#MAGFAB: Jonathan Bailey for Esquire UK - December 2025
Wicked star Jonathan is striking a pose for Esquire UK.
Looks nice! Article is HERE
#RHOA: Kenya Moore Hair Spa allegedly back open for business, now on weekdays too
Ladies, Are y'all gonna TWIRL and go support?
#MusicNews: Keke Palmer Shares Remix To Recent Single “Exposed”
Multi-talented star Keke Palmer is revisiting her recent smash musical release, the “Just Keke” project, with a dynamic series of remix singles designed to keep the momentum soaring. The celebrated actress, host, and singer is starting the new phase with the highly anticipated remix of her fan-favorite track, “Exposed.”
The “Exposed” Remix is available now on all major streaming platforms, offering listeners a fresh, high-energy take on the original track. This release underscores Palmer’s continued commitment to delivering engaging and diverse music that reflects her multifaceted artistic persona.Music streaming subscription
The original “Just Keke” release marked a bold and personal chapter in Palmer’s music career, showcasing her sharp lyrical wit, unique vocal style, and willingness to tackle candid themes. By launching a remix series, Palmer is not only extending the life of the project but also providing her fanbase with new interpretations that allow the tracks to thrive in different sonic environments—from the club scene to radio playlists.
The decision to lead with the “Exposed” remix highlights the track’s viral potential and its central role in the narrative of the original project. Fans can expect the remix to build upon the original’s compelling energy while incorporating new production elements to create a distinct, modern sound.
This first remix is just the beginning. Fans can excitedly look forward to more remix singles dropping in the coming weeks and months. This series promises to explore different production styles and perhaps feature new collaborative artists, showcasing Palmer’s versatility across the R&B, Pop, and Hip-Hop genres.
Keke Palmer’s career is defined by her ability to excel across all entertainment mediums, and her renewed focus on music—now amplified by this remix strategy—solidifies her place as a major artistic force.
Stream the new “Exposed” Remix HERE and stay tuned for more music from the “Just Keke” remix series!
#HipHopNews: Salt-N-Pepa Takes Shot At “The Industry” Over Streaming Rights
Salt-N-Pepa celebrated a high honor over the weekend after being inducted into the Rock and Roll Hall of Fame, joining legends such as Outkast, ’80s icon Cyndi Lauper, and Chubby Checker. During the induction speech, Salt-N-Pepa took a shot at the music industry, as the legendary trio is involved in a legal fight to gain streaming rights to their music.
This past Saturday (November 8), Salt-N-Pepa, which consists of Cheryl “Salt” James, Sandi “Pepa” Denton, and Deidra “Spindarella” Roper, accepted the Music Influence after a moving introduction from Missy Elillott, using the moment to take a bow for what they were able to achieve as the first women in Hip-Hop to hit superstar status.
Salt playfully and confidently delivered the speech, thanking their fans for emulating the group’s fly looks, and even teased their guy fans who had their posters on the wall. However, James aimed some darts in the direction of the Universal Music Group (UMG) but didn’t name them in the jab.
“As we celebrate this moment, fans can’t even stream our music. It’s been taken down from all streaming platforms because the industry still doesn’t want to play fair,” Denton began.
She continued with, “Salt-N-Pepa have never been afraid of a fight. This is the Influence Award. We have to keep using our influence until the industry honors creativity the way the audience does — with love, respect and fairness — and that includes streaming platforms too.”
Check out Salt-N-Pepa’s special Rock and Roll Hall of Fame moment HERE
Salt-N-Pepa celebrated a high honor over the weekend after being inducted into the Rock and Roll Hall of Fame, joining legends such as Outkast, ’80s icon Cyndi Lauper, and Chubby Checker. During the induction speech, Salt-N-Pepa took a shot at the music industry, as the legendary trio is involved in a legal fight to gain streaming rights to their music.
This past Saturday (November 8), Salt-N-Pepa, which consists of Cheryl “Salt” James, Sandi “Pepa” Denton, and Deidra “Spindarella” Roper, accepted the Music Influence after a moving introduction from Missy Elillott, using the moment to take a bow for what they were able to achieve as the first women in Hip-Hop to hit superstar status.
Salt playfully and confidently delivered the speech, thanking their fans for emulating the group’s fly looks, and even teased their guy fans who had their posters on the wall. However, James aimed some darts in the direction of the Universal Music Group (UMG) but didn’t name them in the jab.
“As we celebrate this moment, fans can’t even stream our music. It’s been taken down from all streaming platforms because the industry still doesn’t want to play fair,” Denton began.
She continued with, “Salt-N-Pepa have never been afraid of a fight. This is the Influence Award. We have to keep using our influence until the industry honors creativity the way the audience does — with love, respect and fairness — and that includes streaming platforms too.”
Check out Salt-N-Pepa’s special Rock and Roll Hall of Fame moment HERE
#RIP: Jimmy Kimmel's bandleader Cleto Escobedo III dies
Kimmel shared a statement on social media announcing his death.
Jimmy Kimmel's bandleader, and childhood friend, Cleto Escobedo III died on Tuesday morning, Kimmel announced on social media.
Escobedo, who led the band Cleto and the Cletones on Kimmel's show "Jimmy Kimmel Live!" was 59.
No cause of death was provided.
What Jimmy Kimmel said as he returned to the air after show was preempted
"Early this morning, we lost a great friend, father, son, musician and man, my longtime bandleader Cleto Escobedo III," wrote Kimmel in an Instagram post on Tuesday. "To say that we are heartbroken is an understatement. Cleto and I have been inseparable since I was nine years old."
Kimmel continued, "The fact that we got to work together every day is a dream neither of us could ever have imagined would come true. Cherish your friends and please keep Cleto’s wife, children and parents in your prayers.
Kimmel reflected on his relationship with Escobedo in a 2016 segment celebrating Escobedo’s 50th birthday.
He explained he met Escobedo in 1977 after moving to Las Vegas, when Escobedo became his neighbor. In the birthday tribute, Kimmel discussed his early relationship with Escobedo, and shared photos of the pair in their youth.
In a 2021 interview with "Jimmy Kimmel Live's" Guillermo, Escobedo discussed his rise to working on Kimmel’s show
“I think I was in Atlanta, and Jimmy called and said ‘Hey man, I think I’m gonna have this show. Do you wanna be my bandleader?' Of course I was like 'Yes.'’” Escobedo said. "It’s been the best gig ever."
Jimmy Kimmel's bandleader, and childhood friend, Cleto Escobedo III died on Tuesday morning, Kimmel announced on social media.
Escobedo, who led the band Cleto and the Cletones on Kimmel's show "Jimmy Kimmel Live!" was 59.
No cause of death was provided.
What Jimmy Kimmel said as he returned to the air after show was preempted
"Early this morning, we lost a great friend, father, son, musician and man, my longtime bandleader Cleto Escobedo III," wrote Kimmel in an Instagram post on Tuesday. "To say that we are heartbroken is an understatement. Cleto and I have been inseparable since I was nine years old."
Kimmel continued, "The fact that we got to work together every day is a dream neither of us could ever have imagined would come true. Cherish your friends and please keep Cleto’s wife, children and parents in your prayers.
Kimmel reflected on his relationship with Escobedo in a 2016 segment celebrating Escobedo’s 50th birthday.
He explained he met Escobedo in 1977 after moving to Las Vegas, when Escobedo became his neighbor. In the birthday tribute, Kimmel discussed his early relationship with Escobedo, and shared photos of the pair in their youth.
In a 2021 interview with "Jimmy Kimmel Live's" Guillermo, Escobedo discussed his rise to working on Kimmel’s show
“I think I was in Atlanta, and Jimmy called and said ‘Hey man, I think I’m gonna have this show. Do you wanna be my bandleader?' Of course I was like 'Yes.'’” Escobedo said. "It’s been the best gig ever."
