#MAGFAB: NEW YORK Magazine’s Men’s Style Issue Featuring Marlon James
Nice!
#RHOA: NeNe Leakes Wears Sheer Luar Menswear Look at NYFW
NeNe Leakes brought the girls to New York Fashion Week—and technically, she brought the boys, too. The Real Housewives of Atlanta OG hit the front row at Luar's Spring/Summer 2027 show Monday in a completely sheer black set pulled from the label's menswear collection, ditching the bra and wearing black hot pants underneath. The look put a very NeNe spin on menswear: sheer, skin-forward and impossible to miss.
Per The New York Post, the 58-year-old wore Luar's $180 Triangle Sleeve top with the brand's $200 Farmer shorts, then took the styling several steps further with glittering silver knee-high boots, dark sunglasses and one of Luar's signature circle-handle bags. Stylist Paris Chea, assisted by Brandonn St. Regis, assembled the look, while Michele Latrice and MagicMike handled Leakes' glam.

Leakes wasn't exactly interested in playing coy about the finished product. "Not Playing Fair 👊🏽🔥," she captioned an Instagram carousel from photographer Caz showing off the fit.
The comments quickly filled up, with fellow Bravo stars Melissa Gorga and Marlo Hampton among those showing love. Kash Doll kept her assessment simple: "My girllllllll."
And because no NeNe look stops at the clothes, there was the hair. Leakes finished everything with a platinum blond bob from her own Color Mane Wigs line—and gave the wig its own review while getting ready for the show.
"The bob is bobbin', honey. It's not too tight, honey! It's bobbin', weavin'," she said.
The NYFW moment comes as NeNe Leakes settles back into the Bravo orbit after spending years away from the network that made her one of reality television's most recognizable personalities.
NeNe Leakes brought the girls to New York Fashion Week—and technically, she brought the boys, too. The Real Housewives of Atlanta OG hit the front row at Luar's Spring/Summer 2027 show Monday in a completely sheer black set pulled from the label's menswear collection, ditching the bra and wearing black hot pants underneath. The look put a very NeNe spin on menswear: sheer, skin-forward and impossible to miss.
Per The New York Post, the 58-year-old wore Luar's $180 Triangle Sleeve top with the brand's $200 Farmer shorts, then took the styling several steps further with glittering silver knee-high boots, dark sunglasses and one of Luar's signature circle-handle bags. Stylist Paris Chea, assisted by Brandonn St. Regis, assembled the look, while Michele Latrice and MagicMike handled Leakes' glam.

Leakes wasn't exactly interested in playing coy about the finished product. "Not Playing Fair 👊🏽🔥," she captioned an Instagram carousel from photographer Caz showing off the fit.
The comments quickly filled up, with fellow Bravo stars Melissa Gorga and Marlo Hampton among those showing love. Kash Doll kept her assessment simple: "My girllllllll."
And because no NeNe look stops at the clothes, there was the hair. Leakes finished everything with a platinum blond bob from her own Color Mane Wigs line—and gave the wig its own review while getting ready for the show.
"The bob is bobbin', honey. It's not too tight, honey! It's bobbin', weavin'," she said.
The NYFW moment comes as NeNe Leakes settles back into the Bravo orbit after spending years away from the network that made her one of reality television's most recognizable personalities.
#NewMusic from Kevon Edmonds “Right Here”
Acclaimed R&B vocalist and founding member of the multi-platinum group After 7, Kevon Edmonds, has officially returned to the spotlight with the release of his brand-new single, “Right Here.”
Known for his soaring tenor and masterful delivery of timeless romantic ballads, Edmonds delivers exactly what longtime fans have been waiting for. Available now across all major digital platforms, “Right Here” is a lush, classic R&B mid-tempo track that perfectly highlights his signature vocal agility and emotional storytelling.
Steering clear of chasing fleeting contemporary trends, the newly released single leans heavily into authentic, feel-good soul music. The track features a polished, groove-heavy arrangement that provides an ideal backdrop for Edmonds’ pristine vocal tone, proving that his voice remains as sharp and emotive as ever.
Acclaimed R&B vocalist and founding member of the multi-platinum group After 7, Kevon Edmonds, has officially returned to the spotlight with the release of his brand-new single, “Right Here.”
Known for his soaring tenor and masterful delivery of timeless romantic ballads, Edmonds delivers exactly what longtime fans have been waiting for. Available now across all major digital platforms, “Right Here” is a lush, classic R&B mid-tempo track that perfectly highlights his signature vocal agility and emotional storytelling.
Steering clear of chasing fleeting contemporary trends, the newly released single leans heavily into authentic, feel-good soul music. The track features a polished, groove-heavy arrangement that provides an ideal backdrop for Edmonds’ pristine vocal tone, proving that his voice remains as sharp and emotive as ever.
LISTEN HERE:
The release of “Right Here” marks an exciting new solo chapter for the veteran singer. While cementing his legacy as a vital part of After 7’s massive success in the late 80s and 90s, Edmonds has also long established himself as a formidable solo artist, best known for his definitive 1999 solo smash hit, “24/7.”
This is a follow up to his previously released single “No Ordinary Love”.
With his latest offering, Edmonds continues to champion the sophisticated, grown-and-sexy R&B sound that has defined his multi-decade career.
“Right Here” is available to stream and download now on Spotify, Apple Music, and all major digital platforms.
This is a follow up to his previously released single “No Ordinary Love”.
With his latest offering, Edmonds continues to champion the sophisticated, grown-and-sexy R&B sound that has defined his multi-decade career.
“Right Here” is available to stream and download now on Spotify, Apple Music, and all major digital platforms.
#HipHopNews: Macklemore announces Free Palestine Tour

Macklemore announced he will launch the Free Palestine Tour this fall after he was removed from Ed Sheeran’s tour this month over his pro-Palestinian performance.
The “Thrift Shop” rapper took to Instagram on Monday and jokingly said his “schedule freed up a bit,” announcing three performance dates in Dublin, London and Paris next month.
“What happened to me is bigger than one artist or one stage,” he wrote. “When the billionaire class can decide which voices are allowed on stage and which ones are too dangerous to hear, everyone should be paying attention.”
The performances are part of what Macklemore named the Free Palestine Tour, and the poster said it would be him “and friends.” He said he spent the last week reaching out to other artists to work out scheduling, but no other names had been announced as of Monday.
He wrote that there has “been a collective awakening around Palestinian liberation” and the expectations of artists.
“It’s 2026. Being apolitical during a genocide doesn’t work anymore,” Macklemore said. “People are asking artists to show up, educate themselves and be in community.”
All proceeds from the performances would benefit organizations supporting Palestinians, he said.

Macklemore announced he will launch the Free Palestine Tour this fall after he was removed from Ed Sheeran’s tour this month over his pro-Palestinian performance.
The “Thrift Shop” rapper took to Instagram on Monday and jokingly said his “schedule freed up a bit,” announcing three performance dates in Dublin, London and Paris next month.
“What happened to me is bigger than one artist or one stage,” he wrote. “When the billionaire class can decide which voices are allowed on stage and which ones are too dangerous to hear, everyone should be paying attention.”
The performances are part of what Macklemore named the Free Palestine Tour, and the poster said it would be him “and friends.” He said he spent the last week reaching out to other artists to work out scheduling, but no other names had been announced as of Monday.
He wrote that there has “been a collective awakening around Palestinian liberation” and the expectations of artists.
“It’s 2026. Being apolitical during a genocide doesn’t work anymore,” Macklemore said. “People are asking artists to show up, educate themselves and be in community.”
All proceeds from the performances would benefit organizations supporting Palestinians, he said.
THE 2026 MTV VMAS WINNERS: FULL LIST
The 2026 MTV Video Music Awards took over LA on Sunday night (Sept. 27), and some of the biggest names in music gathered in the Peacock Theater to find out who would take home a Moon Person (or seven). Madonna was the telecast’s biggest winner, taking home seven prizes in total, including three onstage wins: artist of the year, best dance (her Confessions II short film) and best collaboration (“Bring Your Love” with Sabrina Carpenter).
