#MAGFAB: Venus Williams for L'Officiel Italia - Summer 2025 Issue
NICE!
#RHOA: Alum Kandi Burruss 'worried' about her daughter gearing up for reality TV
Kandi Burruss recently opened up in an exclusive interview with People Magazine about her concerns regarding her daughter, Riley Burruss, joining the newest Bravo reality TV show, "Next Gen NYC," alongside other star kids. In the interview, she added that she is still apprehensive about what people might say about her daughter, but she knows that this is her daughter's moment to shine. She said,
"It ain't about me." According to The Hollywood Reporter, Kandi Burruss left the reality show "The Real Housewives of Atlanta" in 2023, after being part of the much-loved TV franchise for nearly fifteen years. She stated the reason for leaving the show was because she wanted to focus on other kinds of projects that came her way.
Kandi Burruss, who sat down for an interview with People Magazine while attending the BET Awards on 9 June, shared that her daughter Riley Burruss will likely have to face unpleasant comments as she progresses on "Next Gen NYC." This, she admitted, makes her anxious because she knows she will not be able to shield her daughter from the public criticism. She said,
“People already be trying to say crazy stuff about my child online and other celebrity kids. When it's her out front, it's like really nothing I could do to shelter her. Because now it's really, all eyes are on you. You're not just catching a stray. It's like people can really just focus on you and say whatever they want to say and for sure so I'm scared. Oh Lord. I'm scared of what she gonna be doing on there, child.”
She also mentioned in the interview that being on a reality TV show often involves doing things that one would not normally do in their everyday lives. However, in the interview she makes it clear that whatever Riley does on the show could never damage their relationship. She said,
"There's nothing that my daughter's gonna do that I'm gonna be like, 'Oh, I'm never gonna talk to you."
Kandi Burruss added that, as a parent, she would engage in a responsible discussion with her daughter about the matter and move forward. She said,
What time was XXXTentacion shot? Revisiting the rapper’s death as fans remember rapper seven years later
"Here's the thing. I mean, I know we all gonna do stuff. I've done some wild stuff or said wild things on TV or whatever. So with that being said, we'll just have to have a little talk about it and then move past it."
This is not Riley Burruss' first appearance on reality TV. According to People Magazine, back in 2009, the young Riley Burruss appeared in the first episode of "Real Housewives of Atlanta," alongside her mother, Kandi Burruss.
"It ain't about me." According to The Hollywood Reporter, Kandi Burruss left the reality show "The Real Housewives of Atlanta" in 2023, after being part of the much-loved TV franchise for nearly fifteen years. She stated the reason for leaving the show was because she wanted to focus on other kinds of projects that came her way.
Kandi Burruss, who sat down for an interview with People Magazine while attending the BET Awards on 9 June, shared that her daughter Riley Burruss will likely have to face unpleasant comments as she progresses on "Next Gen NYC." This, she admitted, makes her anxious because she knows she will not be able to shield her daughter from the public criticism. She said,
“People already be trying to say crazy stuff about my child online and other celebrity kids. When it's her out front, it's like really nothing I could do to shelter her. Because now it's really, all eyes are on you. You're not just catching a stray. It's like people can really just focus on you and say whatever they want to say and for sure so I'm scared. Oh Lord. I'm scared of what she gonna be doing on there, child.”
She also mentioned in the interview that being on a reality TV show often involves doing things that one would not normally do in their everyday lives. However, in the interview she makes it clear that whatever Riley does on the show could never damage their relationship. She said,
"There's nothing that my daughter's gonna do that I'm gonna be like, 'Oh, I'm never gonna talk to you."
Kandi Burruss added that, as a parent, she would engage in a responsible discussion with her daughter about the matter and move forward. She said,
What time was XXXTentacion shot? Revisiting the rapper’s death as fans remember rapper seven years later
"Here's the thing. I mean, I know we all gonna do stuff. I've done some wild stuff or said wild things on TV or whatever. So with that being said, we'll just have to have a little talk about it and then move past it."
This is not Riley Burruss' first appearance on reality TV. According to People Magazine, back in 2009, the young Riley Burruss appeared in the first episode of "Real Housewives of Atlanta," alongside her mother, Kandi Burruss.
#NewMuisc from Elijah Blake “Work It Out”
Grammy winning R&B sensation Elijah Blake is back with the release of his brand new single “Work It Out”.
The groove-laden track channels the timeless energy of R&B and funk with its rhematic guitar riffs and infectious melodies.
“Work It Out” provides a taste of Blake’s upcoming album. It marks a stylistic shift for Blake, embracing a more upbeat and danceable sound that invites listeners to move and celebrate.
Grammy winning R&B sensation Elijah Blake is back with the release of his brand new single “Work It Out”.
The groove-laden track channels the timeless energy of R&B and funk with its rhematic guitar riffs and infectious melodies.
“Work It Out” provides a taste of Blake’s upcoming album. It marks a stylistic shift for Blake, embracing a more upbeat and danceable sound that invites listeners to move and celebrate.
LISTEN HERE:
This release follows the success of Blake’s 2024 self-titled album, elijah. followed by his deluxe album elijah!, which featured collaborations with artists like Sevyn Streeter, Kim Burrell, Maeta, Tone Stith, and Kareen Lomax.
Elijah Blake will soon join Keyshia Cole on her “The Way It Is: 20th Anniversary Tour” this summer. The North American leg of the tour kicks off on July 1 in Baltimore and includes stops in major cities across the U.S. and Canada.
This release follows the success of Blake’s 2024 self-titled album, elijah. followed by his deluxe album elijah!, which featured collaborations with artists like Sevyn Streeter, Kim Burrell, Maeta, Tone Stith, and Kareen Lomax.
Elijah Blake will soon join Keyshia Cole on her “The Way It Is: 20th Anniversary Tour” this summer. The North American leg of the tour kicks off on July 1 in Baltimore and includes stops in major cities across the U.S. and Canada.
#HipHopNews: Pusha T Appears To Diss Kanye West On New Clipse Song
Pusha T appears to have flamed former friend and collaborator Kanye West on new Clipse single “So Be It”.
The song, which is formally released this Friday (June 20), was premiered by Funkmaster Flex and featured some lines that appear firmly pointed at West.
On the song, Pusha spat: “You cried in front of me / You died in front of me / Calabasas took ya bitch and ya pride in front of me.”
Speaking recently with GQ, Pusha discussed the fallout of his relationship with West.
He said: “The one thing that I can say about him is that he knows that every issue that he’s having and crying about online right now, I’ve told him distinctly about those things. He don’t talk to me like he talks to others.”
Pusha added: “He knows I don’t think he’s a man. He knows it. And that’s why we can’t build with each other no more. That’s why me and him don’t click, because he knows what I really, really think of him. He’s showed me the weakest sides of him, and he knows how I think of weak people.”
The Virginia rapper went on to call his former label boss “sick”: “He knows I don’t think he’s a man. He knows it. And that’s why we can’t build with each other no more. That’s why me and him don’t click, because he knows what I really, really think of him. He’s showed me the weakest sides of him, and he knows how I think of weak people.”
Pusha previously spoke on why artists continue to work with West despite his many controversies.
He said to Complex: “I believe that there’s a level of visibility that comes along with being next to somebody like Ye. At the end of the day, it’s a level of musicality and genius-level production that comes along with being next to him. So you get a lot of things that I think artists are looking for these days in being next to him.
“It’s all about the music for me and just making music at a certain level. I’ve been in this game a long time, so it’s about a certain type of hip-hop that I want to make. And truthfully, Ye definitely knows what I like to make, and I only want to be a part of things that I want to do.”
The song, which is formally released this Friday (June 20), was premiered by Funkmaster Flex and featured some lines that appear firmly pointed at West.
On the song, Pusha spat: “You cried in front of me / You died in front of me / Calabasas took ya bitch and ya pride in front of me.”
Speaking recently with GQ, Pusha discussed the fallout of his relationship with West.
He said: “The one thing that I can say about him is that he knows that every issue that he’s having and crying about online right now, I’ve told him distinctly about those things. He don’t talk to me like he talks to others.”