La Toya Jackson Shares Health Concerns in Cryptic Message
La Toya Jackson is checking in. The "Nightime Lover" singer shared an update on her health, explaining that she recently had to take a trip to see a medical professional for undisclosed reasons.
"Hi guys, I hope everyone's doing well," La Toya said in a Nov. 7 Instagram video of her sitting on a blue chair in an examination room. "I'm here at the doctor again, so I'm hoping that everything goes well with me, all results are good, and I hope you guys have a great day."
The 69-year-old didn't specify why she needed to see a doctor or what tests she'd undergone.
Three days later, she provided additional insight into her current health in a second Instagram video posted, saying, "Guess where I am on this Monday morning? You guessed [it]—that place again."
"Constantly getting checkups," she continued in the Nov. 10 clip, quipping, "Oh well. Have a great week, guys."
Captioning the post, La Toya emphasized that she was "sending love, hugs and light to you all!"
She added, "Have a positive prosperous enjoyable week."
La Toya Jackson is checking in. The "Nightime Lover" singer shared an update on her health, explaining that she recently had to take a trip to see a medical professional for undisclosed reasons.
"Hi guys, I hope everyone's doing well," La Toya said in a Nov. 7 Instagram video of her sitting on a blue chair in an examination room. "I'm here at the doctor again, so I'm hoping that everything goes well with me, all results are good, and I hope you guys have a great day."
The 69-year-old didn't specify why she needed to see a doctor or what tests she'd undergone.
Three days later, she provided additional insight into her current health in a second Instagram video posted, saying, "Guess where I am on this Monday morning? You guessed [it]—that place again."
"Constantly getting checkups," she continued in the Nov. 10 clip, quipping, "Oh well. Have a great week, guys."
Captioning the post, La Toya emphasized that she was "sending love, hugs and light to you all!"
She added, "Have a positive prosperous enjoyable week."
Actress Sally Kirkland Has died at 84
Sally Kirkland, the acclaimed actress whose career spanned decades of memorable performances on screen and stage, has died at a hospice care at a Palm Springs hospital while battling dementia. The 84-year-old Golden Globe winner has been receiving support from close friends as she faces serious health challenges that have intensified over the past year.
Kirkland has been dealing with dementia throughout the past year, a condition that has progressively impacted her wellbeing. Her representative Michael Greene confirmed that she is currently receiving hospice care in Southern California, with her dear friend and former student Cody Galloway remaining by her side during this difficult period.
Greene was traveling from JFK airport to be with the actress, underscoring the gravity of her current medical situation. The combination of dementia and additional health complications has created a challenging scenario for the veteran performer who spent decades entertaining audiences across multiple mediums.
Sally Kirkland, the acclaimed actress whose career spanned decades of memorable performances on screen and stage, has died at a hospice care at a Palm Springs hospital while battling dementia. The 84-year-old Golden Globe winner has been receiving support from close friends as she faces serious health challenges that have intensified over the past year.
Kirkland has been dealing with dementia throughout the past year, a condition that has progressively impacted her wellbeing. Her representative Michael Greene confirmed that she is currently receiving hospice care in Southern California, with her dear friend and former student Cody Galloway remaining by her side during this difficult period.
Greene was traveling from JFK airport to be with the actress, underscoring the gravity of her current medical situation. The combination of dementia and additional health complications has created a challenging scenario for the veteran performer who spent decades entertaining audiences across multiple mediums.
Friends of the actress initiated a GoFundMe campaign to raise funds for her urgent medical care needs after she developed what they described as life-threatening infections. The crowdfunding effort highlighted the severity of her condition and the financial burden that extensive medical treatment can create, even for established entertainment industry figures.
The fundraising page also revealed that Kirkland suffered a fall in the shower when she was left unattended, resulting in injuries to her ribs and foot along with various cuts and bruises. The accident compounded her existing health issues and contributed to the need for intensive medical intervention and ongoing care.
Kirkland achieved widespread recognition for her performance in the 1987 comedy-drama Anna, where she portrayed the title character with such skill that she earned both an Academy Award nomination and won a Golden Globe. The role represented a career pinnacle for an actress who had already established herself as a formidable talent through years of dedicated work.
Beyond Anna, Kirkland appeared in numerous high-profile projects that showcased her versatility as a performer. She had roles in the political thriller JFK and the Jim Carrey comedy Bruce Almighty, demonstrating her ability to navigate different genres and bring authenticity to diverse characters. Her filmography reflects the breadth of her talents and her willingness to take on challenging material throughout her career.
Kirkland’s involvement with the avant-garde extended to her association with Andy Warhol’s legendary Factory, the studio and social space that served as a hub for artists, musicians and performers during the 1960s. As a former member of this influential creative collective, she participated in the cultural movement that redefined American art and entertainment.
She appeared in Warhol’s drama film The 13 Most Beautiful Women, a project that exemplified the experimental approach to filmmaking that characterized much of the Factory’s output. This connection to one of the most important artistic movements of the 20th century cemented Kirkland’s place in entertainment history beyond her more mainstream accomplishments.
Off-screen, Kirkland maintained an active presence in New York’s avant-garde theater scene throughout the 1960s. Her stage work helped develop the skills and artistic perspective that she would later bring to her film and television performances. The experimental nature of avant-garde theater aligned with her willingness to take creative risks and push boundaries in her craft.
This theatrical foundation provided Kirkland with training and experience that served her throughout a career spanning multiple generations of performers. Her ability to transition between stage and screen while maintaining artistic integrity marked her as a true professional dedicated to her craft.
A new documentary titled Sallywood is scheduled to release on Amazon Prime, offering audiences an opportunity to learn more about Kirkland‘s remarkable life and career. The timing of the film’s release takes on additional poignancy given her current health situation, potentially serving as a tribute to her contributions to entertainment and the arts.
The documentary should provide insight into the experiences and artistic journey of a performer who witnessed and participated in some of the most significant cultural movements of the past half-century.
The fundraising page also revealed that Kirkland suffered a fall in the shower when she was left unattended, resulting in injuries to her ribs and foot along with various cuts and bruises. The accident compounded her existing health issues and contributed to the need for intensive medical intervention and ongoing care.
Kirkland achieved widespread recognition for her performance in the 1987 comedy-drama Anna, where she portrayed the title character with such skill that she earned both an Academy Award nomination and won a Golden Globe. The role represented a career pinnacle for an actress who had already established herself as a formidable talent through years of dedicated work.
Beyond Anna, Kirkland appeared in numerous high-profile projects that showcased her versatility as a performer. She had roles in the political thriller JFK and the Jim Carrey comedy Bruce Almighty, demonstrating her ability to navigate different genres and bring authenticity to diverse characters. Her filmography reflects the breadth of her talents and her willingness to take on challenging material throughout her career.
Kirkland’s involvement with the avant-garde extended to her association with Andy Warhol’s legendary Factory, the studio and social space that served as a hub for artists, musicians and performers during the 1960s. As a former member of this influential creative collective, she participated in the cultural movement that redefined American art and entertainment.
She appeared in Warhol’s drama film The 13 Most Beautiful Women, a project that exemplified the experimental approach to filmmaking that characterized much of the Factory’s output. This connection to one of the most important artistic movements of the 20th century cemented Kirkland’s place in entertainment history beyond her more mainstream accomplishments.
Off-screen, Kirkland maintained an active presence in New York’s avant-garde theater scene throughout the 1960s. Her stage work helped develop the skills and artistic perspective that she would later bring to her film and television performances. The experimental nature of avant-garde theater aligned with her willingness to take creative risks and push boundaries in her craft.
This theatrical foundation provided Kirkland with training and experience that served her throughout a career spanning multiple generations of performers. Her ability to transition between stage and screen while maintaining artistic integrity marked her as a true professional dedicated to her craft.
