#MAGFAB:Star Kerry Washington For InStyle Magazine
Kerry Washington graces the cover of INSTYLE’s September issue, opening up about stepping into a new chapter of artistry and purpose. She reflects on how activism grounds her, why school drop-off is her proudest role, and how uncovering family truths gave her the courage to live authentically, all while balancing her political voice, parenting, and work on screen.
On activism, speaking at the DNC, and how doing nothing often makes her feel more scared:
“I started marching and protesting because I understood the importance of freedom of speech and creative freedom. Politics was not this mystical, mythical creature that lived on a hill. Politics had to do with everyday decisions.”
“I think when I was making the decision [to host a night at] the Democratic National Convention last year, it just felt like too important of a moment to not try to have a positive impact. When I’m feeling most scared, doing nothing often just makes me more scared.
I go through periods where I’m more comfortable activating behind the scenes and then periods where I’m more comfortable in front. Movements need not only people who make speeches. Movements need people who babysit, who drive people to events, and who paint posters. [It’s about] figuring out what is the area that you care about and what are the talents you can lend?”
On prioritizing her kids in this season of life, including being at drop-off and pick-up:
“In this season [of my life], it’s more important for me to be at drop-off and pick-up. It’s a real privilege. I remember reading somewhere about interviewing people in hospice. Most people don’t say, ‘I wish I had worked more.’ Most people say, ‘I wish I had spent more time with my husband’ or ‘I wish I had spent more time with my kids’ or ‘I wish I had traveled more’ or ‘I wish I had done the creative thing that I was scared to do.’”
“I want to be ambitious for things other than professional success: Ambitious for my kids, ambitious for my marriage, ambitious for life. Work is a big part of my life—I’m not retiring, I’m not walking away—but I’m ambitious about living a full life.”
On keeping her personal life private from social media and public life, including her husband and children:
“It was very hard at the beginning. I’d look at a picture of my kid and send it to my mother: ‘This picture has to be in the world, but I don’t want to post it!’ When [my kids] started going to school and I knew I couldn’t protect them every moment of the day, it was scary. But it’s okay. My 11-year-old was with me at the Beyoncé concert this weekend…but I’m not posting images of her. Our kids get to be who they are, not who the world has decided they are.
Which is really actually similar to my husband and me. We live our lives and we are in the public eye, but we are still fairly private. Almost two years ago, we were at a couture show in Italy, and the house crew took a picture of us. I said to him, “This picture is so beautiful. I want to post this picture.” And he was like, “Really?” We had been married 10 years and never posted a picture of ourselves together. [Laughs] We are both the kind of actors who are often trying to tell as much truth as possible behind the mask of the character. I feel like we are more protective of our real truth. That’s not for public consumption.”
On finding out that her dad is not her biological father shortly after Scandal wrapped:
“When I got this information, this little bit of freedom got planted in my heart. I felt really emboldened. There was a security that came from knowing my full truth that empowered me to be more courageous about taking on characters and stories. I’ve gotten more permission to play.”
“My mom said she felt like the thing that had changed in our family was that we were less afraid to hurt one another. That was so powerful and profound because it speaks to the inevitable heartache that comes with love. This journey that we’ve been on for the past few years has really made us all more courageous about being who we really are and standing in our truth with lots of love and compassion.”
On how an unnamed actor inspired Kerry to embrace her personal style:
“[Earlier] in my career, there was this project that I really loved and it went to another actor. I knew that part of why she got it was she was more of a red carpet ‘It Girl.’ I was asleep at the wheel of my own marketing. I thought if you’re just a good actor, you’ll get the roles. But it turns out, no, you also have to market yourself because, again, you are your instrument. You are walking around in the car you’re trying to sell. It should be shiny and waxed.”
On Knives Out and how the cast had a communal dressing room:
“I’m such a huge fan of the franchise. Huge. I could tell watching [the first two] that the experience of making these movies was such a joy, [it] reminded me of the comradery of the Scandal fam.”
“We all had trailers, but we spent very little time at our trailers. Daniel Craig, who was a phenomenal Number One [on the call sheet], created this green room on set. There were board games and tea and snacks and comfy couches. Most of the time, nobody wanted to be in their trailer. We were always in the green room helping each other, playing trivia games, and trying to read but never reading because we were just chatting and making fun of each other.”
On working with Ben Affleck for Animals:
“I knew him in a Hollywood-casual way. A lot of [Animals] takes place in our house. And I was like: ‘You are so tall!’ He’s really tall, but he never seemed tall to me. Anytime I had ever been in a room with him, I was in heels at some fancy event. All of a sudden, I was six inches shorter than I normally am with him.”
Kerry Washington graces the cover of INSTYLE’s September issue, opening up about stepping into a new chapter of artistry and purpose. She reflects on how activism grounds her, why school drop-off is her proudest role, and how uncovering family truths gave her the courage to live authentically, all while balancing her political voice, parenting, and work on screen.
“I started marching and protesting because I understood the importance of freedom of speech and creative freedom. Politics was not this mystical, mythical creature that lived on a hill. Politics had to do with everyday decisions.”
“I think when I was making the decision [to host a night at] the Democratic National Convention last year, it just felt like too important of a moment to not try to have a positive impact. When I’m feeling most scared, doing nothing often just makes me more scared.
I go through periods where I’m more comfortable activating behind the scenes and then periods where I’m more comfortable in front. Movements need not only people who make speeches. Movements need people who babysit, who drive people to events, and who paint posters. [It’s about] figuring out what is the area that you care about and what are the talents you can lend?”
On prioritizing her kids in this season of life, including being at drop-off and pick-up:
“In this season [of my life], it’s more important for me to be at drop-off and pick-up. It’s a real privilege. I remember reading somewhere about interviewing people in hospice. Most people don’t say, ‘I wish I had worked more.’ Most people say, ‘I wish I had spent more time with my husband’ or ‘I wish I had spent more time with my kids’ or ‘I wish I had traveled more’ or ‘I wish I had done the creative thing that I was scared to do.’”
“I want to be ambitious for things other than professional success: Ambitious for my kids, ambitious for my marriage, ambitious for life. Work is a big part of my life—I’m not retiring, I’m not walking away—but I’m ambitious about living a full life.”
On keeping her personal life private from social media and public life, including her husband and children:
“It was very hard at the beginning. I’d look at a picture of my kid and send it to my mother: ‘This picture has to be in the world, but I don’t want to post it!’ When [my kids] started going to school and I knew I couldn’t protect them every moment of the day, it was scary. But it’s okay. My 11-year-old was with me at the Beyoncé concert this weekend…but I’m not posting images of her. Our kids get to be who they are, not who the world has decided they are.
Which is really actually similar to my husband and me. We live our lives and we are in the public eye, but we are still fairly private. Almost two years ago, we were at a couture show in Italy, and the house crew took a picture of us. I said to him, “This picture is so beautiful. I want to post this picture.” And he was like, “Really?” We had been married 10 years and never posted a picture of ourselves together. [Laughs] We are both the kind of actors who are often trying to tell as much truth as possible behind the mask of the character. I feel like we are more protective of our real truth. That’s not for public consumption.”
On finding out that her dad is not her biological father shortly after Scandal wrapped:
“When I got this information, this little bit of freedom got planted in my heart. I felt really emboldened. There was a security that came from knowing my full truth that empowered me to be more courageous about taking on characters and stories. I’ve gotten more permission to play.”
“My mom said she felt like the thing that had changed in our family was that we were less afraid to hurt one another. That was so powerful and profound because it speaks to the inevitable heartache that comes with love. This journey that we’ve been on for the past few years has really made us all more courageous about being who we really are and standing in our truth with lots of love and compassion.”