The next big winner: Taylor Swift, who accepted the first-ever Artist Director Honors (before premiering her latest self-directed video, for her brand-new track “Patient Zero”) and returned to take home the final award of the night: video of the year for “The Fate of Ophelia”; she also won best direction for “Opalite.”
LISA took home the first prize of the night, winning best pop for “Dream” featuring Kentaro Sakaguchi, while Sienna Spiro was named best new artist after fans voted throughout the show.
Madonna came into the VMAs as the night’s leading nominee, with 13 nods, while Swift (who has won a record 30 Moon Persons) was second on the leaderboard with 11 nominations. Other top contenders: Sabrina Carpenter (nine nods); Ariana Grande (eight); Bruno Mars (six); and PinkPantheress and Zara Larsson (five each).
Hosted by Snoop Dogg, the VMAs aired live Sunday night on CBS. Performers and special honorees included Madonna opening the show; Kacey Musgraves performing a tribute to Dolly Parton; RAYE,SOMBR and Teddy Swims honoring George Michael; Nirvana receiving the Video Vanguard Award; and LISA, RAYE, Spiro, Shaboozey (with and without Gunna) and GENER8ION & Yung Lean hitting the stage.
Find the full list of 2026 VMAs winners below.
Genre-Neutral Categories
Video of the Year
Ariana Grande – “hate that i made you love me” – Republic Records
Bruno Mars – “I Just Might” – Atlantic Records
GENER8ION – “STORM” starring Yung Lean – Iconoclast Music
Madonna – “Confessions II – The Film” – Warner Records
Sabrina Carpenter – “Tears”- Island
WINNER: Taylor Swift – “The Fate of Ophelia” – Republic Records
Artist of the Year
Ariana Grande – Republic Records
Bruno Mars – Atlantic Records
WINNER: Madonna – Warner Records
Morgan Wallen – Big Loud/Mercury Records
Sabrina Carpenter – Island
Taylor Swift – Republic Records
Song of the Year
WINNER: BTS – “Swim” – BIGHIT MUSIC
Ella Langley – “Choosin’ Texas” – Columbia Records
HUNTR/X: EJAE, Audrey Nuna, REI AMI – “Golden” – Republic Records/Visva Records
Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
Olivia Dean – “Man I Need” – Island
PinkPantheress + Zara Larsson – “Stateside” – Warner Records UK/Atlantic Record
RAYE – “WHERE IS MY HUSBAND!” – Human Re Sources
Best New Artist
Bella Kay – Atlantic Records
CORTIS – BIGHIT MUSIC
Magnus Ferrell -Visva Records/Republic Records
Malcolm Todd – Columbia Records
Myles Smith – RCA Records
WINNER: Sienna Spiro – Capitol Records
Stella Lefty – Sandlot/Atlantic Outpost
Best Collaboration
Clipse, Kendrick Lamar, Pusha T, Malice – “Chains & Whips” – Roc Nation Distribution
French Montana x Max B – “Ever Since U Left Me” – Coke Boys Records
WINNER: Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
PinkPantheress + Zara Larsson – “Stateside” – Warner Records UK/Atlantic Records
Shakira & Burna Boy – “Dai Dai” – Sony Music US Latin
Teyana Taylor & Lucky Daye – “Hard Part” – Def Jam Recordings
Genre-Specific Categories
Best Pop
Ariana Grande – “hate that i made you love me” – Republic Records
Charli xcx – “SS26” – Atlantic Records
WINNER: LISA – “Dream” feat. Kentaro Sakaguchi – Lloud Co./RCA Records
Olivia Rodrigo – “drop dead” – Geffen Records
Sabrina Carpenter – “House Tour” – Island
Tate McRae – “Nobody’s Girl” – RCA Records
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Hip-Hop
WINNER: Cardi B feat. Kehlani – “Safe” – Atlantic Records
Don Toliver – “E85” – Cactus Jack/ Atlantic Records
Drake – “Janice STFU” – OVO/Republic Records
Megan Thee Stallion – “LOVER GIRL” – Hot Girl Productions
Travis Scott – “DUMBO” – Cactus Jack/Epic Records
Tyler, The Creator- “SUGAR ON MY TONGUE” – Columbia Records
Best R&B
WINNER: Bruno Mars – “I Just Might” – Atlantic Records
Chris Brown – “It Depends/Obvious” – RCA Records
Dave & Tems – “Raindance” – Neighbourhood Recordings/Capitol Records
Justin Bieber – “YUKON” – Def Jam Recordings
Kehlani – “Folded” – Atlantic Records
Mariah the Scientist & Kali Uchis – “Is It a Crime” – Epic Records
Best Alternative
Geese – “Taxes” – Partisan Records/Play It Again Sam
mgk & Fred Durst – “FIX UR FACE” – EST 19XX LLC/Interscope Records
Noah Kahan – “The Great Divide” – Mercury Records
WINNER: Olivia Rodrigo – “the cure” – Geffen Records
SOMBR – “Homewrecker” – SMB Music/Warner Records
Tame Impala – “Dracula” – Columbia Records
twenty one pilots – “Drag Path” – Fueled By Ramen
Best Dance
Bebe Rexha & Faithless – “New Religion” – Bebe Rexha Music LLC/EMPIRE
Harry Styles – “Aperture” – Columbia Records
Lady Gaga & Doechii – “RUNWAY” – Lil Monsters/Top Dawg Entertainment/Interscope Records/Capitol Records
WINNER: Madonna – “Confessions II – The Film” – Warner Records
PinkPantheress + Zara Larsson – “Stateside” – Warner Records UK/Atlantic Records
Slayyyter – “DANCE…” – RECORDS/Columbia Records
Tate McRae – “Nobody’s Girl” – RCA Records
Best Latin
Anitta with Shakira – “Choka Choka” – Republic Records/UMLE
WINNER: Bad Bunny – “NUEVAYoL” – Rimas Entertainment
Fuerza Regida – “TU SANCHO” – Rancho Humilde/Street Mob Records/Sony Music US Latin
KAROL G – “Papasito” – Bichota Records/Interscope Records
Rosalía ft. Yahritza Y Su Esencia – “La Perla” – Columbia Records
Ryan Castro, Kapo & GANGSTA – “LA VILLA” – AWOO Corp./ Sony Music US Latin
Shakira & Burna Boy – “Dai Dai” – Sony Music US Latin
Best K-Pop
BLACKPINK – “JUMP” – YG Entertainment
WINNER: BTS – “SWIM” – BIGHIT MUSIC
CORTIS – “REDRED” – BIGHIT MUSIC
KATSEYE – “PINKY UP” – HYBE x Geffen Records
LE SSERAFIM (feat. j-hope of BTS) – “SPAGHETTI” – SOURCE MUSIC
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records
Best Country
WINNER: Ella Langley – “Choosin’ Texas” – Columbia Records
Kacey Musgraves – “Dry Spell” – Lost Highway/Interscope Records
Lainey Wilson – “Somewhere Over Laredo” – Broken Bow Records
Luke Combs – “Back in the Saddle” – Columbia Nashville
Shaboozey – “Cowgirl” – American Dogwood/EMPIRE
Stella Lefty – “Boston” – Sandlot/Atlantic Outpost
Tucker Wetmore – “Brunette” – Back Blocks Music/MCA/Mercury Records
Technical Categories
Best Direction
Ariana Grande – “hate that i made you love me” – Republic Records
Bruno Mars – “I Just Might” – Atlantic Records
GENER8ION – “STORM starring Yung Lean” – Iconoclast Music
Madonna – “Confessions II – The Film” – Warner Records
Sabrina Carpenter – “House Tour”- Island
WINNER: Taylor Swift – “Opalite” – Republic Records
Best Art Direction
Charli xcx – “SS26” – Atlantic Records
Lady Gaga & Doechii – “RUNWAY” – Lil Monsters/Top Dawg Entertainment/Interscope Records/Capitol Records
Madonna – “Confessions II – The Film” – Warner Records
WINNER: PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
SOMBR – “My Body Isn’t Ready” – SMB Music/Warner Records
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Cinematography
A$AP Rocky – “PUNK ROCKY” – A$AP Worldwide/RCA Records
Ariana Grande – “hate that i made you love me” – Republic Records
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records
WINNER: Madonna – “Confessions II – The Film” – Warner Records
Shaboozey – “Cowgirl” – American Dogwood/EMPIRE
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Editing
Ariana Grande – “hate that i made you love me” – Republic Records