A new documentary titled Sallywood is scheduled to release on Amazon Prime, offering audiences an opportunity to learn more about Kirkland‘s remarkable life and career. The timing of the film’s release takes on additional poignancy given her current health situation, potentially serving as a tribute to her contributions to entertainment and the arts.
The documentary should provide insight into the experiences and artistic journey of a performer who witnessed and participated in some of the most significant cultural movements of the past half-century.
Jerry Jones Reveals How Dallas Cowboys Plan to Honor Marshawn Kneeland After His Death at 24
Jerry Jones is sharing more details about how the Dallas Cowboys will honor Marshawn Kneeland following his sudden death.
In a new interview with Dallas-Fort Worth radio station 105.3 The Fan, the Cowboys owner and general manager, 83, broke his silence on Kneeland's death, and shared how the team will pay tribute to the defensive end, who died on Nov. 6 at the age of 24.
Cowboys players will wear a special decal on their helmets for the remainder of the NFL season, the official Dallas Cowboys website, which shared transcripts of the local radio interview, reported on Tuesday, Nov. 11.The decal's final design is still under review.
When the Cowboys take on the Las Vegas Raiders for Monday Night Football on Nov. 17, the team will also wear t-shirts honoring Kneeland during their warm-ups.
The shirts will be worn again as the Cowboys return to AT&T Stadium in Arlington, Texas, to play the Philadelphia Eagles on Sunday, Nov. 23. It will be the team's first game on their home turf since Kneeland’s death, which Jones said left them "devastated."
"Just hard to believe the content that was on the other phone in the middle of the night when we all got the news,” Jones told 105.3 The Fan.
Kneeland's body was found with an apparent self-inflicted gunshot near his vehicle in Frisco at 1:31 a.m. on Nov. 6, three hours after he was involved in a police chase, authorities said.
Police dispatch audio obtained said his family received “a group text from him saying goodbye,” just before his death.
Our new app is here! Free, fun and full of exclusives. Scan to download now!
"I do want to say publicly how much I appreciate the national news, the national recognition of him," Jones continued in the radio interview.
He also shed light on the amount of stress and scrutiny athletes can face on a regular basis.
"Everybody evaluates everybody, it's the nature of it. You're under an evaluation almost from the time you get up until you go to bed," Jones said. "And so in that area, why couldn't we have seen maybe that there were issues that we all have dealt with in all of our lives?"
"That's the mental aspect of our being. No one gets more attention, no one gets any more scrutiny, no one gets any more critiquing than these guys that play this game. It's a game that you've got to give up yourself when you're hurting a little bit, or give up yourself when you're tired, or give up yourself when you don't feel like it… He lived that life every day," he said.
Jones remembered Kneeland as someone who “was very unique in his zest for life.”
“He was very unique in his passion for the game. And of course the saddest thing for someone like me is the fact that he was only 24 years old. You think about all of the time that we're going to miss him, and he's going to be missed by the people around him, he was just getting started."
If you or someone you know is struggling with mental health challenges, emotional distress, substance use problems, or just needs to talk, call or text 988, or chat at 988lifeline.org 24/7.
Jerry Jones is sharing more details about how the Dallas Cowboys will honor Marshawn Kneeland following his sudden death.
In a new interview with Dallas-Fort Worth radio station 105.3 The Fan, the Cowboys owner and general manager, 83, broke his silence on Kneeland's death, and shared how the team will pay tribute to the defensive end, who died on Nov. 6 at the age of 24.
Cowboys players will wear a special decal on their helmets for the remainder of the NFL season, the official Dallas Cowboys website, which shared transcripts of the local radio interview, reported on Tuesday, Nov. 11.The decal's final design is still under review.
When the Cowboys take on the Las Vegas Raiders for Monday Night Football on Nov. 17, the team will also wear t-shirts honoring Kneeland during their warm-ups.
The shirts will be worn again as the Cowboys return to AT&T Stadium in Arlington, Texas, to play the Philadelphia Eagles on Sunday, Nov. 23. It will be the team's first game on their home turf since Kneeland’s death, which Jones said left them "devastated."
"Just hard to believe the content that was on the other phone in the middle of the night when we all got the news,” Jones told 105.3 The Fan.
Kneeland's body was found with an apparent self-inflicted gunshot near his vehicle in Frisco at 1:31 a.m. on Nov. 6, three hours after he was involved in a police chase, authorities said.
Police dispatch audio obtained said his family received “a group text from him saying goodbye,” just before his death.
Our new app is here! Free, fun and full of exclusives. Scan to download now!
"I do want to say publicly how much I appreciate the national news, the national recognition of him," Jones continued in the radio interview.
He also shed light on the amount of stress and scrutiny athletes can face on a regular basis.
"Everybody evaluates everybody, it's the nature of it. You're under an evaluation almost from the time you get up until you go to bed," Jones said. "And so in that area, why couldn't we have seen maybe that there were issues that we all have dealt with in all of our lives?"
"That's the mental aspect of our being. No one gets more attention, no one gets any more scrutiny, no one gets any more critiquing than these guys that play this game. It's a game that you've got to give up yourself when you're hurting a little bit, or give up yourself when you're tired, or give up yourself when you don't feel like it… He lived that life every day," he said.
Jones remembered Kneeland as someone who “was very unique in his zest for life.”
“He was very unique in his passion for the game. And of course the saddest thing for someone like me is the fact that he was only 24 years old. You think about all of the time that we're going to miss him, and he's going to be missed by the people around him, he was just getting started."
If you or someone you know is struggling with mental health challenges, emotional distress, substance use problems, or just needs to talk, call or text 988, or chat at 988lifeline.org 24/7.
Ariana Grande & Ethan Slater, “Wicked” Co-Star Remain Together Despite Breakup Rumors
Despite the internet chatter, love is still in the air for #ArianaGrande and #EthanSlater.
Insiders told TMZ that the #Wicked co-stars are still “absolutely together romantically.” Breakup speculation ramped up after the U.K. premiere of Wicked: For Good on Monday night (Nov. 10), where the pair posed on opposite sides during press photos. While media reports and fans pushed the idea of a split, the duo reportedly maintained affection behind the scenes; witnesses say they were seen “holding hands and being affectionate backstage.”
Their relationship has remained under scrutiny, with many questioning the timing of their romance and the status of their previous relationships. Ariana had recently finalized her divorce when things turned romantic, while Ethan was still married to #LillyJay. Public criticism intensified after Lilly addressed the alleged affair, saying, “[Ariana’s] the story, really. Not a girl’s girl. My family is just collateral damage.”
Insiders told TMZ that the #Wicked co-stars are still “absolutely together romantically.” Breakup speculation ramped up after the U.K. premiere of Wicked: For Good on Monday night (Nov. 10), where the pair posed on opposite sides during press photos. While media reports and fans pushed the idea of a split, the duo reportedly maintained affection behind the scenes; witnesses say they were seen “holding hands and being affectionate backstage.”
Their relationship has remained under scrutiny, with many questioning the timing of their romance and the status of their previous relationships. Ariana had recently finalized her divorce when things turned romantic, while Ethan was still married to #LillyJay. Public criticism intensified after Lilly addressed the alleged affair, saying, “[Ariana’s] the story, really. Not a girl’s girl. My family is just collateral damage.”
Idris Elba Set To Reprise His Lead Role For “Luther” Movie Sequel
Great news for our crime-thriller lovers! Veteran actor #IdrisElba is set to reprise his role as DCI #JohnLuther in a brand-new sequel film at Netflix, marking the next chapter of the acclaimed TV franchise Luther, which originally debuted in 2010. The first movie, Luther: The Fallen Sun, followed in 2023.
According to the new announcement, Elba returns with writer-creator Neil Cross behind the script and directors/production team aligned once again to expand Luther’s world. Full plot details of the sequel are under wraps at this time.
