#MAGFAB: Benedict Cumberbatch for Variety - January 2025
Take the two hours we spend on a recent London afternoon discussing his new film, “The Thing With Feathers,” a dark drama about a father struggling to hold his family together after his wife dies suddenly. While the film paints an unvarnished portrait of a man in crisis, Cumberbatch feels awkward talking about how he channeled that kind of soul-eviscerating grief on-screen. “The Brit in me is a bit embarrassed about diving too deeply into what I do,” he admits.
There’s a polite reserve to Cumberbatch, as well as a discomfort with the trappings of stardom. Still, there are moments when his guard drops and suddenly he’s telling all. Cumberbatch is best known for playing Doctor Strange, the brilliant but arrogant Sorcerer Supreme in six Marvel movies. It’s the role that gave the 48-year-old actor box office cred and made him globally popular, his likeness adorning T-shirts and toys. And it’s a part he will continue to play as the Avengers keep battling existential threats. But Cumberbatch has just let something slip, and he seems momentarily horrified by his candor.
You see, he’s just told me that Doctor Strange is taking a hiatus in the next Marvel sequel, 2026’s “Avengers: Doomsday.” “Is that a spoiler?” he asks. “Fuck it!”
Undeterred, he shares that things changed when Jonathan Majors — whose character, Kang, was intended to serve as the main antagonist of the next phase of the comic book film franchise — was fired in 2024 after being convicted of assaulting his ex-girlfriend.
Cumberbatch’s absence from “Doomsday” has to do with “the character not aligning with this part of the story.” And though he probably shouldn’t be saying this, he also reveals that Doctor Strange is “in a lot” of “Avengers: Secret Wars,” which will hit theaters in 2027.
“He’s quite central to where things might go,” Cumberbatch teases. And he hints that the character, last seen casting spells in 2022’s “Doctor Strange in the Multiverse of Madness,” will appear in a third stand-alone film, but is hesitant to say too much beyond praising Marvel for being collaborative.
“They are very open to discussing where we go next,” he says. “Who do you want to write and direct the next one? What part of the comic lore do you want to explore so that Strange can keep evolving? He’s a very rich character to play. He’s a complex, contradictory, troubled human who’s got these extraordinary abilities, so there’s potent stuff to mess about with.”
Avengers movies consume much of Cumberbatch’s time, but when he’s not busy being a superhero, he’s leveraging his stardom to finance smaller, riskier projects that allow him to keep growing as an actor. They include “Eric,” a Netflix miniseries where he played an alcoholic puppeteer whose son disappears; “The Electrical Life of Louis Wain,” a biopic about an eccentric painter obsessed with drawing cats; and the upcoming “Roses,” a reimagining of “The War of the Roses” with Cumberbatch and Olivia Colman clashing as a couple whose marriage is fraying. Most of them, like “Roses” and “The Thing With Feathers,” were developed and made through SunnyMarch, the production company Cumberbatch launched in 2013 with the goal of nurturing the kind of bespoke, offbeat fare that Hollywood doesn’t support.
“These are urgent stories that we feel a need to tell,” Cumberbatch says. “I tend to appear in many of them so we can finance something that’s either about a difficult subject or is really a niche piece of art-house cinema that deserves to be seen.”
When the actor meets with me in the stylishly dilapidated sitting room of a 300-year-old London home where he’s just completed a photo shoot, it’s two weeks before “The Thing With Feathers” will debut at Sundance. Cumberbatch’s performance, one of his rawest and most emotional, is sure to break hearts and should help the film land a distribution deal. It required him to play a man who is collapsing under the weight of despair and becoming increasingly untethered. There are points when his character, who has begun to imagine that he and his children are being terrorized by a monstrous crow, looks so frightened and unhinged that he seems to have stepped out of Edvard Munch’s “The Scream.”
Cumberbatch says there aren’t any shortcuts to accessing the intense emotions he channels in “The Thing With Feathers.” There are techniques you can use, but no formula that’s guaranteed to work every time. In 2023, Tom Holland, who has appeared opposite Cumberbatch as Spider-Man to his Doctor Strange in assorted Marvel movies, publicly credited his co-star with teaching him how to cry on command. Holland said Cumberbatch told him that if he needed to tear up, he should breathe through his diaphragm while manipulating the muscles he uses to laugh.
“There is that method,” Cumberbatch says. “But it’s a mistake to think you can force it. That’s a dead end. You have to really put your mind somewhere so you can respond to the moment. And that can mean drawing from your own life story or just your imagination.” He adds, “It’s harder when you’re very young. I’m 48, so I’ve lived a bit of life. I’ve experienced loss, I’ve experienced pain, I’ve experienced some of the very worst, as well as the best.”
On set, it was difficult not to get swept up in what Cumberbatch was doing. “There’s a scene where Benedict finally folds and puts away his wife’s clothes, and at the end of the take, two of the crew members were crying,” Dylan Southern, the film’s writer and director, says. “We had to stop for a moment and make sure everyone was all right. It’s really loaded, powerful stuff because so many people have lost someone.”
Cumberbatch’s great gift as an actor is his willingness to go there — to push himself to the outer reaches of his emotional life. Getting to that place requires preparation and, in some cases, punishment. He lost 21 pounds to play an imprisoned spy in “The Courier,” wore dental prosthetics to mimic the speech patterns of mathematician Alan Turing in “The Imitation Game” (which gave him his first Oscar nomination) and stopped bathing and learned how to castrate a bull to portray a rancher in “The Power of the Dog” (his second Oscar nomination).
“Everything he does is wholehearted,” says Jane Campion, director of “The Power of the Dog.” “He can be so vulnerable. He just opens himself up to you.”
Campion thinks genetics are at play, noting that Cumberbatch’s parents, Wanda Ventham and Timothy Carlton, both had long careers on stage and screen. “He’s the next evolution in performing,” she says. “He’s kind of a ‘super actor.’”
Cumberbatch’s close friend Tom Cruise calls him “fearless in his choice of films.” He adds that Cumberbatch “is extremely talented and fun to watch — and fun to hang out with.”
J.J. Abrams, who directed Cumberbatch in “Star Trek Into Darkness,” praises him as “annoyingly limitless.” But he also stresses that “for such an intense thespian, he’s self-effacing and very funny.”
And in person, Cumberbatch is indeed witty, even slightly silly, mixing self-deprecating anecdotes with spot-on impersonations of Michael Keaton as Batman and colleagues like James McAvoy and Benicio Del Toro. “He’s a scarily good mimic,” says Adam Ackland, his best friend and producing partner. “He can capture anyone.”
There’s a self-protectiveness to Cumberbatch too. He may allude to politics or to his home life with his wife, Sophie Hunter, and their three young sons, but he quickly steers the conversation to less complicated or personal subjects. “I long ago stopped treating interviews as therapy sessions,” he says.
He knows how his comments can be taken out of context, then picked apart on social media (which he avoids, lacking any kind of presence on X and Instagram). He’s grown more resigned to it all. “The older I get, the less of a shit I give,” he says. “There’s this whole other audience that have these expectations of you, feelings about you, judgments of you. That’s theirs, and you can’t change that or shape it. I’m still discovering who I am. So how the fuck are they supposed to know me?”
Incandescent stardom, which for Cumberbatch arrived in 2010 with the premiere of “Sherlock,” the BBC series in which he reinterpreted the legendary detective as a strutting, slightly sociopathic brainiac, was hard to accept. Particularly when the classically trained performer became an unlikely sex symbol, billed by the British tabloids as “the thinking woman’s crumpet.” Looking back, Cumberbatch struggles to explain it.
“I’m not Brad, I’m not Leonardo, I’m not a typical movie star,” he says. “People were scrambling for ‘Why is he at all attractive to us?’ But for me to guess and try to understand that is so fucking weirdly navel-gazing. I’m not sitting around thinking, ‘Why am I sexy?’ I worry about myself in the mirror as I age, like every other fucker does.”
And don’t get him started on the term “celebrity.” “It’s so derogatory, and just lumps anyone famous together,” he says. “Am I a ‘celebrated’ person? Well, for what? For selling cheese? For being on a reality show? For doing something outrageous? For being an actor?”
But Cumberbatch gets it. He knows that his fame, despite the headaches, is the reason that “The Thing With Feathers” got made at all. Southern had labored for years to bring his adaptation of Max Porter’s 2015 novella “Grief Is the Thing With Feathers” to the screen before he connected with Cumberbatch. It was, Southern admits, “an unfilmable book,” one that spilled out in a jumble of poetry, drawings and dialogue. It’s also surreal — often terrifyingly so. As the crow enters the lives of the father and the boys, the story moves from a domestic drama to horror. Despite the fantastical elements, Cumberbatch believes the film tells a vital, deeply human story.
“It shines a light on male grief,” Cumberbatch says. “I haven’t seen many things that do that. You have a man facing up to his limitations as he deals with the pressure of work, life, raising kids, all while his sense of self is just brutalized by grief. There were a great many challenges there. And I love a challenge.”
Cumberbatch leans back in a leather chair, delivering that last line with the kind of dramatic zest that makes him such a magnetic performer. Every consonant is crisp; every vowel is perfectly rounded. And then there’s his supple baritone, once likened to a “jaguar hiding in a cello,” which makes even casual asides seem Shakespearean. When we meet, Cumberbatch is wearing a long blue coat, his wool scarf hanging loosely around his neck. It’s a brutally cold afternoon, and the insulation in the rambling house doesn’t appear to have been updated since the 18th century.
Cumberbatch is proud of what “The Thing With Feathers” signals about his ambitions for SunnyMarch. Over the past decade and change, the company has backed and developed an impressive range of projects, from the Showtime series “Patrick Melrose” to “We Live in Time,” a romantic drama that became a box office hit last fall for A24. Its upcoming slate includes “How to Stop Time,” an adaptation of Matt Haig’s novel about a man with a rare condition that allows him to live for centuries. Ackland, who launched the company with Cumberbatch, says the actor was partly motivated to move into producing to demonstrate there was a better way of working after some bad experiences on film sets.
“We want to make great TV and films but with a kindness that’s often missing,” Ackland says. “We want to make sure you look after actors and crews and have a workplace where there’s not so much unpleasantness. In the past, the business tolerated a lot of brashness and shouting and throwing things. It didn’t need to be like that.”
Cumberbatch’s model for SunnyMarch is Plan B, the Oscar-winning production company that Brad Pitt runs with Dede Gardner and Jeremy Kleiner, which has become synonymous with thoughtful, auteur-driven work. Like Plan B, SunnyMarch isn’t in the volume business and is selective about the projects it brings to screens. “We want to do more with less,” Cumberbatch says.