Bruno Mars – “I Just Might” – Atlantic Records
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records
Madonna – “Confessions II – The Film” – Warner Records
WINNER: Sabrina Carpenter – “House Tour”- Island
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Choreography
GENER8ION – “STORM starring Yung Lean” – Iconoclast Music
Harry Styles – “Dance No More” – Columbia Records
KATSEYE – “PINKY UP” – HYBE x Geffen Records
WINNER: Madonna – “Confessions II – The Film” – Warner Records
Tate McRae – “Nobody’s Girl” – RCA Records
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Visual Effects
WINNER: Ariana Grande – “hate that i made you love me” – Republic Records
JISOO X ZAYN – “Eyes Closed” – Warner Records
Madonna – “Confessions II – The Film” – Warner Records
PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
RAYE ft. Hans Zimmer – “Click Clack Symphony.” – Human Re Sources
Taylor Swift – “The Fate of Ophelia” – Republic Records
Social Categories
Best Group
BLACKPINK
WINNER: BTS
CORTIS
FLO
Fuerza Regida
Geese
KATSEYE
Twenty One Pilots
Best Long Form Video
Charli xcx – Music, Fashion, Film – Atlantic Records
Ella Langley – Choosin’ Texas – Columbia Records
GENER8ION – STORM starring Yung Lean – Iconoclast Music
WINNER: Madonna – Confessions II – The Film – Warner Records
Best Album
Drake – ICEMAN – OVO/Republic Records
WINNER: Madonna –Confessions II – Warner Records
Olivia Dean – The Art of Loving – Island
Olivia Rodrigo – you seem pretty sad for a girl so in love – Geffen Records
Sabrina Carpenter – Man’s Best Friend – Island
Taylor Swift – The Life of a Showgirl – Republic Records
Song of Summer
WINNER: Ariana Grande – “Hate That I Made You Love Me” – Republic Records
Bruno Mars – “Risk It All” – Atlantic Records
Charli xcx – “Camera” – Atlantic Records
Ella Langley – “Choosin’ Texas” – Columbia Records
KATSEYE – “Hootie Frutti” – HYBE x Geffen Records
Latto ft. Doja Cat – “Okayyy” – Steamcut / RCA Records
Morgan Wallen – “Been By Now – Big Loud / Mercury Records
Olivia Dean – “So Easy (To Fall in Love)” – Island
Olivia Rodrigo – “Stupid Song” – Geffen Records
Sabrina Carpenter – “House Tour” – Island
Slayyyter – “Brand New Chanel$” – RECORDS/Columbia Records
sombr – “Homewrecker” – SMB Music / Warner Records
Stella Lefty – “Boston” – Sandlot / Atlantic Outpost
Tame Impala & JENNIE – “Dracula” – Columbia Records
Taylor Swift – “I Knew It, I Knew You” – Walt Disney Records / Republic Records
The 2026 MTV Video Music Awards took over LA on Sunday night (Sept. 27), and some of the biggest names in music gathered in the Peacock Theater to find out who would take home a Moon Person (or seven). Madonna was the telecast’s biggest winner, taking home seven prizes in total, including three onstage wins: artist of the year, best dance (her Confessions II short film) and best collaboration (“Bring Your Love” with Sabrina Carpenter).
The next big winner: Taylor Swift, who accepted the first-ever Artist Director Honors (before premiering her latest self-directed video, for her brand-new track “Patient Zero”) and returned to take home the final award of the night: video of the year for “The Fate of Ophelia”; she also won best direction for “Opalite.”
LISA took home the first prize of the night, winning best pop for “Dream” featuring Kentaro Sakaguchi, while Sienna Spiro was named best new artist after fans voted throughout the show.
Madonna came into the VMAs as the night’s leading nominee, with 13 nods, while Swift (who has won a record 30 Moon Persons) was second on the leaderboard with 11 nominations. Other top contenders: Sabrina Carpenter (nine nods); Ariana Grande (eight); Bruno Mars (six); and PinkPantheress and Zara Larsson (five each).
Hosted by Snoop Dogg, the VMAs aired live Sunday night on CBS. Performers and special honorees included Madonna opening the show; Kacey Musgraves performing a tribute to Dolly Parton; RAYE,SOMBR and Teddy Swims honoring George Michael; Nirvana receiving the Video Vanguard Award; and LISA, RAYE, Spiro, Shaboozey (with and without Gunna) and GENER8ION & Yung Lean hitting the stage.
Find the full list of 2026 VMAs winners below.
Genre-Neutral Categories
Video of the Year
Ariana Grande – “hate that i made you love me” – Republic Records
Bruno Mars – “I Just Might” – Atlantic Records
GENER8ION – “STORM” starring Yung Lean – Iconoclast Music
Madonna – “Confessions II – The Film” – Warner Records
Sabrina Carpenter – “Tears”- Island
WINNER: Taylor Swift – “The Fate of Ophelia” – Republic Records
Artist of the Year
Ariana Grande – Republic Records
Bruno Mars – Atlantic Records
WINNER: Madonna – Warner Records
Morgan Wallen – Big Loud/Mercury Records
Sabrina Carpenter – Island
Taylor Swift – Republic Records
Song of the Year
WINNER: BTS – “Swim” – BIGHIT MUSIC
Ella Langley – “Choosin’ Texas” – Columbia Records
HUNTR/X: EJAE, Audrey Nuna, REI AMI – “Golden” – Republic Records/Visva Records
Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
Olivia Dean – “Man I Need” – Island
PinkPantheress + Zara Larsson – “Stateside” – Warner Records UK/Atlantic Record
RAYE – “WHERE IS MY HUSBAND!” – Human Re Sources
Best New Artist
Bella Kay – Atlantic Records
CORTIS – BIGHIT MUSIC
Magnus Ferrell -Visva Records/Republic Records
Malcolm Todd – Columbia Records
Myles Smith – RCA Records
WINNER: Sienna Spiro – Capitol Records
Stella Lefty – Sandlot/Atlantic Outpost
Best Collaboration
Clipse, Kendrick Lamar, Pusha T, Malice – “Chains & Whips” – Roc Nation Distribution
French Montana x Max B – “Ever Since U Left Me” – Coke Boys Records
WINNER: Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
PinkPantheress + Zara Larsson – “Stateside” – Warner Records UK/Atlantic Records
Shakira & Burna Boy – “Dai Dai” – Sony Music US Latin
Teyana Taylor & Lucky Daye – “Hard Part” – Def Jam Recordings
Genre-Specific Categories
Best Pop
Ariana Grande – “hate that i made you love me” – Republic Records
Charli xcx – “SS26” – Atlantic Records
WINNER: LISA – “Dream” feat. Kentaro Sakaguchi – Lloud Co./RCA Records
Olivia Rodrigo – “drop dead” – Geffen Records
Sabrina Carpenter – “House Tour” – Island
Tate McRae – “Nobody’s Girl” – RCA Records
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Hip-Hop
WINNER: Cardi B feat. Kehlani – “Safe” – Atlantic Records
Don Toliver – “E85” – Cactus Jack/ Atlantic Records
Drake – “Janice STFU” – OVO/Republic Records
Megan Thee Stallion – “LOVER GIRL” – Hot Girl Productions
Travis Scott – “DUMBO” – Cactus Jack/Epic Records
Tyler, The Creator- “SUGAR ON MY TONGUE” – Columbia Records
Best R&B
WINNER: Bruno Mars – “I Just Might” – Atlantic Records
Chris Brown – “It Depends/Obvious” – RCA Records
Dave & Tems – “Raindance” – Neighbourhood Recordings/Capitol Records
Justin Bieber – “YUKON” – Def Jam Recordings
Kehlani – “Folded” – Atlantic Records
Mariah the Scientist & Kali Uchis – “Is It a Crime” – Epic Records
Best Alternative
Geese – “Taxes” – Partisan Records/Play It Again Sam
mgk & Fred Durst – “FIX UR FACE” – EST 19XX LLC/Interscope Records
Noah Kahan – “The Great Divide” – Mercury Records
WINNER: Olivia Rodrigo – “the cure” – Geffen Records