On how an unnamed actor inspired Kerry to embrace her personal style:
“[Earlier] in my career, there was this project that I really loved and it went to another actor. I knew that part of why she got it was she was more of a red carpet ‘It Girl.’ I was asleep at the wheel of my own marketing. I thought if you’re just a good actor, you’ll get the roles. But it turns out, no, you also have to market yourself because, again, you are your instrument. You are walking around in the car you’re trying to sell. It should be shiny and waxed.”
On Knives Out and how the cast had a communal dressing room:
“I’m such a huge fan of the franchise. Huge. I could tell watching [the first two] that the experience of making these movies was such a joy, [it] reminded me of the comradery of the Scandal fam.”
“We all had trailers, but we spent very little time at our trailers. Daniel Craig, who was a phenomenal Number One [on the call sheet], created this green room on set. There were board games and tea and snacks and comfy couches. Most of the time, nobody wanted to be in their trailer. We were always in the green room helping each other, playing trivia games, and trying to read but never reading because we were just chatting and making fun of each other.”
On working with Ben Affleck for Animals:
“I knew him in a Hollywood-casual way. A lot of [Animals] takes place in our house. And I was like: ‘You are so tall!’ He’s really tall, but he never seemed tall to me. Anytime I had ever been in a room with him, I was in heels at some fancy event. All of a sudden, I was six inches shorter than I normally am with him.”
#RHOA: Angela Oakley Unfollows K. Michelle Amid First Cast Trip
Some “Real Housewives of Atlanta” fans were shocked to hear K. Michelle was joining the show a few weeks back. The “Love & Hip Hop: Atlanta” OG is now married and hard at work on releasing a country album. Considering K. Michelle had no problem speaking her mind during her time on LHHATL, some have wondered how things would go for her as a first-time peach holder. Interestingly enough, it seems as if she might already be having some tension with someone in the group. Amid the first cast trip to Dallas, bloggers noticed that Angela Oakley no longer follows K. Michelle on Instagram.
Before Angela unfollowed K. Michelle on Instagram, the singer vented on social media about people plotting to take her down while she was minding her business.
K. Michelle wrote, “If it takes a group, plot, a rumor, or scheme to bring me down when I’m coming in love, you already lost in the game and lost in life. ”
She added, “You have to be a sick person to plot and scheme on someone who is minding their business.”
Some “Real Housewives of Atlanta” fans were shocked to hear K. Michelle was joining the show a few weeks back. The “Love & Hip Hop: Atlanta” OG is now married and hard at work on releasing a country album. Considering K. Michelle had no problem speaking her mind during her time on LHHATL, some have wondered how things would go for her as a first-time peach holder. Interestingly enough, it seems as if she might already be having some tension with someone in the group. Amid the first cast trip to Dallas, bloggers noticed that Angela Oakley no longer follows K. Michelle on Instagram.
Before Angela unfollowed K. Michelle on Instagram, the singer vented on social media about people plotting to take her down while she was minding her business.
K. Michelle wrote, “If it takes a group, plot, a rumor, or scheme to bring me down when I’m coming in love, you already lost in the game and lost in life. ”
She added, “You have to be a sick person to plot and scheme on someone who is minding their business.”
#NewMusic from Sevyn Streeter “Assumptions”
Check out the brand new single from Sevyn Streeter called “Assumptions.” It is not yet known if this will be part of her upcoming album.
The song was written by Sevyn Streeter and produced by B.A.M. The song checks in at just over two minutes and is distributed by Venice Music.
The song was written by Sevyn Streeter and produced by B.A.M. The song checks in at just over two minutes and is distributed by Venice Music.
LISTEN HERE:
“Assumptions” is a soulful R&B track where Sevyn confronts the subject of a relationship, stating that she is not there to “make assumptions.” The song’s lyrics suggest a direct and honest conversation about getting “straight to the point,” highlighting a theme of open communication in relationships.
This is the first new music in 2025 from Sevyn Streeter. Stay tuned for more from Sevyn.
“Assumptions” is a soulful R&B track where Sevyn confronts the subject of a relationship, stating that she is not there to “make assumptions.” The song’s lyrics suggest a direct and honest conversation about getting “straight to the point,” highlighting a theme of open communication in relationships.
This is the first new music in 2025 from Sevyn Streeter. Stay tuned for more from Sevyn.
#HioHopNews: Busta Rhymes Gave MTV VJ Ananda Lewis Her Flowers During His VMAs Acceptance Speech
Earlier this summer the Hip-Hop world mourned the loss of popular MTV VJ Ananda Lewis. Alhough many Gen Zers aren’t familiar with the name, Millennials remember her fondly, and Busta Rhymes made sure to give her her flowers at last night’s (Sept. 7) MTV VMAs.
During his acceptance speech for the MTV VMA Rock The Bells Visionary Award, Busta Rhymes took the time to acknowledge Ananda Lewis’ contribution to the culture during her run at MTV. After thanking his family and friends for their support throughout his career, Busta showed love to the dearly departed Lewis.
“I want to thank — and I think we all need to acknowledge — the incredible woman that loved us very much when we came to MTV during the ’90s. An incredible woman that loved me, and she loved us, and she loved the culture. She lifted us up. I love her very much. I miss her very much. The late great, incredible royal empress, Ananda Lewis.” Going on to shout out her parents and sister, Busta ended his speech by thanking everyone for the award at the UBS Arena in Elmont, New York.
Making a name for herself as one of the best VJs at MTV during the 1990s (when MTV actually had shows centered around music videos), Ananda Lewis revealed that she was battling stage IV cancer in October of 2024. Unfortunately, the beloved MTV personality passed away in June of this year at the young age of 52.
RIP Queen.
Earlier this summer the Hip-Hop world mourned the loss of popular MTV VJ Ananda Lewis. Alhough many Gen Zers aren’t familiar with the name, Millennials remember her fondly, and Busta Rhymes made sure to give her her flowers at last night’s (Sept. 7) MTV VMAs.
During his acceptance speech for the MTV VMA Rock The Bells Visionary Award, Busta Rhymes took the time to acknowledge Ananda Lewis’ contribution to the culture during her run at MTV. After thanking his family and friends for their support throughout his career, Busta showed love to the dearly departed Lewis.
“I want to thank — and I think we all need to acknowledge — the incredible woman that loved us very much when we came to MTV during the ’90s. An incredible woman that loved me, and she loved us, and she loved the culture. She lifted us up. I love her very much. I miss her very much. The late great, incredible royal empress, Ananda Lewis.” Going on to shout out her parents and sister, Busta ended his speech by thanking everyone for the award at the UBS Arena in Elmont, New York.
Making a name for herself as one of the best VJs at MTV during the 1990s (when MTV actually had shows centered around music videos), Ananda Lewis revealed that she was battling stage IV cancer in October of 2024. Unfortunately, the beloved MTV personality passed away in June of this year at the young age of 52.
RIP Queen.
#BoxOfficeNews: ‘Conjuring: Last Rites’ is The Biggest Horror Movie Opening With $194 Million Globally
“The Conjuring: Last Rites” had a better-than-expected debut and now ranks as the biggest global start in history for a horror film.
The ninth entry in Warner Bros. and New Line’s paranormal franchise collected a sensational $194 million worldwide in its first weekend of release, above Sunday’s already massive estimate of $187 million worldwide. Now, those ticket sales have eclipsed the all-time horror benchmark previously set by 2017’s “It” with $190 million.
“The Conjuring: Last Rites” also set a horror record at the international box office with $110 million in its opening. Prior to this weekend, 2019’s “It: Chapter Two” ($92 million) was the largest overseas debut for a horror film. The latest “Conjuring” earned $84 million domestically, marking the third-biggest for the genre (after two other Warner Bros. titles, 2017’s “It” with $123 million and 2019’s “It: Chapter Two” with $91 million). Sunday’s estimates had already registered as the best domestic, international and global launch for the occult-tilted series.
