#MAGFAB: Gugu Mbatha-Raw for Grazia UK
Nice!
#RHOA: An 11th Hour Miracle! Drew Sidora Blocks Eviction From Georgia Mansion Amid Brutal Divorce Battle
It looks like Real Housewives of Atlanta star Drew Sidora just got a major court win in her divorce saga. A Georgia judge changed course in a last-minute decision, ruling that Sidora no longer has to vacate the marital mansion she still shares with her estranged husband, Ralph Pittman.
The surprise ruling marks a big triumph in the ongoing drama of Drew Sidora’s divorce. The actress had been facing a strict, ticking deadline of May 31 to pack up her things and move out of the property. With that deadline completely dissolved by the court, new legal documents confirm that both parties are officially permitted to remain under the same roof for the time being while they continue to navigate their highly contentious split.
The sudden change of heart from the judge comes after Drew filed an urgent request begging the court to reconsider its original position. In her previous filings, the singer argued that forcing her out of the home on such short notice would place an impossible burden on her family, claiming she lacked the financial resources to secure a new home for herself and her 14-year-old son, Josiah, from a previous relationship. She explained to the judge that the eviction could leave them homeless.
Originally, the judge had shown very little sympathy for her predicament. According to TMZ, a previous temporary order required Drew and Ralph to continue splitting household expenses down the middle only until her scheduled departure date. In her filings, Drew pointed out the massive income disparity between the two, alleging that the podcaster makes three times her income. She also lobbed financial accusations at her ex, claiming Ralph had run up a past-due mortgage balance of $25,251.07.
The battle over their physical house reflects the toxic nature of Drew Sidora’s divorce, which has been playing out in the public eye since both parties filed separate documents back in March 2023. While Drew’s amended filings initially accused Ralph of being a cheater who subjected her to mental and financial abuse, Ralph has used his platform to mount an aggressive smear campaign of his own.
As previously reported, last summer, Ralph took to social media to unleash a massive wave of digital bombshells aimed at destroying his estranged wife’s public image. The entrepreneur dropped screenshots of affectionate text threads on X (formerly Twitter) to back up his long-standing claims that Drew was stepping out on their marriage. He alleged that she was involved with a business consultant named Blakk and shared photos that appeared to show former WNBA star Ty Young kissing Drew on the neck.
“It’s crazy how I’m called a serial cheater with no receipts, when the affair that ended our marriage is denied like explicit details haven’t been out there for years,” Ralph wrote at the time, blasting her for faking emotions for the cameras. He even claimed that their infamous RHOA storyline regarding his unannounced solo trip to Tampa, Fla., was a fabricated reenactment engineered by producers to turn him into a reality TV villain.
Drew has consistently denied crossing the line into romance with either Blakk or Ty Young, maintaining that those relationships were purely platonic distractions from the breakdown of her marriage. Despite the heavy mudslinging, she has publicly stated that her focus remains entirely on protecting her kids. The former couple shares joint legal custody of their two young children, 10-year-old Machai and eight-year-old Aniya.
It looks like Real Housewives of Atlanta star Drew Sidora just got a major court win in her divorce saga. A Georgia judge changed course in a last-minute decision, ruling that Sidora no longer has to vacate the marital mansion she still shares with her estranged husband, Ralph Pittman.
The surprise ruling marks a big triumph in the ongoing drama of Drew Sidora’s divorce. The actress had been facing a strict, ticking deadline of May 31 to pack up her things and move out of the property. With that deadline completely dissolved by the court, new legal documents confirm that both parties are officially permitted to remain under the same roof for the time being while they continue to navigate their highly contentious split.
The sudden change of heart from the judge comes after Drew filed an urgent request begging the court to reconsider its original position. In her previous filings, the singer argued that forcing her out of the home on such short notice would place an impossible burden on her family, claiming she lacked the financial resources to secure a new home for herself and her 14-year-old son, Josiah, from a previous relationship. She explained to the judge that the eviction could leave them homeless.
Originally, the judge had shown very little sympathy for her predicament. According to TMZ, a previous temporary order required Drew and Ralph to continue splitting household expenses down the middle only until her scheduled departure date. In her filings, Drew pointed out the massive income disparity between the two, alleging that the podcaster makes three times her income. She also lobbed financial accusations at her ex, claiming Ralph had run up a past-due mortgage balance of $25,251.07.
The battle over their physical house reflects the toxic nature of Drew Sidora’s divorce, which has been playing out in the public eye since both parties filed separate documents back in March 2023. While Drew’s amended filings initially accused Ralph of being a cheater who subjected her to mental and financial abuse, Ralph has used his platform to mount an aggressive smear campaign of his own.
As previously reported, last summer, Ralph took to social media to unleash a massive wave of digital bombshells aimed at destroying his estranged wife’s public image. The entrepreneur dropped screenshots of affectionate text threads on X (formerly Twitter) to back up his long-standing claims that Drew was stepping out on their marriage. He alleged that she was involved with a business consultant named Blakk and shared photos that appeared to show former WNBA star Ty Young kissing Drew on the neck.
“It’s crazy how I’m called a serial cheater with no receipts, when the affair that ended our marriage is denied like explicit details haven’t been out there for years,” Ralph wrote at the time, blasting her for faking emotions for the cameras. He even claimed that their infamous RHOA storyline regarding his unannounced solo trip to Tampa, Fla., was a fabricated reenactment engineered by producers to turn him into a reality TV villain.
Drew has consistently denied crossing the line into romance with either Blakk or Ty Young, maintaining that those relationships were purely platonic distractions from the breakdown of her marriage. Despite the heavy mudslinging, she has publicly stated that her focus remains entirely on protecting her kids. The former couple shares joint legal custody of their two young children, 10-year-old Machai and eight-year-old Aniya.
#NewMusic from PJ Morton Releases New Single “Close Enough”

Six-time GRAMMY® Award-winning artist and producer PJ Morton has officially released his new single, “Close Enough,” available today across all digital streaming platforms. The track serves as the latest preview of the Gospel half of his highly anticipated double album, Saturday Night, Sunday Morning, slated for release on June 19, 2026, via Morton Records and the SRG-ILS Group.
Written and produced entirely by Morton, and recorded at his historic Studio in The Country in Bogalusa, Louisiana, “Close Enough” joins a string of recent promotional singles, including “Mercy,” “Mutual,” and “Sell My Soul.”
The forthcoming 18-track collection is billed as the most complete expression of Morton’s artistry to date. The double album physically and thematically divides his dual musical identities into a seamless coexistence of secular R&B (Saturday Night) and traditional Gospel (Sunday Morning), breaking down long-standing industry barriers between the genres.