SOMBR – “Homewrecker” – SMB Music/Warner Records
Tame Impala – “Dracula” – Columbia Records
twenty one pilots – “Drag Path” – Fueled By Ramen
Best Dance
Bebe Rexha & Faithless – “New Religion” – Bebe Rexha Music LLC/EMPIRE
Harry Styles – “Aperture” – Columbia Records
Lady Gaga & Doechii – “RUNWAY” – Lil Monsters/Top Dawg Entertainment/Interscope Records/Capitol Records
WINNER: Madonna – “Confessions II – The Film” – Warner Records
PinkPantheress + Zara Larsson – “Stateside” – Warner Records UK/Atlantic Records
Slayyyter – “DANCE…” – RECORDS/Columbia Records
Tate McRae – “Nobody’s Girl” – RCA Records
Best Latin
Anitta with Shakira – “Choka Choka” – Republic Records/UMLE
WINNER: Bad Bunny – “NUEVAYoL” – Rimas Entertainment
Fuerza Regida – “TU SANCHO” – Rancho Humilde/Street Mob Records/Sony Music US Latin
KAROL G – “Papasito” – Bichota Records/Interscope Records
Rosalía ft. Yahritza Y Su Esencia – “La Perla” – Columbia Records
Ryan Castro, Kapo & GANGSTA – “LA VILLA” – AWOO Corp./ Sony Music US Latin
Shakira & Burna Boy – “Dai Dai” – Sony Music US Latin
Best K-Pop
BLACKPINK – “JUMP” – YG Entertainment
WINNER: BTS – “SWIM” – BIGHIT MUSIC
CORTIS – “REDRED” – BIGHIT MUSIC
KATSEYE – “PINKY UP” – HYBE x Geffen Records
LE SSERAFIM (feat. j-hope of BTS) – “SPAGHETTI” – SOURCE MUSIC
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records
Best Country
WINNER: Ella Langley – “Choosin’ Texas” – Columbia Records
Kacey Musgraves – “Dry Spell” – Lost Highway/Interscope Records
Lainey Wilson – “Somewhere Over Laredo” – Broken Bow Records
Luke Combs – “Back in the Saddle” – Columbia Nashville
Shaboozey – “Cowgirl” – American Dogwood/EMPIRE
Stella Lefty – “Boston” – Sandlot/Atlantic Outpost
Tucker Wetmore – “Brunette” – Back Blocks Music/MCA/Mercury Records
Technical Categories
Best Direction
Ariana Grande – “hate that i made you love me” – Republic Records
Bruno Mars – “I Just Might” – Atlantic Records
GENER8ION – “STORM starring Yung Lean” – Iconoclast Music
Madonna – “Confessions II – The Film” – Warner Records
Sabrina Carpenter – “House Tour”- Island
WINNER: Taylor Swift – “Opalite” – Republic Records
Best Art Direction
Charli xcx – “SS26” – Atlantic Records
Lady Gaga & Doechii – “RUNWAY” – Lil Monsters/Top Dawg Entertainment/Interscope Records/Capitol Records
Madonna – “Confessions II – The Film” – Warner Records
WINNER: PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
SOMBR – “My Body Isn’t Ready” – SMB Music/Warner Records
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Cinematography
A$AP Rocky – “PUNK ROCKY” – A$AP Worldwide/RCA Records
Ariana Grande – “hate that i made you love me” – Republic Records
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records
WINNER: Madonna – “Confessions II – The Film” – Warner Records
Shaboozey – “Cowgirl” – American Dogwood/EMPIRE
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Editing
Ariana Grande – “hate that i made you love me” – Republic Records
Bruno Mars – “I Just Might” – Atlantic Records
LISA – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records
Madonna – “Confessions II – The Film” – Warner Records
WINNER: Sabrina Carpenter – “House Tour”- Island
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Choreography
GENER8ION – “STORM starring Yung Lean” – Iconoclast Music
Harry Styles – “Dance No More” – Columbia Records
KATSEYE – “PINKY UP” – HYBE x Geffen Records
WINNER: Madonna – “Confessions II – The Film” – Warner Records
Tate McRae – “Nobody’s Girl” – RCA Records
Taylor Swift – “The Fate of Ophelia” – Republic Records
Best Visual Effects
WINNER: Ariana Grande – “hate that i made you love me” – Republic Records
JISOO X ZAYN – “Eyes Closed” – Warner Records
Madonna – “Confessions II – The Film” – Warner Records
PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
RAYE ft. Hans Zimmer – “Click Clack Symphony.” – Human Re Sources
Taylor Swift – “The Fate of Ophelia” – Republic Records
Social Categories
Best Group
BLACKPINK
WINNER: BTS
CORTIS
FLO
Fuerza Regida
Geese
KATSEYE
Twenty One Pilots
Best Long Form Video
Charli xcx – Music, Fashion, Film – Atlantic Records
Ella Langley – Choosin’ Texas – Columbia Records
GENER8ION – STORM starring Yung Lean – Iconoclast Music
WINNER: Madonna – Confessions II – The Film – Warner Records
Best Album
Drake – ICEMAN – OVO/Republic Records
WINNER: Madonna –Confessions II – Warner Records
Olivia Dean – The Art of Loving – Island
Olivia Rodrigo – you seem pretty sad for a girl so in love – Geffen Records
Sabrina Carpenter – Man’s Best Friend – Island
Taylor Swift – The Life of a Showgirl – Republic Records
Song of Summer
WINNER: Ariana Grande – “Hate That I Made You Love Me” – Republic Records
Bruno Mars – “Risk It All” – Atlantic Records
Charli xcx – “Camera” – Atlantic Records
Ella Langley – “Choosin’ Texas” – Columbia Records
KATSEYE – “Hootie Frutti” – HYBE x Geffen Records
Latto ft. Doja Cat – “Okayyy” – Steamcut / RCA Records
Morgan Wallen – “Been By Now – Big Loud / Mercury Records
Olivia Dean – “So Easy (To Fall in Love)” – Island
Olivia Rodrigo – “Stupid Song” – Geffen Records
Sabrina Carpenter – “House Tour” – Island
Slayyyter – “Brand New Chanel$” – RECORDS/Columbia Records
sombr – “Homewrecker” – SMB Music / Warner Records
Stella Lefty – “Boston” – Sandlot / Atlantic Outpost
Tame Impala & JENNIE – “Dracula” – Columbia Records
Taylor Swift – “I Knew It, I Knew You” – Walt Disney Records / Republic Records
Congrats to all the winners!
Jasmine Guy called out the internet’s “brutal” treatment of aging women, arguing that “beauty, style, and joy don’t have an expiration date.”
The 64-year-old urged people to spend less time judging appearances and more time loving one another, making memories, and enjoying life.
Her message arrived as Netflix’s A Different World sequel brought her back as Whitley Gilbert-Wayne alongside Kadeem Hardison and several other original cast members.
Jasmine Guy has something to say about the way women are expected to age in public—and the timing comes as she steps back into one of her most famous roles nearly four decades later. One day after Netflix premiered its new A Different World series, the 64-year-old actress called out the relentless scrutiny women face over their changing appearances.
“The internet can be brutal to women as we grow older,” Guy wrote on Instagram on September 25. “It asks us to celebrate life while criticizing every sign that we’ve lived it.”
Guy didn't pretend aging is always an easy adjustment. Instead, she rejected the idea that getting older means giving up the things that once brought someone confidence or happiness.
“Growing older brings change, and I won’t pretend every change is easy,” she continued. “But beauty, style, and joy don’t have an expiration date.”
In the Reel, Guy poses in a metallic olive-gold, one-shoulder gown with a sharply fitted bodice and sweeping floor-length skirt. Her hair is pulled into an elegant updo, while statement earrings and minimal accessories keep the focus on the dramatic silhouette.
“Let’s spend less time judging ourselves and each other, and more time loving each other, making memories, and living the life we’re here to live,” Guy concluded.