Pusha added: “He knows I don’t think he’s a man. He knows it. And that’s why we can’t build with each other no more. That’s why me and him don’t click, because he knows what I really, really think of him. He’s showed me the weakest sides of him, and he knows how I think of weak people.”
The Virginia rapper went on to call his former label boss “sick”: “He knows I don’t think he’s a man. He knows it. And that’s why we can’t build with each other no more. That’s why me and him don’t click, because he knows what I really, really think of him. He’s showed me the weakest sides of him, and he knows how I think of weak people.”
Pusha previously spoke on why artists continue to work with West despite his many controversies.
He said to Complex: “I believe that there’s a level of visibility that comes along with being next to somebody like Ye. At the end of the day, it’s a level of musicality and genius-level production that comes along with being next to him. So you get a lot of things that I think artists are looking for these days in being next to him.
“It’s all about the music for me and just making music at a certain level. I’ve been in this game a long time, so it’s about a certain type of hip-hop that I want to make. And truthfully, Ye definitely knows what I like to make, and I only want to be a part of things that I want to do.”
Gizelle Bryant & Monique Samuels Spotted Filming Together For ‘RHOP’
Gizelle Bryant and Monique Samuels were spotted having a sit-down and the cameras were near. Monique will appear on the forthcoming season of “Real Housewives of Potomac” as a friend, while Gizelle will remain in her Housewife role.
The ladies have had a rocky relationship in the past. Therefore, it’ll be interesting to see their dynamic these days.
Gizelle Bryant and Monique Samuels were spotted having a sit-down and the cameras were near. Monique will appear on the forthcoming season of “Real Housewives of Potomac” as a friend, while Gizelle will remain in her Housewife role.
The ladies have had a rocky relationship in the past. Therefore, it’ll be interesting to see their dynamic these days.
Buss family reportedly to sell majority ownership of the Los Angeles Lakers to Mark Walter in record $10 billion deal
After more than four decades under the Buss family, the Los Angeles Lakers are changing hands.
The Buss family is entering an agreement to sell majority ownership of the NBA franchise to Mark Walter, who is the CEO and chairman of TWG Global, according to ESPN's Shams Charania. Walter is also the primary owner and chairman of the Los Angeles Dodgers, and he owns stakes in Chelsea in the English Premier League, an F1 team and the WNBA's Los Angeles Sparks, among other things. He currently holds a minority stake of 26% in the Lakers, too.
The deal is expected to have a valuation of approximately $10 billion, which makes it the largest sale of a professional sports franchise in the world.
The Buss family reportedly will keep a minority share of about 15% for at least some time. Jeanie Buss, who has been the team's governor since 2013, will continue in that role for the foreseeable future after the sale.
Jerry Buss first purchased the Lakers in 1979 for $67.5 million in a deal that also included the NHL's Los Angeles Kings and The Forum in Inglewood, California. The franchise passed down to his children after he died in 2013. The Buss family has owned about two-thirds of the Lakers prior to this sale.
Walter first joined the Lakers' ownership group in 2021. According to a CNBC report earlier this year, the Lakers were valued at about $7 billion, which made them the third-most valuable team in the league behind only the New York Knicks and Golden State Warriors.
The Boston Celtics were the last NBA team to be sold when they struck a deal with a group led by Bill Chisholm earlier this year. The group purchased the Celtics for $6.05 billion, which set an NBA record. Controlling ownership of both the Phoenix Suns and Dallas Mavericks were sold in recent years, too.
How the Los Angeles Lakers' $10 billion sale compares to the price tags of other North American sports franchises
The Lakers are being sold by the Buss family for $10B, marking the end of an era
Who is Mark Walter? What to know about the Los Angeles Lakers' new owner
The Lakers have shined under the Buss family's leadership and become one of the premier franchises in all of sports. They've won 11 NBA titles under the Buss family, most recently in 2020, including a rare three-peat from 2000-02 with head coach Phil Jackson and star Kobe Bryant. Most recently, the team stunned the NBA world with its trade to acquire Dallas Mavericks superstar Luka Dončić this season.
Walters had the first right of refusal to purchase the Buss family's 66% share after he bought Phil Anschutz's stake of 26 percent in 2021.
Lakers Hall of Fame point guard Magic Johnson, who has played, coached and served as president under the Buss family — and is part of the Dodgers ownership group with Walter — congratulated both sides on the agreement.
"Laker fans should be estatic," Johnson wrote on X. "A few things I can tell you about Mark - he is driven by winning, excellence, and doing everything the right way. AND he will put in the resources needed to win! I can understand why Jeanie sold the team to Mark Walter because they are just alike."
While Jeanie is still set to control the Lakers, the Buss family selling the franchise marks the end of an era for the team that has led the NBA in a number of ways for decades.
The Buss family is entering an agreement to sell majority ownership of the NBA franchise to Mark Walter, who is the CEO and chairman of TWG Global, according to ESPN's Shams Charania. Walter is also the primary owner and chairman of the Los Angeles Dodgers, and he owns stakes in Chelsea in the English Premier League, an F1 team and the WNBA's Los Angeles Sparks, among other things. He currently holds a minority stake of 26% in the Lakers, too.
The deal is expected to have a valuation of approximately $10 billion, which makes it the largest sale of a professional sports franchise in the world.
The Buss family reportedly will keep a minority share of about 15% for at least some time. Jeanie Buss, who has been the team's governor since 2013, will continue in that role for the foreseeable future after the sale.
Jerry Buss first purchased the Lakers in 1979 for $67.5 million in a deal that also included the NHL's Los Angeles Kings and The Forum in Inglewood, California. The franchise passed down to his children after he died in 2013. The Buss family has owned about two-thirds of the Lakers prior to this sale.
Walter first joined the Lakers' ownership group in 2021. According to a CNBC report earlier this year, the Lakers were valued at about $7 billion, which made them the third-most valuable team in the league behind only the New York Knicks and Golden State Warriors.
The Boston Celtics were the last NBA team to be sold when they struck a deal with a group led by Bill Chisholm earlier this year. The group purchased the Celtics for $6.05 billion, which set an NBA record. Controlling ownership of both the Phoenix Suns and Dallas Mavericks were sold in recent years, too.
How the Los Angeles Lakers' $10 billion sale compares to the price tags of other North American sports franchises
The Lakers are being sold by the Buss family for $10B, marking the end of an era
Who is Mark Walter? What to know about the Los Angeles Lakers' new owner
The Lakers have shined under the Buss family's leadership and become one of the premier franchises in all of sports. They've won 11 NBA titles under the Buss family, most recently in 2020, including a rare three-peat from 2000-02 with head coach Phil Jackson and star Kobe Bryant. Most recently, the team stunned the NBA world with its trade to acquire Dallas Mavericks superstar Luka Dončić this season.
Walters had the first right of refusal to purchase the Buss family's 66% share after he bought Phil Anschutz's stake of 26 percent in 2021.
Lakers Hall of Fame point guard Magic Johnson, who has played, coached and served as president under the Buss family — and is part of the Dodgers ownership group with Walter — congratulated both sides on the agreement.
"Laker fans should be estatic," Johnson wrote on X. "A few things I can tell you about Mark - he is driven by winning, excellence, and doing everything the right way. AND he will put in the resources needed to win! I can understand why Jeanie sold the team to Mark Walter because they are just alike."
While Jeanie is still set to control the Lakers, the Buss family selling the franchise marks the end of an era for the team that has led the NBA in a number of ways for decades.
Wendy Williams’ Ex-Husband Files $250 Million Lawsuit Demanding Her Release From ‘Involuntary Confinement’
Wendy Williams’ ex-husband Kevin Hunter filed a $250 million lawsuit demanding she be released from involuntary confinement, Us Weekly can confirm.
On June 17, Hunter, who was married to the former talk show host for years, filed a federal lawsuit against Williams’ guardian, Sabrina Morrissey, Wells Fargo and Lori Schiller, a Wells Fargo employee, who Williams had worked with.
In the suit, obtained by Us, Hunter explained that Williams’ accounts were frozen in early 2022.
“This abrupt and unexplained action denied [Williams’] access to her secured credit accounts, assets, bank records, and personal finances, disrupted [Williams’] obligations under legally binding settlement agreements, and triggered legal exposure due to missed payments,” the suit read.