“I’d always been made to choose,” Morton stated regarding the project’s inspiration. “There was always an unspoken rule that you had to choose one or the other. But is that a true reflection of life? Are we all one thing all the time? Is the soundtrack the same for having a worship experience with God as it is for falling in love? I didn’t want to choose this time. I’m both Saturday Night and Sunday Morning.”
LISTEN HERE:
In tandem with the album’s rollout, The National Museum of African American Music (NMAAM) has named Morton its Grand Marshal of Black Music Month for 2026.
To honor his career—which ranges from serving as a full-time member of Maroon 5 to earning the 2026 GRAMMY® Award for Best Gospel Album—the museum is launching a world-premiere exhibition titled Saturday Night, Sunday Morning. Opening on June 18 and running through September 30, the month-long celebration will feature exclusive artifacts, a listening party, and a headline appearance by Morton.
“PJ Morton is not just one of the most gifted musicians of his generation – he is a living embodiment of everything Black Music Month celebrates,” said Bill Jeffries, Executive Director of NMAAM.
Following a recent 2026 BET Awards nomination for the Dr. Bobby Jones Best Gospel/Inspirational Award, Morton is currently hosting a series of nationwide pop-up events to offer fans early physical access to the new album.
Later this summer, he will officially hit the road in support of the project, embarking on The Saturday Night, Sunday Morning Tour. The expansive international trek will feature more than 40 headline performances across North America, the United Kingdom, and Europe.
“Close Enough” is currently available for streaming and download, with pre-orders for Saturday Night, Sunday Morning officially open.
In tandem with the album’s rollout, The National Museum of African American Music (NMAAM) has named Morton its Grand Marshal of Black Music Month for 2026.
To honor his career—which ranges from serving as a full-time member of Maroon 5 to earning the 2026 GRAMMY® Award for Best Gospel Album—the museum is launching a world-premiere exhibition titled Saturday Night, Sunday Morning. Opening on June 18 and running through September 30, the month-long celebration will feature exclusive artifacts, a listening party, and a headline appearance by Morton.
“PJ Morton is not just one of the most gifted musicians of his generation – he is a living embodiment of everything Black Music Month celebrates,” said Bill Jeffries, Executive Director of NMAAM.
Following a recent 2026 BET Awards nomination for the Dr. Bobby Jones Best Gospel/Inspirational Award, Morton is currently hosting a series of nationwide pop-up events to offer fans early physical access to the new album.
Later this summer, he will officially hit the road in support of the project, embarking on The Saturday Night, Sunday Morning Tour. The expansive international trek will feature more than 40 headline performances across North America, the United Kingdom, and Europe.
“Close Enough” is currently available for streaming and download, with pre-orders for Saturday Night, Sunday Morning officially open.
#HipHopNews: M.I.A. Sues Kid Cudi for $2.8M After Tour Controversy
The rapper alleges she was wrongfully terminated from the Rebel Ragers Tour after onstage political statements.
M.I.A. has filed a $2.8 million lawsuit against Kid Cudi after she was kicked off of his tour. In May, Cudi fired M.I.A. from his Rebel Ragers Tour for “making offensive remarks” during her set as opening act. According to Variety, reps for M.I.A. issued a statement blasting Cudi for his actions.
“Kid Cudi’s attempts to silence freedom of artistic expression and speech on his Rebel Ragers Tour cannot go unchallenged,” read a statement from M.I.A.’s team. “Kid Cudi claimed shock over her comments he now labels as ‘offensive,’ and his abrupt and unjustified termination of her performance agreement is a desperate attempt to sell tickets for his tour that was drastically underselling. As a result, his false allegations have fueled a misguided, hive-minded pile-on based on a deliberate misrepresentation of her words.”
The lawsuit also states Cudi “directed Live Nation to fire M.I.A.,” and “portrayed himself as an aggrieved headliner forced to protect his fans” after insisting that she “’understood’ that she could not say anything ‘offensive’ on the tour.”
Neither Cudi nor his representatives have commented on the lawsuit or statement from MI.A.’s team. Reportedly, $2.8 million was determined to be the amount from a “guarantee” between the Rebel Rangers Tour promoter, Live Nation, and M.I.A. and her company, Neet Touring LLP. Lawyers for M.I.A. claim Live Nation agreed to pay her that amount “regardless of what she said on stage.”
“Here is the truth. M.I.A. was terminated to generate publicity for the tour, which has struggled with ticket sales,” reads the lawsuit obtained by Variety. “She was contractually allowed to say whatever she wanted on stage. M.I.A. now holds Kid Cudi accountable for his bad faith destruction of her contractual rights, business opportunities, and reputation.”
Cudi severed ties with M.I.A. after her statements onstage at a May 2 performance during the Dallas date at the Dos Equis Pavilion. As she was booed by concertgoers, she said things like, “I’ve been canceled for many reasons. I never thought I would be canceled for being a brown Republican voter,” and “I can’t do ‘Illegal,’ though some of you could be in the audience.”
The rapper alleges she was wrongfully terminated from the Rebel Ragers Tour after onstage political statements.
M.I.A. has filed a $2.8 million lawsuit against Kid Cudi after she was kicked off of his tour. In May, Cudi fired M.I.A. from his Rebel Ragers Tour for “making offensive remarks” during her set as opening act. According to Variety, reps for M.I.A. issued a statement blasting Cudi for his actions.
“Kid Cudi’s attempts to silence freedom of artistic expression and speech on his Rebel Ragers Tour cannot go unchallenged,” read a statement from M.I.A.’s team. “Kid Cudi claimed shock over her comments he now labels as ‘offensive,’ and his abrupt and unjustified termination of her performance agreement is a desperate attempt to sell tickets for his tour that was drastically underselling. As a result, his false allegations have fueled a misguided, hive-minded pile-on based on a deliberate misrepresentation of her words.”
The lawsuit also states Cudi “directed Live Nation to fire M.I.A.,” and “portrayed himself as an aggrieved headliner forced to protect his fans” after insisting that she “’understood’ that she could not say anything ‘offensive’ on the tour.”
Neither Cudi nor his representatives have commented on the lawsuit or statement from MI.A.’s team. Reportedly, $2.8 million was determined to be the amount from a “guarantee” between the Rebel Rangers Tour promoter, Live Nation, and M.I.A. and her company, Neet Touring LLP. Lawyers for M.I.A. claim Live Nation agreed to pay her that amount “regardless of what she said on stage.”
“Here is the truth. M.I.A. was terminated to generate publicity for the tour, which has struggled with ticket sales,” reads the lawsuit obtained by Variety. “She was contractually allowed to say whatever she wanted on stage. M.I.A. now holds Kid Cudi accountable for his bad faith destruction of her contractual rights, business opportunities, and reputation.”