Directed by franchise veteran Michael Chaves, “The Conjuring: Last Rites” stars Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, two paranormal investigators who attempt to vanquish a demon from a family’s home. James Wan, who created the property, and Peter Safran returned as producers. The “Conjuring” universe, which includes several sequels and spinoffs such as “The Nun” and “Annabelle,” is the highest-grossing horror franchise in history with more than $2.3 billion.
Since this entry carries a $55 million price tag, it’s already a commercial winner for Warner Bros. The studio just made box office history as the first to ever have seven consecutive films open above $40 million. After a downtrodden stretch with commercial losers like “Joker: Folie a Deux,” “Mickey 17,” and “The Alto Knights,” Warner Bros. has enjoyed a remarkable hot streak with “A Minecraft Movie,” “Sinners,” “Final Destination Bloodlines,” “F1: The Movie” (which the studio distributed for Apple), “Superman” and “Weapons.”
“The Conjuring: Last Rites” had a better-than-expected debut and now ranks as the biggest global start in history for a horror film.
The ninth entry in Warner Bros. and New Line’s paranormal franchise collected a sensational $194 million worldwide in its first weekend of release, above Sunday’s already massive estimate of $187 million worldwide. Now, those ticket sales have eclipsed the all-time horror benchmark previously set by 2017’s “It” with $190 million.
“The Conjuring: Last Rites” also set a horror record at the international box office with $110 million in its opening. Prior to this weekend, 2019’s “It: Chapter Two” ($92 million) was the largest overseas debut for a horror film. The latest “Conjuring” earned $84 million domestically, marking the third-biggest for the genre (after two other Warner Bros. titles, 2017’s “It” with $123 million and 2019’s “It: Chapter Two” with $91 million). Sunday’s estimates had already registered as the best domestic, international and global launch for the occult-tilted series.
Directed by franchise veteran Michael Chaves, “The Conjuring: Last Rites” stars Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, two paranormal investigators who attempt to vanquish a demon from a family’s home. James Wan, who created the property, and Peter Safran returned as producers. The “Conjuring” universe, which includes several sequels and spinoffs such as “The Nun” and “Annabelle,” is the highest-grossing horror franchise in history with more than $2.3 billion.
Since this entry carries a $55 million price tag, it’s already a commercial winner for Warner Bros. The studio just made box office history as the first to ever have seven consecutive films open above $40 million. After a downtrodden stretch with commercial losers like “Joker: Folie a Deux,” “Mickey 17,” and “The Alto Knights,” Warner Bros. has enjoyed a remarkable hot streak with “A Minecraft Movie,” “Sinners,” “Final Destination Bloodlines,” “F1: The Movie” (which the studio distributed for Apple), “Superman” and “Weapons.”
Keke Wyatt Says She’s Not Homophobic After Son Accuses Her of Exploitation
R&B singer Keke Wyatt publicly denied allegations of homophobia and claimed affection for her children after her son accused her of exploiting his illness for attention. Wyatt’s remarks arrive amid backlash sparked by a social-media revelation from her 23-year-old son, Rahjah Ke’ Morton.
Rahjah, who is part of the LGBTQ community and a cancer survivor, used the “#PutAFingerDown” online challenge to share his painful experience. He said his leukemia diagnosis was used publicly for her attention. He also alleged she referred to his illness as “karma” for being gay and suggested she might have withheld financial support had she known his sexuality.
His post, featuring four remaining fingers, went viral. On TikTok he said: “Your diagnosis is karma for you being part of the alphabet mafia,” and added that had she known about his sexuality, “they would’ve kept their money.”
Wyatt responded—via a social post cited by Yahoo Entertainment—writing, “I love my son, and I love all of my children. I love all people. Anyone who truly knows me understands there is not a homophobic …”
Wyatt has not offered further public comment. No legal steps have been reported. Entertainment circles now await whether she will elaborate in interviews or other media. Meanwhile, fans and critics continue to weigh her legacy as both a celebrated vocalist and a mother in the spotlight.
Rahjah, who is part of the LGBTQ community and a cancer survivor, used the “#PutAFingerDown” online challenge to share his painful experience. He said his leukemia diagnosis was used publicly for her attention. He also alleged she referred to his illness as “karma” for being gay and suggested she might have withheld financial support had she known his sexuality.
His post, featuring four remaining fingers, went viral. On TikTok he said: “Your diagnosis is karma for you being part of the alphabet mafia,” and added that had she known about his sexuality, “they would’ve kept their money.”
Wyatt responded—via a social post cited by Yahoo Entertainment—writing, “I love my son, and I love all of my children. I love all people. Anyone who truly knows me understands there is not a homophobic …”
Wyatt has not offered further public comment. No legal steps have been reported. Entertainment circles now await whether she will elaborate in interviews or other media. Meanwhile, fans and critics continue to weigh her legacy as both a celebrated vocalist and a mother in the spotlight.
Billy Porter Leaves Broadway’s Production Due To Sepsis Diagnosis
Billy Porter will no longer perform his role as the emcee of the Broadway hit Cabaret at the Kit Kat Club, causing the production to close after being diagnosed with sepsis, PEOPLE reports.
The disease is a life-threatening condition “where the body responds improperly to an infection.”
During its run, which began in April 2024 and continued for 18 preview performances and 592 regular performances, the critically acclaimed Tony Award-winning revival of the classic John Kander and Fred Ebb musical is set at the August Wilson Theatre in New York City on Sunday, Sept. 21.
In a statement, the producers announced the news, describing it as a “painful decision” made with “a heavy heart.”
“His doctors are confident that he will make a full recovery, but have advised him to maintain a restful schedule the next couple of weeks,” the release read.
Billy was an extraordinary Emcee, bringing his signature passion and remarkable talent,” wrote producer Adam Speers, for ATG Productions. “We wish Billy a speedy recovery and I look forward to working with him again in the very near future.”
For the show’s final performances, Marty Lauter and David Merino, the production’s longtime alternates, will rotate as Emcees.
In July, Porter shared his excitement about being a part of the show.
“This show in particular, at this time in American history, it’s really important for me,” said Porter. “Art has the power to heal, art has the power to transform. My art is my calling, my purpose, my ministry, my resistance, my activism, my hope, my joy, my love. It’s everything to me. And so to be able to express myself this way is such a gift and such a blessing.”
The disease is a life-threatening condition “where the body responds improperly to an infection.”
During its run, which began in April 2024 and continued for 18 preview performances and 592 regular performances, the critically acclaimed Tony Award-winning revival of the classic John Kander and Fred Ebb musical is set at the August Wilson Theatre in New York City on Sunday, Sept. 21.
In a statement, the producers announced the news, describing it as a “painful decision” made with “a heavy heart.”
“His doctors are confident that he will make a full recovery, but have advised him to maintain a restful schedule the next couple of weeks,” the release read.
Billy was an extraordinary Emcee, bringing his signature passion and remarkable talent,” wrote producer Adam Speers, for ATG Productions. “We wish Billy a speedy recovery and I look forward to working with him again in the very near future.”
For the show’s final performances, Marty Lauter and David Merino, the production’s longtime alternates, will rotate as Emcees.
In July, Porter shared his excitement about being a part of the show.
“This show in particular, at this time in American history, it’s really important for me,” said Porter. “Art has the power to heal, art has the power to transform. My art is my calling, my purpose, my ministry, my resistance, my activism, my hope, my joy, my love. It’s everything to me. And so to be able to express myself this way is such a gift and such a blessing.”
Smokey Robinson Blasts Sexual Assault Lawsuit: ‘It’s Bulls–‘
Smokey Robinson is facing sexual assault allegations in a $50 million lawsuit filed by four former housekeepers.