Beyoncé shows up for Kelly Rowland’s big night
When Beyoncé and JAY-Z slipped into the Kia Forum on a recent evening, the sold-out crowd wasn’t just witnessing a concert—they were watching music royalty honor their own. The power couple arrived in Inglewood, Calif., to cheer on Kelly Rowland, who was performing as a special guest on Brandy and Monica’s nationwide tour celebrating their legendary collaboration.
The appearance underscored something the music industry often forgets: behind the glamour and chart battles, genuine friendships endure. With Tina Knowles accompanying her daughter and son-in-law, the evening transformed into something more intimate than a typical celebrity outing—a family gathering disguised as a concert.
The Boy Is Mine tour has become this fall’s unexpected cultural phenomenon. Named after the 1998 duet that spent 13 weeks atop the Billboard Hot 100 and claimed a Grammy for Best R&B Performance by a Duo or Group, the 32-city tour resurrects an era when R&B dominated airwaves and defined a generation’s sound.
Rowland’s role in the production has garnered particular attention. Sharing the stage with Muni Long and Jamal Roberts, she’s reminded audiences why Destiny’s Child became one of the best-selling girl groups in history. Her vocals remain sharp, her stage presence commanding—qualities that haven’t dimmed since her days harmonizing with Beyoncé and Michelle Williams.
The Carters’ attendance wasn’t merely symbolic. Fans captured footage of Beyoncé, dressed in a tailored suit that sparked immediate social media commentary, visibly moved by Rowland’s performance. JAY-Z, characteristically understated, appeared equally engaged. Their presence sent ripples through the venue, with attendees posting clips that quickly accumulated millions of views across platforms.
Rowland later shared glimpses of their reunion on Instagram, posting images with her former bandmates accompanied by words expressing how blessed she felt to be surrounded by her people and love. The post illuminated something essential about these relationships. Despite decades of individual success, solo albums, and separate trajectories, the Destiny’s Child connection remains foundational.
These aren’t women who occasionally reunite for publicity—they’re sisters who show up, even on ordinary tour stops, because that’s what family does. Tina Knowles’ presence added another dimension. The matriarch who guided Destiny’s Child through their meteoric rise now watches her daughters—biological and chosen—continue shaping music’s landscape. Her attendance suggested this wasn’t just support for Rowland; it was a mother celebrating all her children’s achievements.
The Los Angeles date attracted an impressive roster beyond the Carters. Rihanna made an appearance that sent Brandy and Monica into visible delight. Brandy posted a backstage photo with the Fenty mogul, expressing surprise at the unexpected visit. Monica followed with her own carousel featuring Queen Latifah, Lena Waithe, Jenifer Lewis, and LL Cool J—a collection of entertainment icons spanning generations.
The celebrity turnout revealed something significant: R&B‘s influence extends far beyond its genre boundaries. These artists don’t just appreciate the music; they recognize its cultural weight, its role in shaping Black American artistry, and its continuing relevance.
Monica shared her gratitude for the overwhelming love Los Angeles showed, thanking God for exceeding her desires and blessing her with more than she could dream of. The sentiment captured the evening’s magnitude and the spiritual dimension both artists bring to their performances.
The concert featured unannounced performances from Kehlani, O.T. Genasis, and Mario, each adding their contemporary touch to the nostalgic proceedings. These moments demonstrated how R&B continuously reinvents itself while honoring its roots—younger artists paying homage to the legends who paved their paths.
Mario’s appearance proved particularly resonant. His early-2000s hits occupied the same cultural space as Destiny’s Child and Brandy and Monica’s collaborations, creating a seamless musical timeline that reminded audiences how deeply interconnected R&B’s family tree remains.
As the tour continues through mid-December, concluding in Jacksonville, Fla., it serves a purpose beyond entertainment. It’s a masterclass in longevity, proving that authentic artistry outlasts trends. Brandy and Monica, once positioned as rivals by an industry that often pits women against each other, now share a stage celebrating their mutual success.
The Carters’ attendance amplified this message. Beyoncé, arguably the world’s biggest pop star, taking time to support Rowland during a regional tour stop speaks volumes about priorities. In an industry obsessed with competition and chart positions, moments like these remind us that some victories are collective.
For fans who missed the Los Angeles show, the tour promises similar magic as it travels nationwide. But that particular evening—with Beyoncé in the audience, Rowland on stage, and generations of R&B excellence converging—offered something unrepeatable: a snapshot of music history honoring itself, one performance at a time.
Great news for our crime-thriller lovers! Veteran actor #IdrisElba is set to reprise his role as DCI #JohnLuther in a brand-new sequel film at Netflix, marking the next chapter of the acclaimed TV franchise Luther, which originally debuted in 2010. The first movie, Luther: The Fallen Sun, followed in 2023.
According to the new announcement, Elba returns with writer-creator Neil Cross behind the script and directors/production team aligned once again to expand Luther’s world. Full plot details of the sequel are under wraps at this time.
Beyoncé shows up for Kelly Rowland’s big night
The appearance underscored something the music industry often forgets: behind the glamour and chart battles, genuine friendships endure. With Tina Knowles accompanying her daughter and son-in-law, the evening transformed into something more intimate than a typical celebrity outing—a family gathering disguised as a concert.
The Boy Is Mine tour has become this fall’s unexpected cultural phenomenon. Named after the 1998 duet that spent 13 weeks atop the Billboard Hot 100 and claimed a Grammy for Best R&B Performance by a Duo or Group, the 32-city tour resurrects an era when R&B dominated airwaves and defined a generation’s sound.
Rowland’s role in the production has garnered particular attention. Sharing the stage with Muni Long and Jamal Roberts, she’s reminded audiences why Destiny’s Child became one of the best-selling girl groups in history. Her vocals remain sharp, her stage presence commanding—qualities that haven’t dimmed since her days harmonizing with Beyoncé and Michelle Williams.
The Carters’ attendance wasn’t merely symbolic. Fans captured footage of Beyoncé, dressed in a tailored suit that sparked immediate social media commentary, visibly moved by Rowland’s performance. JAY-Z, characteristically understated, appeared equally engaged. Their presence sent ripples through the venue, with attendees posting clips that quickly accumulated millions of views across platforms.
Rowland later shared glimpses of their reunion on Instagram, posting images with her former bandmates accompanied by words expressing how blessed she felt to be surrounded by her people and love. The post illuminated something essential about these relationships. Despite decades of individual success, solo albums, and separate trajectories, the Destiny’s Child connection remains foundational.
These aren’t women who occasionally reunite for publicity—they’re sisters who show up, even on ordinary tour stops, because that’s what family does. Tina Knowles’ presence added another dimension. The matriarch who guided Destiny’s Child through their meteoric rise now watches her daughters—biological and chosen—continue shaping music’s landscape. Her attendance suggested this wasn’t just support for Rowland; it was a mother celebrating all her children’s achievements.
The Los Angeles date attracted an impressive roster beyond the Carters. Rihanna made an appearance that sent Brandy and Monica into visible delight. Brandy posted a backstage photo with the Fenty mogul, expressing surprise at the unexpected visit. Monica followed with her own carousel featuring Queen Latifah, Lena Waithe, Jenifer Lewis, and LL Cool J—a collection of entertainment icons spanning generations.
The celebrity turnout revealed something significant: R&B‘s influence extends far beyond its genre boundaries. These artists don’t just appreciate the music; they recognize its cultural weight, its role in shaping Black American artistry, and its continuing relevance.
Monica shared her gratitude for the overwhelming love Los Angeles showed, thanking God for exceeding her desires and blessing her with more than she could dream of. The sentiment captured the evening’s magnitude and the spiritual dimension both artists bring to their performances.
The concert featured unannounced performances from Kehlani, O.T. Genasis, and Mario, each adding their contemporary touch to the nostalgic proceedings. These moments demonstrated how R&B continuously reinvents itself while honoring its roots—younger artists paying homage to the legends who paved their paths.