Cudi severed ties with M.I.A. after her statements onstage at a May 2 performance during the Dallas date at the Dos Equis Pavilion. As she was booed by concertgoers, she said things like, “I’ve been canceled for many reasons. I never thought I would be canceled for being a brown Republican voter,” and “I can’t do ‘Illegal,’ though some of you could be in the audience.”
Kevin Hart Blamed After Republicans Hold Moment Of Silence For Cop Who Killed George Floyd

Kevin Hart’s refusal to apologize for the George Floyd roast joke has the Floyd family connecting it directly to Republicans honoring Derek Chauvin.
Kevin Hart is catching heat from all angles after his Netflix roast turned into a political nightmare that’s now connected to Republicans honoring the man who killed George Floyd.
The comedian defended Tony Hinchcliffe’s controversial George Floyd joke at the roast, calling it just edgy comedy, but now he’s taking the blame for opening the door that let racism walk right through.
Hinchcliffe’s punchline was brutal: “The Black community is so proud of you right now. George Floyd is looking up at us all laughing so hard he can’t breathe.”
The joke landed like a brick, and when the backlash came, Hart didn’t apologize.
Instead, he doubled down on The Breakfast Club, saying the joke “wasn’t tasteful” but that he understood why comedians tell that kind of material during roasts.
When asked if he should’ve stopped Hinchcliffe, Hart pushed back hard: “What do you want me to do? Drag him off? That’s not what I agreed to do.”
The Floyd family saw Hart’s refusal to take responsibility as a green light for something worse.
Days after the sixth anniversary of George Floyd’s murder, the Minnesota GOP held a moment of silence for Derek Chauvin at their state convention.
Chauvin, who’s serving 22.5 years in state prison plus 21 years federal time for violating Floyd’s civil rights, was being honored by Republicans to the family’s disbelief.
Travis Cains, spokesman for The Gianna and George Floyd Foundation, connected the dots directly: “To put a guy on the pedestal and hold a moment of silence for him is insane. The whole world knows that the public lynching of George Floyd was tragic.”
The foundation believes Kevin Hart’s joke “opened up doors for more racism,” and now they’re seeing it play out in real time.
Minnesota Attorney General Keith Ellison didn’t hold back, calling the GOP’s decision “an act of profound cruelty to the Floyd family.”
He said the moment of silence dishonored Floyd’s memory and wounded his loved ones all over again.
Hart’s stance that “it’s just comedy” has become the permission slip for something much darker.

Kevin Hart’s refusal to apologize for the George Floyd roast joke has the Floyd family connecting it directly to Republicans honoring Derek Chauvin.
Kevin Hart is catching heat from all angles after his Netflix roast turned into a political nightmare that’s now connected to Republicans honoring the man who killed George Floyd.
The comedian defended Tony Hinchcliffe’s controversial George Floyd joke at the roast, calling it just edgy comedy, but now he’s taking the blame for opening the door that let racism walk right through.
Hinchcliffe’s punchline was brutal: “The Black community is so proud of you right now. George Floyd is looking up at us all laughing so hard he can’t breathe.”
The joke landed like a brick, and when the backlash came, Hart didn’t apologize.
Instead, he doubled down on The Breakfast Club, saying the joke “wasn’t tasteful” but that he understood why comedians tell that kind of material during roasts.
When asked if he should’ve stopped Hinchcliffe, Hart pushed back hard: “What do you want me to do? Drag him off? That’s not what I agreed to do.”
The Floyd family saw Hart’s refusal to take responsibility as a green light for something worse.
Days after the sixth anniversary of George Floyd’s murder, the Minnesota GOP held a moment of silence for Derek Chauvin at their state convention.
Chauvin, who’s serving 22.5 years in state prison plus 21 years federal time for violating Floyd’s civil rights, was being honored by Republicans to the family’s disbelief.
Travis Cains, spokesman for The Gianna and George Floyd Foundation, connected the dots directly: “To put a guy on the pedestal and hold a moment of silence for him is insane. The whole world knows that the public lynching of George Floyd was tragic.”
The foundation believes Kevin Hart’s joke “opened up doors for more racism,” and now they’re seeing it play out in real time.
Minnesota Attorney General Keith Ellison didn’t hold back, calling the GOP’s decision “an act of profound cruelty to the Floyd family.”
He said the moment of silence dishonored Floyd’s memory and wounded his loved ones all over again.
Hart’s stance that “it’s just comedy” has become the permission slip for something much darker.
The Philadelphia Eagles trade A.J. Brown to the New England Patriots
The A.J. Brown era in Philly is over. The Philadelphia Eagles are trading A.J. Brown, arguably the best wide receiver in team history, to the New England Patriots. In return for Brown, the Eagles will receive a first-round pick in 2028 and a fifth-round pick in 2027.
In his four years in Philly after Howie Roseman swung a draft day trade for him in 2022, Brown averaged 85 catches, 1,259 yards and 8 TDs per season. The Eagles went from starting Jalen Reagor in 2021 to starting Brown in 2022, a drastic upgrade that elevated the Eagles' offense to the next level, instantly making them legitimate Super Bowl contenders.
During Brown's four seasons in Philly, the Eagles had a 47-15 regular season record in games Brown played in, plus a 6-2 record in the playoffs. He has truly been an outstanding franchise-changing type of player.
However, over the last couple of seasons, Brown has shown that he hasn't always been happy.
During the 2024 season, Brandon Graham let slip that the relationship between Brown and Jalen Hurts had soured a bit.
"I don't know the whole story, but I know that 1 is trying," Graham said during an interview on WIP. "11 could be a little better with how he responds to things. They were friends, but things have changed and I understand that because life happens. But the business side, we got to make sure we don't let the personal get in the way of the business."
That interview came after a win over the Panthers during which the passing attack struggled. When asked after the game what the offense could improve upon, Brown said, "Passing."
During a playoff game against the Packers, Brown was on the bench reading a motivational book titled "Inner Excellence," a moment that was largely viewed as quirky harmlessness, but did draw some criticism.
Ultimately, whatever was going on between Hurts and Brown didn't matter enough, because the Eagles would go on to win the Super Bowl. But even then, Brown raised eyebrows with commentary he made on Instagram following the Eagles' Super Bowl win over the Chiefs, in which he ranked personal domination over team success:
After a few days, I’ve had time to reflect on being a champion.
I tried to feel how everyone made it seem to be a champion and unfortunately it was short lived.. two days to be exact lol.
I’ve never been a champion at the highest level before but I thought my hard work would be justified by winning it all. It wasn’t. My thrill for this game comes when i dominate. It’s the Hunt that does it for me. It’s when the Db drops his head and surrender because he can’t F with me . The Intense battles. Early mornings. Late nights. Sacrifices. I love putting smiles on peoples faces, don’t get me wrong but it just wasn’t what I thought it would be. It’s the journey that I love the most. BACK 2 Work!