The women filed a lawsuit in Los Angeles Superior Court on May 6 under the pseudonyms Jane Doe 1, 2, 3 and 4.
In the 27-page legal action, they allege several incidents that they say dated back to 2006, and accuse Robinson of pressuring them into sex.
At the time Robinson issued a formal statement through his attorney. However while at LAX this week, the singer spoke to TMZ about the matter.
“It’s happening to everybody,” Robinson told the TMZ photog at the airport on Friday, September 5, in regards to the allegations against him. “If it was gonna happen to me, it happened at a great time, because it’s happening to everybody, and it’s bulls—.”
“I’m good,” he added.
He appeared to be stress-free and unbothered in the interview saying his life is “absolutely wonderful.” When asked if he’s concerned that four of his former employees have accused him of sexual misconduct, the singer responded, “No. Everything’s going good for me.”
Robinson filed a $500 million countersuit against the claimants for what he calls a “fabrication.
Robinson, an iconic soul singer, has had a star-studded career spanning more than 70 years. The recording, producing and songwriting legend was a pioneer for Motown Records, founding the vocal group the Miracles in the 1950s and later releasing albums as a solo artist and working as a record executive for the label. He was inducted into the Rock & Roll Hall of Fame in 1987.
The women filed a lawsuit in Los Angeles Superior Court on May 6 under the pseudonyms Jane Doe 1, 2, 3 and 4.
In the 27-page legal action, they allege several incidents that they say dated back to 2006, and accuse Robinson of pressuring them into sex.
At the time Robinson issued a formal statement through his attorney. However while at LAX this week, the singer spoke to TMZ about the matter.
“It’s happening to everybody,” Robinson told the TMZ photog at the airport on Friday, September 5, in regards to the allegations against him. “If it was gonna happen to me, it happened at a great time, because it’s happening to everybody, and it’s bulls—.”
“I’m good,” he added.
He appeared to be stress-free and unbothered in the interview saying his life is “absolutely wonderful.” When asked if he’s concerned that four of his former employees have accused him of sexual misconduct, the singer responded, “No. Everything’s going good for me.”
Robinson filed a $500 million countersuit against the claimants for what he calls a “fabrication.
Robinson, an iconic soul singer, has had a star-studded career spanning more than 70 years. The recording, producing and songwriting legend was a pioneer for Motown Records, founding the vocal group the Miracles in the 1950s and later releasing albums as a solo artist and working as a record executive for the label. He was inducted into the Rock & Roll Hall of Fame in 1987.
Summer Walker Shuts Down Questions About Her New Relationship
Summer Walker turned heads at the 2025 MTV Video Music Awards on Sunday, September 7th, arriving on the red carpet with a new man by her side. Dressed in a playful and colorful outfit, the Atlanta star was all smiles as she shared cotton candy and enjoyed the evening with her date. The appearance immediately sparked curiosity about who he was and the nature of their relationship.
During a quick interview with Entertainment Tonight, Walker gave a lighthearted response when asked about her companion, calling him someone special while making it clear she wanted to keep the details private. Her date added that the two met through mutual friends in Los Angeles. When pressed further about how long they had been seeing each other, Walker playfully reminded the interviewer that her personal life was off limits before being ushered inside.
The outing follows her split from rapper Rico Recklezz earlier this year, which she confirmed back in May. Since then, fans have been watching closely for any updates on her love life. Once photos and clips from the VMAs began circulating online, social media was buzzing with speculation. Many suggested that Walker might be dating someone older and financially established, joking that she has found herself a sugar daddy. Others tied the moment to her upcoming music, saying the timing was perfect for keeping her name in conversations.
Despite the commentary, Walker seemed unbothered by the chatter. She later uploaded photos from the awards show to Instagram, pairing them with a caption that hinted at embracing new experiences and moving away from her usual type. The night not only showcased her vibrant look but also made clear that she is stepping confidently into her next chapter, both personally and professionally.
During a quick interview with Entertainment Tonight, Walker gave a lighthearted response when asked about her companion, calling him someone special while making it clear she wanted to keep the details private. Her date added that the two met through mutual friends in Los Angeles. When pressed further about how long they had been seeing each other, Walker playfully reminded the interviewer that her personal life was off limits before being ushered inside.
The outing follows her split from rapper Rico Recklezz earlier this year, which she confirmed back in May. Since then, fans have been watching closely for any updates on her love life. Once photos and clips from the VMAs began circulating online, social media was buzzing with speculation. Many suggested that Walker might be dating someone older and financially established, joking that she has found herself a sugar daddy. Others tied the moment to her upcoming music, saying the timing was perfect for keeping her name in conversations.
Despite the commentary, Walker seemed unbothered by the chatter. She later uploaded photos from the awards show to Instagram, pairing them with a caption that hinted at embracing new experiences and moving away from her usual type. The night not only showcased her vibrant look but also made clear that she is stepping confidently into her next chapter, both personally and professionally.
Ayo Edebiri Gracefully Replies After Being Shut Out From Black Lives Matter And #MeToo Questions
After being disregarded during a question about the Black Lives Matter movement, Ayo Edebiri handled the exclusion most graciously— and answered the question anyway.
During a press conference at the Venice Film Festival, Edebiri was accompanied by her co-stars Julia Roberts and Andrew Garfield to promote their new movie, After The Hunt.
The film apparently draws comparisons to the #MeToo movement, and reporter Federica Polidoro took it upon herself to ask only Roberts and Garfield about the aftermath of the movements mentioned above, as it relates to Hollywood.
“What [have] we lost in the politically correct era? What [do] we have to expect in Hollywood after the Me Too movement and Black Lives Matter are done?” Polidoro asked before clarifying that she only wanted Roberts and Andrews to respond.
Edeberi, appearing shocked and confused, interjected in the most professional way.
“Yeah, I know that that’s not for me, and I don’t know if it’s purposeful if it’s not me, but I just am curious. I don’t think it’s done, I don’t think it’s done at all,” she replied.
She continued, “I think maybe hashtags might not be used as much, but I do think that there’s work being done by activists, by people, every day, that’s beautiful, important work that’s not finished, that’s really, really, really active – for a reason, because this world is really charged. And that work isn’t finished at all. Maybe [because] there’s not mainstream coverage in the way that it might’ve been […] But I don’t think it means that the work is done.”
Due to the backlash, Polidoro responded to the controversy with a lengthy “#officialstatement” on Instagram.
“Following an interview, I have been subjected to personal insults and attacks because of a question that, for some reason, was not well received by some members of the public. I find it striking that those who unjustly accuse me of racism and consider themselves custodians of justice find acceptable violent language, personal attacks, and cyberbullying,” she wrote.
Later, noting, “I would like to clarify that, rather than focusing on the thoughtful responses of Ayo Edebiri, Julia Roberts, and Andrew Garfield, the discussion continues solely on how I should have phrased the question. All the contributions from those present were reported in full in the published interview, without any omissions.”
Polidoro claimed to not been “aware of any protocol that dictates the order in which questions must be asked in an interview” and added, “To those who unjustly accuse me of racism, I would like to clarify that in my work I have interviewed people of every background and ethnicity, and my own family is multi-ethnic, matriarchal, and feminist, with a significant history of immigration. I have collaborated for over twenty years with numerous national and international publications of all political orientations, always approaching my work with openness and professional rigor. In my view, the real racists are those who see racism everywhere and seek to muzzle journalism, limiting freedom of analysis, critical thinking, and the plurality of perspectives.”
She, however, didn’t explain why she denied posing the question to all three panelists instead of just Roberts and Garfield.
After being disregarded during a question about the Black Lives Matter movement, Ayo Edebiri handled the exclusion most graciously— and answered the question anyway.