Mario’s appearance proved particularly resonant. His early-2000s hits occupied the same cultural space as Destiny’s Child and Brandy and Monica’s collaborations, creating a seamless musical timeline that reminded audiences how deeply interconnected R&B’s family tree remains.
As the tour continues through mid-December, concluding in Jacksonville, Fla., it serves a purpose beyond entertainment. It’s a masterclass in longevity, proving that authentic artistry outlasts trends. Brandy and Monica, once positioned as rivals by an industry that often pits women against each other, now share a stage celebrating their mutual success.
The Carters’ attendance amplified this message. Beyoncé, arguably the world’s biggest pop star, taking time to support Rowland during a regional tour stop speaks volumes about priorities. In an industry obsessed with competition and chart positions, moments like these remind us that some victories are collective.
For fans who missed the Los Angeles show, the tour promises similar magic as it travels nationwide. But that particular evening—with Beyoncé in the audience, Rowland on stage, and generations of R&B excellence converging—offered something unrepeatable: a snapshot of music history honoring itself, one performance at a time.
“The Queens! 4 Legends. 1 Stage.” extend historic tour with new 2026 dates
Four iconic voices that have shaped the landscape of soul, R&B, and pop music for decades are coming together once again. Chaka Khan, Patti LaBelle, Gladys Knight, and Stephanie Mills are extending their groundbreaking tour “The Queens! 4 Legends. 1 Stage.” into 2026, marking another chapter in what has become one of the most celebrated concert experiences in recent memory.
After two powerhouse runs that sold out venues nationwide, the legendary quartet will return to the stage Feb. 12, 2026, in Jacksonville, Florida, launching a new series of dates that will conclude Feb. 22, 2026, in Fort Worth, Texas. The announcement comes as fans continue to celebrate a tour that has transcended typical concert expectations, offering instead an extraordinary showcase of artistry, history, and the enduring power of Black musical excellence.
The extension represents more than just additional tour dates. It acknowledges the overwhelming response from audiences who have witnessed something truly special: four women who individually changed the trajectory of popular music now sharing one stage in a celebration of legacy and sisterhood. Each performance has become a masterclass in vocal prowess, showmanship, and the kind of genuine connection that only comes from artists who have spent lifetimes perfecting their craft.
Chaka Khan, the 10-time Grammy Award winner whose dynamic voice and fearless artistry earned her the title “Queen of Funk,” brings decades of hits spanning funk, soul, jazz, and R&B. Her influence extends across generations, with a catalog that includes anthems that remain cultural touchstones.
Patti LaBelle, the Godmother of Soul, continues to captivate audiences with a voice that defies time and convention. Her five-decade career encompasses chart-topping hits, acting roles, and a presence that commands any stage she graces. Her ability to connect emotionally with audiences through song remains unmatched.
Gladys Knight, the seven-time Grammy Award winner known as the Empress of Soul, brings a sophistication and depth that have made her one of the most respected vocalists in music history. From her early success with the Pips to her enduring solo career, Knight represents excellence in its purest form.
Stephanie Mills, the powerhouse vocalist who captivated Broadway and dominated R&B charts, rounds out this historic lineup. Her Tony Award-nominated performance as Dorothy in “The Wiz” launched a career filled with hits that showcased her remarkable range and emotional depth.
Together, these four women represent more than 200 years of combined experience in the music industry. They have broken barriers, set standards, and created soundtracks to countless lives. Their individual contributions to music are immeasurable, but seeing them together offers audiences something increasingly rare: a living history of American popular music presented by the women who helped write it. This tour is not just a celebration of their individual careers, but a testament to the collective impact these women have had on culture, music, and the artists who followed in their footsteps.
The tour has resonated deeply with multigenerational audiences. Younger fans discover the foundational artists who influenced their current favorites, while longtime supporters experience the joy of seeing their musical heroes in an intimate, collaborative setting. Each show becomes a celebration not just of individual careers but of the collective impact these women have had on culture, music, and the artists who followed in their footsteps.
The decision to extend the tour into 2026 reflects both audience demand and the special chemistry these four artists have developed on stage. Their mutual respect and genuine affection for one another translate into performances that feel less like typical concerts and more like gatherings among friends who are among the greatest vocalists of all time.
Presale tickets for the 2026 dates go on sale Thursday, Nov. 13, with general ticket sales beginning Friday, Nov. 15. Given the rapid sellouts of previous tour legs, demand for these new dates is expected to be substantial.
“The Queens! 4 Legends. 1 Stage.” has already established itself as one of the most significant touring events in recent years, offering audiences an increasingly rare opportunity to see living legends perform at the height of their powers. The 2026 extension ensures that more fans across the country will have the chance to witness this historic collaboration, experiencing firsthand the magic that happens when four of music’s most iconic voices share one stage in celebration of artistry, legacy, and the timeless power of great music.
Four iconic voices that have shaped the landscape of soul, R&B, and pop music for decades are coming together once again. Chaka Khan, Patti LaBelle, Gladys Knight, and Stephanie Mills are extending their groundbreaking tour “The Queens! 4 Legends. 1 Stage.” into 2026, marking another chapter in what has become one of the most celebrated concert experiences in recent memory.
After two powerhouse runs that sold out venues nationwide, the legendary quartet will return to the stage Feb. 12, 2026, in Jacksonville, Florida, launching a new series of dates that will conclude Feb. 22, 2026, in Fort Worth, Texas. The announcement comes as fans continue to celebrate a tour that has transcended typical concert expectations, offering instead an extraordinary showcase of artistry, history, and the enduring power of Black musical excellence.
The extension represents more than just additional tour dates. It acknowledges the overwhelming response from audiences who have witnessed something truly special: four women who individually changed the trajectory of popular music now sharing one stage in a celebration of legacy and sisterhood. Each performance has become a masterclass in vocal prowess, showmanship, and the kind of genuine connection that only comes from artists who have spent lifetimes perfecting their craft.
Chaka Khan, the 10-time Grammy Award winner whose dynamic voice and fearless artistry earned her the title “Queen of Funk,” brings decades of hits spanning funk, soul, jazz, and R&B. Her influence extends across generations, with a catalog that includes anthems that remain cultural touchstones.
Patti LaBelle, the Godmother of Soul, continues to captivate audiences with a voice that defies time and convention. Her five-decade career encompasses chart-topping hits, acting roles, and a presence that commands any stage she graces. Her ability to connect emotionally with audiences through song remains unmatched.
Gladys Knight, the seven-time Grammy Award winner known as the Empress of Soul, brings a sophistication and depth that have made her one of the most respected vocalists in music history. From her early success with the Pips to her enduring solo career, Knight represents excellence in its purest form.
Stephanie Mills, the powerhouse vocalist who captivated Broadway and dominated R&B charts, rounds out this historic lineup. Her Tony Award-nominated performance as Dorothy in “The Wiz” launched a career filled with hits that showcased her remarkable range and emotional depth.
Together, these four women represent more than 200 years of combined experience in the music industry. They have broken barriers, set standards, and created soundtracks to countless lives. Their individual contributions to music are immeasurable, but seeing them together offers audiences something increasingly rare: a living history of American popular music presented by the women who helped write it. This tour is not just a celebration of their individual careers, but a testament to the collective impact these women have had on culture, music, and the artists who followed in their footsteps.
The tour has resonated deeply with multigenerational audiences. Younger fans discover the foundational artists who influenced their current favorites, while longtime supporters experience the joy of seeing their musical heroes in an intimate, collaborative setting. Each show becomes a celebration not just of individual careers but of the collective impact these women have had on culture, music, and the artists who followed in their footsteps.
The decision to extend the tour into 2026 reflects both audience demand and the special chemistry these four artists have developed on stage. Their mutual respect and genuine affection for one another translate into performances that feel less like typical concerts and more like gatherings among friends who are among the greatest vocalists of all time.
Presale tickets for the 2026 dates go on sale Thursday, Nov. 13, with general ticket sales beginning Friday, Nov. 15. Given the rapid sellouts of previous tour legs, demand for these new dates is expected to be substantial.