Producing has also made Cumberbatch more aware of the business part of the entertainment industry. In the case of “The Thing With Feathers,” the film’s investors decided to abbreviate the title of the book to make the movie sound less grim. Cumberbatch disagreed with the change.
“I wanted the name to stay the same,” he says. “It’s a marketing thing. You put ‘grief’ in a film’s title, and it’s off-putting for people. It’s frustrating. I’m sure it was one of those titles where it was tested and people went, ‘You can’t call a film something like that!’”
Made for just $6 million, “The Thing With Feathers” marked a change of pace from the blockbusters that have dominated much of Cumberbatch’s time since he joined the MCU with 2016’s “Doctor Strange.”
“‘Feathers’ offered a close-quarter, nuanced and nimble work that really appeals,” he says. “I’ve been in some very brilliant but monolithic kind of tentpole films. They’re great fun, but it can get stodgy. It can feel like you’re waiting a lot of the time to get called to the set.”
It was initially difficult, Cumberbatch says, to figure out how to stay relaxed while working inside the Marvel machine, with its green screens and set-pieces and rewrites and reshoots. He confesses that his turn as Doctor Strange in that first film was “a bit stiff.” Observing Robert Downey Jr. and Holland banter in “Spider-Man: Homecoming” made Cumberbatch realize he should take a looser approach to being a superhero. “I learned a lot by seeing how at ease and improvisatory they are,” he says. “It’s hard because you have this huge apparatus around you, but it’s so important.”
That’s partly why he’s excited that Downey, who appeared to have closed the comic book chapter of his career after Iron Man died at the end of “Avengers: Endgame,” will rejoin the Marvel franchise. This time he’s playing Doctor Doom. It was a secret so tightly guarded that Cumberbatch only found out about it while watching the live coverage of Marvel’s 2024 Comic-Con presentation, where Downey’s return was the fan event’s final reveal. Cumberbatch immediately grabbed his phone and messaged Marvel Studios chief Kevin Feige. “I texted, ‘What the fuck?’ and then quickly added, ‘Good what-the-fuck. I mean, good what-the-fuck.’”
Cumberbatch says making these movies, which cost hundreds of millions of dollars, comes with pressure, but Downey helped keep things light on set. He would rib Cumberbatch by referring to him as “Mr. Shakespeare,” and allude to their shared history portraying Sherlock Holmes.
“We had a gas about being the two Sherlocks on set,” Cumberbatch says. “But there was some line of dialogue where someone turns to us and says, ‘No shit, Sherlock.’ Well, we took out all that meta stuff. We just said, ‘No, no, no. Better to leave that for the fan fiction.’”
Cumberbatch, who has performed in “Hedda Gabler” and “Hamlet” onstage, doesn’t feel like he’s slumming by being a member of Earth’s mightiest heroes. He has a real passion for epic adventures that “transport” audiences to different worlds. And he’s in awe of what Marvel has built over the course of 34 films.
“It’s the modern myths of our times,” Cumberbatch says. “Yes, it’s huge and unwieldy, but Marvel is so committed to getting it right. Even when we make one of these Avengers films and it gets exponentially huger, we’re still just kids playing in the sand pit. We’re still just making shit up and having fun with it.”
Cumberbatch clearly isn’t ready to hang up Doctor Strange’s cloak of levitation, but he seems less inclined to revisit “Sherlock.” The detective series’ last episodes aired in 2017, and most fans have given up hope for a return to Baker Street. So what would it take for Cumberbatch to reprise his role as Holmes? “A lot of money,” he says, joking, before adding, “It would take it to be better than it ever was. You leave them or yourselves wanting more. There’s always that itch to scratch, but I think it would have to be the superlative version of what we’ve already achieved.”
Back when “Sherlock” took off, Cumberbatch attended a fan event in, he thinks it was Australia, though he can’t recall precisely, and issued a road map for where he hoped to take his career. “I went, ‘Guys, I know you really like “Sherlock,” but if you’re with me, I’m not going to always do the same thing,’” he remembers saying. “‘I’m not going to always be the Benedict that you expect. You might not like some of the stuff I do. I may be cute and cuddly to you at times, or ugly and untouchable. But I want to stretch myself and surprise myself and surprise you.’”
The film business, however, likes to put performers in a box, and right now Cumberbatch feels like he’s not always being considered for a certain type of art-house fare because he’s spent so much time saving the world as Doctor Strange.
“It’s a hard ask for directors and casting directors to go, ‘Oh yeah, the Marvel guy. He could be in this small film about, you know, French Foreign Legion service members returning to Paris or something,’” he says.
He’s been trying to change that perception. “The flavor of work that I want to lean towards is a slightly European sort of world cinema, which I hadn’t really been considered for before,” he says.
“The Thing With Feathers” is part of that shift, as is his budding partnership with Wes Anderson. The two first worked together on the Oscar-winning 2023 short film “The Wonderful Story of Henry Sugar,” with Cumberbatch staying at Anderson’s house throughout the shoot as a pandemic protocol.
“We needed to be in a COVID bubble, and I had a choice between being in a hotel or staying with him,” Cumberbatch says. “Being in someone else’s home could be awkward, but he immediately made it relaxed, and there was amazing food, and it was like being at fucking film school.”
After working all day, they’d have movie nights, with Anderson turning Cumberbatch on to “Lawrence of Arabia” and screening Truffaut films that had been left out of the actor’s cinematic education. “For me, it felt more like we were doing our fifth movie together rather than our first,” Anderson says of the experience. “[There was] the excitement of a new collaboration, but the fun and comfort of working with old friends.”
The two will reteam on the director’s next project, “The Phoenician Scheme,” and it sounds as though Anderson’s stock company — which includes frequent collaborators Bill Murray and Owen Wilson — has a new member.
“I feel like, ‘Why hasn’t this been happening for years and years?’” Cumberbatch says. “I just wish I could build a time machine and go back and work on all those other films with him.”
The sky outside is fading to black as day shifts to night. “It’s getting dark in here,” Cumberbatch observes, tilting his head to the two naked light fixtures along one wall that are casting a soft glow across the room. Cumberbatch was in the middle of telling me that although he’s never written a fan letter to a director he’d like to work with, he’s thinking of breaking with tradition.
“It’s all right to knock on some doors,” he rationalizes. “There’s nothing wrong with saying, ‘I really want to try to craft something together.’ It’s all about perception. It’s about becoming comfortable saying, ‘I’m an artist rather than, you know, a bit of meat for hire.’ After all, time is running out.”
Time. It’s a word that Cumberbatch keeps repeating, and a concept he returns to as we talk. It’s how he thinks about the projects he decides to do — is it something so irresistible he can justify spending months away from home? — as well as how he weighs the opportunities he may still explore artistically. Directing, for instance, appeals to him, though he’s not sure he can do something so all-consuming. It would take him away from producing and acting, and there’s so much he wants to accomplish there. Becoming a father has only accelerated this intense desire to get it all in before the clock stops ticking.
“The minute you have kids this sense of time sinks in far more profoundly,” Cumberbatch says. “My youngest is turning 6 tomorrow, and I’m like, ‘I will be in my 60s when he’s 21,’ you know? It’s crazy. It’s gone so fast. So there’s a huge shift in priorities, and it makes you value what you do with your life in a very different way.”
He pauses, then starts up again. “It does weigh on me,” he says. “When you become a parent, your thoughts turn more towards mortality.”
Even before he got married and started a family, there were moments when the fragile nature of life came suddenly, violently into focus for Cumberbatch. In 2004, he was in his late 20s and shooting the BBC miniseries “To the Ends of the Earth” in South Africa when he went on a diving excursion with some friends. Driving home, their tire blew out. When they pulled over to the side of the road, they were robbed and abducted by six men. Cumberbatch and the others were forced into the car and driven around for hours. Eventually, the thieves let them out, tied them up and made them sit execution-style. Then the men fled. The experience changed Cumberbatch in fundamental ways.
“It gave me a sense of time, but not necessarily a good one,” he says, shifting in his seat. “It made me impatient to live a life less ordinary, and I’m still dealing with that impatience.”
It also transformed him into an adrenaline junkie — someone who once went skydiving and engaged in extreme sports as a way to unwind.
“The near-death stuff turbo-fueled all that,” Cumberbatch says. “It made me go, ‘Oh, right, yeah, I could die at any moment.’ I was throwing myself out of planes, taking all sorts of risks. But apart from my parents, I didn’t have any real dependents at that point. Now that’s changed, and that sobers you. I’ve looked over the edge; it’s made me comfortable with what lies beneath it. And I’ve accepted that that’s the end of all our stories.”
#RHOP: Did Karen Huger Announce Her Departure From ‘Real Housewives of Potomac’?
Karen Huger reveals she’s leaving the Real Housewives of Potomac. Her announcement came after she missed the reunion taping due to her checking into rehab. “After much thought and reflection, I have made the difficult decision to step away from The Real Housewives of Potomac,” she wrote in a post. “This journey has been nothing short of plenty of grande dame energy. I am forever grateful to my loyal fans, Bravo, and my amazing castmates for the memories and support over the years.”
She continued, “While this chapter may be closing, my story is far from over. I am excited to focus on new opportunities, my family, and continuing to elevate my brand in ways that reflect my passion and purpose. Thank you all for your unwavering love and encouragement. The Grande Dame is not going anywhere- just evolving. Stay fabulous and always remember, class and grace never go out of style.”
We reported that Huger was found guilty of DUI in December. She was also found guilty of four other counts including failure to control, speed to avoid a collision, failure to notify of a change of address, and negligent driving after her car accident in March.
if true We wish Karen Huger the best in her future endeavors.
She continued, “While this chapter may be closing, my story is far from over. I am excited to focus on new opportunities, my family, and continuing to elevate my brand in ways that reflect my passion and purpose. Thank you all for your unwavering love and encouragement. The Grande Dame is not going anywhere- just evolving. Stay fabulous and always remember, class and grace never go out of style.”
We reported that Huger was found guilty of DUI in December. She was also found guilty of four other counts including failure to control, speed to avoid a collision, failure to notify of a change of address, and negligent driving after her car accident in March.
if true We wish Karen Huger the best in her future endeavors.
#MusicNews: Bilal: Tiny Desk Concert
Glance over the shoulder of the two decades since Bilal dropped his debut album, 1st Born Second, and you'll see a career characterized by experimentation and exploration. Bilal's fans have clamored to see him headline a Tiny Desk of his own, especially since he logged stellar performances alongside The Roots and at the White House with Common. He doesn't disappoint here, proving the wait worthwhile when he begins with "Something To Hold," a song that still hasn't seen an official studio release.