Netflix's A Different World premiered September 24, bringing her back as Whitley Gilbert-Wayne, the character she began playing in the original NBC sitcom in the late 1980s.
But this isn't the same Whitley audiences left behind in 1993. She's now the mother of Deborah Wayne, played by Maleah Joi Moon, whose arrival at Hillman College drives the sequel.
Kadeem Hardison is also back as Dwayne Wayne, making Whitley and Dwayne's marriage and family part of the bridge between the two shows. Deborah enters Hillman carrying her parents' considerable history at the school while trying to establish a life and identity of her own.
And Netflix hasn't limited that connection to Whitley and Dwayne. Cree Summer returns as Freddie Brooks, Darryl M. Bell as Ron Johnson, Charnele Brown as Dr. Kimberly Reese Boyer, Jenifer Lewis as President Davenport, Jada Pinkett Smith as Lena James, Dawnn Lewis as Jaleesa Vinson-Taylor, and Glynn Turman as Col. Bradford Taylor, among others.
The sequel also digs into what happened during the decades viewers missed. Bell's Ron is now the father of Hillman football player Shaquille Johnson, with the series revealing that Shaquille's late mother was Jaclyn—the character Halle Berry played in a single 1991 episode. Showrunner Felicia Pride called the connection “one of our biggest Easter eggs for those OG fans.”
Debbie Allen, who helped reshape the original series and directed 83 episodes, has returned as an executive producer, director, and cast member.
Brandy has also recorded a new version of the A Different World theme song, joining a vocal lineage that includes Phoebe Snow, Aretha Franklin, and Boyz II Men.
The 64-year-old urged people to spend less time judging appearances and more time loving one another, making memories, and enjoying life.
Her message arrived as Netflix’s A Different World sequel brought her back as Whitley Gilbert-Wayne alongside Kadeem Hardison and several other original cast members.
Jasmine Guy has something to say about the way women are expected to age in public—and the timing comes as she steps back into one of her most famous roles nearly four decades later. One day after Netflix premiered its new A Different World series, the 64-year-old actress called out the relentless scrutiny women face over their changing appearances.
“The internet can be brutal to women as we grow older,” Guy wrote on Instagram on September 25. “It asks us to celebrate life while criticizing every sign that we’ve lived it.”
Guy didn't pretend aging is always an easy adjustment. Instead, she rejected the idea that getting older means giving up the things that once brought someone confidence or happiness.
“Growing older brings change, and I won’t pretend every change is easy,” she continued. “But beauty, style, and joy don’t have an expiration date.”
In the Reel, Guy poses in a metallic olive-gold, one-shoulder gown with a sharply fitted bodice and sweeping floor-length skirt. Her hair is pulled into an elegant updo, while statement earrings and minimal accessories keep the focus on the dramatic silhouette.
“Let’s spend less time judging ourselves and each other, and more time loving each other, making memories, and living the life we’re here to live,” Guy concluded.
Netflix's A Different World premiered September 24, bringing her back as Whitley Gilbert-Wayne, the character she began playing in the original NBC sitcom in the late 1980s.
But this isn't the same Whitley audiences left behind in 1993. She's now the mother of Deborah Wayne, played by Maleah Joi Moon, whose arrival at Hillman College drives the sequel.
Kadeem Hardison is also back as Dwayne Wayne, making Whitley and Dwayne's marriage and family part of the bridge between the two shows. Deborah enters Hillman carrying her parents' considerable history at the school while trying to establish a life and identity of her own.
And Netflix hasn't limited that connection to Whitley and Dwayne. Cree Summer returns as Freddie Brooks, Darryl M. Bell as Ron Johnson, Charnele Brown as Dr. Kimberly Reese Boyer, Jenifer Lewis as President Davenport, Jada Pinkett Smith as Lena James, Dawnn Lewis as Jaleesa Vinson-Taylor, and Glynn Turman as Col. Bradford Taylor, among others.
The sequel also digs into what happened during the decades viewers missed. Bell's Ron is now the father of Hillman football player Shaquille Johnson, with the series revealing that Shaquille's late mother was Jaclyn—the character Halle Berry played in a single 1991 episode. Showrunner Felicia Pride called the connection “one of our biggest Easter eggs for those OG fans.”
Debbie Allen, who helped reshape the original series and directed 83 episodes, has returned as an executive producer, director, and cast member.
Brandy has also recorded a new version of the A Different World theme song, joining a vocal lineage that includes Phoebe Snow, Aretha Franklin, and Boyz II Men.
Issa Rae Named Variety’s L.A. Entertainment Entrepreneur of the Year

Issa Rae was honored with the Entertainment Entrepreneur of the Year Award at Variety’s L.A. Power of Women event in Beverly Hills.
Presented by U.S. Bank Senior Executive Vice President Courtney Kelso, Rae shared her gratitude for the award. She also took a shot at men for gatekeeping in the industry.
“It is hard to feel like a powerful woman when men keep f**king everything up,” Rae said.
”Thank you to all the other amazing women for being so inspiring. I’m gonna be real. I don’t have an inspirational speech, she added.
She went on to explain why she thought she didn’t deserve to be honored.
“I’m so sorry. I just, I really don’t. And I heard they wanted to give me this award, and I was like, ‘Why? I haven’t done sh— this year. And my publicist just emailed me back a bunch of things that I’ve done this year, and was like, ‘B— just go,’ Rae said,
”And I was really honored that she took the time to write it out, and I was like, ‘Oh, maybe I do deserve this. Okay, I’ma go,’” she continued. “But then I was like, ‘F—! I gotta write a speech in three to four minutes. That’s so long.’ So then I just kind of forgot about it because I was working, and then I got distracted because the deadline was approaching, and the industry just keeps eating itself.”
Rae concluded her speech by saying, “Maybe that’s all any of us can do — is just figure out where we have some power and use it the f**k for good, please. So that’s what I’m going to do. I hope you guys do too.”
After breaking out with Awkward Black Girl and the hit HBO series Insecure, Issa Rae expanded her footprint by founding HOORAE Media, an umbrella company spanning film, TV, marketing, and the Raedio record label. The Emmy-nominated star of Barbie and American Fiction is also a twice-named TIME 100 honoree.

Issa Rae was honored with the Entertainment Entrepreneur of the Year Award at Variety’s L.A. Power of Women event in Beverly Hills.
Presented by U.S. Bank Senior Executive Vice President Courtney Kelso, Rae shared her gratitude for the award. She also took a shot at men for gatekeeping in the industry.
“It is hard to feel like a powerful woman when men keep f**king everything up,” Rae said.
”Thank you to all the other amazing women for being so inspiring. I’m gonna be real. I don’t have an inspirational speech, she added.
She went on to explain why she thought she didn’t deserve to be honored.
“I’m so sorry. I just, I really don’t. And I heard they wanted to give me this award, and I was like, ‘Why? I haven’t done sh— this year. And my publicist just emailed me back a bunch of things that I’ve done this year, and was like, ‘B— just go,’ Rae said,
”And I was really honored that she took the time to write it out, and I was like, ‘Oh, maybe I do deserve this. Okay, I’ma go,’” she continued. “But then I was like, ‘F—! I gotta write a speech in three to four minutes. That’s so long.’ So then I just kind of forgot about it because I was working, and then I got distracted because the deadline was approaching, and the industry just keeps eating itself.”
Rae concluded her speech by saying, “Maybe that’s all any of us can do — is just figure out where we have some power and use it the f**k for good, please. So that’s what I’m going to do. I hope you guys do too.”
After breaking out with Awkward Black Girl and the hit HBO series Insecure, Issa Rae expanded her footprint by founding HOORAE Media, an umbrella company spanning film, TV, marketing, and the Raedio record label. The Emmy-nominated star of Barbie and American Fiction is also a twice-named TIME 100 honoree.
Get a First Look at Taraji P. Henson in Give Me Some Sugah
Based on the incredible true story of Lenore Lindsey, Give Me Some Sugah follows a Chicago bakery owner who is stunned by an incredible discovery that inspires her to reclaim lost time, heal old wounds, and find purpose in life’s unexpected miracles. The news story went viral in November 2024.