The following season in 2025, Brown made his frustrations clearer.
After a Week 4 game in Tampa during which he only had 2 catches for 7 yards, Brown tweeted a cryptic bible verse that he later deleted.
The following week, Brown had an opportunity to catch a deep throw from Hurts, but the ball fell harmlessly to the ground because Brown stopped running on his route.
The next day, PhillyVoice reported that Brown, Hurts and Saquon Barkley had a positive hours-long meeting. Hurts and Barkley confirmed that the meeting happened, but Brown oddly denied it.
Two games later, after a win over the Vikings, Brown took to Instagram again, posting, "Using me but not using me." He later deleted that post.
Soon after that, Brown made alarming comments while playing video games on Twitch with someone named "Janky Rondo," saying that his family was good, but everything else was a "s***show." He also urged fantasy football owners who had him on their rosters to trade him. When asked about his comments on Twitch, an unapologetic Brown said that he was upset with the offense as a whole.
After Brown dropped a crucial pass in the Wild Card round against the 49ers and was slow to get off the field before an ensuing Eagles punt, he had a sideline dustup with Nick Sirianni, who was imploring him to get off of the field more quickly.
Postgame, as media was entering the locker room to conduct postgame interviews, Brown hugged a few teammates — including Hurts — before making a quick exit, opting not to speak to the media, just as he hadn't done for the prior couple of months.
None of the above "incidents" or whatever you'd call them are all that bad on their own, but when you add them up and combine them with Brown's down season statistically and his generally joyless play, it's not hard for even a casual follower of the team to discern that he was not happy.
Brown has not attended any of the Eagles' offseason activities, including OTAs. During a press conference after one of the Eagles' OTA practices, Hurts had cordial words about Brown, but also revealed that he hadn't spoke with Brown since the end of the 2025 season, and that he did not attend his wedding. Once considered best friends, the relationship between Brown and Hurts very obviously deteriorated over time.
Brown was scheduled to count for $23,393,497 on the Eagles' salary cap this season. Because the Eagles have already paid him money that has not yet counted toward the cap, they are still on the hook for $43,515,106 in "dead money" that still has to count against their cap. Because he was traded after June 1, $16,353,497 will count against the cap in 2026, with the remaining $27,161,609 counting against the cap in 2027.
There will be major savings for the Eagles in 2027, 2028, and 2029, when Brown was scheduled to count for $133,121,609 on the cap during those three seasons combined. That's over $44 million per season. The aforementioned $27.2 million in 2027 "dead money" aside, that's all now off the Eagles' books.
The Eagles will also save $113 million in cash payouts to Brown if he had otherwise played out his contract in full, including $29 million in 2026. That is money that can go toward re-signing young star defensive players like Quinyon Mitchell, Cooper DeJean, Jalen Carter, Jalyx Hunt, etc.
As noted within our look at the financials of trading Brown earlier this offseason, the Eagles are always among the NFL's leaders in dead money, and will be for the foreseeable future. It is just how they structure contracts. In other words, they are much less concerned about dead money than fans and most media.
The Eagles have proven over the years that they will trade unhappy players. Brown joins a list of such players, like Carson Wentz, Haason Reddick, Zach Ertz, and Bryce Huff.
The loss of Brown will hurt the Eagles' offense, obviously. Brown's production can conceivably be replaced by DeVonta Smith, who will now become the focal point of the Eagles' passing attack. However, Smith's production as the WR2 will not be easily replaced by a new player in that role. The Eagles did add several receivers this offseason in anticipation of this trade, selecting Makai Lemon in the first round of the draft, trading for Dontayvion Wicks, and signing Marquise Brown in free agency.
Brown will turn 29 in June. He is still a very good player, but did show signs of decline in 2025, though his lack of elite production was arguably partly because of disinterest. If the Eagles kept Brown this offseason and attempted to deal him a year from now, his value would have almost certainly been substantially lower, especially if his production did not improve.
The A.J. Brown era in Philly is over. The Philadelphia Eagles are trading A.J. Brown, arguably the best wide receiver in team history, to the New England Patriots. In return for Brown, the Eagles will receive a first-round pick in 2028 and a fifth-round pick in 2027.
In his four years in Philly after Howie Roseman swung a draft day trade for him in 2022, Brown averaged 85 catches, 1,259 yards and 8 TDs per season. The Eagles went from starting Jalen Reagor in 2021 to starting Brown in 2022, a drastic upgrade that elevated the Eagles' offense to the next level, instantly making them legitimate Super Bowl contenders.
During Brown's four seasons in Philly, the Eagles had a 47-15 regular season record in games Brown played in, plus a 6-2 record in the playoffs. He has truly been an outstanding franchise-changing type of player.
However, over the last couple of seasons, Brown has shown that he hasn't always been happy.
During the 2024 season, Brandon Graham let slip that the relationship between Brown and Jalen Hurts had soured a bit.
"I don't know the whole story, but I know that 1 is trying," Graham said during an interview on WIP. "11 could be a little better with how he responds to things. They were friends, but things have changed and I understand that because life happens. But the business side, we got to make sure we don't let the personal get in the way of the business."
That interview came after a win over the Panthers during which the passing attack struggled. When asked after the game what the offense could improve upon, Brown said, "Passing."
During a playoff game against the Packers, Brown was on the bench reading a motivational book titled "Inner Excellence," a moment that was largely viewed as quirky harmlessness, but did draw some criticism.
Ultimately, whatever was going on between Hurts and Brown didn't matter enough, because the Eagles would go on to win the Super Bowl. But even then, Brown raised eyebrows with commentary he made on Instagram following the Eagles' Super Bowl win over the Chiefs, in which he ranked personal domination over team success:
After a few days, I’ve had time to reflect on being a champion.
I tried to feel how everyone made it seem to be a champion and unfortunately it was short lived.. two days to be exact lol.
I’ve never been a champion at the highest level before but I thought my hard work would be justified by winning it all. It wasn’t. My thrill for this game comes when i dominate. It’s the Hunt that does it for me. It’s when the Db drops his head and surrender because he can’t F with me . The Intense battles. Early mornings. Late nights. Sacrifices. I love putting smiles on peoples faces, don’t get me wrong but it just wasn’t what I thought it would be. It’s the journey that I love the most. BACK 2 Work!
The following season in 2025, Brown made his frustrations clearer.
After a Week 4 game in Tampa during which he only had 2 catches for 7 yards, Brown tweeted a cryptic bible verse that he later deleted.