Hunter, 52, said a doctor wrote a medical opinion stating Williams, 60, was incapable of making medical decisions and sent the letter to Lori.
“Lori Schiller, leveraging her position at Wells Fargo, made self-serving statements alleging that [Williams] had instructed Lori Schiller to do whatever it takes and go scorched earth if Lori Schiller perceived that [Williams] was being exploited,” Hunter alleged.
The suit added, “These fabricated instructions, which were known only to Lori Schiller, formed the cornerstone of the justification for Wells Fargo’s filing of its guardianship petition, helping to conceal the true basis for intervening in [Williams’] affairs.”
He said, “[Williams] was not afforded an independent medical evaluation, timely notice of hearings, or the opportunity to meaningfully participate in the proceedings leading to the imposition of guardianship. As a result of [Morrissey and others’] actions, [Williams’] summarily restrictive guardianship was imposed in a secret proceeding with neither transparency or oversight nor adequate legal representation.”
Hunter said Williams had her own team of doctors, and none of them had raised any concerns about her mental capacity before the guardianship. Despite Williams’ public objections, Hunter said the guardianship was approved.
In the suit, he disagreed with things done since the guardianship was approved. “Sabrina Morrissey has disposed of a substantial portion of [Williams’] property, including selling [Williams’] New York City condominium on or about May 10, 2024, at a loss exceeding $1 million,” the suit noted.
Also, Hunter claimed the guardian “willfully refused to disburse funds from a … college fund established by [Williams] for the explicit purpose of covering her son’s college-related expenses, including housing. This refusal to honor [Williams] pre-guardianship financial planning and intent created severe uncertainty and distress for [Williams] son, causing him to experience significant mental anguish, destabilizing his housing arrangements, and directly interfering with his pursuit of a college education.”
The lawsuit demanded $250 million in damages.
He claimed Williams has lost up to $20 million per year in earnings, her $80 million estate and her $4 million condo and personal goods worth $10 million.
“All I’ve done was follow the law to the tee, and I’ve been praised by Wells Fargo for all of my efforts,” Schiller previously told Page Six about her work with Williams.
TMZ reported that sources close to Williams said she was unaware of the lawsuit.
Wendy Williams’ ex-husband Kevin Hunter filed a $250 million lawsuit demanding she be released from involuntary confinement, Us Weekly can confirm.
On June 17, Hunter, who was married to the former talk show host for years, filed a federal lawsuit against Williams’ guardian, Sabrina Morrissey, Wells Fargo and Lori Schiller, a Wells Fargo employee, who Williams had worked with.
In the suit, obtained by Us, Hunter explained that Williams’ accounts were frozen in early 2022.
“This abrupt and unexplained action denied [Williams’] access to her secured credit accounts, assets, bank records, and personal finances, disrupted [Williams’] obligations under legally binding settlement agreements, and triggered legal exposure due to missed payments,” the suit read.
Hunter, 52, said a doctor wrote a medical opinion stating Williams, 60, was incapable of making medical decisions and sent the letter to Lori.
“Lori Schiller, leveraging her position at Wells Fargo, made self-serving statements alleging that [Williams] had instructed Lori Schiller to do whatever it takes and go scorched earth if Lori Schiller perceived that [Williams] was being exploited,” Hunter alleged.
The suit added, “These fabricated instructions, which were known only to Lori Schiller, formed the cornerstone of the justification for Wells Fargo’s filing of its guardianship petition, helping to conceal the true basis for intervening in [Williams’] affairs.”
He said, “[Williams] was not afforded an independent medical evaluation, timely notice of hearings, or the opportunity to meaningfully participate in the proceedings leading to the imposition of guardianship. As a result of [Morrissey and others’] actions, [Williams’] summarily restrictive guardianship was imposed in a secret proceeding with neither transparency or oversight nor adequate legal representation.”
Hunter said Williams had her own team of doctors, and none of them had raised any concerns about her mental capacity before the guardianship. Despite Williams’ public objections, Hunter said the guardianship was approved.
In the suit, he disagreed with things done since the guardianship was approved. “Sabrina Morrissey has disposed of a substantial portion of [Williams’] property, including selling [Williams’] New York City condominium on or about May 10, 2024, at a loss exceeding $1 million,” the suit noted.
Also, Hunter claimed the guardian “willfully refused to disburse funds from a … college fund established by [Williams] for the explicit purpose of covering her son’s college-related expenses, including housing. This refusal to honor [Williams] pre-guardianship financial planning and intent created severe uncertainty and distress for [Williams] son, causing him to experience significant mental anguish, destabilizing his housing arrangements, and directly interfering with his pursuit of a college education.”
The lawsuit demanded $250 million in damages.
He claimed Williams has lost up to $20 million per year in earnings, her $80 million estate and her $4 million condo and personal goods worth $10 million.
“All I’ve done was follow the law to the tee, and I’ve been praised by Wells Fargo for all of my efforts,” Schiller previously told Page Six about her work with Williams.
TMZ reported that sources close to Williams said she was unaware of the lawsuit.
Aaron Pierre Is Being Considered For The Role Of JAMES BOND In Next 007 Movie?
According to scooper Daniel Richtman, Aaron Pierre is "being considered" for the role, though he's not sure if any meetings have actually taken place. Richtman adds that filming is tentatively scheduled to commence at some point next year, but no director is attached as far as he knows.
Pierre (31) appeared in the likes of Old, Brother, Krypton and The Underground Railroad before his big break came in Netflix's action thriller Rebel Ridge. He then went on to land the co-lead role of John Stewart in DC and HBO's Lanterns series.
Rumors that the next Bond could be played by a Black actor have been doing the rounds since before Craig's final outing, No Time To Die, had even left theaters. Idris Elba was a firm fan-favourite choice to play the iconic super spy for years, but never really showed much interest in the gig.
If Pierre is on the studio's radar, he is probably only one of several actors who are being eyed for the part.
Deadline recently reported on details of an internal memo that was said to have circulated at Amazon and MGM, which stipulated that "the spy will not change gender or nationality." Though Pierre has adopted a convincing American accent in a number of projects, he is actually an Englishman.
"We are approaching every creative decision with James Bond, which Barbara Broccoli and Michael G. Wilson have so masterfully steered, with the greatest sense of responsibility," said Amazon MGM Studios' Head of Film, Courtenay Valenti, when the deal was struck. "Part of an elite group of producers who have developed and managed massive film franchises to box office success and critical acclaim, Amy Pascal and David Heyman are two of the most accomplished, experienced, and respected film producers in our industry."
In a joint statement, Pascal and Heyman said, "James Bond is one of the most iconic characters in the history of cinema. We are humbled to follow in the footsteps of Barbara Broccoli and Michael Wilson who made so many extraordinary films and honored and excited to keep the spirit of Bond very much alive as he embarks on his next adventure."
Druski, Kenya Barris join forces on new film ‘The Diggers’
The convergence of digital comedy and traditional Hollywood has found its latest embodiment in an unlikely partnership between social media powerhouse Druski and seasoned producer Kenya Barris. Their collaboration on The Diggers, a feature film expansion of Druski’s recent viral short, represents a significant milestone in the comedian’s rapid ascent from Instagram sketches to major motion picture production.
This creative alliance arrives at a pivotal moment for digital-native entertainers seeking legitimate pathways into established entertainment infrastructure. Druski, whose authentic comedic voice has attracted millions of followers across platforms, now faces the complex challenge of translating social media success into sustained cinematic storytelling.
The original The Diggers short film debuted across Druski’s social media channels last week, immediately capturing audience attention with its distinctive blend of observational humor and character-driven comedy. Featuring comedians Shane Gillis, Navv Green, Theo Von and BenDaDonnn, the short established a comedic foundation that producers believe can support feature-length storytelling.
Barris, whose production credits include black-ish, grown-ish and numerous other culturally resonant projects, brings institutional knowledge and industry relationships that could prove crucial for the film’s development and distribution. His involvement signals Hollywood’s increasing recognition of social media comedians as legitimate creative forces rather than merely viral curiosities.