Taraji P. Henson (Straw) plays Lenore Lindsey, and Jo-Vaughn Virginie Scott (aka Joey Bada$$) (Two Distant Strangers, Creed) also stars. See Henson and crew in character in the first-look photos below.
Tasha Smith (Mayor of Kingstown) directs the film, which was written by Randy Brown (Miracles from Heaven). DeVon Franklin and Tyler Perry produce. Tony Strickland and Angi Bones executive produce for Tyler Perry Studios, alongside Bart Lipton.
Straw, which premiered in June 2025, marked Henson’s first lead role in a Netflix original. The film, which received praise from critics and fans, spent five weeks on the Global Top 10 Movies (English), racking up 106.3 million views.
Give Me Some Sugah is the second film out of Perry and DeVon Franklin’s faith-based creative partnership with Netflix. The first from that partnership, Ruth & Boaz, was an instant hit, debuting at No. 2 on the Global Top 10 Movies List (English). Catch up on Ruth & Boaz on Tudum.

Based on the incredible true story of Lenore Lindsey, Give Me Some Sugah follows a Chicago bakery owner who is stunned by an incredible discovery that inspires her to reclaim lost time, heal old wounds, and find purpose in life’s unexpected miracles. The news story went viral in November 2024.
Taraji P. Henson (Straw) plays Lenore Lindsey, and Jo-Vaughn Virginie Scott (aka Joey Bada$$) (Two Distant Strangers, Creed) also stars. See Henson and crew in character in the first-look photos below.
Tasha Smith (Mayor of Kingstown) directs the film, which was written by Randy Brown (Miracles from Heaven). DeVon Franklin and Tyler Perry produce. Tony Strickland and Angi Bones executive produce for Tyler Perry Studios, alongside Bart Lipton.
Straw, which premiered in June 2025, marked Henson’s first lead role in a Netflix original. The film, which received praise from critics and fans, spent five weeks on the Global Top 10 Movies (English), racking up 106.3 million views.
Give Me Some Sugah is the second film out of Perry and DeVon Franklin’s faith-based creative partnership with Netflix. The first from that partnership, Ruth & Boaz, was an instant hit, debuting at No. 2 on the Global Top 10 Movies List (English). Catch up on Ruth & Boaz on Tudum.

Who else is in the cast Give Me Some Sugah?
Joining Henson and Scott is a stacked ensemble that includes:
Aunjanue Ellis-Taylor (King Richard, Ray) as Angie
Russell Hornsby (The Hate U Give, Fences) as Robert
Alexis Louder (Copshop) as Megan
Semaj Prather as Mayson
Arischa Conner as Vera
Angela Davis (Fight Night: The Million Dollar Heist, The Good Daughter) as Yvette
Caroline Avery Granger (Cobra Kai) as Gabriella
Tasha Smith as Toni
DeVon Franklin as Eric
Has Give Me Some Sugah started filming?
Yes! Give Me Some Sugah kicked off production in Atlanta.
What is the Give Me Some Sugah release date?
Give Me Some Sugah will come out of the oven on Dec. 16.
Stay tuned to Tudum to savor every delectable morsel of Perry’s inspirational feature.
Rihanna Shares Adorable Photos Of Daughter Rocki As She Reflects On Her First Year

Rihanna is still soaking in life as a girl mom.The singer and entrepreneur shared a sweet photo dump of her daughter, Rocki Irish Mayers, reflecting on how quickly her first year has gone by. Rocki, whom Rihanna shares with A$AP Rocky, turned 1 on Sept. 13.
“Who let me have a daughter, bro?” Rihanna joked, before adding, “Still can’t believe a year has gone by.”
The photos capture several moments from Rocki’s first year, including newborn snapshots, hair rollers, cute outfits and her pink-filled first birthday celebration.
Aunjanue Ellis-Taylor (King Richard, Ray) as Angie
Russell Hornsby (The Hate U Give, Fences) as Robert
Alexis Louder (Copshop) as Megan
Semaj Prather as Mayson
Arischa Conner as Vera
Angela Davis (Fight Night: The Million Dollar Heist, The Good Daughter) as Yvette
Caroline Avery Granger (Cobra Kai) as Gabriella
Tasha Smith as Toni
DeVon Franklin as Eric
Has Give Me Some Sugah started filming?
Yes! Give Me Some Sugah kicked off production in Atlanta.
What is the Give Me Some Sugah release date?
Give Me Some Sugah will come out of the oven on Dec. 16.
Stay tuned to Tudum to savor every delectable morsel of Perry’s inspirational feature.
Rihanna Shares Adorable Photos Of Daughter Rocki As She Reflects On Her First Year

Rihanna is still soaking in life as a girl mom.The singer and entrepreneur shared a sweet photo dump of her daughter, Rocki Irish Mayers, reflecting on how quickly her first year has gone by. Rocki, whom Rihanna shares with A$AP Rocky, turned 1 on Sept. 13.
“Who let me have a daughter, bro?” Rihanna joked, before adding, “Still can’t believe a year has gone by.”
The photos capture several moments from Rocki’s first year, including newborn snapshots, hair rollers, cute outfits and her pink-filled first birthday celebration.
Nick Cannon Says Netflix Docuseries Will Leave ‘Nothing to Hide’ About His 12-Kid Family
Nick Cannon says his Netflix docuseries will offer a “raw” and “real” look at how he manages separate households with 12 children and six women.
Some of the mothers initially resisted bringing cameras into their homes, but Cannon says they agreed to participate for him despite valuing their privacy.
Premiering this winter, the series will tackle co-parenting tensions, difficult family conversations and the loss of Cannon and Alyssa Scott’s son Zen, with Cannon insisting, “There are no secrets and nothing to hide.”
Nick Cannon is opening the doors to his complicated family life for a new Netflix docuseries—and he says viewers shouldn't expect anyone to dodge the questions that have followed his unconventional household for years.
The 45-year-old entertainer, who has fathered 12 children with six women, says the series will premiere this winter and offer an unfiltered look at how those separate households actually function. Rather than continue watching outsiders fill in the blanks, Cannon told Us Weekly he decided to put his version of the story on camera.
“People have been fascinated with my lifestyle for quite some time, so instead of letting them make up stuff, I’m gonna give you everything,” Cannon said. He described the project as “raw” and “real,” adding, “I think we’re being more open and more vulnerable.”
Getting everyone in front of the cameras wasn't necessarily an easy sell. Cannon acknowledged that some of the mothers initially questioned why they should invite even more public attention into their homes. “They were like, ‘Why are we letting cameras into our homes?’” he recalled. “I think that everybody’s very comfortable with just keeping their peace. But everybody said that they would do it for me, so I’m appreciative of that.”
The series arrives as the logistics of Cannon's family have become a subject of public discussion even among those raising his children. Earlier this month, Bre Tiesi, who shares 4-year-old Legendary Love with Cannon, pushed back against the idea that his children's mothers operate as a collective co-parenting unit.
“There is no ‘we’—we don’t balance anything,” Tiesi said on E!’s Hot Goss podcast. Although she wants Legendary to have relationships with his siblings, Tiesi said Cannon bears responsibility for facilitating them. “Nick has to step up, and he has to make an environment and support the children,” she said.
That leaves plenty of family dynamics for the Netflix cameras to explore. Cannon shares 15-year-old twins Monroe and Moroccan with ex-wife Mariah Carey; Golden, Powerful and Rise with Brittany Bell; twins Zion and Zillion and daughter Beautiful with Abby De La Rosa; Legendary with Tiesi; and Onyx with LaNisha Cole. He also shares Halo with Alyssa Scott. Their son Zen died at five months old in December 2021 after being diagnosed with brain cancer.
Cannon recently honored Zen with a beachside celebration of life, writing afterward that his son's “Light will forever shine in our hearts.” The loss is part of a family story Cannon says the series won't sanitize. He acknowledged that filming has forced conversations that might not otherwise have happened, particularly because “the world is watching.”
While Cannon says he's “built for this,” he recognizes his family didn't necessarily choose the same level of exposure. “I’m just praying that they all handle it very well,” he said, “because it’s going to be a lot.”
As for what happens when viewers finally get inside Cannon's world, he's ready for the reaction.