Vocally, Bilal is untethered — there's nothing he can't do. The jazz, soul, R&B and hip-hop communities recognize his genius; he's been a favorite collaborator of musicians, vocalists and producers for years.
Bilal's mastery doesn't end with his voice. For "Tell Me," his performance accentuates the poetry of his lyricism. That's what makes him exceptional: You'll never see him perform any song the same way twice. Bilal's set list is a calculated balance of the old and the new, and fans who have been riding with him since the beginning will be thrilled to hear what he does with "Soul Sista," which closes out his set. Add to that the support of an insanely talented band and background vocalists and you have the blueprint for a live experience that's perfectly suited for the Tiny Desk.
Vocally, Bilal is untethered — there's nothing he can't do. The jazz, soul, R&B and hip-hop communities recognize his genius; he's been a favorite collaborator of musicians, vocalists and producers for years.
Bilal's mastery doesn't end with his voice. For "Tell Me," his performance accentuates the poetry of his lyricism. That's what makes him exceptional: You'll never see him perform any song the same way twice. Bilal's set list is a calculated balance of the old and the new, and fans who have been riding with him since the beginning will be thrilled to hear what he does with "Soul Sista," which closes out his set. Add to that the support of an insanely talented band and background vocalists and you have the blueprint for a live experience that's perfectly suited for the Tiny Desk.
LISTEN HERE
SET LIST
"Something To Hold"
"Tell Me"
"When Will U Call"
"Lay Around"
"Soul Sista"
MUSICIANS
Bilal: vocals
Tone Whitfield: bass
Randy Runyon: guitar
Joe Blaxx: drums
Corey Bernhard: keys
Simon Martinez: guitar
Micah Robinson: background vocals
Tashera Robinson: background vocals
Muhsinah: background vocals
TINY DESK TEAM
Producers: Nikki Birch, Bobby Carter
Director/Editor: Kara Frame
Audio Technical Director: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Kara Frame, Joshua Bryant, Maia Stern, Zayrha Rodriguez
Audio Engineer: Josephine Nyounai
Production Assistant: Ashley Pointer
Photographer: Grace Widyatmadja
Tiny Desk Copy Editor: Hazel Cills
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins
SET LIST
"Something To Hold"
"Tell Me"
"When Will U Call"
"Lay Around"
"Soul Sista"
MUSICIANS
Bilal: vocals
Tone Whitfield: bass
Randy Runyon: guitar
Joe Blaxx: drums
Corey Bernhard: keys
Simon Martinez: guitar
Micah Robinson: background vocals
Tashera Robinson: background vocals
Muhsinah: background vocals
TINY DESK TEAM
Producers: Nikki Birch, Bobby Carter
Director/Editor: Kara Frame
Audio Technical Director: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Kara Frame, Joshua Bryant, Maia Stern, Zayrha Rodriguez
Audio Engineer: Josephine Nyounai
Production Assistant: Ashley Pointer
Photographer: Grace Widyatmadja
Tiny Desk Copy Editor: Hazel Cills
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins
#HipHopNews: Lil Wayne And Hot Boys To Reunite Onstage For Special 3-Date Tour
The Hot Boys are getting ready to reunite onstage, once again, for their fans dating back to the ’99 and 2000s.
Live Nation Urban and Lil Weezyana has announced today (Jan. 22), that Lil Wayne, Turk, Juvenile and B.G. will be hitting the stage for a special three-date southern tour next month. The limited trek kicks off in Tampa before heading to Charlotte and then wrapping in St. Louis on February 28.
Fans seem to always anticipate seeing the four rappers together as its a rare sighting. However, last year at Lil’ WeezyAna Fest in New Orleans, the quartet delivered an unforgettable performance.
The rap supergroup took the stage together for the first time in over 15 years, performing classics like “I Need a Hot Girl” and “Neighborhood Superstar”, while also showcasing solo hits including Juvenile’s “Back That Azz Up” and B.G.’s “Bling Bling.”
The Hot Boys Holiday reunion was a sold-out event that significantly marked B.G.’s first major performance since his release from prison. And now fans will get another rare opportunity to witness the Hot Boys together again.
Tickets will be available for pre-sale beginning Tuesday (Jan. 22) and general on-sale tickets will be available Friday (Jan. 24) at lilweezyanafest.com.
Check out dates for the three-day Hot Boys show below:
Friday, February 21 – Tampa, FL – Amalie Arena
Sunday, February 23 – Charlotte, NC – Spectrum Center
Friday, February 28 – St. Louis, MO – Enterprise Center
Live Nation Urban and Lil Weezyana has announced today (Jan. 22), that Lil Wayne, Turk, Juvenile and B.G. will be hitting the stage for a special three-date southern tour next month. The limited trek kicks off in Tampa before heading to Charlotte and then wrapping in St. Louis on February 28.
Fans seem to always anticipate seeing the four rappers together as its a rare sighting. However, last year at Lil’ WeezyAna Fest in New Orleans, the quartet delivered an unforgettable performance.
The rap supergroup took the stage together for the first time in over 15 years, performing classics like “I Need a Hot Girl” and “Neighborhood Superstar”, while also showcasing solo hits including Juvenile’s “Back That Azz Up” and B.G.’s “Bling Bling.”
The Hot Boys Holiday reunion was a sold-out event that significantly marked B.G.’s first major performance since his release from prison. And now fans will get another rare opportunity to witness the Hot Boys together again.
Tickets will be available for pre-sale beginning Tuesday (Jan. 22) and general on-sale tickets will be available Friday (Jan. 24) at lilweezyanafest.com.
Check out dates for the three-day Hot Boys show below:
Friday, February 21 – Tampa, FL – Amalie Arena
Sunday, February 23 – Charlotte, NC – Spectrum Center
Friday, February 28 – St. Louis, MO – Enterprise Center
Prosecutors Are Not Buying ASAP Rocky’s Prop Gun Defense, Call It A “Straight Ambush”
Prosecutors were not exactly thrilled with ASAP Rocky’s legal team introducing a prop gun as the centerpiece of his defense strategy.
On Wednesday (Jan. 22), Meghann Cuniff shared that the opening counsel called it a “straight ambush.” They claimed they were not informed about the gun being an alleged prop until the rapper’s lawyer, Joseph Tacopina, introduced it late on Monday (Jan. 20). Adding fuel to the fire, Los Angeles County Deputy District Attorney John Lewin described it as a “brand new defense” based on a witness they have “never been able to talk to.”
Notably, ASAP Rocky’s defense team plans to call two witnesses later in the trial: ASAP Twelvyy, whose real name is Jamel Da’Shawn Phillips, and the “Everyday” rapper’s tour manager, Louis Levin. “This is not a minor witness. Their whole case is based on this witness' statement,” Lewin argued.
As reported on Tuesday (Jan. 21), ASAP Rocky turned down prosecutors’ final plea deal as the trial began its first day. They offered him 180 days in county jail, three years of probation and a seven-year suspended sentence if he pleaded to count one. However, the father of two “respectfully” declined.
The TESTING artist is facing up to 24 years in prison if found guilty. He is currently being tried for two counts of assault with a semiautomatic firearm for 2021 altercation involving former friend ASAP Relli.
Aside from the ongoing legal battle, ASAP Rocky has a lot going for himself in 2025. He is set to play the “main role” in Spike Lee’s Highest 2 Lowest, which currently does not have a premiere date. Ice Spice and Denzel Washington are also co-starring in the forthcoming film.
Approaching quickly is the New York rapper’s headlining slot for Rolling Loud California. He is scheduled to take the stage on March 15 at Inglewood’s Hollywood Park Grounds, preceded by performances from YG, BossMan Dlow and Sexyy Red, among others. Per the annual event’s co-founder Tariq Cherif, fans can possibly look forward to ASAP Rocky’s Don’t Be Dumb releasing before then.
Then, in May, he will serve as co-chair for the 2025 Met Gala alongside the likes of Colman Domingo, Lewis Hamilton, Pharrell Williams and LeBron James. The exhibition's theme will be “Superfine: Tailoring Black Style.”
Prosecutors were not exactly thrilled with ASAP Rocky’s legal team introducing a prop gun as the centerpiece of his defense strategy.
On Wednesday (Jan. 22), Meghann Cuniff shared that the opening counsel called it a “straight ambush.” They claimed they were not informed about the gun being an alleged prop until the rapper’s lawyer, Joseph Tacopina, introduced it late on Monday (Jan. 20). Adding fuel to the fire, Los Angeles County Deputy District Attorney John Lewin described it as a “brand new defense” based on a witness they have “never been able to talk to.”
Notably, ASAP Rocky’s defense team plans to call two witnesses later in the trial: ASAP Twelvyy, whose real name is Jamel Da’Shawn Phillips, and the “Everyday” rapper’s tour manager, Louis Levin. “This is not a minor witness. Their whole case is based on this witness' statement,” Lewin argued.
As reported on Tuesday (Jan. 21), ASAP Rocky turned down prosecutors’ final plea deal as the trial began its first day. They offered him 180 days in county jail, three years of probation and a seven-year suspended sentence if he pleaded to count one. However, the father of two “respectfully” declined.
The TESTING artist is facing up to 24 years in prison if found guilty. He is currently being tried for two counts of assault with a semiautomatic firearm for 2021 altercation involving former friend ASAP Relli.
Aside from the ongoing legal battle, ASAP Rocky has a lot going for himself in 2025. He is set to play the “main role” in Spike Lee’s Highest 2 Lowest, which currently does not have a premiere date. Ice Spice and Denzel Washington are also co-starring in the forthcoming film.
Approaching quickly is the New York rapper’s headlining slot for Rolling Loud California. He is scheduled to take the stage on March 15 at Inglewood’s Hollywood Park Grounds, preceded by performances from YG, BossMan Dlow and Sexyy Red, among others. Per the annual event’s co-founder Tariq Cherif, fans can possibly look forward to ASAP Rocky’s Don’t Be Dumb releasing before then.
Then, in May, he will serve as co-chair for the 2025 Met Gala alongside the likes of Colman Domingo, Lewis Hamilton, Pharrell Williams and LeBron James. The exhibition's theme will be “Superfine: Tailoring Black Style.”