The Diggers centers on Brandon Digger, Druski’s character who inherits his deceased father’s funeral home business. The premise combines workplace comedy with generational themes, exploring how young adults navigate inherited responsibilities while maintaining personal relationships and ambitions.
Industry insiders describe the project as displaying characteristics of old-school buddy comedy, suggesting a return to ensemble-driven humor that prioritizes character relationships over high-concept situations. This approach aligns with current audience preferences for authentic, character-based content that resonates emotionally beyond surface-level entertainment.
The funeral home setting provides rich comedic possibilities while addressing themes of family legacy, entrepreneurship and community responsibility. These elements position the film to explore serious subjects through comedic lenses, a strategy that has proven successful for Barris in previous projects.
Questions remain regarding whether Shane Gillis and Theo Von will reprise their roles from the original short film. Both comedians have experienced significant career momentum recently, with Gillis’s controversial Saturday Night Live dismissal ultimately boosting his profile, and Von maintaining steady growth across podcasting and stand-up venues.
Their potential involvement could significantly impact the film’s marketing strategy and audience appeal. The casting decisions will likely influence the film’s tone and commercial prospects, as each comedian brings distinct comedic styles and audience demographics to potential collaboration.
This marks another collaboration between Druski and Barris, following the comedian’s role as Brock in grown-ish‘s final season. That television appearance demonstrated Druski’s ability to integrate his social media persona into scripted content while maintaining authentic comedic timing.
Druski’s expanding entertainment portfolio includes starring roles in Peacock’s Praise This alongside Chloe Bailey, and hosting duties for his YouTube reality series Coulda Been Love. These projects showcase his versatility across different entertainment formats and suggest readiness for feature film responsibility.
His production company, 4lifers Entertainment, will produce The Diggers alongside Barris’s Khalabo Ink Society, creating a collaborative structure that maintains creative control while leveraging industry expertise.
The Diggers enters development during a period of renewed interest in character-driven comedies that balance entertainment with cultural specificity. Recent successes in this category have demonstrated audience appetite for stories that reflect authentic community experiences while maintaining broad appeal.
The film’s funeral home setting offers opportunities to explore themes of death, family obligation and generational change that resonate across demographic boundaries. These universal elements, filtered through Druski‘s comedic perspective, could create content that satisfies both his existing fanbase and broader theatrical audiences.
For Druski, the film represents an opportunity to demonstrate sustained creative capability beyond viral content creation. Success could establish him as a legitimate entertainment industry presence, opening doors to additional high-profile collaborations and potentially providing a template for other social media creators seeking Hollywood partnerships.
The convergence of digital comedy and traditional Hollywood has found its latest embodiment in an unlikely partnership between social media powerhouse Druski and seasoned producer Kenya Barris. Their collaboration on The Diggers, a feature film expansion of Druski’s recent viral short, represents a significant milestone in the comedian’s rapid ascent from Instagram sketches to major motion picture production.
This creative alliance arrives at a pivotal moment for digital-native entertainers seeking legitimate pathways into established entertainment infrastructure. Druski, whose authentic comedic voice has attracted millions of followers across platforms, now faces the complex challenge of translating social media success into sustained cinematic storytelling.
The original The Diggers short film debuted across Druski’s social media channels last week, immediately capturing audience attention with its distinctive blend of observational humor and character-driven comedy. Featuring comedians Shane Gillis, Navv Green, Theo Von and BenDaDonnn, the short established a comedic foundation that producers believe can support feature-length storytelling.
Barris, whose production credits include black-ish, grown-ish and numerous other culturally resonant projects, brings institutional knowledge and industry relationships that could prove crucial for the film’s development and distribution. His involvement signals Hollywood’s increasing recognition of social media comedians as legitimate creative forces rather than merely viral curiosities.
The Diggers centers on Brandon Digger, Druski’s character who inherits his deceased father’s funeral home business. The premise combines workplace comedy with generational themes, exploring how young adults navigate inherited responsibilities while maintaining personal relationships and ambitions.
Industry insiders describe the project as displaying characteristics of old-school buddy comedy, suggesting a return to ensemble-driven humor that prioritizes character relationships over high-concept situations. This approach aligns with current audience preferences for authentic, character-based content that resonates emotionally beyond surface-level entertainment.
The funeral home setting provides rich comedic possibilities while addressing themes of family legacy, entrepreneurship and community responsibility. These elements position the film to explore serious subjects through comedic lenses, a strategy that has proven successful for Barris in previous projects.
Questions remain regarding whether Shane Gillis and Theo Von will reprise their roles from the original short film. Both comedians have experienced significant career momentum recently, with Gillis’s controversial Saturday Night Live dismissal ultimately boosting his profile, and Von maintaining steady growth across podcasting and stand-up venues.
Their potential involvement could significantly impact the film’s marketing strategy and audience appeal. The casting decisions will likely influence the film’s tone and commercial prospects, as each comedian brings distinct comedic styles and audience demographics to potential collaboration.
This marks another collaboration between Druski and Barris, following the comedian’s role as Brock in grown-ish‘s final season. That television appearance demonstrated Druski’s ability to integrate his social media persona into scripted content while maintaining authentic comedic timing.
Druski’s expanding entertainment portfolio includes starring roles in Peacock’s Praise This alongside Chloe Bailey, and hosting duties for his YouTube reality series Coulda Been Love. These projects showcase his versatility across different entertainment formats and suggest readiness for feature film responsibility.
His production company, 4lifers Entertainment, will produce The Diggers alongside Barris’s Khalabo Ink Society, creating a collaborative structure that maintains creative control while leveraging industry expertise.
The Diggers enters development during a period of renewed interest in character-driven comedies that balance entertainment with cultural specificity. Recent successes in this category have demonstrated audience appetite for stories that reflect authentic community experiences while maintaining broad appeal.
The film’s funeral home setting offers opportunities to explore themes of death, family obligation and generational change that resonate across demographic boundaries. These universal elements, filtered through Druski‘s comedic perspective, could create content that satisfies both his existing fanbase and broader theatrical audiences.
For Druski, the film represents an opportunity to demonstrate sustained creative capability beyond viral content creation. Success could establish him as a legitimate entertainment industry presence, opening doors to additional high-profile collaborations and potentially providing a template for other social media creators seeking Hollywood partnerships.
Karen Read found not guilty of murder in retrial in boyfriend's death
Karen Read, the Massachusetts woman whose widely watched murder trial ended with a hung jury last year, was acquitted of second-degree murder Wednesday after prosecutors retried her in the 2022 death of her boyfriend, a Boston police officer.
A Norfolk County jury also acquitted Read of two lesser charges — motor vehicle manslaughter while driving under the influence and leaving the scene of a collision that caused the death of John O’Keefe.
Read, 45, was convicted of operating under the influence of liquor. She was sentenced to one year of probation immediately after the verdict was read
Cheers could be heard from outside the courtroom, where dozens of Read’s supporters were positioned across the street. Read tearfully hugged her family and defense team.
From the steps of the courthouse, Read thanked those who she said had provided financial and emotional support.
“No one has fought harder for justice for John O’Keefe than I have,” she said.
The prosecutor did not immediately comment on the verdict.
Several people who knew O'Keefe said in a statement that the result was "a devastating miscarriage of justice." Read’s defense lawyers had identified some who signed the statement as possible suspects who were not properly investigated in O'Keefe's death.
“Today, our hearts are with John and the entire O’Keefe family,” they said. “They have suffered through so much and deserved better from our justice system. While we may have more to say in the future, today we mourn with John’s family and lament the cruel reality that this prosecution was infected by lies and conspiracy theories spread by Karen Read, her defense team, and some in the media.”
The verdict came on the fourth day of deliberations, after nearly two months of testimony and after Norfolk County Superior Court Judge Beverly Cannone summoned prosecutors and defense lawyers to the courtroom for an unusual announcement: The jurors said they had reached a unanimous decision, she said, then reversed themselves and said they had not.
The trial featured dozens of witnesses, including a series of experts who, at times, offered highly technical testimony. Those specialists aimed to fill in an evidentiary record that included no eyewitness accounts or video of the events that left O’Keefe mortally wounded outside the suburban home of a now-retired Boston police sergeant during blizzard-like conditions on Jan. 29, 2022.
