During the conversation, the three-time Emmy winner reflected on how he differs from his sons, Amaré, 9, and Andrew, 14, noting that he has an “intense” part of himself that the boys don’t seem to share.
“And it's interesting,” Brown said. “I look at my children now — my children have never been in a fight. The 14-year-old or the 9-year-old,” he said
He continued, “My 14-year-old was in a soccer game where a young boy spat on him, and he saw the spit and he walks up to the ref and he goes, ‘Ref, this dude just spat on me.’ And the ref was like, ‘I didn't see it, so I can't do anything about it.’ “
“Then, afterwards, the young man came up to him and called him the N-word and just kind of kept it going. And my son didn't tell me until after the game, and I was like, ‘Yo, man, how come we didn't beat his ass?’ And he was like, ‘Because that wouldn't have solved anything. He already did what he was going to do. The ref didn't respond to it or whatnot. So I didn't want to make you any more upset, which is why I didn't tell you until after the game.’ “
“So he's a more evolved person than me. I would've beat his ass!,” Brown concluded.
At another point in the conversation, the This Is Us star reflected on how his sons shape his relationship with his work, calling them “the most important people in my life.”
“And to anybody who's been a parent or [...] has young children — to see how much they change, especially when they're young, as they accrue new skills and learn new words and stuff; it is the most magical thing to be in the presence of,” he said.
“And so I can tell you — truly, truly, between doing season one [of Paradise] and then the hiatus where I went, I did Voltron in Australia. I went and did a movie in France and I did a movie in Louisiana and they were all wonderful experiences, but I had to FaceTime [my kids], and I didn't get a chance to tuck [them] in and finish reading book seven of Harry Potter to my youngest or whatever it was,” he said
He added, “Being a father is the most important job that I have in my life right now. And so for the next nine years, if I can keep working in L.A. and be like the one dude who figured it out, I would be very, very excited about that, [because] I don't want to miss too much of their growing up.”
Brown also said that he takes “great delight” in seeing his children grow and evolve as people — and that he especially feels proud when he sees his teen, Andrew, exhibit more maturity and compassion than he had at the same age.
“[That's all you can do is try to do a little bit better than what your parents did for you. And hopefully he's able to do a little bit better as well," he said.
The actor said that his son chose not to escalate the situation and instead navigated the tense moment in an “evolved” way
The father of two also said that being a dad is “the most important job that I have in my life right now”
Sterling K. Brown is opening up about when his son was called the N-word and how the teen navigated the tense situation.
Brown, 49, recalled the incident while recently speaking at a roundtable for the second season of his Hulu show Paradise.
During the conversation, the three-time Emmy winner reflected on how he differs from his sons, Amaré, 9, and Andrew, 14, noting that he has an “intense” part of himself that the boys don’t seem to share.
“And it's interesting,” Brown said. “I look at my children now — my children have never been in a fight. The 14-year-old or the 9-year-old,” he said
He continued, “My 14-year-old was in a soccer game where a young boy spat on him, and he saw the spit and he walks up to the ref and he goes, ‘Ref, this dude just spat on me.’ And the ref was like, ‘I didn't see it, so I can't do anything about it.’ “
“Then, afterwards, the young man came up to him and called him the N-word and just kind of kept it going. And my son didn't tell me until after the game, and I was like, ‘Yo, man, how come we didn't beat his ass?’ And he was like, ‘Because that wouldn't have solved anything. He already did what he was going to do. The ref didn't respond to it or whatnot. So I didn't want to make you any more upset, which is why I didn't tell you until after the game.’ “
“So he's a more evolved person than me. I would've beat his ass!,” Brown concluded.
At another point in the conversation, the This Is Us star reflected on how his sons shape his relationship with his work, calling them “the most important people in my life.”
“And to anybody who's been a parent or [...] has young children — to see how much they change, especially when they're young, as they accrue new skills and learn new words and stuff; it is the most magical thing to be in the presence of,” he said.
“And so I can tell you — truly, truly, between doing season one [of Paradise] and then the hiatus where I went, I did Voltron in Australia. I went and did a movie in France and I did a movie in Louisiana and they were all wonderful experiences, but I had to FaceTime [my kids], and I didn't get a chance to tuck [them] in and finish reading book seven of Harry Potter to my youngest or whatever it was,” he said
He added, “Being a father is the most important job that I have in my life right now. And so for the next nine years, if I can keep working in L.A. and be like the one dude who figured it out, I would be very, very excited about that, [because] I don't want to miss too much of their growing up.”
Brown also said that he takes “great delight” in seeing his children grow and evolve as people — and that he especially feels proud when he sees his teen, Andrew, exhibit more maturity and compassion than he had at the same age.
“[That's all you can do is try to do a little bit better than what your parents did for you. And hopefully he's able to do a little bit better as well," he said.
STARZ Docuseries Unveils the Untold Story of Atlanta’s Magic City
“Magic City: An American Fantasy,” a new five-part docuseries, premiered on August 15 on STARZ, promising to take viewers on an immersive journey into the history and cultural significance of Atlanta’s legendary strip club. For four decades, Magic City has been more than just a nightlife venue; it has been a cultural institution, often called the “Black Studio 54,” that has played a pivotal role in shaping the music industry.
The docuseries delves into the club’s complex legacy, exploring its historical significance, its definitive role as a “king-maker” in the rise of Southern hip-hop, and its complicated impact on women’s empowerment. Through exclusive interviews, the series features some of the biggest names in music who have been influenced by the club, including Drake, T.I., 2 Chainz, Jermaine Dupri, Big Boi, Killer Mike, and Quavo.
The star-studded project is created and executive-produced by Cole Brown. The list of executive producers includes Drake’s DreamCrew Entertainment, Jermaine Dupri, and Jami Gertz. The series is directed by Charles Todd and produced by Scheme Engine, a BIPOC-owned studio with a strong focus on women and minority representation.
“Magic City: An American Fantasy” peels back the curtain on the infamous club’s origins, showcasing how it came to shape not only Atlanta’s nightlife but also its sound and swagger on a global scale.
The docuseries delves into the club’s complex legacy, exploring its historical significance, its definitive role as a “king-maker” in the rise of Southern hip-hop, and its complicated impact on women’s empowerment. Through exclusive interviews, the series features some of the biggest names in music who have been influenced by the club, including Drake, T.I., 2 Chainz, Jermaine Dupri, Big Boi, Killer Mike, and Quavo.
The star-studded project is created and executive-produced by Cole Brown. The list of executive producers includes Drake’s DreamCrew Entertainment, Jermaine Dupri, and Jami Gertz. The series is directed by Charles Todd and produced by Scheme Engine, a BIPOC-owned studio with a strong focus on women and minority representation.
“Magic City: An American Fantasy” peels back the curtain on the infamous club’s origins, showcasing how it came to shape not only Atlanta’s nightlife but also its sound and swagger on a global scale.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
HAVE A GREAT DAY ALL!!!
EFREM
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