Chris Brown Sues Warner Bros. For $500M Over “Serial Rapist” And “Sexual Abuser” Accusations In Docuseries
Chris Brown is suing Warner Brothers for $500 million over Investigation Discovery’s Chris Brown: A History of Violence. The “Privacy” artist says the docuseries falsely accuses him of being a “serial rapist” with a history of abusing women.
“To put it simply, this case is about the media putting their own profits over the truth,” Brown’s attorneys stated in the lawsuit filed with Los Angeles Superior Court on Tuesday (Jan. 21). “Since the beginning of October of 2024, Ample LLC and Warner Brothers were put on notice that they were promoting and publishing false information in their pursuit of likes, clicks, downloads and dollars and to the detriment of Chris Brown.”
The Grammy Award-winning singer further alleged that Warner Brothers went ahead with the docuseries even “after being provided proof that their information was false.” The legal filing obtained by Rolling Stone read, “Their storytelling ‘Jane Doe’ had not only been discredited repeatedly but was, in fact, a perpetrator of intimate partner violence and an aggressor herself.”
According to the court documents, Jane Doe filed a “frivolous civil lawsuit” against Brown in January 2022, alleging sexual assault and battery. The claims “were determined to be entirely fabricated,” which subsequently prompted her attorneys to withdraw and the case to be dismissed in August after a Miami Beach Police detective discovered text messages “that exposed her dishonesty.”
If he wins, Brown plans to donate “a portion” of the $500 million in damages to “survivors of sexual abuse.” It is also worth mentioning that the singer’s controversial history caused a bit of uproar ahead of his scheduled performances in South Africa in December 2024.
“This case is about protecting the truth,” defense attorney Levi McCathern stressed. “Their actions undermine not only Mr. Brown’s decade-long efforts to rebuild his life but also the credibility of true survivors of violence.” At the time of reporting, Warner Brothers has not issued any statements addressing the Virginia native’s allegations.
“To put it simply, this case is about the media putting their own profits over the truth,” Brown’s attorneys stated in the lawsuit filed with Los Angeles Superior Court on Tuesday (Jan. 21). “Since the beginning of October of 2024, Ample LLC and Warner Brothers were put on notice that they were promoting and publishing false information in their pursuit of likes, clicks, downloads and dollars and to the detriment of Chris Brown.”
The Grammy Award-winning singer further alleged that Warner Brothers went ahead with the docuseries even “after being provided proof that their information was false.” The legal filing obtained by Rolling Stone read, “Their storytelling ‘Jane Doe’ had not only been discredited repeatedly but was, in fact, a perpetrator of intimate partner violence and an aggressor herself.”
According to the court documents, Jane Doe filed a “frivolous civil lawsuit” against Brown in January 2022, alleging sexual assault and battery. The claims “were determined to be entirely fabricated,” which subsequently prompted her attorneys to withdraw and the case to be dismissed in August after a Miami Beach Police detective discovered text messages “that exposed her dishonesty.”
If he wins, Brown plans to donate “a portion” of the $500 million in damages to “survivors of sexual abuse.” It is also worth mentioning that the singer’s controversial history caused a bit of uproar ahead of his scheduled performances in South Africa in December 2024.
“This case is about protecting the truth,” defense attorney Levi McCathern stressed. “Their actions undermine not only Mr. Brown’s decade-long efforts to rebuild his life but also the credibility of true survivors of violence.” At the time of reporting, Warner Brothers has not issued any statements addressing the Virginia native’s allegations.
Sexyy Red Issues Apology To Bernice King After Posting AI-Generated Images Of Martin Luther King Jr.
Sexyy Red celebrated Martin Luther King Jr. Day in a rather unconventional way, and unsurprisingly, it did not exactly land with everyone. On Tuesday (Jan. 21), Bernice King, the late civil rights leader’s youngest daughter, demanded the “Pound Town” hitmaker delete AI-generated photos she created of herself and Dr. King.
“This is intentionally distasteful, dishonoring, deplorable and disrespectful to my family and my father, who is not here to respond himself because he was assassinated for working for your civil and human rights and to end war and poverty,” Bernice penned on X, alongside a simple request: “Please delete.”
The Spelman College alum subsequently addressed critics coming after the Hood Hottest Princess creator. “Please don’t project your thoughts onto me. I don’t believe Sexyy Red to be a ‘degenerate,’ ‘ghetto’ or ‘trash.’ I have spoken out in the past about the use of and comparison to either of my parents to denigrate other people,” she said.
“I just don’t understand this type of use of my father’s image (on MLK Day, no less) in a way that does not convey what we know to be true about his service and sacrifice,” Bernice further explained. “Even if you disagree with him or with his tactics or even believe things said about him by people who hated him, why do this?”
Fortunately, Sexyy Red was understanding about how the digitally altered images of her and MLK holding hands could upset some people. “You ain’t wrong. [I] never meant to disrespect your family. My apologies. [I] just reposted something I saw that I thought was innocent,” the St. Louis native responded.
Bernice wrote back, “Thank you for your apology, which I sincerely accept. Please know that it was not my intention that you be denigrated. I value you as a human being.”
Musically, the rapper is scheduled to perform at Rolling Loud California on March 15. Other artists on the two-day event’s lineup include BossMan Dlow, Ab-Soul, YG and ASAP Rocky, who is billed as the headliner.
Sexyy Red celebrated Martin Luther King Jr. Day in a rather unconventional way, and unsurprisingly, it did not exactly land with everyone. On Tuesday (Jan. 21), Bernice King, the late civil rights leader’s youngest daughter, demanded the “Pound Town” hitmaker delete AI-generated photos she created of herself and Dr. King.
“This is intentionally distasteful, dishonoring, deplorable and disrespectful to my family and my father, who is not here to respond himself because he was assassinated for working for your civil and human rights and to end war and poverty,” Bernice penned on X, alongside a simple request: “Please delete.”
The Spelman College alum subsequently addressed critics coming after the Hood Hottest Princess creator. “Please don’t project your thoughts onto me. I don’t believe Sexyy Red to be a ‘degenerate,’ ‘ghetto’ or ‘trash.’ I have spoken out in the past about the use of and comparison to either of my parents to denigrate other people,” she said.
“I just don’t understand this type of use of my father’s image (on MLK Day, no less) in a way that does not convey what we know to be true about his service and sacrifice,” Bernice further explained. “Even if you disagree with him or with his tactics or even believe things said about him by people who hated him, why do this?”
Fortunately, Sexyy Red was understanding about how the digitally altered images of her and MLK holding hands could upset some people. “You ain’t wrong. [I] never meant to disrespect your family. My apologies. [I] just reposted something I saw that I thought was innocent,” the St. Louis native responded.
Bernice wrote back, “Thank you for your apology, which I sincerely accept. Please know that it was not my intention that you be denigrated. I value you as a human being.”
Musically, the rapper is scheduled to perform at Rolling Loud California on March 15. Other artists on the two-day event’s lineup include BossMan Dlow, Ab-Soul, YG and ASAP Rocky, who is billed as the headliner.
Will Smith still holds grudges against Chris Rock
The 2022 Academy Awards incident between Will Smith and Chris Rock continues to reverberate through Hollywood, with recent reports suggesting that the aftermath has created an insurmountable divide between the two entertainers. Two years after the controversial moment that shocked millions of viewers worldwide, the tension remains palpable, affecting both performers’ personal and professional lives. The incident, which occurred during the live broadcast of the 94th Academy Awards, became a watershed moment in entertainment history, sparking discussions about comedy boundaries, celebrity behavior, and conflict resolution in the public eye.
A deepening divide
Industry insiders reveal that Smith‘s feelings about the incident have not softened with time. The incident, which occurred during what should have been Smith’s crowning achievement at the Oscars, has instead become a defining moment that continues to shape his public persona. The ripple effects extend beyond mere professional ramifications, touching on deeper issues of pride, reputation, and personal relationships within the entertainment community. Sources close to the situation indicate that the aftermath has created complex dynamics within Hollywood’s social circles, with industry professionals often finding themselves navigating delicate situations when working with either performer.
Psychological aftermath
The psychological impact of the altercation has affected both parties significantly. Reports indicate that Rock experiences ongoing trauma from the incident, while Smith grapples with the consequences of his actions. The situation has created a complex web of emotions and reactions, with neither party showing signs of taking the first step toward reconciliation. Mental health professionals have weighed in on the situation, noting that public incidents of this magnitude can have long-lasting effects on both the individuals involved and their immediate circle of family and friends. The very public nature of the incident has made the healing process particularly challenging, as both men must process their emotions while under constant public scrutiny.
Community response and industry impact
The incident has sparked broader discussions within the entertainment industry and beyond, particularly regarding conflict resolution and professional conduct. The Black entertainment community has been especially vocal about the incident’s implications, with various industry figures weighing in on the need for dialogue and understanding. The situation has prompted industry-wide conversations about security at live events, the role of comedy in addressing sensitive topics, and the responsibilities that come with celebrity status. Award shows have since implemented stricter security measures and conduct policies, reflecting the lasting impact of the incident on industry practices.
Career trajectories post-incident
Despite the controversy, Smith‘s career has shown resilience. His latest venture, Bad Boys: Ride or Die, demonstrated significant commercial success, earning over $104 million globally in its opening weekend. The film’s performance suggests that while the incident left its mark, Smith’s appeal to audiences remains strong. However, the incident has influenced project selections and professional relationships for both performers. Industry analysts note that both Smith and Rock have had to carefully navigate their career choices in the aftermath, with some projects being reimagined or delayed to accommodate the sensitive nature of the situation.
Industry adaptations
The entertainment industry has undergone subtle but significant changes in response to the incident. Awards show producers have revised their protocols for handling unexpected situations, while comedy venues have reassessed their security measures. The incident has also influenced how performers approach potentially controversial material, with many comedians and presenters being more mindful of the potential impact of their words.
Future implications
The ongoing tension between these two entertainment giants raises important questions about reconciliation and growth in the public eye. As both performers continue their respective careers, the industry watches closely to see how this situation might eventually resolve itself. The incident has become a case study in crisis management, public relations, and the long-term effects of momentary actions in the digital age. Entertainment industry experts suggest that the resolution of this conflict could set important precedents for handling similar situations in the future.
A deepening divide
Industry insiders reveal that Smith‘s feelings about the incident have not softened with time. The incident, which occurred during what should have been Smith’s crowning achievement at the Oscars, has instead become a defining moment that continues to shape his public persona. The ripple effects extend beyond mere professional ramifications, touching on deeper issues of pride, reputation, and personal relationships within the entertainment community. Sources close to the situation indicate that the aftermath has created complex dynamics within Hollywood’s social circles, with industry professionals often finding themselves navigating delicate situations when working with either performer.