During a press conference at the Venice Film Festival, Edebiri was accompanied by her co-stars Julia Roberts and Andrew Garfield to promote their new movie, After The Hunt.
The film apparently draws comparisons to the #MeToo movement, and reporter Federica Polidoro took it upon herself to ask only Roberts and Garfield about the aftermath of the movements mentioned above, as it relates to Hollywood.
“What [have] we lost in the politically correct era? What [do] we have to expect in Hollywood after the Me Too movement and Black Lives Matter are done?” Polidoro asked before clarifying that she only wanted Roberts and Andrews to respond.
Edeberi, appearing shocked and confused, interjected in the most professional way.
“Yeah, I know that that’s not for me, and I don’t know if it’s purposeful if it’s not me, but I just am curious. I don’t think it’s done, I don’t think it’s done at all,” she replied.
She continued, “I think maybe hashtags might not be used as much, but I do think that there’s work being done by activists, by people, every day, that’s beautiful, important work that’s not finished, that’s really, really, really active – for a reason, because this world is really charged. And that work isn’t finished at all. Maybe [because] there’s not mainstream coverage in the way that it might’ve been […] But I don’t think it means that the work is done.”
Due to the backlash, Polidoro responded to the controversy with a lengthy “#officialstatement” on Instagram.
“Following an interview, I have been subjected to personal insults and attacks because of a question that, for some reason, was not well received by some members of the public. I find it striking that those who unjustly accuse me of racism and consider themselves custodians of justice find acceptable violent language, personal attacks, and cyberbullying,” she wrote.
Later, noting, “I would like to clarify that, rather than focusing on the thoughtful responses of Ayo Edebiri, Julia Roberts, and Andrew Garfield, the discussion continues solely on how I should have phrased the question. All the contributions from those present were reported in full in the published interview, without any omissions.”
Polidoro claimed to not been “aware of any protocol that dictates the order in which questions must be asked in an interview” and added, “To those who unjustly accuse me of racism, I would like to clarify that in my work I have interviewed people of every background and ethnicity, and my own family is multi-ethnic, matriarchal, and feminist, with a significant history of immigration. I have collaborated for over twenty years with numerous national and international publications of all political orientations, always approaching my work with openness and professional rigor. In my view, the real racists are those who see racism everywhere and seek to muzzle journalism, limiting freedom of analysis, critical thinking, and the plurality of perspectives.”
She, however, didn’t explain why she denied posing the question to all three panelists instead of just Roberts and Garfield.
Mariah Carey Receives Her First MTV Video Music Award
In her remarkable career, Mariah Carey has been awarded numerous accolades. But on Sunday (September 7), she earned her first MTV Video Music Award.
At the ceremony, the legendary singer received the Video Vanguard Award, presented to her by Ariana Grande, after she won her first Moon Person for her song “Type Dangerous” in the Best R&B music video category.
“Thank you so much for MTV for giving me the Vanguard Award. I can’t believe I’m getting my first VMA tonight,” Carey said. “I just have one question: What in the Sam Hill were you waiting for? I’m kidding. I love you.”
She also reflected on being on stage to present LL COOL J with his Vanguard Award and her iconic moment on stage with the late Whitney Houston.
“Being here brings back amazing memories, like when I presented LL COOL J for his Vanguard Award. Or, when Whitney Houston and I opened the show with a faux standoff where we both had our dresses, and we were like, ‘Try it on me.’ It was a moment.”
Music videos are my way of life, of bringing music to my own life,” she continued.”Many movies visualizing the sheer fantasy of it all. And let’s be honest, sometimes there’s just an excuse to bring the drama and do things I wouldn’t do in real life.”
Carey went on to share memories from her iconic videos, such as “Obsessed,” her “alter-ego” Bianca that she played in “Heartbreaker,” and being on the run from the mob in “Honey.”
“After all this time, I’ve learned that music evolves, videos evolve, but the fun, that is eternal. Thank you, MTV for playing my videos, and to my fans, the Lambily, I love you so much,” she said.
At the ceremony, the legendary singer received the Video Vanguard Award, presented to her by Ariana Grande, after she won her first Moon Person for her song “Type Dangerous” in the Best R&B music video category.
“Thank you so much for MTV for giving me the Vanguard Award. I can’t believe I’m getting my first VMA tonight,” Carey said. “I just have one question: What in the Sam Hill were you waiting for? I’m kidding. I love you.”
She also reflected on being on stage to present LL COOL J with his Vanguard Award and her iconic moment on stage with the late Whitney Houston.
“Being here brings back amazing memories, like when I presented LL COOL J for his Vanguard Award. Or, when Whitney Houston and I opened the show with a faux standoff where we both had our dresses, and we were like, ‘Try it on me.’ It was a moment.”
Music videos are my way of life, of bringing music to my own life,” she continued.”Many movies visualizing the sheer fantasy of it all. And let’s be honest, sometimes there’s just an excuse to bring the drama and do things I wouldn’t do in real life.”
Carey went on to share memories from her iconic videos, such as “Obsessed,” her “alter-ego” Bianca that she played in “Heartbreaker,” and being on the run from the mob in “Honey.”
“After all this time, I’ve learned that music evolves, videos evolve, but the fun, that is eternal. Thank you, MTV for playing my videos, and to my fans, the Lambily, I love you so much,” she said.
Dorian Johnson, witness to Michael Brown’s death, killed in Ferguson
The friend who witnessed Michael Brown’s death was shot and killed Sunday morning less than a mile from where a police officer killed Brown.
The Ferguson Police Department confirmed Dorian Johnson died of injuries sustained during the shooting that occurred around 8:30 a.m. Sunday on the 9600 block of Abaco Court.
The location of the shooting is just 15 minutes away by foot from where Ferguson officer Darren Wilson shot and killed Brown on Canfield Drive.
Ferguson Police Public Information Officer Patricia Washington said police took one person into custody in relation to the shooting on Sunday.
That person was released within a maximum 24-hour hold without criminal charges filed, said St. Louis County Prosecuting Attorney Melissa Price Smith said in a statement on Monday.
“This appears to be a domestic incident involving a claim of self-defense that is being investigated,” Price Smith wrote, adding that the investigation is ongoing.
Washington said Sunday that earlier rumors that the shooting involved police were not true.
Johnson witnessed the fatal shooting of Brown in August 2014. The two were stopped by Wilson for walking in the middle of the street. Johnson spoke at a memorial on the 10th anniversary of Brown’s death last year.
After Brown’s killing, Johnson unsuccessfully filed suit alleging that Wilson illegally stopped and used excessive force on the pair. An appeals court dismissed the suit in 2019.
Posts mourning Johnson filled social media on Sunday.
The friend who witnessed Michael Brown’s death was shot and killed Sunday morning less than a mile from where a police officer killed Brown.
The Ferguson Police Department confirmed Dorian Johnson died of injuries sustained during the shooting that occurred around 8:30 a.m. Sunday on the 9600 block of Abaco Court.
The location of the shooting is just 15 minutes away by foot from where Ferguson officer Darren Wilson shot and killed Brown on Canfield Drive.
Ferguson Police Public Information Officer Patricia Washington said police took one person into custody in relation to the shooting on Sunday.
That person was released within a maximum 24-hour hold without criminal charges filed, said St. Louis County Prosecuting Attorney Melissa Price Smith said in a statement on Monday.
“This appears to be a domestic incident involving a claim of self-defense that is being investigated,” Price Smith wrote, adding that the investigation is ongoing.
Washington said Sunday that earlier rumors that the shooting involved police were not true.
Johnson witnessed the fatal shooting of Brown in August 2014. The two were stopped by Wilson for walking in the middle of the street. Johnson spoke at a memorial on the 10th anniversary of Brown’s death last year.