O’Keefe, 46, died of blunt force trauma to the head, according to the medical examiner’s report. Hypothermia was listed as a contributing factor.
Read had just dropped O’Keefe off at Albert’s home for a gathering when, the prosecution said, she struck him.
"She could have broken up with him," special prosecutor Hank Brennan told jurors in his closing argument. "She doesn't drive away. She takes that 6,000-pound Lexus and she makes a decision. The decision is, she steps on the gas after banging it into reverse."
Among the key pieces of evidence Brennan cited was data gathered from Read’s SUV. He called a biomechanical engineer who testified that at 12:32 a.m., outside Albert’s home, her Lexus was captured driving forward 34 feet, then suddenly accelerating backward for 53 feet at 24 mph.
No direct evidence of the hit was presented at trial, but the engineer testified that dozens of cuts on O’Keefe’s right arm were “consistent” with injuries caused by the Lexus’ broken taillight. The prosecutor presented crime scene photos that showed what he called a “debris field” — bits of red plastic scattered around the site of the apparent collision.
He also pointed to Read’s own words as evidence of her guilt. Read found O’Keefe’s body shortly after 6 a.m., and first responders recalled her repeatedly saying, “I hit him.”
Read rejected those allegations and said she watched O’Keefe enter Albert’s home. Her attorneys said that her words had been twisted into a confession and that she was the victim of law enforcement misconduct and a tunnel-vision investigation
In the first trial, Cannone, the judge, allowed Read’s lawyers to present a third-party culprit defense — or an alternative theory of the crime — and identify Albert and a federal agent, Brian Higgins, as possible suspects in a conspiracy that sought to frame Read for O'Keefe's death. (Both men have denied that.)
Cannone ruled Thursday that the attorneys had not met the threshold to do so in the recent proceedings and barred the defense from identifying them as such in their closing argument. But she allowed the lawyers to argue that authorities failed to properly investigate Higgins, an agent with the Bureau of Alcohol, Tobacco, Firearms and Explosives who’d been at the Jan. 29 gathering at Albert’s home.
The defense introduced a lengthy series of text messages between Higgins and Read in the weeks before O’Keefe’s death that showed the two flirting. But she stopped texting him on Jan. 23 — a move defense attorney Alan Jackson previously suggested could have prompted Higgins to hurt O’Keefe.
Both Higgins and Albert testified during the first trial. Neither appeared at the retrial.
The defense instead focused much of its attention on challenging the circumstantial evidence cited by the prosecution. An accident reconstruction expert testified that neither the damage to Read’s SUV nor the injuries to O’Keefe’s arm were consistent with a collision. A pathologist testified that his arm injuries appeared to be dog bites.
"There was no collision," Jackson said repeatedly during his closing argument.
Some of the defense’s most powerful testimony came from a snowplow driver who passed Albert’s home several times in the hours after the alleged collision. Asked if he saw a 216-pound, 6-foot-1 man lying in the yard, he responded flatly, “No.”
One of the most notable details about the proceedings was the absence of former Massachusetts State Police Trooper Michael Proctor. Proctor led the investigation into O’Keefe’s death and was fired over revelations that emerged in the first trial that he shared investigative details with non-law enforcement personnel and made derogatory comments about Read.
Defense lawyers argued that he led a biased and "corrupt" investigation — an allegation Proctor denied in the first trial — and although he was listed as a possible witness for both the prosecution and the defense, neither called him to testify in the retrial.
"That should stop you in your tracks," Jackson said in his closing argument. "Wouldn't you want to hear from the lead investigator?"
"Michael Proctor was clearly radioactive," he added. "The commonwealth stayed away from him."
In his closing argument, Brennan, the special prosecutor, said he didn't need Proctor's testimony to prove Read's guilt beyond a reasonable doubt
"I'm not saying you shouldn't be disgusted by the text messages," he said. "You should. But that doesn’t change the physical evidence, the scientific evidence and the data."
"He was terminated," Brennan added. "He was held responsible for what he did. He should have been. But that doesn't mean you get a free pass. That doesn't change the facts."
A Norfolk County jury also acquitted Read of two lesser charges — motor vehicle manslaughter while driving under the influence and leaving the scene of a collision that caused the death of John O’Keefe.
Read, 45, was convicted of operating under the influence of liquor. She was sentenced to one year of probation immediately after the verdict was read
Cheers could be heard from outside the courtroom, where dozens of Read’s supporters were positioned across the street. Read tearfully hugged her family and defense team.
From the steps of the courthouse, Read thanked those who she said had provided financial and emotional support.
“No one has fought harder for justice for John O’Keefe than I have,” she said.
The prosecutor did not immediately comment on the verdict.
Several people who knew O'Keefe said in a statement that the result was "a devastating miscarriage of justice." Read’s defense lawyers had identified some who signed the statement as possible suspects who were not properly investigated in O'Keefe's death.
“Today, our hearts are with John and the entire O’Keefe family,” they said. “They have suffered through so much and deserved better from our justice system. While we may have more to say in the future, today we mourn with John’s family and lament the cruel reality that this prosecution was infected by lies and conspiracy theories spread by Karen Read, her defense team, and some in the media.”
The verdict came on the fourth day of deliberations, after nearly two months of testimony and after Norfolk County Superior Court Judge Beverly Cannone summoned prosecutors and defense lawyers to the courtroom for an unusual announcement: The jurors said they had reached a unanimous decision, she said, then reversed themselves and said they had not.
The trial featured dozens of witnesses, including a series of experts who, at times, offered highly technical testimony. Those specialists aimed to fill in an evidentiary record that included no eyewitness accounts or video of the events that left O’Keefe mortally wounded outside the suburban home of a now-retired Boston police sergeant during blizzard-like conditions on Jan. 29, 2022.
O’Keefe, 46, died of blunt force trauma to the head, according to the medical examiner’s report. Hypothermia was listed as a contributing factor.
Read had just dropped O’Keefe off at Albert’s home for a gathering when, the prosecution said, she struck him.
"She could have broken up with him," special prosecutor Hank Brennan told jurors in his closing argument. "She doesn't drive away. She takes that 6,000-pound Lexus and she makes a decision. The decision is, she steps on the gas after banging it into reverse."
Among the key pieces of evidence Brennan cited was data gathered from Read’s SUV. He called a biomechanical engineer who testified that at 12:32 a.m., outside Albert’s home, her Lexus was captured driving forward 34 feet, then suddenly accelerating backward for 53 feet at 24 mph.
No direct evidence of the hit was presented at trial, but the engineer testified that dozens of cuts on O’Keefe’s right arm were “consistent” with injuries caused by the Lexus’ broken taillight. The prosecutor presented crime scene photos that showed what he called a “debris field” — bits of red plastic scattered around the site of the apparent collision.
He also pointed to Read’s own words as evidence of her guilt. Read found O’Keefe’s body shortly after 6 a.m., and first responders recalled her repeatedly saying, “I hit him.”
Read rejected those allegations and said she watched O’Keefe enter Albert’s home. Her attorneys said that her words had been twisted into a confession and that she was the victim of law enforcement misconduct and a tunnel-vision investigation
In the first trial, Cannone, the judge, allowed Read’s lawyers to present a third-party culprit defense — or an alternative theory of the crime — and identify Albert and a federal agent, Brian Higgins, as possible suspects in a conspiracy that sought to frame Read for O'Keefe's death. (Both men have denied that.)
Cannone ruled Thursday that the attorneys had not met the threshold to do so in the recent proceedings and barred the defense from identifying them as such in their closing argument. But she allowed the lawyers to argue that authorities failed to properly investigate Higgins, an agent with the Bureau of Alcohol, Tobacco, Firearms and Explosives who’d been at the Jan. 29 gathering at Albert’s home.
The defense introduced a lengthy series of text messages between Higgins and Read in the weeks before O’Keefe’s death that showed the two flirting. But she stopped texting him on Jan. 23 — a move defense attorney Alan Jackson previously suggested could have prompted Higgins to hurt O’Keefe.
Both Higgins and Albert testified during the first trial. Neither appeared at the retrial.