Psychological aftermath
The psychological impact of the altercation has affected both parties significantly. Reports indicate that Rock experiences ongoing trauma from the incident, while Smith grapples with the consequences of his actions. The situation has created a complex web of emotions and reactions, with neither party showing signs of taking the first step toward reconciliation. Mental health professionals have weighed in on the situation, noting that public incidents of this magnitude can have long-lasting effects on both the individuals involved and their immediate circle of family and friends. The very public nature of the incident has made the healing process particularly challenging, as both men must process their emotions while under constant public scrutiny.
Community response and industry impact
The incident has sparked broader discussions within the entertainment industry and beyond, particularly regarding conflict resolution and professional conduct. The Black entertainment community has been especially vocal about the incident’s implications, with various industry figures weighing in on the need for dialogue and understanding. The situation has prompted industry-wide conversations about security at live events, the role of comedy in addressing sensitive topics, and the responsibilities that come with celebrity status. Award shows have since implemented stricter security measures and conduct policies, reflecting the lasting impact of the incident on industry practices.
Career trajectories post-incident
Despite the controversy, Smith‘s career has shown resilience. His latest venture, Bad Boys: Ride or Die, demonstrated significant commercial success, earning over $104 million globally in its opening weekend. The film’s performance suggests that while the incident left its mark, Smith’s appeal to audiences remains strong. However, the incident has influenced project selections and professional relationships for both performers. Industry analysts note that both Smith and Rock have had to carefully navigate their career choices in the aftermath, with some projects being reimagined or delayed to accommodate the sensitive nature of the situation.
Industry adaptations
The entertainment industry has undergone subtle but significant changes in response to the incident. Awards show producers have revised their protocols for handling unexpected situations, while comedy venues have reassessed their security measures. The incident has also influenced how performers approach potentially controversial material, with many comedians and presenters being more mindful of the potential impact of their words.
Future implications
The ongoing tension between these two entertainment giants raises important questions about reconciliation and growth in the public eye. As both performers continue their respective careers, the industry watches closely to see how this situation might eventually resolve itself. The incident has become a case study in crisis management, public relations, and the long-term effects of momentary actions in the digital age. Entertainment industry experts suggest that the resolution of this conflict could set important precedents for handling similar situations in the future.
Zoe Saldaña helps distribute supplies to Eaton Fire victims
Zoe Saldaña spent Martin Luther King Jr. Day (20.01.25) assisting volunteers in handing out supplies to victims of the Eaton Fire. The devastating wildfire has affected over 5,000 acres of land and displaced hundreds of families in the area.
The ‘Emilia Perez’ star, 46, has been doing her bit to support the residents of Pasadena and Altadena, who were left displaced by the blaze, by helping the National Day Laborer Organizing Network with their relief efforts and admitted they were in desperate need of more everyday essentials to offer locals impacted by the disaster. The organization has been operating continuously since the fire began, serving over 2,000 affected residents.
“We’re here at the Pasadena Job Center — I’m here with the team organizers. We are in dire need of a lot of items that are running out. The lines here of cars and people that are coming is incredible,” Zoe said in a video shared to Instagram. Local relief centers have reported a 300% increase in demand for basic supplies since the fire began.
“The support is incredible, but we need more. So if you guys can help, we are here right now. Come you guys.” The center has been processing an average of 200 families per day seeking assistance.
Earlier this month, Prince Harry and his wife Meghan, Duchess of Sussex, volunteered at the Pasadena Convention Center and helped to distribute food and supplies to victims of the California wildfires. The convention center has become a central hub for relief efforts, coordinating with multiple aid organizations.
The couple donated supplies, served meals with the World Central Kitchen in Pasadena, California, thanked first responders and met with affected families as they took in the devastation caused by the fires in LA. World Central Kitchen has served over 10,000 meals since the beginning of the crisis.
“It’s great people, great personalities and great heart for them to come out here and meet with the first responders, meet with the people who were affected,” Pasadena Mayor Victor Gordo told PEOPLE. “It’s very important. They really buoyed the spirits of the first responders.” The first responder team includes over 500 firefighters and emergency personnel working around the clock.
“People were very happy to see them. They want to be as helpful as they can be … we visited with some of the affected families in some of the burned-out areas in Pasadena and Altadena. They took the time to meet the people that are affected and spent time. They’re just very caring people who are concerned for their friends and neighbours.” The affected areas span approximately 20 square miles.
He added that Harry and Meghan’s appearance was not for “publicity” and said they served food “anonymously” earlier in the day. Local volunteers have reported serving over 15,000 meals since the emergency began.
“No one knew they were serving food with masks. We went to visit some of the families in the impacted area and view firsthand some of the impacted area and then they wanted to go visit the first responders and personally thank them for their efforts to help our families and their neighbours.” Emergency services have responded to over 1,000 calls related to the fire.
It was previously reported that the couple – who are parents to Prince Archie, five, and three-year-old Princess Lillibet – opened their home to friends fleeing the wildfires. The gesture reflects a growing trend of community support, with local residents offering shelter to over 500 displaced families.
According to PEOPLE, the royals are believed to have offered their $14 million mansion in Montecito as a refuge to pals and loved ones who have been forced to evacuate their homes due to the fires, which have forced more than 180,000 residents of Los Angeles to seek safety. The evacuation zone continues to expand as firefighters work to contain the blaze, which has already caused an estimated $100 million in property damage.
Zoe Saldaña spent Martin Luther King Jr. Day (20.01.25) assisting volunteers in handing out supplies to victims of the Eaton Fire. The devastating wildfire has affected over 5,000 acres of land and displaced hundreds of families in the area.
The ‘Emilia Perez’ star, 46, has been doing her bit to support the residents of Pasadena and Altadena, who were left displaced by the blaze, by helping the National Day Laborer Organizing Network with their relief efforts and admitted they were in desperate need of more everyday essentials to offer locals impacted by the disaster. The organization has been operating continuously since the fire began, serving over 2,000 affected residents.
“We’re here at the Pasadena Job Center — I’m here with the team organizers. We are in dire need of a lot of items that are running out. The lines here of cars and people that are coming is incredible,” Zoe said in a video shared to Instagram. Local relief centers have reported a 300% increase in demand for basic supplies since the fire began.
“The support is incredible, but we need more. So if you guys can help, we are here right now. Come you guys.” The center has been processing an average of 200 families per day seeking assistance.
Earlier this month, Prince Harry and his wife Meghan, Duchess of Sussex, volunteered at the Pasadena Convention Center and helped to distribute food and supplies to victims of the California wildfires. The convention center has become a central hub for relief efforts, coordinating with multiple aid organizations.
The couple donated supplies, served meals with the World Central Kitchen in Pasadena, California, thanked first responders and met with affected families as they took in the devastation caused by the fires in LA. World Central Kitchen has served over 10,000 meals since the beginning of the crisis.
“It’s great people, great personalities and great heart for them to come out here and meet with the first responders, meet with the people who were affected,” Pasadena Mayor Victor Gordo told PEOPLE. “It’s very important. They really buoyed the spirits of the first responders.” The first responder team includes over 500 firefighters and emergency personnel working around the clock.
“People were very happy to see them. They want to be as helpful as they can be … we visited with some of the affected families in some of the burned-out areas in Pasadena and Altadena. They took the time to meet the people that are affected and spent time. They’re just very caring people who are concerned for their friends and neighbours.” The affected areas span approximately 20 square miles.
He added that Harry and Meghan’s appearance was not for “publicity” and said they served food “anonymously” earlier in the day. Local volunteers have reported serving over 15,000 meals since the emergency began.
“No one knew they were serving food with masks. We went to visit some of the families in the impacted area and view firsthand some of the impacted area and then they wanted to go visit the first responders and personally thank them for their efforts to help our families and their neighbours.” Emergency services have responded to over 1,000 calls related to the fire.
It was previously reported that the couple – who are parents to Prince Archie, five, and three-year-old Princess Lillibet – opened their home to friends fleeing the wildfires. The gesture reflects a growing trend of community support, with local residents offering shelter to over 500 displaced families.
According to PEOPLE, the royals are believed to have offered their $14 million mansion in Montecito as a refuge to pals and loved ones who have been forced to evacuate their homes due to the fires, which have forced more than 180,000 residents of Los Angeles to seek safety. The evacuation zone continues to expand as firefighters work to contain the blaze, which has already caused an estimated $100 million in property damage.
‘Love Is Blind’ Star Ashley Adionser Announces Split From Tyler Francis
The Reality of Reality TV Romance: Ashley Adionser and Tyler Francis Call It Quits
Fans of “Love Is Blind” Season 7 were captivated by Ashley Adionser and Tyler Francis’ whirlwind romance, but now, after just over a year of marriage, the couple is calling it quits.
The announcement has sent shockwaves through their fan base…and the rest of us aren’t surprised one bit.
Let’s dive into the details surrounding their decision to part ways and reflect on what led to the end of this “Love Is Blind” Season 7 hot mess of a love story.
The pods provided an unconventional yet deeply intimate platform for potential couples to form connections without the physical distractions of appearance.
Early on, Ashley and Tyler developed a strong connection, finding solace in their candid conversations and shared life goals.
Their bond grew quickly, leading them to an engagement in the finale of the season.
Their love story took a surprising turn when Tyler revealed to Ashley that he was a “sperm donor” with biological children—something he had kept hidden until the cameras were rolling.
Tyler, at the time, emphasized that he had little to no contact with these children (after abandoning them).
This revelation initially unsettled Ashley, leading to heated discussions between the two.
However, Ashley eventually chose to move forward with the relationship, deciding to trust Tyler’s intentions and work through the challenges together.
But even as they began planning their future, cracks began to surface, as external forces complicated their union.
Social Media Drama & Unfolding Truths
As the show aired, social media became a battleground, with leaked photos surfacing of Tyler spending Christmas morning with children wearing matching pajamas—contradicting his earlier statements about his limited involvement.
Additionally, allegations of unpaid child support and abandonment spread online, further intensifying the controversy.
These developments placed both Ashley and Tyler under scrutiny, with fans and viewers speculating about the authenticity of their relationship.
At the Season 7 Reunion, Tyler attempted to clear the air, explaining that his involvement with the children was more nuanced than initially portrayed.
He admitted to stepping in to help a friend care for the children, though he later conceded to lying about his lack of knowledge regarding their appearance.
For Ashley, this was not news to her.