“I want to know what they have to say,” Cannon said, “because there are no secrets and nothing to hide.”
Premiering this winter, the series will tackle co-parenting tensions, difficult family conversations and the loss of Cannon and Alyssa Scott’s son Zen, with Cannon insisting, “There are no secrets and nothing to hide.”
Nick Cannon is opening the doors to his complicated family life for a new Netflix docuseries—and he says viewers shouldn't expect anyone to dodge the questions that have followed his unconventional household for years.
The 45-year-old entertainer, who has fathered 12 children with six women, says the series will premiere this winter and offer an unfiltered look at how those separate households actually function. Rather than continue watching outsiders fill in the blanks, Cannon told Us Weekly he decided to put his version of the story on camera.
“People have been fascinated with my lifestyle for quite some time, so instead of letting them make up stuff, I’m gonna give you everything,” Cannon said. He described the project as “raw” and “real,” adding, “I think we’re being more open and more vulnerable.”
Getting everyone in front of the cameras wasn't necessarily an easy sell. Cannon acknowledged that some of the mothers initially questioned why they should invite even more public attention into their homes. “They were like, ‘Why are we letting cameras into our homes?’” he recalled. “I think that everybody’s very comfortable with just keeping their peace. But everybody said that they would do it for me, so I’m appreciative of that.”
The series arrives as the logistics of Cannon's family have become a subject of public discussion even among those raising his children. Earlier this month, Bre Tiesi, who shares 4-year-old Legendary Love with Cannon, pushed back against the idea that his children's mothers operate as a collective co-parenting unit.
“There is no ‘we’—we don’t balance anything,” Tiesi said on E!’s Hot Goss podcast. Although she wants Legendary to have relationships with his siblings, Tiesi said Cannon bears responsibility for facilitating them. “Nick has to step up, and he has to make an environment and support the children,” she said.
That leaves plenty of family dynamics for the Netflix cameras to explore. Cannon shares 15-year-old twins Monroe and Moroccan with ex-wife Mariah Carey; Golden, Powerful and Rise with Brittany Bell; twins Zion and Zillion and daughter Beautiful with Abby De La Rosa; Legendary with Tiesi; and Onyx with LaNisha Cole. He also shares Halo with Alyssa Scott. Their son Zen died at five months old in December 2021 after being diagnosed with brain cancer.
Cannon recently honored Zen with a beachside celebration of life, writing afterward that his son's “Light will forever shine in our hearts.” The loss is part of a family story Cannon says the series won't sanitize. He acknowledged that filming has forced conversations that might not otherwise have happened, particularly because “the world is watching.”
While Cannon says he's “built for this,” he recognizes his family didn't necessarily choose the same level of exposure. “I’m just praying that they all handle it very well,” he said, “because it’s going to be a lot.”
As for what happens when viewers finally get inside Cannon's world, he's ready for the reaction.
“I want to know what they have to say,” Cannon said, “because there are no secrets and nothing to hide.”
Rick Ross was under fire over the weekend after he was accused of assaulting his girlfriend, Jazzma Kendrick. Jazzma made the accusations herself and also shared images of a busted lip.
On her Instagram story, Jazzma responded to a message that read, “I’m seeing what Rick is seeing your so gorgeous.” She responded, “He saw a punching bag. The day Rick busted my lip and the day I left.”
She added, “I don’t know a lot of things, but I do know that a man that puts his hands on me, is a man that never loved me and never will. It’s always good until it isn’t. If a man hits you one time, he will do it again. Don’t give him the opportunity. Value your life and leave.”
On her Instagram story, Jazzma responded to a message that read, “I’m seeing what Rick is seeing your so gorgeous.” She responded, “He saw a punching bag. The day Rick busted my lip and the day I left.”
She added, “I don’t know a lot of things, but I do know that a man that puts his hands on me, is a man that never loved me and never will. It’s always good until it isn’t. If a man hits you one time, he will do it again. Don’t give him the opportunity. Value your life and leave.”
#BoxOfficeNews: Robert Pattinson’s Primetime Emerges as a Big Box Office Winner at #1
A24's Primetime, directed by Lance Oppenheim and starring Robert Pattinson, debuted with a strong $19.2 million from 2,863 North American locations, making it one of the studio's best openings yet.
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Robert Pattinson has another hit on his hands. A24's Primetime pulled in a strong $19.2 million from 2,863 North American locations, giving the studio one of its best debuts yet, even as Marvel's rerelease machine dominated the overall box office weekend.
Where Primetime ranked at the box office during its debut
Primetime settled at No. 4 domestically, trailing three bigger releases. Lance Oppenheim directed the crime drama, and Ajon Singh wrote it based on Luke Dittrich's 2007 Esquire article, with Robert Pattinson as "To Catch a Predator" host Chris Hansen. Produced for just $15 million, Primetime has already put itself in a position to turn a theatrical profit (via Variety).
The opening stands as the biggest A24 debut for any Pattinson movie, beating The Drama's $14.4 million. Younger audiences drove the Primetime box office performance. Sixty-nine percent of ticket buyers were under 30.
CinemaScore respondents handed the film a B grade, a predictable outcome given its unsettling subject matter. The story follows Chris Hansen's real-life sting operations targeting child sexual predators. Hansen himself watched the finished film and called it "so bizarre" and "detached from reality."
The film premiered in competition at the Venice International Film Festival before opening September 25. Skyler Gisondo, Merritt Wever, Phoebe Bridgers, Anna Faris, Alex Winter, Bokeem Woodbine, Tony Revolori, and Jeff Zucker roround out the supporting cast.
Avengers: Endgame Encore claimed the top spot with $26 million domestically and $86 million worldwide. The Heart of the Beast placed third with $20 million, a soft result against its $82 million budget. Holdover horror hit Resident Evil took second.
For A24, Primetime signals continued strength in original adult-skewing fare. For Robert Pattinson, it adds another commercial win to a filmography that keeps expanding its range. If Primetime follows a similar trajectory, it could finish its run near $180 million, which would push it past both The Drama and Best Picture winner Everything Everywhere All at Once on A24's all-time worldwide chart.
A24's Primetime, directed by Lance Oppenheim and starring Robert Pattinson, debuted with a strong $19.2 million from 2,863 North American locations, making it one of the studio's best openings yet.
See more
Robert Pattinson has another hit on his hands. A24's Primetime pulled in a strong $19.2 million from 2,863 North American locations, giving the studio one of its best debuts yet, even as Marvel's rerelease machine dominated the overall box office weekend.
Where Primetime ranked at the box office during its debut
Primetime settled at No. 4 domestically, trailing three bigger releases. Lance Oppenheim directed the crime drama, and Ajon Singh wrote it based on Luke Dittrich's 2007 Esquire article, with Robert Pattinson as "To Catch a Predator" host Chris Hansen. Produced for just $15 million, Primetime has already put itself in a position to turn a theatrical profit (via Variety).
The opening stands as the biggest A24 debut for any Pattinson movie, beating The Drama's $14.4 million. Younger audiences drove the Primetime box office performance. Sixty-nine percent of ticket buyers were under 30.
CinemaScore respondents handed the film a B grade, a predictable outcome given its unsettling subject matter. The story follows Chris Hansen's real-life sting operations targeting child sexual predators. Hansen himself watched the finished film and called it "so bizarre" and "detached from reality."
The film premiered in competition at the Venice International Film Festival before opening September 25. Skyler Gisondo, Merritt Wever, Phoebe Bridgers, Anna Faris, Alex Winter, Bokeem Woodbine, Tony Revolori, and Jeff Zucker roround out the supporting cast.
Avengers: Endgame Encore claimed the top spot with $26 million domestically and $86 million worldwide. The Heart of the Beast placed third with $20 million, a soft result against its $82 million budget. Holdover horror hit Resident Evil took second.
For A24, Primetime signals continued strength in original adult-skewing fare. For Robert Pattinson, it adds another commercial win to a filmography that keeps expanding its range. If Primetime follows a similar trajectory, it could finish its run near $180 million, which would push it past both The Drama and Best Picture winner Everything Everywhere All at Once on A24's all-time worldwide chart.