“The Queens! 4 Legends. 1 Stage.” has already established itself as one of the most significant touring events in recent years, offering audiences an increasingly rare opportunity to see living legends perform at the height of their powers. The 2026 extension ensures that more fans across the country will have the chance to witness this historic collaboration, experiencing firsthand the magic that happens when four of music’s most iconic voices share one stage in celebration of artistry, legacy, and the timeless power of great music.
The NY Giants FIRED Coach Brian Daboll after their loss in Chicago
Assistant head coach and offensive coordinator Mike Kafka will serve as the Giants’ interim coach for the remainder of the season. Kafka was a finalist for multiple head coaching jobs over the past two years, suggesting he has legitimate credentials to lead the team through this transition period.
Joe Schoen will remain the team’s general manager and lead the search for the next head coach, despite being part of the same leadership duo that presided over this catastrophic collapse. Mara expressed confidence that Schoen has assembled a good young nucleus of talent, and they look forward to its development under new coaching leadership. Unfortunately, the results over the past three years have not been what anyone wanted or expected.
Mara emphasized they take full responsibility for those results and look forward to the kind of success their passionate fans rightfully expect. Tisch added that these are difficult decisions that ownership doesn’t take lightly, but they feel this is the right thing to do at this time to allow the organization to move forward productively.
No other changes to the coaching staff are being made at the moment, according to sources, meaning Kafka will work with essentially the same assistant coaches who presided over this disaster.
The Giants were 9-7-1 in Brian Daboll’s first season in 2022 and made the playoffs, earning him Coach of the Year honors. Over the past three seasons they’ve gone just 11-33, the second-worst record in the NFL during that span behind only the Tennessee Titans at 10-33. That represents one of the most dramatic collapses in coaching history going from Coach of the Year to fired within three seasons.
Daboll won that prestigious award in his first season with the Giants when they surprisingly went 9-7-1 and won a playoff game in Minnesota. Things have fallen apart catastrophically since then, even though Daboll was considered the driving force behind drafting rookie quarterback Jaxson Dart. The first-round pick has accounted for 17 total touchdowns in his first seven starts, showing promise despite the team’s struggles.
But the Giants still aren’t winning games, and they’ve been blowing leads in absolutely unprecedented fashion this season. New York held double-digit leads in four road games that all ended in losses—a stunning indictment of coaching and execution down the stretch.
Sunday’s loss was the second time this season the Giants lost after leading by at least 10 points with under four minutes remaining. They became just the second team since the NFL merger to accomplish that dubious distinction, joining the 2004 Seattle Seahawks in infamy.
Daboll was 20-40-1 as the Giants’ head coach overall. His .336 winning percentage puts him behind the likes of Ben McAdoo and Ray Perkins, placing him among the worst coaches in franchise history despite that magical first season.
The hotheaded coach had a rocky four years with the Giants filled with incidents that included an ugly public split with defensive coordinator Wink Martindale after the 2023 season and a $100,000 fine earlier this year for approaching the blue medical tent while Dart was being examined for a concussion a clear violation of protocol.
Schoen, at one point along the way, had to personally monitor the coaching headsets to evaluate Daboll’s communication with players and staff. Daboll also flipped a tablet at former quarterback Daniel Jones in a heated sideline moment and replaced a good chunk of his staff over the past two years, creating organizational instability.
Daboll and Schoen were brought back after the team went 3-14 last season, receiving one final chance to turn things around. But they were eventually put on the hot seat when owner Mara said after last season that he expected significantly better results or changes would be made.
Daboll was hired after serving four years as the offensive coordinator for the Buffalo Bills, where he spearheaded the impressive development of quarterback Josh Allen from raw prospect to MVP candidate. Daboll also spent a large part of his career with multiple stints as an assistant under Bill Belichick in New England, learning from one of the greatest coaches in NFL history.
Bills coach Sean McDermott was asked Monday if there would be any consideration to reaching out to Daboll about potentially rejoining Buffalo’s staff in some capacity. McDermott firmly stated that at this point, that’s not under any type of consideration whatsoever, effectively closing the door on any reunion.
The Giants have won just two of their first 10 games for the third straight year a level of sustained failure that makes Daboll’s firing inevitable and overdue in many fans’ eyes.
Shocking brawl erupts at SYTYCD star Joshua Allen's funeral
The funeral of beloved So You Think You Can Dance winner Joshua Allen took a devastating turn when a physical altercation erupted in front of his open casket during services in Texas over the weekend. Video footage circulating online captured the shocking moment that has left the dance community and fans reeling from the disturbing scenes.
The incident occurred when a young woman was leaning over Allen’s casket, reportedly to place a note and give him a final kiss goodbye. Suddenly, an older woman approached and forcefully pulled her away from the casket, triggering an all-out brawl that unfolded in the most sacred moment of the memorial service.
According to Allen’s father Eddie Powell, the woman at the center of the altercation was Allen’s girlfriend, who had received permission from the dancer’s mother Angela Tolbert to attend the funeral services. Powell described the girlfriend as Allen’s heart and emphasized that she came to the service with peaceful intentions.
Powell expressed his outrage over the treatment his son’s girlfriend received, stating that she was simply trying to honor Allen’s memory when members of his mother’s side of the family allegedly assaulted her. He stressed that she had shown nothing but grace, patience and love throughout her relationship with his son.
The incident has brought attention to Allen’s personal struggles in his final months. His father revealed that Allen had been battling mental health issues for an extended period before his death, and that his girlfriend had been actively trying to help him seek professional treatment when law enforcement became involved instead.
Powell’s account paints a picture of a young woman who was deeply committed to Allen’s wellbeing and had hopes of marrying the talented performer. He described their relationship as genuine and loving, making the violent treatment she received at his funeral even more heartbreaking for those who knew the couple.
While Powell maintains that the woman was Allen’s current girlfriend, at least one funeral attendee has claimed online that she was actually his ex-girlfriend. This discrepancy has added another layer of confusion and controversy to an already tragic situation.
The conflicting accounts highlight the complex family dynamics that may have contributed to the violent outburst. Multiple attempts to reach family members on Allen’s mother’s side for clarification have been unsuccessful, leaving questions about the true nature of the relationship and the reasons behind the attack unanswered.
The altercation proved so disturbing that Powell chose not to remain for the rest of his son’s funeral services. The decision to leave during such a significant moment speaks to the severity of the violence and the deep pain it caused family members who wanted to honor Allen’s memory peacefully.
Powell’s departure from his own son’s funeral underscores how the family conflict overshadowed what should have been a celebration of Allen’s life and career. The incident has created lasting divisions within the family at a time when they should be supporting each other through grief.
Allen rose to prominence after winning the fourth season of So You Think You Can Dance, defeating runner-up Stephen tWitch Boss in a memorable competition that showcased his extraordinary talent. His victory on the popular dance competition launched a successful career that included appearances in major Hollywood productions.
The skilled performer went on to star in Step Up 3D in 2010 and the Footloose remake in 2011, bringing his dance expertise to the big screen. His success represented the dreams of countless aspiring dancers who saw him as proof that hard work and talent could lead to mainstream entertainment success.
Allen’s life came to a tragic end on September 30 when he was struck and killed by a train. He was just 36 years old, still in his prime as a performer and with potentially many more years of artistic contribution ahead of him.
The circumstances of his death have raised questions about his mental state and the support systems available to him. His father’s revelation about Allen’s mental health struggles provides context for the tragedy while highlighting the broader issues facing performers in the entertainment industry.
Despite the controversy surrounding the funeral, Powell is determined that his son be remembered for who he was as a human being rather than the circumstances of his death or the violence at his funeral. He described Allen as a beautiful soul who was fighting battles that too many people choose to ignore.