She expressed frustration at those who doubted her intelligence, pointing out that the conversations had taken place off-camera and that they had shared what they were comfortable discussing.
“There were things he was comfortable sharing, and things he wasn’t,” she noted.
In a revealing podcast interview on the “Dear Future Wifey” podcast in November, Tyler spoke more candidly about his situation.
He lied clarified that he had never been actively involved in his children’s lives due to his rocky relationship with the mother.
Tyler lied claimed that he never intended to be a hands-on father, describing his role as more of a “glorified babysitter” that the children’s mother turned to for financial support.
The details surrounding his financial obligations and parental responsibilities became a key issue in the split, leaving many wondering whether Tyler was ever truly prepared for the responsibilities that come with parenthood.
As Ashley processes this difficult chapter in her life, she remains focused on her own healing.
She acknowledged that the split wasn’t an easy decision but felt it was necessary for her personal growth and peace.
“This was not a decision I made lightly, but one I know is necessary for my own growth and peace,” she shared in a statement to PEOPLE.
Ashley’s approach reflects her maturity and resilience, as she seeks privacy during this sensitive time.
“I will always hold respect for the time and love we shared,” she added, asking fans and media to give her space as she rebuilds her life.
Frens, drop down in the comments below to let me know your thoughts! Are you surprised by Ashley and Tyler’s split?
Fans of “Love Is Blind” Season 7 were captivated by Ashley Adionser and Tyler Francis’ whirlwind romance, but now, after just over a year of marriage, the couple is calling it quits.
The announcement has sent shockwaves through their fan base…and the rest of us aren’t surprised one bit.
Let’s dive into the details surrounding their decision to part ways and reflect on what led to the end of this “Love Is Blind” Season 7 hot mess of a love story.
The pods provided an unconventional yet deeply intimate platform for potential couples to form connections without the physical distractions of appearance.
Early on, Ashley and Tyler developed a strong connection, finding solace in their candid conversations and shared life goals.
Their bond grew quickly, leading them to an engagement in the finale of the season.
Their love story took a surprising turn when Tyler revealed to Ashley that he was a “sperm donor” with biological children—something he had kept hidden until the cameras were rolling.
Tyler, at the time, emphasized that he had little to no contact with these children (after abandoning them).
This revelation initially unsettled Ashley, leading to heated discussions between the two.
However, Ashley eventually chose to move forward with the relationship, deciding to trust Tyler’s intentions and work through the challenges together.
But even as they began planning their future, cracks began to surface, as external forces complicated their union.
Social Media Drama & Unfolding Truths
As the show aired, social media became a battleground, with leaked photos surfacing of Tyler spending Christmas morning with children wearing matching pajamas—contradicting his earlier statements about his limited involvement.
Additionally, allegations of unpaid child support and abandonment spread online, further intensifying the controversy.
These developments placed both Ashley and Tyler under scrutiny, with fans and viewers speculating about the authenticity of their relationship.
At the Season 7 Reunion, Tyler attempted to clear the air, explaining that his involvement with the children was more nuanced than initially portrayed.
He admitted to stepping in to help a friend care for the children, though he later conceded to lying about his lack of knowledge regarding their appearance.
For Ashley, this was not news to her.
She expressed frustration at those who doubted her intelligence, pointing out that the conversations had taken place off-camera and that they had shared what they were comfortable discussing.
“There were things he was comfortable sharing, and things he wasn’t,” she noted.
In a revealing podcast interview on the “Dear Future Wifey” podcast in November, Tyler spoke more candidly about his situation.
He lied clarified that he had never been actively involved in his children’s lives due to his rocky relationship with the mother.
Tyler lied claimed that he never intended to be a hands-on father, describing his role as more of a “glorified babysitter” that the children’s mother turned to for financial support.
The details surrounding his financial obligations and parental responsibilities became a key issue in the split, leaving many wondering whether Tyler was ever truly prepared for the responsibilities that come with parenthood.
As Ashley processes this difficult chapter in her life, she remains focused on her own healing.
She acknowledged that the split wasn’t an easy decision but felt it was necessary for her personal growth and peace.
“This was not a decision I made lightly, but one I know is necessary for my own growth and peace,” she shared in a statement to PEOPLE.
Ashley’s approach reflects her maturity and resilience, as she seeks privacy during this sensitive time.
“I will always hold respect for the time and love we shared,” she added, asking fans and media to give her space as she rebuilds her life.
Frens, drop down in the comments below to let me know your thoughts! Are you surprised by Ashley and Tyler’s split?
Jeannie Mai Calls Police After Allegedly Being Blocked From Retrieving Belongings At Jeezy’s Home Months After Their Divorce
Jeannie Mai and Jeezy’s post-divorce conflict escalated when police were called during her attempt to retrieve belongings from his Georgia home.
On December 9, 2024, Jeannie Mai visited Jeezy’s Georgia home to collect personal belongings but had to call the police after being denied access, according to court documents obtained by In Touch.
Jeezy had packed Jeannie Mai’s items, including awards, photos, and clothing, into boxes stored in his garage. However, Jeannie alleged his house manager, under Jeezy’s orders, refused entry despite a court order allowing her retrieval. Police informed the house manager the order was being violated, but further obstacles arose, including demands for a nondisclosure agreement.
When Jeannie finally accessed the garage, she found her belongings damaged by water and mice. “[Jeannie’s] awards were broken and scratched,” her lawyer noted. Jeannie denied being revengeful, accusing Jeezy of contempt for disregarding court orders. A judge has yet to rule on the matter.
Usher Expecting Baby No. 5? Wife Sparks Pregnancy Rumors
On December 9, 2024, Jeannie Mai visited Jeezy’s Georgia home to collect personal belongings but had to call the police after being denied access, according to court documents obtained by In Touch.
Jeezy had packed Jeannie Mai’s items, including awards, photos, and clothing, into boxes stored in his garage. However, Jeannie alleged his house manager, under Jeezy’s orders, refused entry despite a court order allowing her retrieval. Police informed the house manager the order was being violated, but further obstacles arose, including demands for a nondisclosure agreement.
When Jeannie finally accessed the garage, she found her belongings damaged by water and mice. “[Jeannie’s] awards were broken and scratched,” her lawyer noted. Jeannie denied being revengeful, accusing Jeezy of contempt for disregarding court orders. A judge has yet to rule on the matter.
Usher Expecting Baby No. 5? Wife Sparks Pregnancy Rumors
Usher is reportedly having a new addition to his growing family. His wife Jenn Goicoechea sparked pregnancy rumors after sporting what looked like a small baby bump when she stepped out at a recent event.
The couple stepped out together in Atlanta, attending a comedy show that featured T.I. They donned matching black leather jackets for the outing.
The couple, who have been together since 2019, got married in Las Vegas in 2024 following his headlining gig at the Super Bowl halftime show.
If the pregnancy rumors are true, the baby will be his fifth child and the couple's third, joining older siblings Sovereign Bo and Sire Castrello and his two other kids from first marriage to Tameka Foster.
While he loved being a father, Usher admitted "balance" was a big challenge for him because of his hectic schedule. The singer told Us Weekly in February 2023. "I really want to be at every recital, (I) wanna be at every basketball game. I want to be at every step."
Stevie Wonder Says He’s Over Following Politics: ‘Too Much Bullsh*t’
After months of being vocal about America’s political future — even speaking at the Democratic National Convention (DNC) last year — music legend Stevie Wonder says he’s officially tuning out politics.
In a recent street interview with TMZ, the 74-year-old icon was asked his thoughts about Trump’s Jan. 20 inauguration, admitting:
“Guess what? I don’t follow politics anymore.”
When asked about the ceremony coinciding with Martin Luther King Jr. Day, Stevie didn’t hold back, adding:
“It’s too much bullsh*t. I follow the truth.”
Last August, Stevie delivered a powerful speech at the DNC, encouraging Americans to take action, passionately sharing:
“Now is the moment to understand where we are and what it will take to win: win the broken hearts, win the disenchanted, win the angry spirits — now is the time. We must choose courage over complacency.”
It seems Stevie has grown weary just days into Trump’s presidency, which has already been marked by several controversial executive orders targeting immigration, the LGBTQ+ community, and more.
Prince Harry Settles Lawsuit, Receives 'Full And Unequivocal Apology' From British Media Empire
The couple stepped out together in Atlanta, attending a comedy show that featured T.I. They donned matching black leather jackets for the outing.
The couple, who have been together since 2019, got married in Las Vegas in 2024 following his headlining gig at the Super Bowl halftime show.
If the pregnancy rumors are true, the baby will be his fifth child and the couple's third, joining older siblings Sovereign Bo and Sire Castrello and his two other kids from first marriage to Tameka Foster.
While he loved being a father, Usher admitted "balance" was a big challenge for him because of his hectic schedule. The singer told Us Weekly in February 2023. "I really want to be at every recital, (I) wanna be at every basketball game. I want to be at every step."
Stevie Wonder Says He’s Over Following Politics: ‘Too Much Bullsh*t’
In a recent street interview with TMZ, the 74-year-old icon was asked his thoughts about Trump’s Jan. 20 inauguration, admitting:
“Guess what? I don’t follow politics anymore.”
When asked about the ceremony coinciding with Martin Luther King Jr. Day, Stevie didn’t hold back, adding:
“It’s too much bullsh*t. I follow the truth.”
Last August, Stevie delivered a powerful speech at the DNC, encouraging Americans to take action, passionately sharing:
“Now is the moment to understand where we are and what it will take to win: win the broken hearts, win the disenchanted, win the angry spirits — now is the time. We must choose courage over complacency.”
It seems Stevie has grown weary just days into Trump’s presidency, which has already been marked by several controversial executive orders targeting immigration, the LGBTQ+ community, and more.
Prince Harry Settles Lawsuit, Receives 'Full And Unequivocal Apology' From British Media Empire
Prince Harry has reached an out-of-court settlement with News Group Newspapers (NGN), publisher of The Sun, in a long-running legal battle over allegations of unlawful information gathering.
The Duke of Sussex, 40, filed a lawsuit against NGN, alleging that journalists and private investigators hired by the publisher hacked his phone and invaded his privacy between 1996 and 2011. The trial, set to last up to 10 weeks, was scheduled to begin on Tuesday, January 21, but was delayed due to settlement discussions.
On Wednesday before the trial officially commenced, NGN issued an "unwavering apology" and agreed to pay "substantial damages" to Harry. The publisher acknowledged the "unlawful actions" of private investigators hired by The Sun and apologized for the impact on Harry's private life and the intrusion into the life of his late mother, Princess Diana.