Janet Jackson Opens Up About Raising Son Eissa Away From the Spotlight
Janet Jackson spent much of her childhood working, but she has chosen a dramatically different path for her son, Eissa Al Mana. The 60-year-old superstar wants Eissa to experience childhood without the pressures that accompanied her early fame.
Jackson welcomed Eissa on Jan. 3, 2017, with her former husband, businessman Wissam Al Mana. The former couple now co-parent their son in London, according to InStyle.
Janet Wants Eissa to Simply Be a Kid
Jackson entered show business at seven, years before establishing herself as a global music superstar. In 2024, she told The Guardian that Eissa’s upbringing looks “completely different, because I worked and he doesn’t. And that’s it.”
“I want him to experience being a child, because you don’t get to do this over,” Jackson said.
“You’re an adult for the rest of your life, so I want him to enjoy each and every minute of being a child.”
That philosophy includes shielding Eissa from the scale of his mother’s celebrity. In 2022, Jackson revealed that he didn’t fully understand just how famous she was.
“I think his friends are starting to put it together for him,” she told TODAY, according to E! News. “I’ve kept it away from him, actually.”
Keeping Eissa outside show business hasn’t stopped the Jackson family’s musical genes from emerging. Jackson has called her son “incredibly musical.”
As a toddler, Eissa showed interest in violin before turning his attention toward the cello. Questlove also gave him a drum kit, which Jackson said he loved.
Eissa has another musical favorite with a very personal connection: his late uncle Michael Jackson. Janet previously revealed that her son enjoys imitating Michael’s dance moves.
“He loves ‘Smooth Criminal,’” she told the Australian radio show “Carrie & Tommy” in 2019.
“He does this thing that my brother did from ‘Doesn’t Really Care About Us,’ the march and the hand,” Janet said, according to Entertainment Tonight.
Still, Janet has made motherhood more important than cultivating another Jackson entertainer. She considers raising Eissa her greatest accomplishment.
“The most important thing I’ve done, the biggest thing I’ve done, is become a mother, and it’s had a beautiful impact on my life,” she said.
Janet Jackson spent much of her childhood working, but she has chosen a dramatically different path for her son, Eissa Al Mana. The 60-year-old superstar wants Eissa to experience childhood without the pressures that accompanied her early fame.Jackson welcomed Eissa on Jan. 3, 2017, with her former husband, businessman Wissam Al Mana. The former couple now co-parent their son in London, according to InStyle.
Janet Wants Eissa to Simply Be a Kid
Jackson entered show business at seven, years before establishing herself as a global music superstar. In 2024, she told The Guardian that Eissa’s upbringing looks “completely different, because I worked and he doesn’t. And that’s it.”
“I want him to experience being a child, because you don’t get to do this over,” Jackson said.
“You’re an adult for the rest of your life, so I want him to enjoy each and every minute of being a child.”
That philosophy includes shielding Eissa from the scale of his mother’s celebrity. In 2022, Jackson revealed that he didn’t fully understand just how famous she was.
“I think his friends are starting to put it together for him,” she told TODAY, according to E! News. “I’ve kept it away from him, actually.”
Keeping Eissa outside show business hasn’t stopped the Jackson family’s musical genes from emerging. Jackson has called her son “incredibly musical.”
As a toddler, Eissa showed interest in violin before turning his attention toward the cello. Questlove also gave him a drum kit, which Jackson said he loved.
Eissa has another musical favorite with a very personal connection: his late uncle Michael Jackson. Janet previously revealed that her son enjoys imitating Michael’s dance moves.
“He loves ‘Smooth Criminal,’” she told the Australian radio show “Carrie & Tommy” in 2019.
“He does this thing that my brother did from ‘Doesn’t Really Care About Us,’ the march and the hand,” Janet said, according to Entertainment Tonight.
Still, Janet has made motherhood more important than cultivating another Jackson entertainer. She considers raising Eissa her greatest accomplishment.
“The most important thing I’ve done, the biggest thing I’ve done, is become a mother, and it’s had a beautiful impact on my life,” she said.
Joshua Jackson Allegedly Raised Concerns About Daughter Around Jodie Turner-Smith’s Brother
*Actor Joshua Jackson allegedly raised concerns about his daughter spending time around Jodie Turner-Smith’s brother before a new lawsuit targeted the siblings. However, Jackson has not publicly confirmed that account.
Attorney Nissan Thomas made the claim while representing three women suing Turner-Smith and her brother, Richard Mark Anthony Smith. Thomas told TMZ that people close to the family provided the information.
Attorney Claims Concerns Surfaced During Custody Case
Thomas claims those sources said Jackson’s attorneys previously raised concerns about Richard during the former couple’s divorce and custody proceedings. The attorney did not provide court documents establishing that claim.
Thomas also alleges Jackson objected to Richard picking up his daughter from school. According to Thomas, Richard allegedly did not have a driver’s license.
TMZ contacted Jackson’s representatives about Thomas’ claims but received no response before publishing its report. Turner-Smith declined to comment on the new allegations involving Jackson.
The development follows a civil lawsuit filed by three women identified as Jane Does against Turner-Smith and Richard. The women accuse Richard of sexual misconduct, drug-related activity, and other wrongdoing.
The complaint alleges Richard pressured women to use drugs and participate in nonconsensual sexual activity. The plaintiffs also accuse him of sexual battery, false imprisonment, fraud and intentional infliction of emotional distress.
Turner-Smith faces different allegations from those directed at her brother. The plaintiffs claim she provided Richard with financial assistance, housing, transportation, or other resources despite allegedly knowing about his conduct.
The lawsuit includes negligence, child endangerment and aiding-and-abetting claims against the “Queen & Slim” actress. The allegations have not been proven in court.
Turner-Smith has denied the claims against her. Her representative called the lawsuit “fictional” and accused someone of harassing the actress while using the Jane Doe designation.
“The claims are not true,” her representative said. “This is an abuse of the legal system, allowing someone to make up facts and file meritless legal documents.”
Thomas maintains that his clients will support their allegations with evidence in court. He told TMZ they “look forward to their day in court.”
*Actor Joshua Jackson allegedly raised concerns about his daughter spending time around Jodie Turner-Smith’s brother before a new lawsuit targeted the siblings. However, Jackson has not publicly confirmed that account.
Attorney Nissan Thomas made the claim while representing three women suing Turner-Smith and her brother, Richard Mark Anthony Smith. Thomas told TMZ that people close to the family provided the information.
Attorney Claims Concerns Surfaced During Custody Case
Thomas claims those sources said Jackson’s attorneys previously raised concerns about Richard during the former couple’s divorce and custody proceedings. The attorney did not provide court documents establishing that claim.
Thomas also alleges Jackson objected to Richard picking up his daughter from school. According to Thomas, Richard allegedly did not have a driver’s license.
TMZ contacted Jackson’s representatives about Thomas’ claims but received no response before publishing its report. Turner-Smith declined to comment on the new allegations involving Jackson.
The development follows a civil lawsuit filed by three women identified as Jane Does against Turner-Smith and Richard. The women accuse Richard of sexual misconduct, drug-related activity, and other wrongdoing.
The complaint alleges Richard pressured women to use drugs and participate in nonconsensual sexual activity. The plaintiffs also accuse him of sexual battery, false imprisonment, fraud and intentional infliction of emotional distress.
Turner-Smith faces different allegations from those directed at her brother. The plaintiffs claim she provided Richard with financial assistance, housing, transportation, or other resources despite allegedly knowing about his conduct.
The lawsuit includes negligence, child endangerment and aiding-and-abetting claims against the “Queen & Slim” actress. The allegations have not been proven in court.
Turner-Smith has denied the claims against her. Her representative called the lawsuit “fictional” and accused someone of harassing the actress while using the Jane Doe designation.
“The claims are not true,” her representative said. “This is an abuse of the legal system, allowing someone to make up facts and file meritless legal documents.”
Thomas maintains that his clients will support their allegations with evidence in court. He told TMZ they “look forward to their day in court.”
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
WalMart is really getting into Ai
Let's cram the notice board with same same posters making the whole wall an insult to the eyes.
HAVE A GREAT DAY ALL!!!
EFREM












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