The defense instead focused much of its attention on challenging the circumstantial evidence cited by the prosecution. An accident reconstruction expert testified that neither the damage to Read’s SUV nor the injuries to O’Keefe’s arm were consistent with a collision. A pathologist testified that his arm injuries appeared to be dog bites.
"There was no collision," Jackson said repeatedly during his closing argument.
Some of the defense’s most powerful testimony came from a snowplow driver who passed Albert’s home several times in the hours after the alleged collision. Asked if he saw a 216-pound, 6-foot-1 man lying in the yard, he responded flatly, “No.”
One of the most notable details about the proceedings was the absence of former Massachusetts State Police Trooper Michael Proctor. Proctor led the investigation into O’Keefe’s death and was fired over revelations that emerged in the first trial that he shared investigative details with non-law enforcement personnel and made derogatory comments about Read.
Defense lawyers argued that he led a biased and "corrupt" investigation — an allegation Proctor denied in the first trial — and although he was listed as a possible witness for both the prosecution and the defense, neither called him to testify in the retrial.
"That should stop you in your tracks," Jackson said in his closing argument. "Wouldn't you want to hear from the lead investigator?"
"Michael Proctor was clearly radioactive," he added. "The commonwealth stayed away from him."
In his closing argument, Brennan, the special prosecutor, said he didn't need Proctor's testimony to prove Read's guilt beyond a reasonable doubt
"I'm not saying you shouldn't be disgusted by the text messages," he said. "You should. But that doesn’t change the physical evidence, the scientific evidence and the data."
"He was terminated," Brennan added. "He was held responsible for what he did. He should have been. But that doesn't mean you get a free pass. That doesn't change the facts."
Diddy trial canceled for day after juror reports vertigo-like symptoms
Sean "Diddy" Combs' sex-trafficking trial has unexpectedly adjourned for the day due to a juror's health.
Judge Arun Subramanian excused the jury in Combs' trial on Wednesday, June 18, after a juror reported vertigo-like symptoms on the way into court.
The trial was already scheduled to take a brief recess on June 19 in observance of the Juneteenth holiday. It will resume on Friday, June 20.
Combs' former assistant Brendan Paul had been expected to testify against his ex-boss in court on June 18. The 26-year-old former Syracuse University basketball player previously faced felony charges for drug possession when he was arrested on the same day as the raids of Combs' homes, but the case was later closed.
Paul's testimony will come after prosecutors probed Combs' alleged sex-trafficking enterprise with the help of unearthed personal messages, videos and other evidence. Jurors were shown roughly 20 minutes of what appeared to be video footage created between 2012 and 2014 of Combs' "freak offs," a series of elaborate sexual performances he's been accused of orchestrating.
U.S. attorneys plan on calling two to three more witnesses, including Paul, before resting their case.
Combs, 55, was arrested in September and charged with sex trafficking, racketeering and transportation to engage in prostitution. He has pleaded not guilty.
In February 2024, music producer and Combs' collaborator Rodney "Lil Rod" Jones Jr. mentioned Paul in his civil lawsuit against Combs that alleged sexual assault and harassment.
A month later, on the afternoon of March 25, 2024 — the same day Combs' homes were raided in Miami and Los Angeles — Paul was arrested by local police at the Miami-Opa Locka Executive Airport. Per an arrest affidavit obtained by USA TODAY at the time, Florida prosecutors leveled two felony charges of possession of a controlled substance against him, alleging he'd packed cocaine and marijuana-laced candy in his luggage.
"Brendan Paul: Works as Mr. Combs' Mule," Jones' lawsuit said, adding two photos of Paul and Combs together for reference. Jones claimed Paul allegedly "procured, transported and distributed" drugs including ecstasy, cocaine, GHB, ketamine, marijuana and mushrooms. Jones also said Paul would acquire and distribute guns for Combs and "negotiate the fees the sex workers received and would ensure that the workers are paid" on Combs' behalf.
On Dec. 17, 2024, prosecutors declined to proceed with the one outstanding charge of cocaine possession, and the case was closed. Paul had "completed a pre-trial diversion course sometimes offered for first-time offenders," his attorney told USA TODAY at the time.
Sean "Diddy" Combs' sex-trafficking trial has unexpectedly adjourned for the day due to a juror's health.
Judge Arun Subramanian excused the jury in Combs' trial on Wednesday, June 18, after a juror reported vertigo-like symptoms on the way into court.
The trial was already scheduled to take a brief recess on June 19 in observance of the Juneteenth holiday. It will resume on Friday, June 20.
Combs' former assistant Brendan Paul had been expected to testify against his ex-boss in court on June 18. The 26-year-old former Syracuse University basketball player previously faced felony charges for drug possession when he was arrested on the same day as the raids of Combs' homes, but the case was later closed.
Paul's testimony will come after prosecutors probed Combs' alleged sex-trafficking enterprise with the help of unearthed personal messages, videos and other evidence. Jurors were shown roughly 20 minutes of what appeared to be video footage created between 2012 and 2014 of Combs' "freak offs," a series of elaborate sexual performances he's been accused of orchestrating.
U.S. attorneys plan on calling two to three more witnesses, including Paul, before resting their case.
Combs, 55, was arrested in September and charged with sex trafficking, racketeering and transportation to engage in prostitution. He has pleaded not guilty.
In February 2024, music producer and Combs' collaborator Rodney "Lil Rod" Jones Jr. mentioned Paul in his civil lawsuit against Combs that alleged sexual assault and harassment.
A month later, on the afternoon of March 25, 2024 — the same day Combs' homes were raided in Miami and Los Angeles — Paul was arrested by local police at the Miami-Opa Locka Executive Airport. Per an arrest affidavit obtained by USA TODAY at the time, Florida prosecutors leveled two felony charges of possession of a controlled substance against him, alleging he'd packed cocaine and marijuana-laced candy in his luggage.
"Brendan Paul: Works as Mr. Combs' Mule," Jones' lawsuit said, adding two photos of Paul and Combs together for reference. Jones claimed Paul allegedly "procured, transported and distributed" drugs including ecstasy, cocaine, GHB, ketamine, marijuana and mushrooms. Jones also said Paul would acquire and distribute guns for Combs and "negotiate the fees the sex workers received and would ensure that the workers are paid" on Combs' behalf.
On Dec. 17, 2024, prosecutors declined to proceed with the one outstanding charge of cocaine possession, and the case was closed. Paul had "completed a pre-trial diversion course sometimes offered for first-time offenders," his attorney told USA TODAY at the time.
Eric Dane Walks First Red Carpet Since Going Public with ALS Diagnosis with Girlfriend Janell Shirtcliff at 'Countdown' Premiere
Eric Dane is hitting the red carpet at the premiere of his new Prime Video series. The 52-year-old actor held hands with girlfriend Janell Shirtcliff at the premiere of Countdown on Wednesday (June 18) held at the Harmony Gold Theater in Los Angeles.
The event marked the first red carpet event Eric has attended since going public with his ALS diagnosis in April.
“I feel good,” Eric told Variety on the red carpet. “It’s nice to be here with everybody and see the hours and hours of work that we put into this come alive on screen.”
Also joining Eric at the premiere were his co-stars Jensen Ackles, Jessica Camacho, Violett Beane, Uli Latukefu, Elliot Knight, and Merrick McCartha.
Here’s the show’s synopsis: When an officer with the Department of Homeland Security is murdered in broad daylight, LAPD detective Mark Meachum, portrayed by Jensen, is recruited to a secret task force, alongside undercover agents from all branches of law enforcement, to investigate. But the hunt for the killer soon uncovers a plot far more sinister than anyone could have imagined, kicking off a race against time to save a city of millions.
The first three episodes of Countdown will drop on Wednesday (June 25) and will run through the summer until the season 1 finale on September 3.
The event marked the first red carpet event Eric has attended since going public with his ALS diagnosis in April.
“I feel good,” Eric told Variety on the red carpet. “It’s nice to be here with everybody and see the hours and hours of work that we put into this come alive on screen.”
Also joining Eric at the premiere were his co-stars Jensen Ackles, Jessica Camacho, Violett Beane, Uli Latukefu, Elliot Knight, and Merrick McCartha.