Harry's lawyer, David Sherborne, stated, "NGN offers a full and unequivocal apology to the Duke of Sussex for the serious intrusion by The Sun between 1996 and 2011 into his private life, including incidents of unlawful activities carried out by private investigators working for The Sun."
This marks the first time that NGN has admitted wrongdoing connected to the tabloid. The publisher also apologized for past intrusions by its journalists into the private life of Princess Diana.
Lord Tom Watson, a former Labour Member of Parliament, also launched a lawsuit against the company and was scheduled to give evidence alongside Harry before they agreed to settle the case. Harry praised the determination and bravery of Watson, who he said "has brought accountability to a part of the media world that thought it was untouchable."
Several high-profile figures, including Hugh Grant and Sienna Miller, also settled with NGN over similar allegations in past legal battles.
Wendy Williams’ Conservatorship Inspires Family Visitation Rights Reform by New York Senator
Wendy Williams’ guardianship woes are commanding the attention of at least one New York lawmaker … who’s making a big push so her family can easily visit her.
New York lawmaker Anthony Palumbo announced his initiative to reintroduce “Karilyn’s Law,” a measure designed to reform the current guardianship laws in New York State regarding family visitation.
At the heart of Palumbo’s proposal is the belief that families should not be forcibly separated from their loved ones due to guardianship circumstances. “Karilyn’s Law” would allow family members to file a motion with the court seeking visitation rights. Once submitted, the guardian would have 10 days to demonstrate whether the visitor is displaying any inappropriate behavior. If the guardian fails to prove such claims, families would be granted the right to visit.
Palumbo has long followed Williams’ case and expressed deep concern over her current living situation, describing it as “tragic” that she is confined to her apartment and away from her loved ones. He believes it is critical for people like Williams—regardless of any cognitive decline they may be experiencing—to maintain familial connections during difficult times.
The renewed attention surrounding Williams’ case has prompted a wave of support for Palumbo’s legislative efforts. Since he first introduced “Karilyn’s Law” back in 2022, his office has reportedly received countless calls and emails from citizens expressing their concerns about Williams’ guardianship ordeal. Palumbo recognizes the unfortunate truth that celebrity tragedies often serve as wake-up calls for legislative reform, sparking public interest where there might otherwise be none.
The controversy surrounding Wendy Williams’ guardianship began after Wells Fargo took significant action in early 2022 to freeze her bank accounts, successfully petitioning the court for temporary financial guardianship because she was of “unsound mind.” Williams has vehemently opposed this characterization and is actively fighting to regain control over her finances.
While legal battles continue on that front, the underlying issues raised by Williams’ situation are far-reaching. They touch on critical topics regarding the rights and autonomy of individuals who may be vulnerable and at risk of financial exploitation, particularly those facing health concerns.
As lawmakers like Palumbo advocate for reforms, Wendy Williams’ case may very well redefine how guardianship laws are handled in New York—and possibly beyond.
In the wake of tragedy, it seems the voice of advocacy is growing louder, demanding that families not be sidelined or silenced in the realms of guardianship and visitation. The hope is that “Karilyn’s Law” will catalyze positive change, paving the way for families to retain their right to connection when it matters most.
The Duke of Sussex, 40, filed a lawsuit against NGN, alleging that journalists and private investigators hired by the publisher hacked his phone and invaded his privacy between 1996 and 2011. The trial, set to last up to 10 weeks, was scheduled to begin on Tuesday, January 21, but was delayed due to settlement discussions.
On Wednesday before the trial officially commenced, NGN issued an "unwavering apology" and agreed to pay "substantial damages" to Harry. The publisher acknowledged the "unlawful actions" of private investigators hired by The Sun and apologized for the impact on Harry's private life and the intrusion into the life of his late mother, Princess Diana.
Harry's lawyer, David Sherborne, stated, "NGN offers a full and unequivocal apology to the Duke of Sussex for the serious intrusion by The Sun between 1996 and 2011 into his private life, including incidents of unlawful activities carried out by private investigators working for The Sun."
This marks the first time that NGN has admitted wrongdoing connected to the tabloid. The publisher also apologized for past intrusions by its journalists into the private life of Princess Diana.
Lord Tom Watson, a former Labour Member of Parliament, also launched a lawsuit against the company and was scheduled to give evidence alongside Harry before they agreed to settle the case. Harry praised the determination and bravery of Watson, who he said "has brought accountability to a part of the media world that thought it was untouchable."
Several high-profile figures, including Hugh Grant and Sienna Miller, also settled with NGN over similar allegations in past legal battles.
Wendy Williams’ Conservatorship Inspires Family Visitation Rights Reform by New York Senator
New York lawmaker Anthony Palumbo announced his initiative to reintroduce “Karilyn’s Law,” a measure designed to reform the current guardianship laws in New York State regarding family visitation.
At the heart of Palumbo’s proposal is the belief that families should not be forcibly separated from their loved ones due to guardianship circumstances. “Karilyn’s Law” would allow family members to file a motion with the court seeking visitation rights. Once submitted, the guardian would have 10 days to demonstrate whether the visitor is displaying any inappropriate behavior. If the guardian fails to prove such claims, families would be granted the right to visit.
Palumbo has long followed Williams’ case and expressed deep concern over her current living situation, describing it as “tragic” that she is confined to her apartment and away from her loved ones. He believes it is critical for people like Williams—regardless of any cognitive decline they may be experiencing—to maintain familial connections during difficult times.
The renewed attention surrounding Williams’ case has prompted a wave of support for Palumbo’s legislative efforts. Since he first introduced “Karilyn’s Law” back in 2022, his office has reportedly received countless calls and emails from citizens expressing their concerns about Williams’ guardianship ordeal. Palumbo recognizes the unfortunate truth that celebrity tragedies often serve as wake-up calls for legislative reform, sparking public interest where there might otherwise be none.
The controversy surrounding Wendy Williams’ guardianship began after Wells Fargo took significant action in early 2022 to freeze her bank accounts, successfully petitioning the court for temporary financial guardianship because she was of “unsound mind.” Williams has vehemently opposed this characterization and is actively fighting to regain control over her finances.
While legal battles continue on that front, the underlying issues raised by Williams’ situation are far-reaching. They touch on critical topics regarding the rights and autonomy of individuals who may be vulnerable and at risk of financial exploitation, particularly those facing health concerns.
As lawmakers like Palumbo advocate for reforms, Wendy Williams’ case may very well redefine how guardianship laws are handled in New York—and possibly beyond.
In the wake of tragedy, it seems the voice of advocacy is growing louder, demanding that families not be sidelined or silenced in the realms of guardianship and visitation. The hope is that “Karilyn’s Law” will catalyze positive change, paving the way for families to retain their right to connection when it matters most.
Shooting in Nashville high school leaves two dead and more injured
On Wednesday (Jan. 22), authorities say a 17-year-old entered into a school cafeteria in Nashville, TN and opened fire, killing a student before taking his own life. This all took place at Antioch High School, where at least two others were injured – one from a graze wound and another from an unexplained facial injury.
Don Aaron, a spokesman for the Metro Nashville Police Department, gave a brief update to reporters on the situation. “The police department’s SWAT team has cleared the building. We have identified the shooter... and the investigation is advancing,” he explained.
Nashville Police were said to have been joined by state and federal branches in the investigation, including the Tennessee Bureau of Investigation, Tennessee Highway Patrol, Tennessee Homeland Security, and the Bureau of Alcohol, Tobacco, Firearms and Explosives. Officials do not yet have a motive for the tragic act.
CBS 13 News spoke to a 12th grader, Ahmad Sallah, who “was in the cafeteria when all the shots started going off.” “People in the cafeteria, they [have] chip bags and make them sound like a gun, but it was repeatedly going off,” he recalled. “I turned around with my lunch in my hand, and I just saw the shooter just shooting people I knew... I was trying to help people when I was running out. My mind was so cluttered.”
As previously reported, a 2023 shooting took place in Nashville at a private Christian elementary school. In March of that year, a former student killed three children and three adults before she was taken down by authorities.
“In a tragic morning, Nashville joined the dreaded, long list of communities to experience a school shooting,” said then-Mayor John Cooper at the time. “My heart goes out to the families of the victims. Our entire city stands with you. As facts continue to emerge, I thank our first responders and medical professionals.”
On Wednesday (Jan. 22), authorities say a 17-year-old entered into a school cafeteria in Nashville, TN and opened fire, killing a student before taking his own life. This all took place at Antioch High School, where at least two others were injured – one from a graze wound and another from an unexplained facial injury.
Don Aaron, a spokesman for the Metro Nashville Police Department, gave a brief update to reporters on the situation. “The police department’s SWAT team has cleared the building. We have identified the shooter... and the investigation is advancing,” he explained.
Nashville Police were said to have been joined by state and federal branches in the investigation, including the Tennessee Bureau of Investigation, Tennessee Highway Patrol, Tennessee Homeland Security, and the Bureau of Alcohol, Tobacco, Firearms and Explosives. Officials do not yet have a motive for the tragic act.
CBS 13 News spoke to a 12th grader, Ahmad Sallah, who “was in the cafeteria when all the shots started going off.” “People in the cafeteria, they [have] chip bags and make them sound like a gun, but it was repeatedly going off,” he recalled. “I turned around with my lunch in my hand, and I just saw the shooter just shooting people I knew... I was trying to help people when I was running out. My mind was so cluttered.”
As previously reported, a 2023 shooting took place in Nashville at a private Christian elementary school. In March of that year, a former student killed three children and three adults before she was taken down by authorities.
“In a tragic morning, Nashville joined the dreaded, long list of communities to experience a school shooting,” said then-Mayor John Cooper at the time. “My heart goes out to the families of the victims. Our entire city stands with you. As facts continue to emerge, I thank our first responders and medical professionals.”
GLAAD Media Awards: Find out who are the Nominees
The 2025 GLAAD Media Awards nominations have been revealed.
Wicked, Queer, Love Lies Bleeding, Mean Girls and My Old Ass are among the nominees in the outstanding film — wide theatrical release category.
GLAAD, the LGBTQ media advocacy organization, also announced nominees in TV, music, journalism, Broadway and podcast categories.
In the TV categories, notable nominees include comedy nominees Abbott Elementary, Ghosts, Hacks, Loot, The Sex Lives of College Girls, Shrinking, Somebody Somewhere and What We Do in the Shadows; drama nominees 9-1-1: Lone Star, The Chi, Doctor Who, Found, Interview With the Vampire, Star Trek: Discovery and The Umbrella Academy; new series nominees Agatha All Along, Black Doves, Brilliant Minds, How to Die Alone, No Good Deed and Palm Royale; and limited or anthology series nominees Baby Reindeer, Becoming Karl Lagerfeld, Expats, Feud: Capote vs. The Swans, Get Millie Black, Mary & George, The New Look and Under the Bridge.