After Brown’s killing, Johnson unsuccessfully filed suit alleging that Wilson illegally stopped and used excessive force on the pair. An appeals court dismissed the suit in 2019.
Posts mourning Johnson filled social media on Sunday.
Kelly Price Calls Out “Nasty, Disrespectful” Black Women Who Have Trolled Her Appearance
Kelly Price had some words for the Black women who have “trolled” her in her comments. On Tuesday (Sept. 2), the R&B powerhouse took to her Instagram Live with a fiery message aimed at women who she says have been “nasty and disrespectful” about her looks.
The 52-year-old didn’t hold back on men either, saying, “Any man who feels the right to disrespect a woman who has never done anything to them… you’re a bi**h. And I mean that from the bottom of my heart.” From there, Price reminded folks that before she was saved, she was “a Black girl born and raised on the South Side of Jamaica, Queens” — a warning that she’s not above clapping back.
Next, the “Friend of Mine” singer turned her attention to what she called “DEI hires,” insisting that while some people are “losing jobs,” she hasn’t lost hers and won’t anytime soon. “While you were fighting for people in other cultures to not lose your jobs, I was using my voice,” she said, letting it be known that no matter how anyone feels about her, she’s booked and busy.
Singer Kelly Price performs onstage during 2019 Black Music Honors at Cobb Energy Performing Arts Centre on September 05, 2019 in Atlanta, Georgia. Paras Griffin/Getty Images
In Price’s comment section, critics have mocked her weight, wardrobe, and even her shoe size, but she brushed it all off with a reminder that, “I’m making my money looking like a ‘fat slob’ in clothes y’all say are nasty. And I’m still getting paid.”
At one point, her frustration went beyond Black women, but Black people in whole and their “BS.” Admitting she’s still a work in progress, she told fans to pray for her because she’s “not there yet,” alluding that she’s all for clapping back. Still, she stood firm on her belief that Black women, in particular, can be the most disrespectful.
“The things we say about other Black women, but then want to be activists, educated, this, that, and the other…” she continued. “Find yourself because a degree does not give you class. A degree doesn’t get you into heaven. And being a keyboard thug? That’ll only get your a** whooped when somebody walks up on you that you didn’t know was watching you.”
Social media immediately ran to her comments, with some calling her out as a hypocrite. “The call is coming from inside the house? We watched R&B divas. YOU ARE EXACTLY WHO YOU SPEAK OF @KELLYPRICE,” wrote one person. “She is definitely one of the ones she’s talking about,” said another.
On the flip side, a third person said “She said WHAT SHE SAID!!! Love it,” as a fourth added, “MH it’s always ya own people tryna tear down their own instead of building them up and it’s so sad. I Love you Kelly stay blessed.”
The 52-year-old didn’t hold back on men either, saying, “Any man who feels the right to disrespect a woman who has never done anything to them… you’re a bi**h. And I mean that from the bottom of my heart.” From there, Price reminded folks that before she was saved, she was “a Black girl born and raised on the South Side of Jamaica, Queens” — a warning that she’s not above clapping back.
Next, the “Friend of Mine” singer turned her attention to what she called “DEI hires,” insisting that while some people are “losing jobs,” she hasn’t lost hers and won’t anytime soon. “While you were fighting for people in other cultures to not lose your jobs, I was using my voice,” she said, letting it be known that no matter how anyone feels about her, she’s booked and busy.
Singer Kelly Price performs onstage during 2019 Black Music Honors at Cobb Energy Performing Arts Centre on September 05, 2019 in Atlanta, Georgia. Paras Griffin/Getty Images
In Price’s comment section, critics have mocked her weight, wardrobe, and even her shoe size, but she brushed it all off with a reminder that, “I’m making my money looking like a ‘fat slob’ in clothes y’all say are nasty. And I’m still getting paid.”
At one point, her frustration went beyond Black women, but Black people in whole and their “BS.” Admitting she’s still a work in progress, she told fans to pray for her because she’s “not there yet,” alluding that she’s all for clapping back. Still, she stood firm on her belief that Black women, in particular, can be the most disrespectful.
“The things we say about other Black women, but then want to be activists, educated, this, that, and the other…” she continued. “Find yourself because a degree does not give you class. A degree doesn’t get you into heaven. And being a keyboard thug? That’ll only get your a** whooped when somebody walks up on you that you didn’t know was watching you.”
Social media immediately ran to her comments, with some calling her out as a hypocrite. “The call is coming from inside the house? We watched R&B divas. YOU ARE EXACTLY WHO YOU SPEAK OF @KELLYPRICE,” wrote one person. “She is definitely one of the ones she’s talking about,” said another.
On the flip side, a third person said “She said WHAT SHE SAID!!! Love it,” as a fourth added, “MH it’s always ya own people tryna tear down their own instead of building them up and it’s so sad. I Love you Kelly stay blessed.”
Naz Reid’s Sister Was Fatally Shot In New Jersey By Her Boyfriend
On Saturday (September 6), Toraya Reid, the sister of Minnesota Timberwolves forward Naz Reid, was found fatally shot by her boyfriend in New Jersey.
According to the Ocean County Prosecutor’s Office, Reid was shot and killed at the Paragon Apartment complex in Jackson Township. Law enforcement officers were called to the scene around 11 a.m. and Toraya was “unresponsive, suffering from multiple gunshot wounds and “laying near the exit of the apartment complex,” court documents read.
“A subsequent investigation by the Ocean County Prosecutor’s Office Major Crime Unit, Jackson Township Police Department, and Ocean County Sheriff’s Office Crime Scene Investigation Unit, identified Green – who has been in a dating relationship with Ms. Reid – as the individual responsible for her death,” the prosecutor’s office said in a statement.
Shaquille Green, the main suspect was reportedly seen leaving the apartment complex on foot. Police officers located him “running on North New Prospect Road.” Eventually, Green was apprehended and taken into custody without incident. Green has been charged with murder along with several weapons charges.
He is currently in Ocean County jail, where he awaits a detention hearing.
In an interview with MSP Magazine, Naz Reid spoke about being the middle child and how Toraya and his other sister Jakahya was protective over him.
“My older sister is super protective, she treats us like she’s our parent,” Naz said.
Because I was the only boy, everybody was always paying attention to me because I was playing basketball in another city. So everybody made sure that I was okay.
We offer our deepest condolences and prayers to the family of Toraya Reid.
On Saturday (September 6), Toraya Reid, the sister of Minnesota Timberwolves forward Naz Reid, was found fatally shot by her boyfriend in New Jersey.
According to the Ocean County Prosecutor’s Office, Reid was shot and killed at the Paragon Apartment complex in Jackson Township. Law enforcement officers were called to the scene around 11 a.m. and Toraya was “unresponsive, suffering from multiple gunshot wounds and “laying near the exit of the apartment complex,” court documents read.
“A subsequent investigation by the Ocean County Prosecutor’s Office Major Crime Unit, Jackson Township Police Department, and Ocean County Sheriff’s Office Crime Scene Investigation Unit, identified Green – who has been in a dating relationship with Ms. Reid – as the individual responsible for her death,” the prosecutor’s office said in a statement.
Shaquille Green, the main suspect was reportedly seen leaving the apartment complex on foot. Police officers located him “running on North New Prospect Road.” Eventually, Green was apprehended and taken into custody without incident. Green has been charged with murder along with several weapons charges.
He is currently in Ocean County jail, where he awaits a detention hearing.
In an interview with MSP Magazine, Naz Reid spoke about being the middle child and how Toraya and his other sister Jakahya was protective over him.
“My older sister is super protective, she treats us like she’s our parent,” Naz said.