The following week, Brown had an opportunity to catch a deep throw from Hurts, but the ball fell harmlessly to the ground because Brown stopped running on his route.
The next day, PhillyVoice reported that Brown, Hurts and Saquon Barkley had a positive hours-long meeting. Hurts and Barkley confirmed that the meeting happened, but Brown oddly denied it.
Two games later, after a win over the Vikings, Brown took to Instagram again, posting, "Using me but not using me." He later deleted that post.
Soon after that, Brown made alarming comments while playing video games on Twitch with someone named "Janky Rondo," saying that his family was good, but everything else was a "s***show." He also urged fantasy football owners who had him on their rosters to trade him. When asked about his comments on Twitch, an unapologetic Brown said that he was upset with the offense as a whole.
After Brown dropped a crucial pass in the Wild Card round against the 49ers and was slow to get off the field before an ensuing Eagles punt, he had a sideline dustup with Nick Sirianni, who was imploring him to get off of the field more quickly.
Postgame, as media was entering the locker room to conduct postgame interviews, Brown hugged a few teammates — including Hurts — before making a quick exit, opting not to speak to the media, just as he hadn't done for the prior couple of months.
None of the above "incidents" or whatever you'd call them are all that bad on their own, but when you add them up and combine them with Brown's down season statistically and his generally joyless play, it's not hard for even a casual follower of the team to discern that he was not happy.
Brown has not attended any of the Eagles' offseason activities, including OTAs. During a press conference after one of the Eagles' OTA practices, Hurts had cordial words about Brown, but also revealed that he hadn't spoke with Brown since the end of the 2025 season, and that he did not attend his wedding. Once considered best friends, the relationship between Brown and Hurts very obviously deteriorated over time.
Brown was scheduled to count for $23,393,497 on the Eagles' salary cap this season. Because the Eagles have already paid him money that has not yet counted toward the cap, they are still on the hook for $43,515,106 in "dead money" that still has to count against their cap. Because he was traded after June 1, $16,353,497 will count against the cap in 2026, with the remaining $27,161,609 counting against the cap in 2027.
There will be major savings for the Eagles in 2027, 2028, and 2029, when Brown was scheduled to count for $133,121,609 on the cap during those three seasons combined. That's over $44 million per season. The aforementioned $27.2 million in 2027 "dead money" aside, that's all now off the Eagles' books.
The Eagles will also save $113 million in cash payouts to Brown if he had otherwise played out his contract in full, including $29 million in 2026. That is money that can go toward re-signing young star defensive players like Quinyon Mitchell, Cooper DeJean, Jalen Carter, Jalyx Hunt, etc.
As noted within our look at the financials of trading Brown earlier this offseason, the Eagles are always among the NFL's leaders in dead money, and will be for the foreseeable future. It is just how they structure contracts. In other words, they are much less concerned about dead money than fans and most media.
The Eagles have proven over the years that they will trade unhappy players. Brown joins a list of such players, like Carson Wentz, Haason Reddick, Zach Ertz, and Bryce Huff.
The loss of Brown will hurt the Eagles' offense, obviously. Brown's production can conceivably be replaced by DeVonta Smith, who will now become the focal point of the Eagles' passing attack. However, Smith's production as the WR2 will not be easily replaced by a new player in that role. The Eagles did add several receivers this offseason in anticipation of this trade, selecting Makai Lemon in the first round of the draft, trading for Dontayvion Wicks, and signing Marquise Brown in free agency.
Brown will turn 29 in June. He is still a very good player, but did show signs of decline in 2025, though his lack of elite production was arguably partly because of disinterest. If the Eagles kept Brown this offseason and attempted to deal him a year from now, his value would have almost certainly been substantially lower, especially if his production did not improve.
Ultimately, the Eagles did well to salvage a favorable return. They traded first- and third-round picks for four of Brown's prime years, and will flip him on the downside of his career for a first- and fifth-round picks.
Serena Williams Seems to Be Planning Huge Tennis Comeback

Serena Williams is a busy mom of two, but at her core, she’s a tennis phenom. The 44-year-old famously said she was “evolving away from tennis” after her final match at the 2022 US Open. She didn’t use the word retire, leaving her tennis career’s future open. The strategy was smart. Sources claim Serena Williams is ready to return to tennis for the Queen’s Club Championships in London. According to US Weekly, Serena reportedly asked for a wild card into the doubles draw for the upcoming tournament.
During an episode of the Served with Andy Roddick podcast, Andy discussed the potential of Serena’s return with a guest who believes it’s a good move for everyone. Serena getting back on the court could show, once again, that moms can do just about anything they set their minds to, including pursuing a sports career.
Fans learning about Serena Williams’ potential return to tennis became very excited.
“If Serena Williams really comes back to tennis, the entire sport is going to feel electric again. Nobody brought power, pressure, glamour, and star power to a court like Serena. And yes, I will absolutely become annoying online if this happens,” the Notorious JTB shared on X.
Some think Serena’s grasping for attention, but true fans disagree.
“Serena williams doesn’t need attention. Even in retirement she has been in news. It’s just passion for competition. Unfair to call it attention,” a fan wrote.
Serena posted a reel on Instagram May 19 that reads, “Rumor has it……. I got a new trainer.” The video shows Serena on the court with her kids having a little fun. Was that a hit? Only time will tell.

Serena Williams is a busy mom of two, but at her core, she’s a tennis phenom. The 44-year-old famously said she was “evolving away from tennis” after her final match at the 2022 US Open. She didn’t use the word retire, leaving her tennis career’s future open. The strategy was smart. Sources claim Serena Williams is ready to return to tennis for the Queen’s Club Championships in London. According to US Weekly, Serena reportedly asked for a wild card into the doubles draw for the upcoming tournament.
During an episode of the Served with Andy Roddick podcast, Andy discussed the potential of Serena’s return with a guest who believes it’s a good move for everyone. Serena getting back on the court could show, once again, that moms can do just about anything they set their minds to, including pursuing a sports career.
Fans learning about Serena Williams’ potential return to tennis became very excited.
“If Serena Williams really comes back to tennis, the entire sport is going to feel electric again. Nobody brought power, pressure, glamour, and star power to a court like Serena. And yes, I will absolutely become annoying online if this happens,” the Notorious JTB shared on X.
Some think Serena’s grasping for attention, but true fans disagree.
“Serena williams doesn’t need attention. Even in retirement she has been in news. It’s just passion for competition. Unfair to call it attention,” a fan wrote.
Serena posted a reel on Instagram May 19 that reads, “Rumor has it……. I got a new trainer.” The video shows Serena on the court with her kids having a little fun. Was that a hit? Only time will tell.
A former Shelby police officer has been charged with assault after an investigation into an instance of "excessive use of force" during an arrest that drew national attention.