This perspective offers insight into the private struggles that can exist behind public success, reminding fans and the entertainment industry of the importance of mental health support for performers who face unique pressures and challenges throughout their careers.
The funeral of beloved So You Think You Can Dance winner Joshua Allen took a devastating turn when a physical altercation erupted in front of his open casket during services in Texas over the weekend. Video footage circulating online captured the shocking moment that has left the dance community and fans reeling from the disturbing scenes.
The incident occurred when a young woman was leaning over Allen’s casket, reportedly to place a note and give him a final kiss goodbye. Suddenly, an older woman approached and forcefully pulled her away from the casket, triggering an all-out brawl that unfolded in the most sacred moment of the memorial service.
According to Allen’s father Eddie Powell, the woman at the center of the altercation was Allen’s girlfriend, who had received permission from the dancer’s mother Angela Tolbert to attend the funeral services. Powell described the girlfriend as Allen’s heart and emphasized that she came to the service with peaceful intentions.
Powell expressed his outrage over the treatment his son’s girlfriend received, stating that she was simply trying to honor Allen’s memory when members of his mother’s side of the family allegedly assaulted her. He stressed that she had shown nothing but grace, patience and love throughout her relationship with his son.
The incident has brought attention to Allen’s personal struggles in his final months. His father revealed that Allen had been battling mental health issues for an extended period before his death, and that his girlfriend had been actively trying to help him seek professional treatment when law enforcement became involved instead.
Powell’s account paints a picture of a young woman who was deeply committed to Allen’s wellbeing and had hopes of marrying the talented performer. He described their relationship as genuine and loving, making the violent treatment she received at his funeral even more heartbreaking for those who knew the couple.
While Powell maintains that the woman was Allen’s current girlfriend, at least one funeral attendee has claimed online that she was actually his ex-girlfriend. This discrepancy has added another layer of confusion and controversy to an already tragic situation.
The conflicting accounts highlight the complex family dynamics that may have contributed to the violent outburst. Multiple attempts to reach family members on Allen’s mother’s side for clarification have been unsuccessful, leaving questions about the true nature of the relationship and the reasons behind the attack unanswered.
The altercation proved so disturbing that Powell chose not to remain for the rest of his son’s funeral services. The decision to leave during such a significant moment speaks to the severity of the violence and the deep pain it caused family members who wanted to honor Allen’s memory peacefully.
Powell’s departure from his own son’s funeral underscores how the family conflict overshadowed what should have been a celebration of Allen’s life and career. The incident has created lasting divisions within the family at a time when they should be supporting each other through grief.
Allen rose to prominence after winning the fourth season of So You Think You Can Dance, defeating runner-up Stephen tWitch Boss in a memorable competition that showcased his extraordinary talent. His victory on the popular dance competition launched a successful career that included appearances in major Hollywood productions.
The skilled performer went on to star in Step Up 3D in 2010 and the Footloose remake in 2011, bringing his dance expertise to the big screen. His success represented the dreams of countless aspiring dancers who saw him as proof that hard work and talent could lead to mainstream entertainment success.
Allen’s life came to a tragic end on September 30 when he was struck and killed by a train. He was just 36 years old, still in his prime as a performer and with potentially many more years of artistic contribution ahead of him.
The circumstances of his death have raised questions about his mental state and the support systems available to him. His father’s revelation about Allen’s mental health struggles provides context for the tragedy while highlighting the broader issues facing performers in the entertainment industry.
Despite the controversy surrounding the funeral, Powell is determined that his son be remembered for who he was as a human being rather than the circumstances of his death or the violence at his funeral. He described Allen as a beautiful soul who was fighting battles that too many people choose to ignore.
This perspective offers insight into the private struggles that can exist behind public success, reminding fans and the entertainment industry of the importance of mental health support for performers who face unique pressures and challenges throughout their careers.
'Alien: Earth' Renewed For Season 2 at FX, Creator Noah Hawley Signs New Deal With Disney
Get ready for more Alien: Earth!! It was just announced that FX has handed a season two renewal to the series, which premiered on the network this summer, according to Deadline.
Disney Entertainment Television, the TV division of The Walt Disney Company which oversees FX and other networks, has also put it’s faith in Alien: Earth creator Noah Hawley, as they re-upped his overall deal.
“I’m thrilled that this expanded deal opens the door to new opportunities across all of Disney Entertainment Television,” Noah Hawley said. “FX has always supported bold, character-driven storytelling. From the very beginning with Fargo, they’ve encouraged me to take creative risks and follow the story wherever it leads. I’m grateful to continue exploring the world of Alien: Earth alongside our partners, cast, and crew as we begin the next chapter.”
“It has been our great privilege to work with Noah for more than a decade on some of FX’s best and biggest shows, and we are thrilled to extend our partnership well into the future,” FX Chairman John Landgraf shared in a statement. “Noah never stops surprising us with truly original stories— and his unique ability to bring them to vibrant life as a director and producer as well as writer makes him extraordinary. We can’t wait to get to work on the next season of Alien: Earth, as well as some equally exciting future projects in advanced development.”
Disney Entertainment Television, the TV division of The Walt Disney Company which oversees FX and other networks, has also put it’s faith in Alien: Earth creator Noah Hawley, as they re-upped his overall deal.
“I’m thrilled that this expanded deal opens the door to new opportunities across all of Disney Entertainment Television,” Noah Hawley said. “FX has always supported bold, character-driven storytelling. From the very beginning with Fargo, they’ve encouraged me to take creative risks and follow the story wherever it leads. I’m grateful to continue exploring the world of Alien: Earth alongside our partners, cast, and crew as we begin the next chapter.”
“It has been our great privilege to work with Noah for more than a decade on some of FX’s best and biggest shows, and we are thrilled to extend our partnership well into the future,” FX Chairman John Landgraf shared in a statement. “Noah never stops surprising us with truly original stories— and his unique ability to bring them to vibrant life as a director and producer as well as writer makes him extraordinary. We can’t wait to get to work on the next season of Alien: Earth, as well as some equally exciting future projects in advanced development.”
Snoop Dogg’s Future with ‘The Voice’ Uncertain After Backlash Over LGBTQ Remarks
*Network executives at NBC are reportedly reconsidering Snoop Dogg’s position on “The Voice” following homophobic statements he made earlier this year.
According to journalist Rob Shuter’s Substack, the rapper is on “thin ice” with the network, which could impact his entire NBCUniversal deal. The controversy stems from comments Snoop made on the It’s Giving podcast regarding “Lightyear,” a “Toy Story” spin-off featuring a same-sex couple. He described feeling uncomfortable watching the 2022 film with his grandson, stating, “I didn’t come here for this sh*t, I just came to watch the goddamn movie! I’m scared to go to the movies now, y’all throwing me in the middle of sh*t that I don’t have an answer for!”
Network concerns extend beyond just his coaching role on the singing competition. A source told Shuter that executives fear advertiser backlash, explaining, “There’s genuine fear of advertiser revolt. This is a family brand. We cannot risk culture-war headlines.” NBC has already canceled Snoop Dogg’s New Year’s Eve special, which insiders view as a warning sign.
In response to the backlash to his “Lightyear” comments, the 53-year-old hip-hop artist partnered with GLAAD for Spirit Day on October 16. He collaborated with queer musician Jeremy Beloate, a former “The Voice” contestant, on “Love Is Love,” a children’s song for his animated series “Doggyland.” The track promotes acceptance of diverse family structures, including same-sex parents.
Snoop addressed his partnership, saying, “At the end of the day, it’s all about love — that’s what we’re teachin’ the kids with ‘Love Is Love.’ Partnering with GLAAD for Spirit Day just felt right, because spreading love and respect for everybody is what real gangstas do.”
However, sources suggest these efforts may not be enough to salvage his NBC relationship. “The New Year’s axing was the warning shot,” an insider said. “The Voice could be the execution.”
*Network executives at NBC are reportedly reconsidering Snoop Dogg’s position on “The Voice” following homophobic statements he made earlier this year.