Because I was the only boy, everybody was always paying attention to me because I was playing basketball in another city. So everybody made sure that I was okay.
We offer our deepest condolences and prayers to the family of Toraya Reid.
Dwayne 'The Rock' Johnson Explains Why He Is Losing Weight
Dwayne “The Rock” Johnson is addressing his current weight loss. The 53-year-old Jumanji actor debuted a noticeably slimmer physique at the 2025 Venice Film Festival while promoting his new movie The Smashing Machine, in which he plays real-life MMA fighter Mark Kerr – and gained 30 pounds of muscle to do so.
Now, he’s taking on the role of a 70-something-year-old called Chicken Man in the upcoming Lizard Music, requiring him to undo all of that work.
“I still have a long ways to go,” he acknowledged during a career retrospective talk at the film festival, per Variety.
“I’m so excited to get a chance to hopefully transform again like I was able to do in Smashing Machine. [It means] eating less chicken,” he went on to say of the film, which reunites him with the movie’s director, Benny Safdie.
The movie, based on a Daniel Pinkwater novel, centers around a man whose best friend is a 70-year-old chicken.
Here’s the plot summary, via Deadline: “When a boy left to his own devices stumbles upon a secret late-night broadcast of lizards playing otherworldly music, a hidden door to the extraordinary swings open. His search for answers leads him to the eccentric and whimsical Chicken Man and his beloved companion, a 70-year-old chicken named Claudia — two kindred spirits who have also glimpsed the impossible. United by this shared vision, they set off on an adventure that begins as a hunt for a hidden society but blossoms into something far greater: a voyage through invisible worlds, unexpected harmonies, and the unbreakable bond between lost souls who discover magic not only in what they find, but in each other.”
Dwayne “The Rock” Johnson is addressing his current weight loss. The 53-year-old Jumanji actor debuted a noticeably slimmer physique at the 2025 Venice Film Festival while promoting his new movie The Smashing Machine, in which he plays real-life MMA fighter Mark Kerr – and gained 30 pounds of muscle to do so.
Now, he’s taking on the role of a 70-something-year-old called Chicken Man in the upcoming Lizard Music, requiring him to undo all of that work.
“I still have a long ways to go,” he acknowledged during a career retrospective talk at the film festival, per Variety.
“I’m so excited to get a chance to hopefully transform again like I was able to do in Smashing Machine. [It means] eating less chicken,” he went on to say of the film, which reunites him with the movie’s director, Benny Safdie.
The movie, based on a Daniel Pinkwater novel, centers around a man whose best friend is a 70-year-old chicken.
Here’s the plot summary, via Deadline: “When a boy left to his own devices stumbles upon a secret late-night broadcast of lizards playing otherworldly music, a hidden door to the extraordinary swings open. His search for answers leads him to the eccentric and whimsical Chicken Man and his beloved companion, a 70-year-old chicken named Claudia — two kindred spirits who have also glimpsed the impossible. United by this shared vision, they set off on an adventure that begins as a hunt for a hidden society but blossoms into something far greater: a voyage through invisible worlds, unexpected harmonies, and the unbreakable bond between lost souls who discover magic not only in what they find, but in each other.”
Donald Trump's Alleged Birthday Note to Jeffrey Epstein Revealed By House Democrats
That alleged Donald Trump “doodle” that has been much talked about with regard to Jeffrey Epstein has been released.
If you don’t know, a few weeks back, there was talk that Donald Trump allegedly created a birthday image for the disgraced dead sex offender years ago. It was not released at the time, but now has found its way online.
The WSJ published the image and shared that “Lawyers for Jeffrey Epstein’s estate have given Congress a copy of the birthday book put together for the financier’s 50th birthday, which includes a letter with Trump’s signature that he has said doesn’t exist.”
The note is in the shape of a woman’s body, and has what appears to be the President’s unverified signature at the bottom.
The image in question was also shared by the Democrats on the U.S. House Oversight Committee via X.
They tweeted, “HERE IT IS: We got Trump’s birthday note to Jeffrey Epstein that the President said doesn’t exist. Trump talks about a ‘wonderful secret’ the two of them shared. What is he hiding? Release the files!”
The text of the message seems to be a back-and-forth conversation between the POTUS and Epstein.
“We have certain things in common, Jeffrey,” it seems to say, to which Epstein then seems to respond, “Yes, we do, come to think of it.”
“Enigmas never age, have you noticed that?” Trump seems to say back, which Epstein then seemingly shares, “As a matter of fact, it was clear to me the last time I saw you.”
“Happy Birthday — and may every day be another wonderful secret,” is the conclusion of the note.
If you don’t know, a few weeks back, there was talk that Donald Trump allegedly created a birthday image for the disgraced dead sex offender years ago. It was not released at the time, but now has found its way online.
The WSJ published the image and shared that “Lawyers for Jeffrey Epstein’s estate have given Congress a copy of the birthday book put together for the financier’s 50th birthday, which includes a letter with Trump’s signature that he has said doesn’t exist.”
The note is in the shape of a woman’s body, and has what appears to be the President’s unverified signature at the bottom.
The image in question was also shared by the Democrats on the U.S. House Oversight Committee via X.
They tweeted, “HERE IT IS: We got Trump’s birthday note to Jeffrey Epstein that the President said doesn’t exist. Trump talks about a ‘wonderful secret’ the two of them shared. What is he hiding? Release the files!”
The text of the message seems to be a back-and-forth conversation between the POTUS and Epstein.
“We have certain things in common, Jeffrey,” it seems to say, to which Epstein then seems to respond, “Yes, we do, come to think of it.”
“Enigmas never age, have you noticed that?” Trump seems to say back, which Epstein then seemingly shares, “As a matter of fact, it was clear to me the last time I saw you.”
“Happy Birthday — and may every day be another wonderful secret,” is the conclusion of the note.
LAPD Ends Kamala Harris Protection After Secret Service Revoked
*Damn. It’s hard out here for a Democrat. On September 1st, Donald Trump revoked Kamala Harris’ extended Secret Service protection. The move ended the extra year-long detail granted by Joe Biden when Harris left office in January.
Biden’s order had extended her protection until July 2026, citing ongoing political threats. But Trump argued that assessments showed no credible danger, bringing Harris’s coverage in line with federal standards.
After Trump’s ignominious revocation, the California Highway Patrol stepped in with limited coverage. The Los Angeles Police Department also briefly deployed a dozen officers from its elite Metropolitan Division.
An unmarked LAPD vehicle was stationed outside Harris’s Brentwood residence beginning September 4. But by September 6, LAPD ended its role amid internal backlash and public criticism.
LAPD spokesperson Jennifer Forkish called the operation “a temporary coordinated effort” to avoid gaps. Sources confirmed it was never intended to be a long-term arrangement.
The Los Angeles Police Protective League strongly opposed the detail, citing the city’s $1+ billion budget deficit. They criticized diverting officers from crime suppression in neighborhoods facing rising violence.
“Pulling police officers from protecting everyday Angelenos to protect a failed presidential candidate who also happens to be a multi-millionaire… and who can easily afford to pay for her own security, is nuts.”
On social media, figures like Spencer Pratt echoed frustration over taxpayer-funded overtime. Conservative outlets labeled the LAPD deployment an “abuse of funds” as California grapples with a $30+ billion deficit.
Los Angeles Mayor Karen Bass condemned Trump’s revocation, calling it “another act of revenge” and a dangerous precedent. She vowed to work with Governor Gavin Newsom to support Harris’s safety.
Newsom’s spokesperson added: “The safety of our public officials should never be subject to erratic, vindictive political impulse.” The governor authorized CHP coverage, though details remain unclear.
Trump has not directly commented on Harris but has similarly revoked protections for John Bolton, Mike Pompeo, and Biden’s children earlier this year. Supporters say he is cutting unnecessary costs.