The North Carolina State Bureau of Investigation announced Monday that 22-year-old Karson Hyder was charged with one count of assault inflicting serious injury. Hyder turned himself in at the Cleveland County Detention Center at 10 a.m. Monday, the SBI confirmed. He was then processed and released on a $10,000 secured bond.
The SBI said it began the investigation at the request of Brad Fraser, chief of police for the Shelby Police Department, and Cleveland County District Attorney Mike Miller. The investigation "examined an allegation of excessive use of force," the SBI said.
Hyder's charge comes after a series of regional and national outlets reported that Hyder was seen repeatedly punching a Black woman during an arrest on Friday, May 29. Home surveillance footage obtained by CNN shows the police officer, now identified as Hyder, force the woman to the ground before punching her in the head at least ten times.
CNN reported that as Hyder and another officer tried to handcuff the woman after the incident, she asked for mental health care, said she was off her medication and repeatedly asked officers to call her father. The woman has since been identified by Cherrie Moore. According to a warrant, Moore, 34, fled the residence on foot and resisted arrest, assaulting Hyder by "grabbing and ripping (his) uniform."
A separate warrant filed Monday alleged Hyder "unlawfully and willfully did assault and strike Cherrie Moore" by grabbing her "by the arm, pushing her to the ground and striking her in the face with a closed fist, thereby inflicting serious injury, possible broken nose and busted lip."
Hyder was promptly fired from his job with the Shelby Police Department after this incident, Shelby Police Chief Brad Fraser announced Saturday. Hyder had also previously been placed on administrative suspension.
The SBI said no additional information was available at this time.
The North Carolina State Bureau of Investigation announced Monday that 22-year-old Karson Hyder was charged with one count of assault inflicting serious injury. Hyder turned himself in at the Cleveland County Detention Center at 10 a.m. Monday, the SBI confirmed. He was then processed and released on a $10,000 secured bond.
The SBI said it began the investigation at the request of Brad Fraser, chief of police for the Shelby Police Department, and Cleveland County District Attorney Mike Miller. The investigation "examined an allegation of excessive use of force," the SBI said.
Hyder's charge comes after a series of regional and national outlets reported that Hyder was seen repeatedly punching a Black woman during an arrest on Friday, May 29. Home surveillance footage obtained by CNN shows the police officer, now identified as Hyder, force the woman to the ground before punching her in the head at least ten times.
CNN reported that as Hyder and another officer tried to handcuff the woman after the incident, she asked for mental health care, said she was off her medication and repeatedly asked officers to call her father. The woman has since been identified by Cherrie Moore. According to a warrant, Moore, 34, fled the residence on foot and resisted arrest, assaulting Hyder by "grabbing and ripping (his) uniform."
A separate warrant filed Monday alleged Hyder "unlawfully and willfully did assault and strike Cherrie Moore" by grabbing her "by the arm, pushing her to the ground and striking her in the face with a closed fist, thereby inflicting serious injury, possible broken nose and busted lip."
Hyder was promptly fired from his job with the Shelby Police Department after this incident, Shelby Police Chief Brad Fraser announced Saturday. Hyder had also previously been placed on administrative suspension.
The SBI said no additional information was available at this time.
Russell Wilson Reportedly Headed To CBS Sports In Major Career Move

Russell Wilson may be preparing for a new role — and this time, it won’t involve throwing touchdowns.
According to ESPN’s Adam Schefter, the veteran quarterback is finalizing a deal to join CBS Sports as an NFL analyst. The reported move would place Wilson on the network’s popular pregame coverage as he transitions from the field to television.
The development comes after months of questions surrounding Wilson’s future in football. While the longtime NFL star reportedly explored opportunities to continue playing, CBS appears poised to bring him aboard for a different kind of Sunday role.
Wilson spent the 2025 season with the New York Giants following previous stints with the Seattle Seahawks, Denver Broncos and Pittsburgh Steelers. During his career, he earned multiple Pro Bowl selections and helped lead Seattle to a Super Bowl championship.
The reported agreement would see Wilson step into a studio lineup featuring some of football’s most recognizable personalities. Neither Wilson nor CBS Sports had publicly announced the deal at the time reports surfaced.
If finalized, the move would mark one of the biggest career pivots of Wilson’s professional journey, taking him from calling plays on the field to breaking down the action for millions of viewers at home.

Russell Wilson may be preparing for a new role — and this time, it won’t involve throwing touchdowns.
According to ESPN’s Adam Schefter, the veteran quarterback is finalizing a deal to join CBS Sports as an NFL analyst. The reported move would place Wilson on the network’s popular pregame coverage as he transitions from the field to television.
The development comes after months of questions surrounding Wilson’s future in football. While the longtime NFL star reportedly explored opportunities to continue playing, CBS appears poised to bring him aboard for a different kind of Sunday role.
Wilson spent the 2025 season with the New York Giants following previous stints with the Seattle Seahawks, Denver Broncos and Pittsburgh Steelers. During his career, he earned multiple Pro Bowl selections and helped lead Seattle to a Super Bowl championship.
The reported agreement would see Wilson step into a studio lineup featuring some of football’s most recognizable personalities. Neither Wilson nor CBS Sports had publicly announced the deal at the time reports surfaced.
If finalized, the move would mark one of the biggest career pivots of Wilson’s professional journey, taking him from calling plays on the field to breaking down the action for millions of viewers at home.
Change has become the center of a heated controversy following a tense public exchange involving longtime journalist Scott Pelley and the new executive producer of the acclaimed news program 60 Minutes, Bari Weiss. The dispute, marked by Pelley's strong accusation that Weiss "murdered" the show, has ignited debate about the direction and future of the iconic broadcast.
The conflict reportedly unfolded shortly after Weiss assumed her role as executive producer, a leadership change that has drawn significant attention. Scott Pelley, a veteran correspondent and former anchor of 60 Minutes, expressed vehement dissatisfaction with the program’s recent editorial direction under Weiss’s guidance, using the severe metaphor of "murdering" to describe the state of the show. This charged language underlines the depth of disagreement between the two media figures over the program’s trajectory.
While Pelley's critique was sharply worded, Bari Weiss’s response to these allegations has been notably measured. Official statements from Weiss emphasize her commitment to maintaining the journalistic integrity and long-standing reputation of 60 Minutes. She asserts that her vision aims to evolve the program to meet contemporary journalistic challenges without compromising its core values. Weiss has not publicly addressed the specific accusation of "murdering" the show but has highlighted her dedication to innovation and editorial rigor.