Here’s the show’s synopsis: When an officer with the Department of Homeland Security is murdered in broad daylight, LAPD detective Mark Meachum, portrayed by Jensen, is recruited to a secret task force, alongside undercover agents from all branches of law enforcement, to investigate. But the hunt for the killer soon uncovers a plot far more sinister than anyone could have imagined, kicking off a race against time to save a city of millions.
The first three episodes of Countdown will drop on Wednesday (June 25) and will run through the summer until the season 1 finale on September 3.
Tim Bagley Claims He Couldn't Audition for 'Saturday Night Live' as Openly Gay Man
Tim Bagley is looking back at trying to land a role on Saturday Night Live.
In a new interview, the 67-year-old actor – who has appeared on shows including Grace & Frankie, Will & Grace, Web Therapy, and Somebody Somewhere – recalled being a member of the sketch comedy troupe the Groundlings back in the 1980s.
Despite being a part of the group that launched the careers of many SNL stars, Tim claimed that back at that time, he couldn’t audition for the NBC sketch comedy series because he was a publicly out gay man.
“I was out as a gay man and people knew that they would not hire openly gay people,” Tim alleged on The Julia Cunningham Show, referencing SNL boss Lorne Michaels and late manager Bernie Brillstein.
“[They] had kind of a thing where they did not hire gay people, so I never got to audition,” Tim continued. “All my friends did, and I was always kind of a standout at the Groundlings, but I was out. That [was] the problem with being out back then was there were no guardrails. I mean, if somebody didn’t want to have you on their show, they just [didn't have to]. They weren’t trying to seek out LGBTQ people back then.”
He added, “It’s taken a long time, but the SNL machine has kind of changed or shifted, and I know that there are people that have come out since.”
Tim isn’t the first person to accuses SNL of not hiring openly gay people back in the day. In 2018, comedian James Adomian told The Daily Beast that he believes he never landed a role on SNL, despite auditioning several times in the early 2000s, because he is also openly gay.
“I’m not homophobic, but I’m afraid that my audience is,” James theorized SNL execs believed at the time. “I think that Lorne Michaels is afraid of America’s dads… ‘I’m not gonna let my kid watch a show with a gay man!’”
Despite Tim and James‘ claims, Terry Sweeney was SNL‘s first openly gay cast member, who joined the show for one season back in 1985, the same year Lorne returned as executive producer following a five-year hiatus.
In an interview on the SNL50 red carpet earlier this year, Terry admitted that his time on the show was not easy.
“It was tough for me. Some people wouldn’t write for me because I was gay,” Terry told The Wrap. “Or they go, ‘I don’t know what a gay…’—like, they needed a mailman for a sketch. They go, ‘Well, we don’t need a gay mailman, so we can’t use you.’ I go, ‘You know I can deliver mail?’ So everything was like, ‘You’re gay and I don’t really know what that world is about.’ And the fact that I did drag, they were like, ‘Is the circus coming to town?’”
If you missed it, Kenan Thompson teased big changes for the next season of Saturday Night Live.
Tim Bagley is looking back at trying to land a role on Saturday Night Live.
In a new interview, the 67-year-old actor – who has appeared on shows including Grace & Frankie, Will & Grace, Web Therapy, and Somebody Somewhere – recalled being a member of the sketch comedy troupe the Groundlings back in the 1980s.
Despite being a part of the group that launched the careers of many SNL stars, Tim claimed that back at that time, he couldn’t audition for the NBC sketch comedy series because he was a publicly out gay man.
“I was out as a gay man and people knew that they would not hire openly gay people,” Tim alleged on The Julia Cunningham Show, referencing SNL boss Lorne Michaels and late manager Bernie Brillstein.
“[They] had kind of a thing where they did not hire gay people, so I never got to audition,” Tim continued. “All my friends did, and I was always kind of a standout at the Groundlings, but I was out. That [was] the problem with being out back then was there were no guardrails. I mean, if somebody didn’t want to have you on their show, they just [didn't have to]. They weren’t trying to seek out LGBTQ people back then.”
He added, “It’s taken a long time, but the SNL machine has kind of changed or shifted, and I know that there are people that have come out since.”
Tim isn’t the first person to accuses SNL of not hiring openly gay people back in the day. In 2018, comedian James Adomian told The Daily Beast that he believes he never landed a role on SNL, despite auditioning several times in the early 2000s, because he is also openly gay.
“I’m not homophobic, but I’m afraid that my audience is,” James theorized SNL execs believed at the time. “I think that Lorne Michaels is afraid of America’s dads… ‘I’m not gonna let my kid watch a show with a gay man!’”
Despite Tim and James‘ claims, Terry Sweeney was SNL‘s first openly gay cast member, who joined the show for one season back in 1985, the same year Lorne returned as executive producer following a five-year hiatus.
In an interview on the SNL50 red carpet earlier this year, Terry admitted that his time on the show was not easy.
“It was tough for me. Some people wouldn’t write for me because I was gay,” Terry told The Wrap. “Or they go, ‘I don’t know what a gay…’—like, they needed a mailman for a sketch. They go, ‘Well, we don’t need a gay mailman, so we can’t use you.’ I go, ‘You know I can deliver mail?’ So everything was like, ‘You’re gay and I don’t really know what that world is about.’ And the fact that I did drag, they were like, ‘Is the circus coming to town?’”
If you missed it, Kenan Thompson teased big changes for the next season of Saturday Night Live.
Trump Relocates Martin Luther King Jr. Bust from Oval Office, Sparking Controversy
*President Donald Trump has shifted a bronze bust of civil rights icon Rev. Martin Luther King Jr. from the Oval Office to his private dining room, a White House official confirmed to USA TODAY.
The bust, originally placed in the Oval Office by former President Barack Obama in 2009, now resides steps away from its former location, where Trump conducts private meetings and lunches with senior staff.
This change accompanies other Oval Office alterations, including gold ornaments, figurines, and a framed Declaration of Independence behind blue velvet curtains.
The King bust, crafted by Black artist Charles Alston in 1970 for $5,000 and on loan from the Smithsonian, was first introduced to the White House library in 2000 under President Bill Clinton. Obama relocated it to the Oval Office upon taking office.
Meanwhile, Trump reinstated a bust of Winston Churchill, sculpted by Sir Jacob Epstein, to the Oval Office on January 20, fulfilling a promise from his first term. Obama had previously moved the Churchill bust to the White House’s Treaty Room.
The decision to move King’s bust has drawn sharp criticism. The NAACP, a leading civil rights organization, announced it will not invite Trump to its July 2025 National Convention in Charlotte, North Carolina, breaking a 116-year tradition of inviting every sitting U.S. president.
“This has nothing to do with political party,” said NAACP President Derrick Johnson. “Our mission is to advance civil rights, and the current president has made clear that his mission is to eliminate civil rights.”
The NAACP cited Trump’s executive orders dismantling diversity, equity, and inclusion programs, proposed cuts to Medicare and education, mass immigration raids, and the use of military force against protesters as reasons for the exclusion.
The relocation of King’s bust, paired with these policies, has intensified debates about Trump’s stance on civil rights.
The bust, originally placed in the Oval Office by former President Barack Obama in 2009, now resides steps away from its former location, where Trump conducts private meetings and lunches with senior staff.
This change accompanies other Oval Office alterations, including gold ornaments, figurines, and a framed Declaration of Independence behind blue velvet curtains.
The King bust, crafted by Black artist Charles Alston in 1970 for $5,000 and on loan from the Smithsonian, was first introduced to the White House library in 2000 under President Bill Clinton. Obama relocated it to the Oval Office upon taking office.
Meanwhile, Trump reinstated a bust of Winston Churchill, sculpted by Sir Jacob Epstein, to the Oval Office on January 20, fulfilling a promise from his first term. Obama had previously moved the Churchill bust to the White House’s Treaty Room.
The decision to move King’s bust has drawn sharp criticism. The NAACP, a leading civil rights organization, announced it will not invite Trump to its July 2025 National Convention in Charlotte, North Carolina, breaking a 116-year tradition of inviting every sitting U.S. president.