According to journalist Rob Shuter’s Substack, the rapper is on “thin ice” with the network, which could impact his entire NBCUniversal deal. The controversy stems from comments Snoop made on the It’s Giving podcast regarding “Lightyear,” a “Toy Story” spin-off featuring a same-sex couple. He described feeling uncomfortable watching the 2022 film with his grandson, stating, “I didn’t come here for this sh*t, I just came to watch the goddamn movie! I’m scared to go to the movies now, y’all throwing me in the middle of sh*t that I don’t have an answer for!”
Network concerns extend beyond just his coaching role on the singing competition. A source told Shuter that executives fear advertiser backlash, explaining, “There’s genuine fear of advertiser revolt. This is a family brand. We cannot risk culture-war headlines.” NBC has already canceled Snoop Dogg’s New Year’s Eve special, which insiders view as a warning sign.
In response to the backlash to his “Lightyear” comments, the 53-year-old hip-hop artist partnered with GLAAD for Spirit Day on October 16. He collaborated with queer musician Jeremy Beloate, a former “The Voice” contestant, on “Love Is Love,” a children’s song for his animated series “Doggyland.” The track promotes acceptance of diverse family structures, including same-sex parents.
Snoop addressed his partnership, saying, “At the end of the day, it’s all about love — that’s what we’re teachin’ the kids with ‘Love Is Love.’ Partnering with GLAAD for Spirit Day just felt right, because spreading love and respect for everybody is what real gangstas do.”
However, sources suggest these efforts may not be enough to salvage his NBC relationship. “The New Year’s axing was the warning shot,” an insider said. “The Voice could be the execution.”
Massive Chinese bridge crumbles just months after debut
A newly constructed bridge in southwest China collapsed into a reservoir just months after opening to traffic, with video footage capturing the dramatic moment the massive structure plunged into the water below. The Hongqi Bridge, measuring 758 meters in length, fell on Tuesday after authorities detected dangerous structural issues that developed rapidly over the preceding hours.
The bridge, located in Maerkang City in Sichuan province, served as a vital link along National Highway 317, connecting the region to Tibet. The structure spanned an impressive gorge carved by the Dadu River and the reservoir formed behind the Shuangjiangkou Dam, making it a critical transportation route for the area.
The catastrophic failure did not occur without warning. Authorities first detected slope deformation near the bridge at 5:25 p.m. on Monday, November 10, prompting immediate concern about the structure’s stability. The deformation was attributed to cracks and shifts in the surrounding rock formations that supported the bridge’s foundations.
Officials moved swiftly to address the escalating situation, working through the evening to evacuate the area and secure the site. By 11 p.m. on Monday, the bridge had been completely shut down and all vehicles that had been on the structure were cleared from the area. Traffic notices were distributed and warning signs were erected around the site to prevent anyone from approaching the dangerous zone.
Despite the quick response from authorities, the situation continued to deteriorate overnight. By Tuesday morning, cracks had appeared on slopes and roadways along the right bank of the bridge, signaling that the structural integrity had been severely compromised. The visible damage indicated that the underlying geological issues were more severe than initially assessed.
The collapse itself occurred later on Tuesday, with a landslide triggering the final failure. A substantial section of the 758-meter bridge crumbled and fell into the dam below, creating a massive cloud of dust and sending debris flying in all directions. The footage of the collapse quickly spread across social media platforms, showing the moment the engineering structure gave way.
In what authorities described as fortunate timing, no injuries were reported as a result of the collapse. The decision to evacuate and close the bridge on Monday evening proved crucial in preventing what could have been a tragic loss of life. All individuals who had been in the vicinity were safely removed before the structure failed.
The absence of casualties stands in stark contrast to the scale of the destruction, with the entire bridge section now resting in the waters of the reservoir below. The successful evacuation demonstrated the effectiveness of the rapid response protocol implemented by local authorities once the initial warning signs were detected.
Questions are now mounting about how a newly completed bridge could fail so catastrophically just months after opening to the public. The structure had been finished earlier this year as part of the National Highway 317 project, which was designed to improve connectivity between Sichuan province and Tibet.
Engineers and authorities will need to investigate whether the collapse was due to inadequate geological surveys before construction, design flaws, construction defects or unforeseen environmental factors affecting the rock formations. The rapid progression from initial deformation to complete collapse in less than 24 hours suggests significant underlying issues with either the geological assessment or the bridge’s foundation design.
The collapse has severed a major transportation link between Sichuan and Tibet, though authorities have not yet announced a timeline for when the highway might reopen. The National Highway 317 serves as an important route for both commercial traffic and travelers, and the loss of this bridge will require either lengthy detours or the construction of a replacement structure.
Local officials are working to assess alternative routes and implement traffic management plans to minimize disruption while determining the next steps. The incident serves as a reminder of the challenges involved in building large-scale infrastructure projects in mountainous regions with complex geology.
The bridge, located in Maerkang City in Sichuan province, served as a vital link along National Highway 317, connecting the region to Tibet. The structure spanned an impressive gorge carved by the Dadu River and the reservoir formed behind the Shuangjiangkou Dam, making it a critical transportation route for the area.
The catastrophic failure did not occur without warning. Authorities first detected slope deformation near the bridge at 5:25 p.m. on Monday, November 10, prompting immediate concern about the structure’s stability. The deformation was attributed to cracks and shifts in the surrounding rock formations that supported the bridge’s foundations.
Officials moved swiftly to address the escalating situation, working through the evening to evacuate the area and secure the site. By 11 p.m. on Monday, the bridge had been completely shut down and all vehicles that had been on the structure were cleared from the area. Traffic notices were distributed and warning signs were erected around the site to prevent anyone from approaching the dangerous zone.
Despite the quick response from authorities, the situation continued to deteriorate overnight. By Tuesday morning, cracks had appeared on slopes and roadways along the right bank of the bridge, signaling that the structural integrity had been severely compromised. The visible damage indicated that the underlying geological issues were more severe than initially assessed.
The collapse itself occurred later on Tuesday, with a landslide triggering the final failure. A substantial section of the 758-meter bridge crumbled and fell into the dam below, creating a massive cloud of dust and sending debris flying in all directions. The footage of the collapse quickly spread across social media platforms, showing the moment the engineering structure gave way.
In what authorities described as fortunate timing, no injuries were reported as a result of the collapse. The decision to evacuate and close the bridge on Monday evening proved crucial in preventing what could have been a tragic loss of life. All individuals who had been in the vicinity were safely removed before the structure failed.
The absence of casualties stands in stark contrast to the scale of the destruction, with the entire bridge section now resting in the waters of the reservoir below. The successful evacuation demonstrated the effectiveness of the rapid response protocol implemented by local authorities once the initial warning signs were detected.
Questions are now mounting about how a newly completed bridge could fail so catastrophically just months after opening to the public. The structure had been finished earlier this year as part of the National Highway 317 project, which was designed to improve connectivity between Sichuan province and Tibet.
Engineers and authorities will need to investigate whether the collapse was due to inadequate geological surveys before construction, design flaws, construction defects or unforeseen environmental factors affecting the rock formations. The rapid progression from initial deformation to complete collapse in less than 24 hours suggests significant underlying issues with either the geological assessment or the bridge’s foundation design.
The collapse has severed a major transportation link between Sichuan and Tibet, though authorities have not yet announced a timeline for when the highway might reopen. The National Highway 317 serves as an important route for both commercial traffic and travelers, and the loss of this bridge will require either lengthy detours or the construction of a replacement structure.
Local officials are working to assess alternative routes and implement traffic management plans to minimize disruption while determining the next steps. The incident serves as a reminder of the challenges involved in building large-scale infrastructure projects in mountainous regions with complex geology.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
Courtesy of P.O.Wm
Made in America!
Or was it?
HAVE A GREAT DAY ALL!!!
EFREM
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