The controversy also reflects broader tensions within the media industry regarding changes in leadership styles and editorial focus, especially in legacy news programs adapting to a rapidly changing media landscape. Supporters of Weiss point to the necessity of revitalizing traditional formats to engage new audiences and address emerging social and political issues. Conversely, critics aligned with Pelley's perspective caution against drastic changes that might alienate loyal viewers or dilute the program’s historic identity.
Neither party has released further detailed statements, and no official comment has come from the network that airs 60 Minutes. The network’s silence leaves open questions about internal dynamics and how the leadership conflict might affect the show’s future content and reputation.
This dispute involving Change and prominent figures within 60 Minutes serves as a case study in the challenges faced by established media institutions navigating leadership transitions. As the situation develops, industry observers will be watching closely to see whether this controversy signals a deeper rift within one of television’s most respected news programs or if it will ultimately lead to a renewed vision under Weiss’s stewardship.
The conflict reportedly unfolded shortly after Weiss assumed her role as executive producer, a leadership change that has drawn significant attention. Scott Pelley, a veteran correspondent and former anchor of 60 Minutes, expressed vehement dissatisfaction with the program’s recent editorial direction under Weiss’s guidance, using the severe metaphor of "murdering" to describe the state of the show. This charged language underlines the depth of disagreement between the two media figures over the program’s trajectory.
While Pelley's critique was sharply worded, Bari Weiss’s response to these allegations has been notably measured. Official statements from Weiss emphasize her commitment to maintaining the journalistic integrity and long-standing reputation of 60 Minutes. She asserts that her vision aims to evolve the program to meet contemporary journalistic challenges without compromising its core values. Weiss has not publicly addressed the specific accusation of "murdering" the show but has highlighted her dedication to innovation and editorial rigor.
The controversy also reflects broader tensions within the media industry regarding changes in leadership styles and editorial focus, especially in legacy news programs adapting to a rapidly changing media landscape. Supporters of Weiss point to the necessity of revitalizing traditional formats to engage new audiences and address emerging social and political issues. Conversely, critics aligned with Pelley's perspective caution against drastic changes that might alienate loyal viewers or dilute the program’s historic identity.
Neither party has released further detailed statements, and no official comment has come from the network that airs 60 Minutes. The network’s silence leaves open questions about internal dynamics and how the leadership conflict might affect the show’s future content and reputation.
This dispute involving Change and prominent figures within 60 Minutes serves as a case study in the challenges faced by established media institutions navigating leadership transitions. As the situation develops, industry observers will be watching closely to see whether this controversy signals a deeper rift within one of television’s most respected news programs or if it will ultimately lead to a renewed vision under Weiss’s stewardship.
Toy Story 5 is set to continue the beloved Pixar franchise with fresh developments stirring excitement among fans. Recent reports reveal that Taylor Swift will have a notable involvement in this highly anticipated sequel, marking a significant collaboration between the acclaimed musician and Pixar.
The details about Taylor Swift’s role remain under wraps, but the news has already generated buzz in entertainment circles. This partnership suggests a blend of musical talent and storytelling that could add a new dimension to the ongoing saga of Toy Story.
Pixar has a history of incorporating memorable music and celebrity contributions to enhance its films, and Toy Story 5 appears poised to continue that tradition. Fans are eager to see how Swift’s involvement will influence the narrative and soundtrack of the movie.
While the previous installments focused on the adventures of Woody, Buzz, and their friends, this new chapter may introduce fresh characters or story arcs, supported by the creative input of new collaborators. The combination of Pixar’s storytelling expertise and Taylor Swift’s artistic influence is expected to resonate with audiences worldwide.
As the release date approaches, more information about the plot and cast will likely emerge, offering additional insight into what audiences can expect from Toy Story 5. For now, the confirmation of Swift’s involvement adds an exciting layer to the film’s development and anticipation
The details about Taylor Swift’s role remain under wraps, but the news has already generated buzz in entertainment circles. This partnership suggests a blend of musical talent and storytelling that could add a new dimension to the ongoing saga of Toy Story.
Pixar has a history of incorporating memorable music and celebrity contributions to enhance its films, and Toy Story 5 appears poised to continue that tradition. Fans are eager to see how Swift’s involvement will influence the narrative and soundtrack of the movie.
While the previous installments focused on the adventures of Woody, Buzz, and their friends, this new chapter may introduce fresh characters or story arcs, supported by the creative input of new collaborators. The combination of Pixar’s storytelling expertise and Taylor Swift’s artistic influence is expected to resonate with audiences worldwide.
As the release date approaches, more information about the plot and cast will likely emerge, offering additional insight into what audiences can expect from Toy Story 5. For now, the confirmation of Swift’s involvement adds an exciting layer to the film’s development and anticipation
J-Lo’s Child Emme Comes Out as Trans, Changes Name to Oskar
Jennifer Lopez’s twin, Maribel Muñiz, 18, came out as female-to-male transgender and changed their name to Oskar Muñiz. Oskar revealed their new identity at their high school graduation on May 28.
In 2022 Jennifer introduced Emme as “they/them/they’re” pronouns while performing with the then 14-year-old at the Dodgers Foundation’s Blue Diamond Gala in Los Angeles.
“I ask them to sing with me all the time but they won’t, so this is a very special occasion, because they’re very, very busy and booked and pricey,” J-Lo joked in reference to Emme. “They cost me when they come out,” she added.
Oskar Muñiz previously revealed that they plan to study studio arts and theater at Sarah Lawrence, a private liberal arts college in Yonkers, New York this fall.
Both Oskar and twin brother Maximilian will move out of Jennifer’s $18 million mansion when they attend college in the fall.
Jennifer was emotional while discussing her twins leaving the nest. “I feel really good about it,” she told Entertainment Tonight earlier this year. “I’m like, [I] can’t believe that we’ve gotten here, you know, just the three of us. It’s been a journey for all three of us through this life. I was a single mom since they were 3 years old.”
Oskar and Max are Jennifer’s twins with singer Marc Anthony. They divorced in 2014. Marc also has four children named Cristian, Ryan, Ariana, and Chase.
Jennifer’s ex-husband Ben Affleck and his ex-wife Jennifer Garner have a 17-year-old female-to-male transgender child named Fin Affleck.
Ben Affleck and Jen Garner also share son Samuel Affleck and daughter Violet Affleck. They divorced in 2018.
Jennifer Lopez’s twin, Maribel Muñiz, 18, came out as female-to-male transgender and changed their name to Oskar Muñiz. Oskar revealed their new identity at their high school graduation on May 28.
In 2022 Jennifer introduced Emme as “they/them/they’re” pronouns while performing with the then 14-year-old at the Dodgers Foundation’s Blue Diamond Gala in Los Angeles.
“I ask them to sing with me all the time but they won’t, so this is a very special occasion, because they’re very, very busy and booked and pricey,” J-Lo joked in reference to Emme. “They cost me when they come out,” she added.