“This has nothing to do with political party,” said NAACP President Derrick Johnson. “Our mission is to advance civil rights, and the current president has made clear that his mission is to eliminate civil rights.”
The NAACP cited Trump’s executive orders dismantling diversity, equity, and inclusion programs, proposed cuts to Medicare and education, mass immigration raids, and the use of military force against protesters as reasons for the exclusion.
The relocation of King’s bust, paired with these policies, has intensified debates about Trump’s stance on civil rights.
50 Cent Goes Global as Roku Channel Hits the UK
50 Cent is taking his media game across the pond, as they say when you’re going to the United Kingdom, with a major expansion that signals his global vision is just getting warmed up. The mogul’s streaming platform, 50 Cent Action, is now available in the UK for $3.99 a month, marking its first move beyond U.S. borders since its launch.
Big move by 50. UK business.
Speaking with Deadline, 50 broke down why London was the perfect next step. “In London, everyone feels a connection. For anyone from New York or American recording artists, London is typically the first destination where they experience international appreciation,” he said.
This clear expansion is more than just business for Curtis Jackson. It’s personal. He believes the fans who have supported him since his early music days are now ready to follow his growth into the world of television and film. “My core audience, the individuals who enjoyed my music from the outset, are now older and at home. They will comprehend the creative entertainment decisions I make. I have blended music with entertainment,” he shared. “Launching in the UK is significant because I have a substantial audience here that hasn’t been able to engage with us. Now they finally have the opportunity to experience it.”
The FAST channel features titles from Lionsgate’s deep library as well as action films starring 50 himself, including Righteous Kill, 13, and The Expendables 4. Fans can also stream episodes from his blockbuster series Power.
And it’s already making waves. “My @50centaction channel is ranked in the top 5% of over 500 channels on Roku. I have more content coming your way today stay tuned!” he posted on the Gram.
NAACP Snubs Trump—First Sitting President Ever Banned from National Convention
For the first time in its 116-year history, the NAACP has decided not to invite a sitting president to its national convention. The civil rights organization announced Monday that Donald Trump will not be welcome at its upcoming convention in Charlotte, North Carolina.
NAACP President Derrick Johnson explained the decision during a press conference, stating, “This has nothing to do with political party. Our mission is to advance civil rights, and the current president has made clear that his mission is to eliminate civil rights.”
A request for comment from the White House was not immediately answered.
The organization pointed to a series of lawsuits it has filed against Trump’s administration, including one in April challenging the Department of Education’s efforts to cut funding from schools that refused to dismantle diversity, equity, and inclusion programs. The NAACP contends these moves interfere with lawful attempts to ensure Black students have equal educational opportunities.
“There is a rich history of both Republicans and Democrats attending our convention,” the NAACP said in a statement, recalling that President Harry Truman was the first to do so in 1947.
Even presidents who faced sharp criticism from the organization have still been invited. George W. Bush addressed the convention in 2006 following backlash over Hurricane Katrina, and Ronald Reagan spoke in 1981 despite criticism of racially charged campaign language. During that speech, Reagan denounced white supremacist groups and pledged federal action against civil rights violations.
This year marks a stark departure from that tradition.
Will Smith Admits Encouraging “Radical Honesty” With His Kids Was a “Terrible Mistake”
Will Smith has always been open about his family life, but now he’s admitting that being “too” open at home may have backfired.
In a recent interview on “Heart Breakfast” with Jamie and Amanda, the actor shared a rare parenting confession: encouraging full-blown honesty with his kids turned out to be one of his biggest regrets.
“We made a very, very, very terrible mistake with our children, and we went with radical honesty,” Will said bluntly. “Don’t do it. I’m not advocating for it.”
He explained that he and his wife, Jada Pinkett Smith, made a deal with their children early on: Jaden and Willow could always tell the truth without fear of punishment.
“The only way you can get in trouble in this house is if we find out you did something and you don’t tell the truth,” Will recalled. “It’s a mistake. It’s terrible. Because they do whatever they want and then just come tell you. It’s awful, don’t try it.”
Will didn’t sugarcoat the experience. “You want your kids to lie, definitely,” he added. “You don’t want to know some of the stuff your kids are thinking of doing.”
The “Fresh Prince” star is father to three children: 32-year-old Trey (with ex-wife Sheree Zampino), Jaden, 26, and Willow, 24, with Jada.
After all these years, he’s come to realize that total transparency might sound ideal, but in real-life parenting, some truths are better left unsaid.
In a recent interview on “Heart Breakfast” with Jamie and Amanda, the actor shared a rare parenting confession: encouraging full-blown honesty with his kids turned out to be one of his biggest regrets.
“We made a very, very, very terrible mistake with our children, and we went with radical honesty,” Will said bluntly. “Don’t do it. I’m not advocating for it.”
He explained that he and his wife, Jada Pinkett Smith, made a deal with their children early on: Jaden and Willow could always tell the truth without fear of punishment.
“The only way you can get in trouble in this house is if we find out you did something and you don’t tell the truth,” Will recalled. “It’s a mistake. It’s terrible. Because they do whatever they want and then just come tell you. It’s awful, don’t try it.”
Will didn’t sugarcoat the experience. “You want your kids to lie, definitely,” he added. “You don’t want to know some of the stuff your kids are thinking of doing.”
The “Fresh Prince” star is father to three children: 32-year-old Trey (with ex-wife Sheree Zampino), Jaden, 26, and Willow, 24, with Jada.
After all these years, he’s come to realize that total transparency might sound ideal, but in real-life parenting, some truths are better left unsaid.
Beyoncé Opens Up About Psoriasis And The Story Behind CÉCRED’s Clarifying Scalp Scrub
Beyoncé just gave us something rare: a peek behind the product that dove straight into the heart of her hair story. In a new video posted on CÉCRED’s Instagram, she opened up about the inspiration behind one of her favorite products in the line, the Clarifying Shampoo & Scalp Scrub. The message was personal, emotional, and deeply textured with history.
Clips of her as a child were woven into the video, soft frames of a young Bey with that familiar sparkle in her eye, but it was the salon chair moment that really hit. Hair out and salon cape on, she shared that she suffers from psoriasis and has struggled with a dry scalp for many years. “People talk about healthy hair, but it starts with a healthy scalp,” Bey said, looking straight into the camera.
And then there was the trip down memory lane -- the part that made this more than a promo. “One of my fondest memories growing up was my dad putting my medicine on my scalp,” she recalled. “It was like our little ritual. It was so sweet of my dad to do that.” It’s beautiful to know that, that’s where part of the inspiration for CÉCRED came from — a sacred moment between father and daughter.
The Clarifying Shampoo & Scalp Scrub goes deeper than exfoliation and clean roots. It’s about fostering legacy and love in our haircare. The Queen’s transparency with her hair journey could help break the silence around scalp conditions while spotlighting rituals that have always lived in Black households, from the kitchen sink to the salon chair.
No matter the industry the worldwide superstar enters, she centers education and authenticity – and that, among many other things, is what we love about Bey Bey.
Clips of her as a child were woven into the video, soft frames of a young Bey with that familiar sparkle in her eye, but it was the salon chair moment that really hit. Hair out and salon cape on, she shared that she suffers from psoriasis and has struggled with a dry scalp for many years. “People talk about healthy hair, but it starts with a healthy scalp,” Bey said, looking straight into the camera.
And then there was the trip down memory lane -- the part that made this more than a promo. “One of my fondest memories growing up was my dad putting my medicine on my scalp,” she recalled. “It was like our little ritual. It was so sweet of my dad to do that.” It’s beautiful to know that, that’s where part of the inspiration for CÉCRED came from — a sacred moment between father and daughter.
The Clarifying Shampoo & Scalp Scrub goes deeper than exfoliation and clean roots. It’s about fostering legacy and love in our haircare. The Queen’s transparency with her hair journey could help break the silence around scalp conditions while spotlighting rituals that have always lived in Black households, from the kitchen sink to the salon chair.
No matter the industry the worldwide superstar enters, she centers education and authenticity – and that, among many other things, is what we love about Bey Bey.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
HAVE A GREAT WEEKEND ALL!!!
EFREM
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