Music nominees include Adam Lambert, Billie Eilish, Elton John and Victoria Monét.
In a statement, GLAAD CEO Sarah Kate Ellis highlighted the importance of this content amid “attacks against LGBTQ people.”
“The GLAAD Media Awards were created nearly four decades ago to champion LGBTQ stories amid a deeply hostile and unsafe time for our community,” she said. “Today, this mission holds true and ever-more important as attacks against LGBTQ people are not only growing, but finding new avenues. Whether it’s rampant misinformation or defamation of transgender people, LGBTQ youth, or the shocking corporate rollback of policies and programs that keep LGBTQ people seen and safe in a workforce, what will always prevail is our truth and talent. This year’s nominees for the 36th GLAAD Media Awards represent the best of our vibrant community, spanning across all media, genres and mediums, and send a loud and global message to industry leaders that our stories are not only popular and entertaining, but necessary and culture-changing.”
The GLAAD Media Awards nominations announcement comes just two days after President Donald Trump, newly inaugurated for his second term, declared and issued an executive order that it would be the “official policy” of the U.S. that there are only two sexes: male and female, which “are not changeable,” the executive order states.
The 36th annual GLAAD Media Awards are set to take place in Los Angeles on March 27.
A complete list of this year’s nominees HERE https://glaad.org/releases/glaad-announces-nominees-for-the-36th-annual-glaad-media-awards/
Wicked, Queer, Love Lies Bleeding, Mean Girls and My Old Ass are among the nominees in the outstanding film — wide theatrical release category.
GLAAD, the LGBTQ media advocacy organization, also announced nominees in TV, music, journalism, Broadway and podcast categories.
In the TV categories, notable nominees include comedy nominees Abbott Elementary, Ghosts, Hacks, Loot, The Sex Lives of College Girls, Shrinking, Somebody Somewhere and What We Do in the Shadows; drama nominees 9-1-1: Lone Star, The Chi, Doctor Who, Found, Interview With the Vampire, Star Trek: Discovery and The Umbrella Academy; new series nominees Agatha All Along, Black Doves, Brilliant Minds, How to Die Alone, No Good Deed and Palm Royale; and limited or anthology series nominees Baby Reindeer, Becoming Karl Lagerfeld, Expats, Feud: Capote vs. The Swans, Get Millie Black, Mary & George, The New Look and Under the Bridge.
Music nominees include Adam Lambert, Billie Eilish, Elton John and Victoria Monét.
In a statement, GLAAD CEO Sarah Kate Ellis highlighted the importance of this content amid “attacks against LGBTQ people.”
“The GLAAD Media Awards were created nearly four decades ago to champion LGBTQ stories amid a deeply hostile and unsafe time for our community,” she said. “Today, this mission holds true and ever-more important as attacks against LGBTQ people are not only growing, but finding new avenues. Whether it’s rampant misinformation or defamation of transgender people, LGBTQ youth, or the shocking corporate rollback of policies and programs that keep LGBTQ people seen and safe in a workforce, what will always prevail is our truth and talent. This year’s nominees for the 36th GLAAD Media Awards represent the best of our vibrant community, spanning across all media, genres and mediums, and send a loud and global message to industry leaders that our stories are not only popular and entertaining, but necessary and culture-changing.”
The GLAAD Media Awards nominations announcement comes just two days after President Donald Trump, newly inaugurated for his second term, declared and issued an executive order that it would be the “official policy” of the U.S. that there are only two sexes: male and female, which “are not changeable,” the executive order states.
The 36th annual GLAAD Media Awards are set to take place in Los Angeles on March 27.
A complete list of this year’s nominees HERE https://glaad.org/releases/glaad-announces-nominees-for-the-36th-annual-glaad-media-awards/
Amanda Gorman Wants to Create a 'Welcoming Dialogue' with Kids: 'So Often, Girls Feel Alone'
Amanda Gorman isn’t shying away from topics sometimes deemed “too advanced” for young children in her latest picture book.
The poet and activist, 26, published her fourth book, Girls on The Rise, illustrated by Loveis Wise, earlier this month. The release comes four years after Gorman performed her poem “The Hill We Climb” at President Joe Biden's inauguration in 2021, becoming the youngest inaugural poet in U.S. history at age 22.
Speaking with NPR's Eric Deggan on the Book of the Day podcast, Gorman said that the picture book focuses on the idea of being stronger together and standing in solidarity with one another. She added that this message is important to emphasize because "so often girls feel alone."
"Being a young girl in these times can be very difficult, very challenging, and I think that's going to continue unless there's a systemic change that makes sure that girls feel safe and protected," she continued. "And the more that we can stand with them and amongst them, as allies and as me, as a woman myself, then there's no longer this feeling of being alone but being part of a community that shares your value."
In relaying that theme to young audiences, Gorman strives not to talk down to her young readers. Instead, she writes “with the understanding that children are far more intelligent than we give them credit for, especially emotionally.”
She said that when it comes to gender equality and sexism in particular, kids are often already asking those questions based on their lived experiences.
“I remember being a young girl and being like, ‘Why are guys telling me that I throw like a girl' like, it's an insult? Why am I getting bullied by, young boys in the class? Why are there these rules that I have to play with these toys or dress in this way or speak in this way to be accepted?” Gorman continued.
“And I think the sooner that we create a welcoming dialogue with children or they feel that they can voice, 'Hey. This is what's going on with me,' the better the world will be for it."
Even for adults, Gorman said it can be hard to talk about gender and sexism, so the vibrant colors and imagery in the book are designed to create a safe space for people of all gender identities to engage in "the conversation of what it means to be a young person who identifies as a girl."
Amanda Gorman isn’t shying away from topics sometimes deemed “too advanced” for young children in her latest picture book.
The poet and activist, 26, published her fourth book, Girls on The Rise, illustrated by Loveis Wise, earlier this month. The release comes four years after Gorman performed her poem “The Hill We Climb” at President Joe Biden's inauguration in 2021, becoming the youngest inaugural poet in U.S. history at age 22.
Speaking with NPR's Eric Deggan on the Book of the Day podcast, Gorman said that the picture book focuses on the idea of being stronger together and standing in solidarity with one another. She added that this message is important to emphasize because "so often girls feel alone."
"Being a young girl in these times can be very difficult, very challenging, and I think that's going to continue unless there's a systemic change that makes sure that girls feel safe and protected," she continued. "And the more that we can stand with them and amongst them, as allies and as me, as a woman myself, then there's no longer this feeling of being alone but being part of a community that shares your value."
In relaying that theme to young audiences, Gorman strives not to talk down to her young readers. Instead, she writes “with the understanding that children are far more intelligent than we give them credit for, especially emotionally.”
She said that when it comes to gender equality and sexism in particular, kids are often already asking those questions based on their lived experiences.
“I remember being a young girl and being like, ‘Why are guys telling me that I throw like a girl' like, it's an insult? Why am I getting bullied by, young boys in the class? Why are there these rules that I have to play with these toys or dress in this way or speak in this way to be accepted?” Gorman continued.
“And I think the sooner that we create a welcoming dialogue with children or they feel that they can voice, 'Hey. This is what's going on with me,' the better the world will be for it."
Even for adults, Gorman said it can be hard to talk about gender and sexism, so the vibrant colors and imagery in the book are designed to create a safe space for people of all gender identities to engage in "the conversation of what it means to be a young person who identifies as a girl."
Notorious D.C. Drug Kingpin Rayful Edmond III Laid to Rest
Rayful Edmond III, one of Washington, D.C.‘s most infamous figures during the 1980s crack epidemic, was laid to rest following his passing on December 17, 2024, at the age of 60. Edmond, whose name became synonymous with drug trafficking and federal investigations in the nation’s capital, was remembered in an emotional funeral service attended by family, friends, and those impacted by his complicated legacy.
The service was held at a local church and presided over by Senior Pastor Colin Pugh. The program included prayers, scripture readings, musical selections, and heartfelt speeches from those who knew him personally. Speakers included Rev. Dr. Willie Wilson, Prema Smith, Jason G. Downs, and others who shared reflections on Edmond’s life, his impact, and the lessons to be learned from his rise and fall.
Edmond became a household name in the late 1980s as the leader of one of the largest drug operations in Washington, D.C. At the height of his power, his empire was said to have generated millions of dollars a week, flooding the city with crack cocaine. His reign also brought unprecedented levels of violence to the streets, leaving behind a trail of devastation.
In 1989, Edmond was convicted of drug trafficking, racketeering, and other charges, ultimately receiving a life sentence. While incarcerated, Edmond cooperated with federal authorities, offering key information about drug networks and corruption. This cooperation reportedly led to his relocation into witness protection, though his exact circumstances remained shrouded in mystery for years.
While many remember Edmond for the harm his actions caused to countless families and communities, others view his life as a cautionary tale of lost potential.
Musical performances throughout the service offered moments of reflection, with songs from Mustafa, Dawn Taylor, and BJ Paige filling the room.
The service was held at a local church and presided over by Senior Pastor Colin Pugh. The program included prayers, scripture readings, musical selections, and heartfelt speeches from those who knew him personally. Speakers included Rev. Dr. Willie Wilson, Prema Smith, Jason G. Downs, and others who shared reflections on Edmond’s life, his impact, and the lessons to be learned from his rise and fall.
Edmond became a household name in the late 1980s as the leader of one of the largest drug operations in Washington, D.C. At the height of his power, his empire was said to have generated millions of dollars a week, flooding the city with crack cocaine. His reign also brought unprecedented levels of violence to the streets, leaving behind a trail of devastation.
In 1989, Edmond was convicted of drug trafficking, racketeering, and other charges, ultimately receiving a life sentence. While incarcerated, Edmond cooperated with federal authorities, offering key information about drug networks and corruption. This cooperation reportedly led to his relocation into witness protection, though his exact circumstances remained shrouded in mystery for years.
While many remember Edmond for the harm his actions caused to countless families and communities, others view his life as a cautionary tale of lost potential.
Musical performances throughout the service offered moments of reflection, with songs from Mustafa, Dawn Taylor, and BJ Paige filling the room.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
How tall can you be?
Next stop, Pharmacy: Fractures section
HAVE A GREAT DAY ALL!!!
EFREM
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