Oskar Muñiz previously revealed that they plan to study studio arts and theater at Sarah Lawrence, a private liberal arts college in Yonkers, New York this fall.
Both Oskar and twin brother Maximilian will move out of Jennifer’s $18 million mansion when they attend college in the fall.
Jennifer was emotional while discussing her twins leaving the nest. “I feel really good about it,” she told Entertainment Tonight earlier this year. “I’m like, [I] can’t believe that we’ve gotten here, you know, just the three of us. It’s been a journey for all three of us through this life. I was a single mom since they were 3 years old.”
Oskar and Max are Jennifer’s twins with singer Marc Anthony. They divorced in 2014. Marc also has four children named Cristian, Ryan, Ariana, and Chase.
Jennifer’s ex-husband Ben Affleck and his ex-wife Jennifer Garner have a 17-year-old female-to-male transgender child named Fin Affleck.
Ben Affleck and Jen Garner also share son Samuel Affleck and daughter Violet Affleck. They divorced in 2018.
Anna Faris & The Wayans Brothers Reunite Ahead of ‘Scary Movie 6’ Release, Plus Final Trailer Drops!

Marlon Wayans, Shawn Wayans, and Anna Faris are celebrating the upcoming release Scary Movie 6 in a fun way ideal for longtime fans of the franchise.
The writers, producers, and stars of the long-running parody franchise transformed New York City’s Times Square into “Shorty’s Living Room” on Monday (June 1), where fans got the chance to watch the cast recreate some of the series’ most iconic moments ahead of the film’s release.
Paramount Pictures also shared an official synopsis for the highly anticipated sequel.
“Twenty-six years after outrunning a suspiciously familiar masked killer (“Ghostface”), the Core Four are back in the killer’s crosshairs and no horror movie IP is safe. Marlon Wayans (“Shorty”), Shawn Wayans (“Ray”), Anna Faris (“Cindy”), and Regina Hall (“Brenda”) reunite in Scary Movie alongside returning favorites and fresh faces to slash through reboots, remakes, requels, prequels, sequels, spin-offs, elevated horror, origin stories, anything with the word legacy in it, and every ‘final chapter’ that absolutely isn’t final. Nothing is sacred. No trope survives. Every line gets crossed. The Wayans are back to cancel the Cancel Culture.”

The film marks the long-awaited return of several fan-favorite characters, with Regina Hall joining Anna Faris, Marlon Wayans, and Shawn Wayans for another round of horror-comedy chaos.
Additional cast members include Dave Sheridan, Lochlyn Munro, Kim Wayans, Chris Elliott, Cheri Oteri, Damon Wayans Jr., and more.
Along with the Times Square celebration, Paramount also debuted the final trailer for Scary Movie 6 ahead of its theatrical release on June 5.
The film has officially received an R rating for crude sexual content, graphic nudity, strong violence, and drug content and language throughout.

Marlon Wayans, Shawn Wayans, and Anna Faris are celebrating the upcoming release Scary Movie 6 in a fun way ideal for longtime fans of the franchise.
The writers, producers, and stars of the long-running parody franchise transformed New York City’s Times Square into “Shorty’s Living Room” on Monday (June 1), where fans got the chance to watch the cast recreate some of the series’ most iconic moments ahead of the film’s release.
Paramount Pictures also shared an official synopsis for the highly anticipated sequel.
“Twenty-six years after outrunning a suspiciously familiar masked killer (“Ghostface”), the Core Four are back in the killer’s crosshairs and no horror movie IP is safe. Marlon Wayans (“Shorty”), Shawn Wayans (“Ray”), Anna Faris (“Cindy”), and Regina Hall (“Brenda”) reunite in Scary Movie alongside returning favorites and fresh faces to slash through reboots, remakes, requels, prequels, sequels, spin-offs, elevated horror, origin stories, anything with the word legacy in it, and every ‘final chapter’ that absolutely isn’t final. Nothing is sacred. No trope survives. Every line gets crossed. The Wayans are back to cancel the Cancel Culture.”

The film marks the long-awaited return of several fan-favorite characters, with Regina Hall joining Anna Faris, Marlon Wayans, and Shawn Wayans for another round of horror-comedy chaos.
Additional cast members include Dave Sheridan, Lochlyn Munro, Kim Wayans, Chris Elliott, Cheri Oteri, Damon Wayans Jr., and more.
Along with the Times Square celebration, Paramount also debuted the final trailer for Scary Movie 6 ahead of its theatrical release on June 5.
The film has officially received an R rating for crude sexual content, graphic nudity, strong violence, and drug content and language throughout.
#BOXOFFICENEWS: Backrooms’ Kane Parsons Makes History With Opening Weekend Box Office Numbers
The Kane Parsons-directed horror movie just opened at over $81 million in its debut weekend at the box office, resulting in the biggest opening in A24‘s history.
The 20-year-old director is now the youngest filmmaker in history to land at No. 1 at the domestic box office, following Josh Trank, who went to No. 1 in 2012 with Chronicle at the age of 27, via THR.
After just one day, the movie shattered film studio A24’s record for biggest opening weekend, which was previously held by 2024’s Civil War with $25.5 million.
Backrooms was made for a reported $10 million. It earned $118 million globally so far, per Variety.
The movie centers around a failed architect (Chiwetel Ejiofor) who stumbles across an endless series of rooms in the furniture store he manages.
Renate Reinsve also stars, alongside Mark Duplass, Finn Bennett and Lukita Maxwell. The movie is based on Kane‘s viral Backrooms series on YouTube, which gained massive attention online for its unsettling liminal space horror concept.
The original Backrooms series is available to watch for free.
The Kane Parsons-directed horror movie just opened at over $81 million in its debut weekend at the box office, resulting in the biggest opening in A24‘s history.
The 20-year-old director is now the youngest filmmaker in history to land at No. 1 at the domestic box office, following Josh Trank, who went to No. 1 in 2012 with Chronicle at the age of 27, via THR.
After just one day, the movie shattered film studio A24’s record for biggest opening weekend, which was previously held by 2024’s Civil War with $25.5 million.
Backrooms was made for a reported $10 million. It earned $118 million globally so far, per Variety.
The movie centers around a failed architect (Chiwetel Ejiofor) who stumbles across an endless series of rooms in the furniture store he manages.
Renate Reinsve also stars, alongside Mark Duplass, Finn Bennett and Lukita Maxwell. The movie is based on Kane‘s viral Backrooms series on YouTube, which gained massive attention online for its unsettling liminal space horror concept.
The original Backrooms series is available to watch for free.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
HAVE A GREAT DAY ALL!!!
EFREM














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