Biden’s order had extended her protection until July 2026, citing ongoing political threats. But Trump argued that assessments showed no credible danger, bringing Harris’s coverage in line with federal standards.
After Trump’s ignominious revocation, the California Highway Patrol stepped in with limited coverage. The Los Angeles Police Department also briefly deployed a dozen officers from its elite Metropolitan Division.
An unmarked LAPD vehicle was stationed outside Harris’s Brentwood residence beginning September 4. But by September 6, LAPD ended its role amid internal backlash and public criticism.
LAPD spokesperson Jennifer Forkish called the operation “a temporary coordinated effort” to avoid gaps. Sources confirmed it was never intended to be a long-term arrangement.
The Los Angeles Police Protective League strongly opposed the detail, citing the city’s $1+ billion budget deficit. They criticized diverting officers from crime suppression in neighborhoods facing rising violence.
“Pulling police officers from protecting everyday Angelenos to protect a failed presidential candidate who also happens to be a multi-millionaire… and who can easily afford to pay for her own security, is nuts.”
On social media, figures like Spencer Pratt echoed frustration over taxpayer-funded overtime. Conservative outlets labeled the LAPD deployment an “abuse of funds” as California grapples with a $30+ billion deficit.
Los Angeles Mayor Karen Bass condemned Trump’s revocation, calling it “another act of revenge” and a dangerous precedent. She vowed to work with Governor Gavin Newsom to support Harris’s safety.
Newsom’s spokesperson added: “The safety of our public officials should never be subject to erratic, vindictive political impulse.” The governor authorized CHP coverage, though details remain unclear.
Trump has not directly commented on Harris but has similarly revoked protections for John Bolton, Mike Pompeo, and Biden’s children earlier this year. Supporters say he is cutting unnecessary costs.
Harris is preparing to launch a 15-stop international book tour for her memoir 107 Days on September 24. Stops include London and Toronto, raising questions about non-U.S. security coverage.
With no federal detail and LAPD’s withdrawal, experts predict she will rely on private security. High-end protection costs typically range between $1,000 and $5,000 per day per agent.
Harris and her husband Doug Emhoff have a reported net worth of around $8 million, fueling arguments that she can fund private arrangements without public resources.
The LAPD’s pullout quickly went viral, with accounts like @spectatorindex and @EndWokeness generating thousands of reactions. Conservative users mocked Harris as hypocritical for past justice reform stances while demanding personal protection.
Supporters framed the move as politically motivated retaliation by Trump. Critics, however, applauded LAPD’s withdrawal, arguing taxpayer money should focus on community safety.
The debate reflects ongoing polarization after the 2024 election, with Harris still a high-profile Democratic figure despite ruling out a 2026 gubernatorial run.
By law, former vice presidents receive only six months of protection, unlike former presidents who receive lifetime coverage. Harris’s case reignited debate about whether exceptions should apply to high-profile figures.
This controversy highlights broader questions about fairness in security funding for former officials. Should wealthy politicians be shielded by taxpayer resources, or should private security fill the gap?
For Harris, the optics of losing both Secret Service and LAPD protection could shadow her book tour and future political influence. For Trump, it fits a pattern of targeting rivals’ perks and protections.
With CHP’s role still unclear, Harris’s security remains in flux, underscoring how politics increasingly shape even matters of personal safety.
Supreme Court Sides With Trump on LA Immigration Raids, Allows Race to Be Considered in Stops
The Supreme Court issued a major ruling that will directly impact immigration enforcement in Los Angeles, siding with Trump in a 6 to 3 decision that removes restrictions on how federal agents can conduct patrols in the city. The decision allows immigration officers to resume what are known as roving patrols, giving them the power to stop and question individuals based on a combination of factors that now legally includes appearance, language, type of employment, and location. The Court made clear that race or ethnicity cannot be the only reason a person is stopped, but the majority opinion acknowledged it can still be considered as part of the “totality of circumstances.”
Justice Brett Kavanaugh wrote for the majority, explaining that officers must rely on several indicators when making decisions, but defended the idea that characteristics like how someone looks or the language they speak could be part of those indicators. This view gives immigration authorities broader discretion than they have had in recent years, restoring powers that had been restricted by lower courts following accusations of profiling and discrimination.
Justice Sonia Sotomayor delivered one of the strongest dissents of her career, warning that the ruling effectively gives federal officers license to target people in Los Angeles who are perceived to be Latino. She wrote, “This ruling tells communities in Los Angeles that if you look Latino, speak Spanish, and appear to work a low-wage job, you can be stopped. That is not consistent with the Fourth Amendment.” Sotomayor was joined in her dissent by Justices Elena Kagan and Ketanji Brown Jackson, who also expressed concern that the Court’s decision undermines protections against unreasonable searches and seizures.
The decision has triggered a wave of reaction in Los Angeles, where immigrant rights groups and civil liberties organizations argue that the Court has opened the door to racial profiling under the cover of immigration enforcement. Advocates point out that the city is home to millions of immigrants, many of whom are Latino, and they fear the ruling will create an atmosphere of fear that discourages people from working, traveling, or even speaking Spanish in public spaces.
For Trump and his allies, the ruling is being celebrated as a victory for stronger immigration enforcement and a return to a more aggressive approach in handling undocumented migration. Supporters argue that immigration officers need flexibility to do their jobs effectively and that patrols are essential in addressing what they describe as a crisis at the southern border spilling into Los Angeles.
The fallout from this decision will play out in the coming weeks as federal officers prepare to relaunch patrols in the Los Angeles area.
The Supreme Court issued a major ruling that will directly impact immigration enforcement in Los Angeles, siding with Trump in a 6 to 3 decision that removes restrictions on how federal agents can conduct patrols in the city. The decision allows immigration officers to resume what are known as roving patrols, giving them the power to stop and question individuals based on a combination of factors that now legally includes appearance, language, type of employment, and location. The Court made clear that race or ethnicity cannot be the only reason a person is stopped, but the majority opinion acknowledged it can still be considered as part of the “totality of circumstances.”
Justice Brett Kavanaugh wrote for the majority, explaining that officers must rely on several indicators when making decisions, but defended the idea that characteristics like how someone looks or the language they speak could be part of those indicators. This view gives immigration authorities broader discretion than they have had in recent years, restoring powers that had been restricted by lower courts following accusations of profiling and discrimination.
Justice Sonia Sotomayor delivered one of the strongest dissents of her career, warning that the ruling effectively gives federal officers license to target people in Los Angeles who are perceived to be Latino. She wrote, “This ruling tells communities in Los Angeles that if you look Latino, speak Spanish, and appear to work a low-wage job, you can be stopped. That is not consistent with the Fourth Amendment.” Sotomayor was joined in her dissent by Justices Elena Kagan and Ketanji Brown Jackson, who also expressed concern that the Court’s decision undermines protections against unreasonable searches and seizures.
The decision has triggered a wave of reaction in Los Angeles, where immigrant rights groups and civil liberties organizations argue that the Court has opened the door to racial profiling under the cover of immigration enforcement. Advocates point out that the city is home to millions of immigrants, many of whom are Latino, and they fear the ruling will create an atmosphere of fear that discourages people from working, traveling, or even speaking Spanish in public spaces.
For Trump and his allies, the ruling is being celebrated as a victory for stronger immigration enforcement and a return to a more aggressive approach in handling undocumented migration. Supporters argue that immigration officers need flexibility to do their jobs effectively and that patrols are essential in addressing what they describe as a crisis at the southern border spilling into Los Angeles.
The fallout from this decision will play out in the coming weeks as federal officers prepare to relaunch patrols in the Los Angeles area.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
HAVE A GREAT DAY ALL!!!
EFREM
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